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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5BE29 it is the complementary color #3A41D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5BE29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5BE29 shade: #CABE24, #DBD037, #ECE24A, #FDF45D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5BE29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5BE29 shade: #C5BE29, #B4AC16, #A39A03, #928800 and #817600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5BE29 shade: #C6BF28, #C69528, #C66A28, #C63F28 and #C62828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5BE29 shade: #C6BF28, #A3C628, #78C628, #4EC628 and #28C62E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5BE29 shade matches the following richer shades: #C6BF28, #DAD115 and #EDE301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5BE29 shade: #C6BF28, #B3AE3C, #A09C4F, #8C8A62 and #797976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5BE29 shade: #C66A28, #C69428, #C6BF28, #A4C628 and #7AC628

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5BE29 shade: #827D1A, #A49E21, #C6BF28, #D8D140 and #DFD963

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5BE29 shade: #C5BE29, #28C640 and #7F28C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5BE29 shade: #C5BE29, #28C6BF and #BF28C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5BE29 shade: #C5BE29, #28C640, #2830C6 and #C628AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5BE29 shade: #C5BE29, #28C66F, #2830C6 and #C6287F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 79 / 23

HEX #C5BE29

RGB 197 190 41

HSL 57.31, 0.66%, 0.47%

LAB 75.36, -13.45, 69.37

 

Complementary color

CMYK 73 / 70 / 0 / 16

HEX #3A41D6

RGB 58 65 214

HSL 237.31, 0.66%, 0.53%

LAB 36.99, 46.34, -76.71

 

CMYK 0 / 6 / 82 / 21

HEX #CABE24

RGB 202 190 36

HSL 55.66, 0.7%, 0.47%

LAB 75.77, -11.45, 71.25

 

CMYK 0 / 5 / 75 / 14

HEX #DBD037

RGB 219 208 55

HSL 55.98, 0.69%, 0.54%

LAB 82.08, -12.62, 71.86

 

CMYK 0 / 4 / 69 / 7

HEX #ECE24A

RGB 236 226 74

HSL 56.3, 0.81%, 0.61%

LAB 88.31, -13.62, 71.75

 

CMYK 0 / 4 / 63 / 1

HEX #FDF45D

RGB 253 244 93

HSL 56.63, 0.98%, 0.68%

LAB 94.47, -14.48, 71.21

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 4 / 79 / 23

HEX #C5BE29

RGB 197 190 41

HSL 57.31, 0.66%, 0.47%

LAB 75.36, -13.45, 69.37

 

CMYK 0 / 4 / 88 / 29

HEX #B4AC16

RGB 180 172 22

HSL 56.96, 0.78%, 0.4%

LAB 68.94, -12.18, 68.05

 

CMYK 0 / 6 / 98 / 36

HEX #A39A03

RGB 163 154 3

HSL 56.63, 0.96%, 0.33%

LAB 62.43, -10.68, 65.33

 

CMYK 0 / 7 / 100 / 43

HEX #928800

RGB 146 136 0

HSL 55.89, 1%, 0.29%

LAB 55.81, -8.88, 60.28

 

CMYK 0 / 9 / 100 / 49

HEX #817600

RGB 129 118 0

HSL 54.88, 1%, 0.25%

LAB 49.04, -6.97, 54.66

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF28

RGB 198 191 40

HSL 57.34, 0.66%, 0.47%

LAB 75.71, -13.56, 69.99

 

CMYK 0 / 25 / 80 / 22

HEX #C69528

RGB 198 149 40

HSL 41.39, 0.66%, 0.47%

LAB 64.69, 8.6, 60.2

 

CMYK 0 / 46 / 80 / 22

HEX #C66A28

RGB 198 106 40

HSL 25.06, 0.66%, 0.47%

LAB 54.52, 31.97, 50.81

 

CMYK 0 / 68 / 80 / 22

HEX #C63F28

RGB 198 63 40

HSL 8.73, 0.66%, 0.47%

LAB 46.6, 52.45, 43.15

 

CMYK 0 / 80 / 80 / 22

HEX #C62828

RGB 198 40 40

HSL 0, 0.66%, 0.47%

LAB 43.77, 60.3, 40.31

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF28

RGB 198 191 40

HSL 57.34, 0.66%, 0.47%

LAB 75.71, -13.56, 69.99

 

CMYK 18 / 0 / 80 / 22

HEX #A3C628

RGB 163 198 40

HSL 73.29, 0.66%, 0.47%

LAB 75.03, -31.68, 68.38

 

CMYK 39 / 0 / 80 / 22

HEX #78C628

RGB 120 198 40

HSL 89.62, 0.66%, 0.47%

LAB 72.58, -47.86, 65.25

 

CMYK 61 / 0 / 80 / 22

HEX #4EC628

RGB 78 198 40

HSL 105.57, 0.66%, 0.47%

LAB 70.98, -60.13, 63.19

 

CMYK 80 / 0 / 77 / 22

HEX #28C62E

RGB 40 198 46

HSL 122.28, 0.66%, 0.47%

LAB 70.2, -66.61, 60.33

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF28

RGB 198 191 40

HSL 57.34, 0.66%, 0.47%

LAB 75.71, -13.56, 69.99

 

CMYK 0 / 4 / 90 / 15

HEX #DAD115

RGB 218 209 21

HSL 57.26, 0.82%, 0.47%

LAB 82.14, -14.48, 79.99

 

CMYK 0 / 4 / 100 / 7

HEX #EDE301

RGB 237 227 1

HSL 57.46, 0.99%, 0.47%

LAB 88.42, -15.53, 87.4

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF28

RGB 198 191 40

HSL 57.34, 0.66%, 0.47%

LAB 75.71, -13.56, 69.99

 

