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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B178 it is the complementary color #3A4E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B178 shade: #CAB173, #DBC386, #ECD599, #FDE7AC and #FFF9BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B178 shade: #C5B178, #B49F65, #A38D52, #927B3F and #81692C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B178 shade: #C4B077, #C49B77, #C48677 and #C47777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B178 shade: #C4B077, #C4C477, #AFC477, #9AC477 and #85C477

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B178 shade matches the following richer shades: #C4B077, #D4B867, #E4BF57 and #F3C748

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B178 shade: #C4B077, #B5A987, #A5A196, #959AA6 and #8692B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B178 shade: #C48677, #C49B77, #C4B077, #C4C477 and #B0C477

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B178 shade: #A38B46, #B8A05A, #C4B077, #D1C194 and #DDD2B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B178 shade: #C5B178, #7CC477 and #9177C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B178 shade: #C5B178, #77C4B0 and #B077C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B178 shade: #C5B178, #7CC477, #778CC4 and #BF77C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B178 shade: #C5B178, #77C489, #778CC4 and #C477B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 39 / 23

HEX #C5B178

RGB 197 177 120

HSL 44.42, 0.4%, 0.62%

LAB 72.67, -0.96, 31.79

 

Complementary color

CMYK 57 / 42 / 0 / 47

HEX #3A4E87

RGB 58 78 135

HSL 224.42, 0.4%, 0.38%

LAB 34.19, 10.24, -34.32

 

CMYK 0 / 12 / 43 / 21

HEX #CAB173

RGB 202 177 115

HSL 42.76, 0.45%, 0.62%

LAB 73.05, 0.52, 34.98

 

CMYK 0 / 11 / 39 / 14

HEX #DBC386

RGB 219 195 134

HSL 43.06, 0.54%, 0.69%

LAB 79.51, -0.04, 33.76

 

CMYK 0 / 10 / 35 / 7

HEX #ECD599

RGB 236 213 153

HSL 43.37, 0.69%, 0.76%

LAB 85.87, -0.53, 32.6

 

CMYK 0 / 9 / 32 / 1

HEX #FDE7AC

RGB 253 231 172

HSL 43.7, 0.95%, 0.83%

LAB 92.14, -0.95, 31.5

 

CMYK 0 / 2 / 25 / 0

HEX #FFF9BF

RGB 255 249 191

HSL 54.38, 1%, 0.87%

LAB 97.14, -6.84, 28.63

 

CMYK 0 / 10 / 39 / 23

HEX #C5B178

RGB 197 177 120

HSL 44.42, 0.4%, 0.62%

LAB 72.67, -0.96, 31.79

 

CMYK 0 / 12 / 44 / 29

HEX #B49F65

RGB 180 159 101

HSL 44.05, 0.34%, 0.55%

LAB 66.09, -0.4, 33.04

 

CMYK 0 / 13 / 50 / 36

HEX #A38D52

RGB 163 141 82

HSL 43.7, 0.33%, 0.48%

LAB 59.38, 0.27, 34.35

 

CMYK 0 / 16 / 57 / 43

HEX #927B3F

RGB 146 123 63

HSL 43.37, 0.4%, 0.41%

LAB 52.55, 1.1, 35.69

 

CMYK 0 / 19 / 66 / 49

HEX #81692C

RGB 129 105 44

HSL 43.06, 0.49%, 0.34%

LAB 45.57, 2.15, 37

 

CMYK 0 / 10 / 39 / 23

HEX #C4B077

RGB 196 176 119

HSL 44.42, 0.39%, 0.62%

LAB 72.31, -0.95, 31.82

 

CMYK 0 / 21 / 39 / 23

HEX #C49B77

RGB 196 155 119

HSL 28.05, 0.39%, 0.62%

LAB 66.91, 10.38, 24.69

 

CMYK 0 / 32 / 39 / 23

HEX #C48677

RGB 196 134 119

HSL 11.69, 0.39%, 0.62%

LAB 61.76, 21.93, 17.7

 

