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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5C320 it is the complementary color #3A3CDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5C320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5C320 shade: #CAC31B, #DBD52E, #ECE741, #FDF954 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5C320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5C320 shade: #C5C320, #B4B10D, #A39F00, #928D00 and #817B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5C320 shade: #C5C320, #C59620, #C56A20, #C53D20 and #C52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5C320 shade: #C5C320, #9AC520, #6EC520, #41C520 and #20C52B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5C320 shade matches the following richer shades: #C5C320 and #D7D50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5C320 shade: #C5C320, #B2B132, #A09F45, #8D8D57 and #7B7A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5C320 shade: #C56A20, #C59620, #C5C220, #9CC520 and #6FC520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5C320 shade: #7E7D14, #A1A01A, #C5C320, #DDDB31 and #E3E154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5C320 shade: #C5C320, #20C53E and #8020C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5C320 shade: #C5C320, #20C5C2 and #C220C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5C320 shade: #C5C320, #20C53E, #2022C5 and #C520A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5C320 shade: #C5C320, #20C56F, #2022C5 and #C52075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

Complementary color

CMYK 74 / 73 / 0 / 13

HEX #3A3CDF

RGB 58 60 223

HSL 239.27, 0.72%, 0.55%

LAB 36.85, 52.12, -82.11

 

CMYK 0 / 3 / 87 / 21

HEX #CAC31B

RGB 202 195 27

HSL 57.6, 0.76%, 0.45%

LAB 77.08, -14.21, 74.39

 

CMYK 0 / 3 / 79 / 14

HEX #DBD52E

RGB 219 213 46

HSL 57.92, 0.71%, 0.52%

LAB 83.36, -15.45, 75.7

 

CMYK 0 / 2 / 72 / 7

HEX #ECE741

RGB 236 231 65

HSL 58.25, 0.82%, 0.59%

LAB 89.56, -16.49, 76.1

 

CMYK 0 / 2 / 67 / 1

HEX #FDF954

RGB 253 249 84

HSL 58.58, 0.98%, 0.66%

LAB 95.69, -17.39, 75.91

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 0 / 2 / 93 / 29

HEX #B4B10D

RGB 180 177 13

HSL 58.92, 0.87%, 0.38%

LAB 70.3, -14.91, 70.61

 

CMYK 0 / 2 / 100 / 36

HEX #A39F00

RGB 163 159 0

HSL 58.53, 1%, 0.32%

LAB 63.82, -13.35, 66.78

 

CMYK 0 / 3 / 100 / 43

HEX #928D00

RGB 146 141 0

HSL 57.95, 1%, 0.29%

LAB 57.23, -11.58, 61.31

 

CMYK 0 / 5 / 100 / 49

HEX #817B00

RGB 129 123 0

HSL 57.21, 1%, 0.25%

LAB 50.49, -9.74, 55.71

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 0 / 24 / 84 / 23

HEX #C59620

RGB 197 150 32

HSL 42.91, 0.72%, 0.45%

LAB 64.79, 7.36, 62.83

 

CMYK 0 / 46 / 84 / 23

HEX #C56A20

RGB 197 106 32

HSL 26.91, 0.72%, 0.45%

LAB 54.33, 31.3, 53.84

 

CMYK 0 / 69 / 84 / 23

HEX #C53D20

RGB 197 61 32

HSL 10.55, 0.72%, 0.45%

LAB 46.06, 52.67, 46.55

 

CMYK 0 / 84 / 84 / 23

HEX #C52020

RGB 197 32 32

HSL 0, 0.72%, 0.45%

LAB 42.77, 61.82, 43.58

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 22 / 0 / 84 / 23

HEX #9AC520

RGB 154 197 32

HSL 75.64, 0.72%, 0.45%

LAB 74.13, -35.12, 69.41

 

CMYK 44 / 0 / 84 / 23

HEX #6EC520

RGB 110 197 32

HSL 91.64, 0.72%, 0.45%

LAB 71.79, -51.13, 66.47

 

CMYK 67 / 0 / 84 / 23

HEX #41C520

RGB 65 197 32

HSL 108, 0.72%, 0.45%

LAB 70.29, -63.06, 64.55

 

CMYK 84 / 0 / 78 / 23

HEX #20C52B

RGB 32 197 43

HSL 124, 0.72%, 0.45%

LAB 69.76, -67.41, 60.81

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 0 / 1 / 94 / 16

HEX #D7D50D

RGB 215 213 13

HSL 59.41, 0.89%, 0.45%

LAB 82.95, -17.85, 81.51

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 0 / 1 / 72 / 30

HEX #B2B132

RGB 178 177 50

HSL 59.53, 0.56%, 0.45%

LAB 70.27, -14.66, 61.2

 

