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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B1EB it is the complementary color #3A4E14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B1EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B1EB shade: #CAB1E6, #DBC3F9, #ECD5FF, #FDE7FF and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B1EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B1EB shade: #C5B1EB, #B49FD8, #A38DC5, #927BB2 and #81699F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B1EB shade: #C5B1EB, #D5B1EB, #E4B1EB, #EBB1E2 and #EBB1D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B1EB shade: #C5B1EB, #B6B1EB and #B1B1EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B1EB shade matches the following richer shades: #C5B1EB, #C3AAF2 and #C0A2FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B1EB shade: #C5B1EB, #C8B9E3, #CAC1DB, #CCC9D3 and #CFD1CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B1EB shade: #B1BDEB, #B5B1EB, #C5B1EB, #D4B1EB and #E3B1EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B1EB shade: #9470DA, #AD91E2, #C5B1EB, #DED2F3 and #F6F3FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B1EB shade: #C5B1EB, #EBB1CC and #B5EBB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B1EB shade: #C5B1EB, #EBC5B1 and #B1EBC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B1EB shade: #C5B1EB, #EBB1CC, #D8EBB1 and #B1EBD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B1EB shade: #C5B1EB, #EBB1BB, #D8EBB1 and #B1EBE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

Complementary color

CMYK 26 / 0 / 74 / 69

HEX #3A4E14

RGB 58 78 20

HSL 80.69, 0.59%, 0.19%

LAB 30.4, -17.83, 30.46

 

CMYK 12 / 23 / 0 / 10

HEX #CAB1E6

RGB 202 177 230

HSL 268.3, 0.51%, 0.8%

LAB 75.89, 18.95, -23.22

 

CMYK 12 / 22 / 0 / 2

HEX #DBC3F9

RGB 219 195 249

HSL 266.67, 0.82%, 0.87%

LAB 82.34, 18.49, -23.49

 

CMYK 7 / 16 / 0 / 0

HEX #ECD5FF

RGB 236 213 255

HSL 272.86, 1%, 0.92%

LAB 88.28, 15.5, -17.56

 

CMYK 1 / 9 / 0 / 0

HEX #FDE7FF

RGB 253 231 255

HSL 295, 1%, 0.95%

LAB 93.99, 11.61, -8.87

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 17 / 26 / 0 / 15

HEX #B49FD8

RGB 180 159 216

HSL 262.11, 0.42%, 0.74%

LAB 69.08, 18.93, -26.15

 

CMYK 17 / 28 / 0 / 23

HEX #A38DC5

RGB 163 141 197

HSL 263.57, 0.33%, 0.66%

LAB 62.4, 19.47, -25.98

 

CMYK 18 / 31 / 0 / 30

HEX #927BB2

RGB 146 123 178

HSL 265.09, 0.26%, 0.59%

LAB 55.57, 20.06, -25.83

 

CMYK 19 / 34 / 0 / 38

HEX #81699F

RGB 129 105 159

HSL 266.67, 0.22%, 0.52%

LAB 48.6, 20.72, -25.7

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 9 / 25 / 0 / 8

HEX #D5B1EB

RGB 213 177 235

HSL 277.24, 0.59%, 0.81%

LAB 77.03, 23.47, -24.1

 

CMYK 3 / 25 / 0 / 8

HEX #E4B1EB

RGB 228 177 235

HSL 292.76, 0.59%, 0.81%

LAB 78.42, 28.28, -21.86

 

CMYK 0 / 25 / 4 / 8

HEX #EBB1E2

RGB 235 177 226

HSL 309.31, 0.59%, 0.81%

LAB 78.81, 28.92, -16.35

 

CMYK 0 / 25 / 11 / 8

HEX #EBB1D2

RGB 235 177 210

HSL 325.86, 0.59%, 0.81%

LAB 78.32, 26.18, -8.42

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 23 / 25 / 0 / 8

HEX #B6B1EB

RGB 182 177 235

HSL 245.17, 0.59%, 0.81%

LAB 74.44, 13.84, -28.31

 

CMYK 25 / 25 / 0 / 8

HEX #B1B1EB

RGB 177 177 235

HSL 240, 0.59%, 0.81%

LAB 74.05, 12.34, -28.93

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 19 / 30 / 0 / 5

HEX #C3AAF2

RGB 195 170 242

HSL 260.83, 0.73%, 0.81%

LAB 74.04, 23.21, -32.63

 

CMYK 23 / 35 / 0 / 2

HEX #C0A2FA

RGB 192 162 250

HSL 260.45, 0.9%, 0.81%

LAB 72.19, 28.56, -39.85

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 12 / 19 / 0 / 11

HEX #C8B9E3

RGB 200 185 227

HSL 261.43, 0.43%, 0.81%

LAB 77.59, 13.32, -19.04

 