CMYK 0 / 39 / 39 / 23

HEX #C47777

RGB 196 119 119

HSL 0, 0.39%, 0.62%

LAB 58.28, 30.13, 12.89

 

CMYK 0 / 10 / 39 / 23

HEX #C4B077

RGB 196 176 119

HSL 44.42, 0.39%, 0.62%

LAB 72.31, -0.95, 31.82

 

CMYK 0 / 0 / 39 / 23

HEX #C4C477

RGB 196 196 119

HSL 60, 0.39%, 0.62%

LAB 77.61, -11.39, 38.63

 

CMYK 11 / 0 / 39 / 23

HEX #AFC477

RGB 175 196 119

HSL 76.36, 0.39%, 0.62%

LAB 76.02, -19.64, 36.29

 

CMYK 21 / 0 / 39 / 23

HEX #9AC477

RGB 154 196 119

HSL 92.73, 0.39%, 0.62%

LAB 74.62, -27.53, 34.21

 

CMYK 32 / 0 / 39 / 23

HEX #85C477

RGB 133 196 119

HSL 109.09, 0.39%, 0.62%

LAB 73.41, -34.9, 32.41

 

CMYK 0 / 10 / 39 / 23

HEX #C4B077

RGB 196 176 119

HSL 44.42, 0.39%, 0.62%

LAB 72.31, -0.95, 31.82

 

CMYK 0 / 13 / 51 / 17

HEX #D4B867

RGB 212 184 103

HSL 44.59, 0.56%, 0.62%

LAB 75.61, -0.22, 44.5

 

CMYK 0 / 16 / 62 / 11

HEX #E4BF57

RGB 228 191 87

HSL 44.26, 0.72%, 0.62%

LAB 78.72, 1.57, 56.11

 

CMYK 0 / 18 / 70 / 5

HEX #F3C748

RGB 243 199 72

HSL 44.56, 0.88%, 0.62%

LAB 82.04, 2.87, 66.44

 

CMYK 0 / 10 / 39 / 23

HEX #C4B077

RGB 196 176 119

HSL 44.42, 0.39%, 0.62%

LAB 72.31, -0.95, 31.82

 

CMYK 0 / 7 / 25 / 29

HEX #B5A987

RGB 181 169 135

HSL 44.35, 0.24%, 0.62%

LAB 69.43, -1.15, 19.14

 

CMYK 0 / 2 / 9 / 35

HEX #A5A196

RGB 165 161 150

HSL 44, 0.08%, 0.62%

LAB 66.28, -0.55, 6.23

 

CMYK 10 / 7 / 0 / 35

HEX #959AA6

RGB 149 154 166

HSL 222.35, 0.09%, 0.62%

LAB 63.55, 0.66, -6.88

 

CMYK 26 / 20 / 0 / 29

HEX #8692B6

RGB 134 146 182

HSL 225, 0.25%, 0.62%

LAB 60.78, 3.9, -20.2

 

CMYK 0 / 32 / 39 / 23

HEX #C48677

RGB 196 134 119

HSL 11.69, 0.39%, 0.62%

LAB 61.76, 21.93, 17.7

 

CMYK 0 / 21 / 39 / 23

HEX #C49B77

RGB 196 155 119

HSL 28.05, 0.39%, 0.62%

LAB 66.91, 10.38, 24.69

 

CMYK 0 / 10 / 39 / 23

HEX #C4B077

RGB 196 176 119

HSL 44.42, 0.39%, 0.62%

LAB 72.31, -0.95, 31.82

 

CMYK 0 / 0 / 39 / 23

HEX #C4C477

RGB 196 196 119

HSL 60, 0.39%, 0.62%

LAB 77.61, -11.39, 38.63

 

CMYK 10 / 0 / 39 / 23

HEX #B0C477

RGB 176 196 119

HSL 75.58, 0.39%, 0.62%

LAB 76.09, -19.25, 36.39

 

