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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B225 it is the complementary color #3A4DDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B225 shade: #CAB220, #DBC433, #ECD646, #FDE859 and #FFFA6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B225 shade: #C5B225, #B4A012, #A38E00, #927C00 and #816A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B225 shade: #C5B225, #C58725, #C55C25, #C53125 and #C52525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B225 shade: #C5B225, #ACC525, #81C525, #56C525 and #2BC525

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B225 shade matches the following richer shades: #C5B225 and #D8C012

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B225 shade: #C5B225, #B2A338, #9F954B, #8C865E and #797871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B225 shade: #C55A25, #C58525, #C5AF25, #AFC525 and #85C525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B225 shade: #7F7318, #A2921E, #C5B225, #D9C63A and #E0D05C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B225 shade: #C5B225, #25C530 and #6F25C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B225 shade: #C5B225, #25C5AF and #AF25C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B225 shade: #C5B225, #25C530, #253AC5 and #C525BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B225 shade: #C5B225, #25C560, #253AC5 and #C5258A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

Complementary color

CMYK 73 / 65 / 0 / 15

HEX #3A4DDA

RGB 58 77 218

HSL 232.88, 0.68%, 0.54%

LAB 40.03, 40.5, -74.02

 

CMYK 0 / 12 / 84 / 21

HEX #CAB220

RGB 202 178 32

HSL 51.53, 0.73%, 0.46%

LAB 72.56, -5.37, 69.56

 

CMYK 0 / 11 / 77 / 14

HEX #DBC433

RGB 219 196 51

HSL 51.79, 0.7%, 0.53%

LAB 78.91, -6.7, 70.23

 

CMYK 0 / 9 / 70 / 7

HEX #ECD646

RGB 236 214 70

HSL 52.05, 0.81%, 0.6%

LAB 85.18, -7.83, 70.13

 

CMYK 0 / 8 / 65 / 1

HEX #FDE859

RGB 253 232 89

HSL 52.32, 0.98%, 0.67%

LAB 91.38, -8.8, 69.56

 

CMYK 0 / 2 / 58 / 0

HEX #FFFA6C

RGB 255 250 108

HSL 57.96, 1%, 0.71%

LAB 96.29, -15.64, 67.06

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 0 / 11 / 90 / 29

HEX #B4A012

RGB 180 160 18

HSL 52.59, 0.82%, 0.39%

LAB 65.66, -5.97, 66.22

 

CMYK 0 / 13 / 100 / 36

HEX #A38E00

RGB 163 142 0

HSL 52.27, 1%, 0.32%

LAB 59.1, -4.29, 63.37

 

CMYK 0 / 15 / 100 / 43

HEX #927C00

RGB 146 124 0

HSL 50.96, 1%, 0.29%

LAB 52.43, -2.27, 57.86

 

CMYK 0 / 18 / 100 / 49

HEX #816A00

RGB 129 106 0

HSL 49.3, 1%, 0.25%

LAB 45.6, -0.16, 52.22

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 0 / 31 / 81 / 23

HEX #C58725

RGB 197 135 37

HSL 36.75, 0.68%, 0.46%

LAB 61.07, 15.71, 57.96

 

CMYK 0 / 53 / 81 / 23

HEX #C55C25

RGB 197 92 37

HSL 20.63, 0.68%, 0.46%

LAB 51.45, 38.71, 49.19

 

CMYK 0 / 75 / 81 / 23

HEX #C53125

RGB 197 49 37

HSL 4.5, 0.68%, 0.46%

LAB 44.52, 57.17, 42.61

 

CMYK 0 / 81 / 81 / 23

HEX #C52525

RGB 197 37 37

HSL 0, 0.68%, 0.46%

LAB 43.25, 60.73, 41.37

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 13 / 0 / 81 / 23

HEX #ACC525

RGB 172 197 37

HSL 69.38, 0.68%, 0.46%

LAB 75.35, -27.64, 69.71

 

CMYK 35 / 0 / 81 / 23

HEX #81C525

RGB 129 197 37

HSL 85.5, 0.68%, 0.46%

LAB 72.72, -44.43, 66.36

 

CMYK 56 / 0 / 81 / 23

HEX #56C525

RGB 86 197 37

HSL 101.63, 0.68%, 0.46%

LAB 70.9, -57.94, 64.04

 

CMYK 78 / 0 / 81 / 23

HEX #2BC525

RGB 43 197 37

HSL 117.75, 0.68%, 0.46%

LAB 69.88, -66.49, 62.73

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 0 / 11 / 92 / 15

HEX #D8C012

RGB 216 192 18

HSL 52.73, 0.85%, 0.46%

LAB 77.48, -6.79, 76.78

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 0 / 8 / 69 / 30

HEX #B2A338

RGB 178 163 56

HSL 52.62, 0.52%, 0.46%

LAB 66.48, -7.05, 55.13

 