CMYK 0 / 3 / 66 / 30

HEX #B3AE3C

RGB 179 174 60

HSL 57.48, 0.5%, 0.47%

LAB 69.6, -12.15, 56.72

 

CMYK 0 / 2 / 51 / 37

HEX #A09C4F

RGB 160 156 79

HSL 57.04, 0.34%, 0.47%

LAB 63.19, -9.45, 40.45

 

CMYK 0 / 1 / 30 / 45

HEX #8C8A62

RGB 140 138 98

HSL 57.14, 0.18%, 0.47%

LAB 56.72, -5.94, 21.75

 

CMYK 0 / 0 / 2 / 53

HEX #797976

RGB 121 121 118

HSL 60, 0.01%, 0.47%

LAB 50.74, -0.59, 1.64

 

CMYK 0 / 46 / 80 / 22

HEX #C66A28

RGB 198 106 40

HSL 25.06, 0.66%, 0.47%

LAB 54.52, 31.97, 50.81

 

CMYK 0 / 25 / 80 / 22

HEX #C69428

RGB 198 148 40

HSL 41.01, 0.66%, 0.47%

LAB 64.43, 9.14, 59.97

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF28

RGB 198 191 40

HSL 57.34, 0.66%, 0.47%

LAB 75.71, -13.56, 69.99

 

CMYK 17 / 0 / 80 / 22

HEX #A4C628

RGB 164 198 40

HSL 72.91, 0.66%, 0.47%

LAB 75.1, -31.28, 68.47

 

CMYK 38 / 0 / 80 / 22

HEX #7AC628

RGB 122 198 40

HSL 88.86, 0.66%, 0.47%

LAB 72.68, -47.18, 65.38

 

CMYK 0 / 4 / 80 / 49

HEX #827D1A

RGB 130 125 26

HSL 57.12, 0.67%, 0.31%

LAB 51.25, -9.69, 50.27

 

CMYK 0 / 4 / 80 / 36

HEX #A49E21

RGB 164 158 33

HSL 57.25, 0.66%, 0.39%

LAB 63.72, -11.67, 60.35

 

CMYK 0 / 4 / 80 / 22

HEX #C6BF28

RGB 198 191 40

HSL 57.34, 0.66%, 0.47%

LAB 75.71, -13.56, 69.99

 

CMYK 0 / 3 / 70 / 15

HEX #D8D140

RGB 216 209 64

HSL 57.24, 0.66%, 0.55%

LAB 82.15, -13.99, 68.76

 

CMYK 0 / 3 / 56 / 13

HEX #DFD963

RGB 223 217 99

HSL 57.1, 0.66%, 0.63%

LAB 85.11, -12.93, 57.76

 

CMYK 0 / 4 / 79 / 23

HEX #C5BE29

RGB 197 190 41

HSL 57.31, 0.66%, 0.47%

LAB 75.36, -13.45, 69.37

 

CMYK 80 / 0 / 68 / 22

HEX #28C640

RGB 40 198 64

HSL 129.11, 0.66%, 0.47%

LAB 70.32, -65.11, 53.9

 

CMYK 36 / 80 / 0 / 22

HEX #7F28C6

RGB 127 40 198

HSL 273.04, 0.66%, 0.47%

LAB 38.03, 63.02, -65.48

 

CMYK 0 / 4 / 79 / 23

HEX #C5BE29

RGB 197 190 41

HSL 57.31, 0.66%, 0.47%

LAB 75.36, -13.45, 69.37

 

CMYK 80 / 0 / 4 / 22

HEX #28C6BF

RGB 40 198 191

HSL 177.34, 0.66%, 0.47%

LAB 72.63, -39.81, -7.71

 

CMYK 4 / 80 / 0 / 22

HEX #BF28C6

RGB 191 40 198

HSL 297.34, 0.66%, 0.47%

LAB 47.84, 74.23, -49.14

 

CMYK 0 / 4 / 79 / 23

HEX #C5BE29

RGB 197 190 41

HSL 57.31, 0.66%, 0.47%

LAB 75.36, -13.45, 69.37

 

CMYK 80 / 0 / 68 / 22

HEX #28C640

RGB 40 198 64

HSL 129.11, 0.66%, 0.47%

LAB 70.32, -65.11, 53.9

 

CMYK 80 / 76 / 0 / 22

HEX #2830C6

RGB 40 48 198

HSL 236.96, 0.66%, 0.47%

LAB 30.98, 49.21, -77.38

 

CMYK 0 / 80 / 12 / 22

HEX #C628AF

RGB 198 40 175

HSL 308.73, 0.66%, 0.47%

LAB 47.78, 72.16, -35.73

 

CMYK 0 / 4 / 79 / 23

HEX #C5BE29

RGB 197 190 41

HSL 57.31, 0.66%, 0.47%

LAB 75.36, -13.45, 69.37

 

CMYK 80 / 0 / 44 / 22

HEX #28C66F

RGB 40 198 111

HSL 146.96, 0.66%, 0.47%

LAB 70.86, -58.65, 32.61

 

CMYK 80 / 76 / 0 / 22

HEX #2830C6

RGB 40 48 198

HSL 236.96, 0.66%, 0.47%

LAB 30.98, 49.21, -77.38

 

CMYK 0 / 80 / 36 / 22

HEX #C6287F

RGB 198 40 127

HSL 326.96, 0.66%, 0.47%

LAB 45.71, 66.22, -10.09

 

Description

Color code: HEX #C5BE29 | qconv.com Color code: HEX #C5BE29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 190 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 190 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 79 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 79% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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