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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B295 it is the complementary color #3A4D6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B295. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B295 shade: #CAB290, #DBC4A3, #ECD6B6, #FDE8C9 and #FFFADC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B295. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B295 shade: #C5B295, #B4A082, #A38E6F, #927C5C and #816A49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B295 shade: #C5B295, #C5A595, #C59895 and #C59595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B295 shade: #C5B295, #C5BF95, #BEC595, #B1C595 and #A4C595

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B295 shade matches the following richer shades: #C5B295, #D2B588, #DFB77B, #ECBA6E and #F9BD60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B295 shade: #C5B295, #B7AFA2, #AAACB0, #9DAABD and #90A7CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B295 shade: #C59895, #C5A595, #C5B295, #C5BE95 and #BEC595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B295 shade: #A78B60, #B69E7B, #C5B295, #D3C5B0 and #E2D9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B295 shade: #C5B295, #9FC595 and #9F95C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B295 shade: #C5B295, #95C5B2 and #B295C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B295 shade: #C5B295, #9FC595, #95A8C5 and #BB95C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B295 shade: #C5B295, #95C59A, #95A8C5 and #C595C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

Complementary color

CMYK 45 / 27 / 0 / 58

HEX #3A4D6A

RGB 58 77 106

HSL 216.25, 0.29%, 0.32%

LAB 32.36, 1.12, -19.13

 

CMYK 0 / 12 / 29 / 21

HEX #CAB290

RGB 202 178 144

HSL 35.17, 0.35%, 0.68%

LAB 73.81, 3.48, 20.56

 

CMYK 0 / 11 / 26 / 14

HEX #DBC4A3

RGB 219 196 163

HSL 35.36, 0.44%, 0.75%

LAB 80.28, 3.06, 19.54

 

CMYK 0 / 9 / 23 / 7

HEX #ECD6B6

RGB 236 214 182

HSL 35.56, 0.59%, 0.82%

LAB 86.65, 2.7, 18.58

 

CMYK 0 / 8 / 21 / 1

HEX #FDE8C9

RGB 253 232 201

HSL 35.77, 0.93%, 0.89%

LAB 92.93, 2.37, 17.68

 

CMYK 0 / 2 / 14 / 0

HEX #FFFADC

RGB 255 250 220

HSL 51.43, 1%, 0.93%

LAB 97.95, -3.22, 14.99

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 0 / 11 / 28 / 29

HEX #B4A082

RGB 180 160 130

HSL 36, 0.25%, 0.61%

LAB 66.87, 2.63, 18.34

 

CMYK 0 / 13 / 32 / 36

HEX #A38E6F

RGB 163 142 111

HSL 35.77, 0.22%, 0.54%

LAB 60.14, 3.09, 19.44

 

CMYK 0 / 15 / 37 / 43

HEX #927C5C

RGB 146 124 92

HSL 35.56, 0.23%, 0.47%

LAB 53.28, 3.64, 20.63

 

CMYK 0 / 18 / 43 / 49

HEX #816A49

RGB 129 106 73

HSL 35.36, 0.28%, 0.4%

LAB 46.25, 4.31, 21.94

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 0 / 16 / 24 / 23

HEX #C5A595

RGB 197 165 149

HSL 20, 0.29%, 0.68%

LAB 70.14, 9.25, 12.66

 

CMYK 0 / 23 / 24 / 23

HEX #C59895

RGB 197 152 149

HSL 3.75, 0.29%, 0.68%

LAB 66.9, 16.37, 8.06

 

CMYK 0 / 24 / 24 / 23

HEX #C59595

RGB 197 149 149

HSL 0, 0.29%, 0.68%

LAB 66.16, 18.02, 7.01

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 0 / 3 / 24 / 23

HEX #C5BF95

RGB 197 191 149

HSL 52.5, 0.29%, 0.68%

LAB 76.86, -4.65, 22

 

CMYK 4 / 0 / 24 / 23

HEX #BEC595

RGB 190 197 149

HSL 68.75, 0.29%, 0.68%

LAB 77.9, -10.42, 23.33

 

CMYK 10 / 0 / 24 / 23

HEX #B1C595

RGB 177 197 149

HSL 85, 0.29%, 0.68%

LAB 76.95, -15.26, 21.87

 

CMYK 17 / 0 / 24 / 23

HEX #A4C595

RGB 164 197 149

HSL 101.25, 0.29%, 0.68%

LAB 76.07, -19.97, 20.52

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 0 / 14 / 35 / 18

HEX #D2B588

RGB 210 181 136

HSL 36.49, 0.45%, 0.68%

LAB 75.16, 4, 26.8

 

CMYK 0 / 18 / 45 / 13

HEX #DFB77B

RGB 223 183 123

HSL 36, 0.61%, 0.68%

LAB 76.67, 6.7, 35.86

 