CMYK 0 / 6 / 53 / 38

HEX #9F954B

RGB 159 149 75

HSL 52.86, 0.36%, 0.46%

LAB 61.11, -6.49, 39.97

 

CMYK 0 / 4 / 33 / 45

HEX #8C865E

RGB 140 134 94

HSL 52.17, 0.2%, 0.46%

LAB 55.52, -4.27, 22.39

 

CMYK 0 / 1 / 7 / 53

HEX #797871

RGB 121 120 113

HSL 52.5, 0.03%, 0.46%

LAB 50.32, -0.98, 3.97

 

CMYK 0 / 54 / 81 / 23

HEX #C55A25

RGB 197 90 37

HSL 19.88, 0.68%, 0.46%

LAB 51.06, 39.72, 48.82

 

CMYK 0 / 32 / 81 / 23

HEX #C58525

RGB 197 133 37

HSL 36, 0.68%, 0.46%

LAB 60.59, 16.81, 57.53

 

CMYK 0 / 11 / 81 / 23

HEX #C5AF25

RGB 197 175 37

HSL 51.75, 0.68%, 0.46%

LAB 71.33, -5.85, 66.98

 

CMYK 11 / 0 / 81 / 23

HEX #AFC525

RGB 175 197 37

HSL 68.25, 0.68%, 0.46%

LAB 75.56, -26.39, 69.97

 

CMYK 32 / 0 / 81 / 23

HEX #85C525

RGB 133 197 37

HSL 84, 0.68%, 0.46%

LAB 72.93, -42.97, 66.63

 

CMYK 0 / 9 / 81 / 50

HEX #7F7318

RGB 127 115 24

HSL 53.01, 0.68%, 0.3%

LAB 48.06, -5.62, 47.95

 

CMYK 0 / 10 / 81 / 36

HEX #A2921E

RGB 162 146 30

HSL 52.73, 0.69%, 0.38%

LAB 60.19, -6.28, 58.07

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 0 / 9 / 73 / 15

HEX #D9C63A

RGB 217 198 58

HSL 52.83, 0.68%, 0.54%

LAB 79.3, -8.29, 68.17

 

CMYK 0 / 7 / 59 / 12

HEX #E0D05C

RGB 224 208 92

HSL 52.73, 0.68%, 0.62%

LAB 82.77, -8.5, 58.28

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 81 / 0 / 76 / 23

HEX #25C530

RGB 37 197 48

HSL 124.13, 0.68%, 0.46%

LAB 69.85, -66.52, 59.31

 

CMYK 44 / 81 / 0 / 23

HEX #6F25C5

RGB 111 37 197

HSL 267.75, 0.68%, 0.46%

LAB 35.47, 61.49, -69.18

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 81 / 0 / 11 / 23

HEX #25C5AF

RGB 37 197 175

HSL 171.75, 0.68%, 0.46%

LAB 71.84, -44.09, -0.17

 

CMYK 11 / 81 / 0 / 23

HEX #AF25C5

RGB 175 37 197

HSL 291.75, 0.68%, 0.46%

LAB 44.9, 71.86, -53.43

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 81 / 0 / 76 / 23

HEX #25C530

RGB 37 197 48

HSL 124.13, 0.68%, 0.46%

LAB 69.85, -66.52, 59.31

 

CMYK 81 / 71 / 0 / 23

HEX #253AC5

RGB 37 58 197

HSL 232.13, 0.68%, 0.46%

LAB 32.81, 42.88, -73.77

 

CMYK 0 / 81 / 6 / 23

HEX #C525BA

RGB 197 37 186

HSL 304.13, 0.68%, 0.46%

LAB 47.93, 74.26, -41.96

 

CMYK 0 / 10 / 81 / 23

HEX #C5B225

RGB 197 178 37

HSL 52.88, 0.68%, 0.46%

LAB 72.12, -7.41, 67.68

 

CMYK 81 / 0 / 51 / 23

HEX #25C560

RGB 37 197 96

HSL 142.13, 0.68%, 0.46%

LAB 70.3, -61.11, 39.41

 

CMYK 81 / 71 / 0 / 23

HEX #253AC5

RGB 37 58 197

HSL 232.13, 0.68%, 0.46%

LAB 32.81, 42.88, -73.77

 

CMYK 0 / 81 / 30 / 23

HEX #C5258A

RGB 197 37 138

HSL 322.13, 0.68%, 0.46%

LAB 45.67, 67.95, -16.87

 

Description

Color code: HEX #C5B225 | qconv.com Color code: HEX #C5B225 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 178 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 178 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 81 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 81% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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