CMYK 0 / 1 / 57 / 37

HEX #A09F45

RGB 160 159 69

HSL 59.34, 0.4%, 0.45%

LAB 63.92, -11.9, 46.17

 

CMYK 0 / 0 / 38 / 45

HEX #8D8D57

RGB 141 141 87

HSL 60, 0.24%, 0.45%

LAB 57.46, -8.59, 28.82

 

CMYK 0 / 1 / 14 / 52

HEX #7B7A6A

RGB 123 122 106

HSL 56.47, 0.07%, 0.45%

LAB 50.89, -2.62, 8.91

 

CMYK 0 / 46 / 84 / 23

HEX #C56A20

RGB 197 106 32

HSL 26.91, 0.72%, 0.45%

LAB 54.33, 31.3, 53.84

 

CMYK 0 / 24 / 84 / 23

HEX #C59620

RGB 197 150 32

HSL 42.91, 0.72%, 0.45%

LAB 64.79, 7.36, 62.83

 

CMYK 0 / 2 / 84 / 23

HEX #C5C220

RGB 197 194 32

HSL 58.91, 0.72%, 0.45%

LAB 76.41, -15.74, 72.59

 

CMYK 21 / 0 / 84 / 23

HEX #9CC520

RGB 156 197 32

HSL 74.91, 0.72%, 0.45%

LAB 74.26, -34.32, 69.57

 

CMYK 44 / 0 / 84 / 23

HEX #6FC520

RGB 111 197 32

HSL 91.27, 0.72%, 0.45%

LAB 71.84, -50.81, 66.52

 

CMYK 0 / 1 / 84 / 51

HEX #7E7D14

RGB 126 125 20

HSL 59.43, 0.73%, 0.29%

LAB 50.87, -11.77, 51.62

 

CMYK 0 / 1 / 84 / 37

HEX #A1A01A

RGB 161 160 26

HSL 59.56, 0.72%, 0.37%

LAB 63.99, -14.28, 62.41

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 0 / 1 / 78 / 13

HEX #DDDB31

RGB 221 219 49

HSL 59.3, 0.72%, 0.53%

LAB 85.13, -17.47, 76.49

 

CMYK 0 / 1 / 63 / 11

HEX #E3E154

RGB 227 225 84

HSL 59.16, 0.72%, 0.61%

LAB 87.4, -16.28, 66.74

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 84 / 0 / 69 / 23

HEX #20C53E

RGB 32 197 62

HSL 130.91, 0.72%, 0.45%

LAB 69.89, -65.87, 54.2

 

CMYK 35 / 84 / 0 / 23

HEX #8020C5

RGB 128 32 197

HSL 274.91, 0.72%, 0.45%

LAB 37.21, 65.51, -66.23

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 84 / 0 / 2 / 23

HEX #20C5C2

RGB 32 197 194

HSL 178.91, 0.72%, 0.45%

LAB 72.32, -39.12, -9.82

 

CMYK 2 / 84 / 0 / 23

HEX #C220C5

RGB 194 32 197

HSL 298.91, 0.72%, 0.45%

LAB 47.67, 76.44, -48.82

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 84 / 0 / 69 / 23

HEX #20C53E

RGB 32 197 62

HSL 130.91, 0.72%, 0.45%

LAB 69.89, -65.87, 54.2

 

CMYK 84 / 83 / 0 / 23

HEX #2022C5

RGB 32 34 197

HSL 239.27, 0.72%, 0.45%

LAB 28.07, 55.52, -81.63

 

CMYK 0 / 84 / 15 / 23

HEX #C520A7

RGB 197 32 167

HSL 310.91, 0.72%, 0.45%

LAB 46.57, 72.68, -32.91

 

CMYK 0 / 1 / 84 / 23

HEX #C5C320

RGB 197 195 32

HSL 59.27, 0.72%, 0.45%

LAB 76.68, -16.24, 72.82

 

CMYK 84 / 0 / 44 / 23

HEX #20C56F

RGB 32 197 111

HSL 148.73, 0.72%, 0.45%

LAB 70.45, -59.1, 32.06

 

CMYK 84 / 83 / 0 / 23

HEX #2022C5

RGB 32 34 197

HSL 239.27, 0.72%, 0.45%

LAB 28.07, 55.52, -81.63

 

CMYK 0 / 84 / 41 / 23

HEX #C52075

RGB 197 32 117

HSL 329.09, 0.72%, 0.45%

LAB 44.5, 66.9, -5.77

 

Description

Color code: HEX #C5C320 | qconv.com Color code: HEX #C5C320 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 195 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 195 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 84 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 84% 23% C M Y K

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Provide designers and agencies with accurate color values.

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