CMYK 0 / 15 / 57 / 36

HEX #A38B46

RGB 163 139 70

HSL 44.52, 0.4%, 0.46%

LAB 58.69, 0.3, 39.74

 

CMYK 0 / 13 / 51 / 28

HEX #B8A05A

RGB 184 160 90

HSL 44.68, 0.4%, 0.54%

LAB 66.57, -0.35, 39.46

 

CMYK 0 / 10 / 39 / 23

HEX #C4B077

RGB 196 176 119

HSL 44.42, 0.39%, 0.62%

LAB 72.31, -0.95, 31.82

 

CMYK 0 / 8 / 29 / 18

HEX #D1C194

RGB 209 193 148

HSL 44.26, 0.4%, 0.7%

LAB 78.36, -1.22, 24.74

 

CMYK 0 / 5 / 20 / 13

HEX #DDD2B1

RGB 221 210 177

HSL 45, 0.39%, 0.78%

LAB 84.3, -1.5, 17.74

 

CMYK 0 / 10 / 39 / 23

HEX #C5B178

RGB 197 177 120

HSL 44.42, 0.4%, 0.62%

LAB 72.67, -0.96, 31.79

 

CMYK 37 / 0 / 39 / 23

HEX #7CC477

RGB 124 196 119

HSL 116.1, 0.39%, 0.62%

LAB 72.96, -37.85, 31.72

 

CMYK 26 / 39 / 0 / 23

HEX #9177C4

RGB 145 119 196

HSL 260.26, 0.39%, 0.62%

LAB 55.28, 26.4, -36.6

 

CMYK 0 / 10 / 39 / 23

HEX #C5B178

RGB 197 177 120

HSL 44.42, 0.4%, 0.62%

LAB 72.67, -0.96, 31.79

 

CMYK 39 / 0 / 10 / 23

HEX #77C4B0

RGB 119 196 176

HSL 164.42, 0.39%, 0.62%

LAB 73.89, -28.46, 2.56

 

CMYK 10 / 39 / 0 / 23

HEX #B077C4

RGB 176 119 196

HSL 284.42, 0.39%, 0.62%

LAB 58.42, 35.76, -31.45

 

CMYK 0 / 10 / 39 / 23

HEX #C5B178

RGB 197 177 120

HSL 44.42, 0.4%, 0.62%

LAB 72.67, -0.96, 31.79

 

CMYK 37 / 0 / 39 / 23

HEX #7CC477

RGB 124 196 119

HSL 116.1, 0.39%, 0.62%

LAB 72.96, -37.85, 31.72

 

CMYK 39 / 29 / 0 / 23

HEX #778CC4

RGB 119 140 196

HSL 223.64, 0.39%, 0.62%

LAB 58.66, 6.66, -31.47

 

CMYK 3 / 39 / 0 / 23

HEX #BF77C4

RGB 191 119 196

HSL 296.1, 0.39%, 0.62%

LAB 60.12, 40.39, -28.69

 

CMYK 0 / 10 / 39 / 23

HEX #C5B178

RGB 197 177 120

HSL 44.42, 0.4%, 0.62%

LAB 72.67, -0.96, 31.79

 

CMYK 39 / 0 / 30 / 23

HEX #77C489

RGB 119 196 137

HSL 134.03, 0.39%, 0.62%

LAB 73.03, -36.41, 22.33

 

CMYK 39 / 29 / 0 / 23

HEX #778CC4

RGB 119 140 196

HSL 223.64, 0.39%, 0.62%

LAB 58.66, 6.66, -31.47

 

CMYK 0 / 39 / 9 / 23

HEX #C477B2

RGB 196 119 178

HSL 314.03, 0.39%, 0.62%

LAB 60.02, 38.72, -18.55

 

Description

Color code: HEX #C5B178 | qconv.com Color code: HEX #C5B178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 177 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 177 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 39 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 39% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - masa-biscuits-500.jp...
Link: http://dailywaffle.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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