CMYK 8 / 12 / 0 / 14

HEX #CAC1DB

RGB 202 193 219

HSL 260.77, 0.27%, 0.81%

LAB 79.51, 8.03, -11.83

 

CMYK 3 / 5 / 0 / 17

HEX #CCC9D3

RGB 204 201 211

HSL 258, 0.1%, 0.81%

LAB 81.46, 2.89, -4.61

 

CMYK 1 / 0 / 3 / 18

HEX #CFD1CB

RGB 207 209 203

HSL 80, 0.06%, 0.81%

LAB 83.54, -1.76, 2.72

 

CMYK 25 / 20 / 0 / 8

HEX #B1BDEB

RGB 177 189 235

HSL 227.59, 0.59%, 0.81%

LAB 77.13, 5.76, -24.23

 

CMYK 23 / 25 / 0 / 8

HEX #B5B1EB

RGB 181 177 235

HSL 244.14, 0.59%, 0.81%

LAB 74.36, 13.54, -28.43

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 10 / 25 / 0 / 8

HEX #D4B1EB

RGB 212 177 235

HSL 276.21, 0.59%, 0.81%

LAB 76.94, 23.16, -24.25

 

CMYK 3 / 25 / 0 / 8

HEX #E3B1EB

RGB 227 177 235

HSL 291.72, 0.59%, 0.81%

LAB 78.33, 27.96, -22.01

 

CMYK 32 / 49 / 0 / 15

HEX #9470DA

RGB 148 112 218

HSL 260.38, 0.59%, 0.65%

LAB 55.02, 36.81, -49.46

 

CMYK 23 / 36 / 0 / 11

HEX #AD91E2

RGB 173 145 226

HSL 260.74, 0.58%, 0.73%

LAB 65.46, 26.95, -37.33

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 9 / 14 / 0 / 5

HEX #DED2F3

RGB 222 210 243

HSL 261.82, 0.58%, 0.89%

LAB 86.05, 10.24, -14.67

 

CMYK 2 / 4 / 0 / 1

HEX #F6F3FC

RGB 246 243 252

HSL 260, 0.6%, 0.97%

LAB 96.3, 2.6, -3.97

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 0 / 25 / 13 / 8

HEX #EBB1CC

RGB 235 177 204

HSL 332.07, 0.59%, 0.81%

LAB 78.15, 25.19, -5.41

 

CMYK 23 / 0 / 25 / 8

HEX #B5EBB1

RGB 181 235 177

HSL 115.86, 0.59%, 0.81%

LAB 88.17, -28.09, 22.69

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 0 / 16 / 25 / 8

HEX #EBC5B1

RGB 235 197 177

HSL 20.69, 0.59%, 0.81%

LAB 82.25, 10.5, 15.05

 

CMYK 25 / 0 / 16 / 8

HEX #B1EBC5

RGB 177 235 197

HSL 140.69, 0.59%, 0.81%

LAB 88.35, -25.89, 12.54

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 0 / 25 / 13 / 8

HEX #EBB1CC

RGB 235 177 204

HSL 332.07, 0.59%, 0.81%

LAB 78.15, 25.19, -5.41

 

CMYK 8 / 0 / 25 / 8

HEX #D8EBB1

RGB 216 235 177

HSL 79.66, 0.59%, 0.81%

LAB 90.41, -15.98, 26.12

 

CMYK 25 / 0 / 11 / 8

HEX #B1EBD0

RGB 177 235 208

HSL 152.07, 0.59%, 0.81%

LAB 88.6, -23.79, 7.15

 

CMYK 16 / 25 / 0 / 8

HEX #C5B1EB

RGB 197 177 235

HSL 260.69, 0.59%, 0.81%

LAB 75.65, 18.44, -26.35

 

CMYK 0 / 25 / 20 / 8

HEX #EBB1BB

RGB 235 177 187

HSL 349.66, 0.59%, 0.81%

LAB 77.69, 22.55, 3.16

 

CMYK 8 / 0 / 25 / 8

HEX #D8EBB1

RGB 216 235 177

HSL 79.66, 0.59%, 0.81%

LAB 90.41, -15.98, 26.12

 

CMYK 25 / 0 / 4 / 8

HEX #B1EBE1

RGB 177 235 225

HSL 169.66, 0.59%, 0.81%

LAB 89.02, -20.36, -1.13

 

Description

Color code: HEX #C5B1EB | qconv.com Color code: HEX #C5B1EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 177 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 177 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 25 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 25% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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