CMYK 0 / 21 / 53 / 7

HEX #ECBA6E

RGB 236 186 110

HSL 36.19, 0.77%, 0.68%

LAB 78.51, 9.21, 45.06

 

CMYK 0 / 24 / 61 / 2

HEX #F9BD60

RGB 249 189 96

HSL 36.47, 0.93%, 0.68%

LAB 80.39, 11.94, 54.41

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 0 / 4 / 11 / 28

HEX #B7AFA2

RGB 183 175 162

HSL 37.14, 0.13%, 0.68%

LAB 71.78, 0.58, 7.67

 

CMYK 3 / 2 / 0 / 31

HEX #AAACB0

RGB 170 172 176

HSL 220, 0.04%, 0.68%

LAB 70.31, 0.07, -2.3

 

CMYK 17 / 10 / 0 / 26

HEX #9DAABD

RGB 157 170 189

HSL 215.63, 0.2%, 0.68%

LAB 69.18, -0.54, -11.27

 

CMYK 29 / 17 / 0 / 21

HEX #90A7CA

RGB 144 167 202

HSL 216.21, 0.35%, 0.68%

LAB 67.9, 0.08, -20.48

 

CMYK 0 / 23 / 24 / 23

HEX #C59895

RGB 197 152 149

HSL 3.75, 0.29%, 0.68%

LAB 66.9, 16.37, 8.06

 

CMYK 0 / 16 / 24 / 23

HEX #C5A595

RGB 197 165 149

HSL 20, 0.29%, 0.68%

LAB 70.14, 9.25, 12.66

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 0 / 4 / 24 / 23

HEX #C5BE95

RGB 197 190 149

HSL 51.25, 0.29%, 0.68%

LAB 76.6, -4.12, 21.64

 

CMYK 4 / 0 / 24 / 23

HEX #BEC595

RGB 190 197 149

HSL 68.75, 0.29%, 0.68%

LAB 77.9, -10.42, 23.33

 

CMYK 0 / 17 / 43 / 35

HEX #A78B60

RGB 167 139 96

HSL 36.34, 0.29%, 0.52%

LAB 59.46, 4.57, 26.94

 

CMYK 0 / 13 / 32 / 29

HEX #B69E7B

RGB 182 158 123

HSL 35.59, 0.29%, 0.6%

LAB 66.39, 3.58, 21.57

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 0 / 7 / 17 / 17

HEX #D3C5B0

RGB 211 197 176

HSL 36, 0.28%, 0.76%

LAB 80.13, 1.45, 12.29

 

CMYK 0 / 4 / 11 / 11

HEX #E2D9CA

RGB 226 217 202

HSL 37.5, 0.29%, 0.84%

LAB 87.03, 0.55, 8.47

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 19 / 0 / 24 / 23

HEX #9FC595

RGB 159 197 149

HSL 107.5, 0.29%, 0.68%

LAB 75.74, -21.73, 20.02

 

CMYK 19 / 24 / 0 / 23

HEX #9F95C5

RGB 159 149 197

HSL 252.5, 0.29%, 0.68%

LAB 64.08, 13.64, -23.43

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 24 / 0 / 10 / 23

HEX #95C5B2

RGB 149 197 178

HSL 156.25, 0.29%, 0.68%

LAB 75.78, -19.69, 4.41

 

CMYK 10 / 24 / 0 / 23

HEX #B295C5

RGB 178 149 197

HSL 276.25, 0.29%, 0.68%

LAB 65.74, 19.8, -20.74

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 19 / 0 / 24 / 23

HEX #9FC595

RGB 159 197 149

HSL 107.5, 0.29%, 0.68%

LAB 75.74, -21.73, 20.02

 

CMYK 24 / 15 / 0 / 23

HEX #95A8C5

RGB 149 168 197

HSL 216.25, 0.29%, 0.68%

LAB 68.33, -0.16, -17.02

 

CMYK 5 / 24 / 0 / 23

HEX #BB95C5

RGB 187 149 197

HSL 287.5, 0.29%, 0.68%

LAB 66.59, 22.78, -19.37

 

CMYK 0 / 10 / 24 / 23

HEX #C5B295

RGB 197 178 149

HSL 36.25, 0.29%, 0.68%

LAB 73.47, 2.24, 17.32

 

CMYK 24 / 0 / 22 / 23

HEX #95C59A

RGB 149 197 154

HSL 126.25, 0.29%, 0.68%

LAB 75.24, -24.29, 16.55

 

CMYK 24 / 15 / 0 / 23

HEX #95A8C5

RGB 149 168 197

HSL 216.25, 0.29%, 0.68%

LAB 68.33, -0.16, -17.02

 

CMYK 0 / 24 / 3 / 23

HEX #C595C0

RGB 197 149 192

HSL 306.25, 0.29%, 0.68%

LAB 67.41, 25.19, -15.25

 

Description

Color code: HEX #C5B295 | qconv.com Color code: HEX #C5B295 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 178 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 178 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 24 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 24% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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