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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D48C it is the complementary color #3A2B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D48C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D48C shade: #CAD487, #DBE69A, #ECF8AD, #FDFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D48C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D48C shade: #C5D48C, #B4C279, #A3B066, #929E53 and #818C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D48C shade: #C5D48B, #D4CF8B, #D4BC8B, #D4A88B and #D4958B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D48C shade: #C5D48B, #B1D48B, #9DD48B, #8BD48C and #8BD4A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D48C shade matches the following richer shades: #C5D48B, #CCE17E, #D4ED72 and #DBFA65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D48C shade: #C5D48B, #BDC798, #B6BAA5, #AEADB1 and #A7A1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D48C shade: #D4BC8B, #D4CF8B, #C5D48B, #B2D48B and #9ED48B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D48C shade: #A6BE4F, #B6C96D, #C5D48B, #D4DFA9 and #E3EAC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D48C shade: #C5D48C, #8BD4A8 and #C58BD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D48C shade: #C5D48C, #8BC5D4 and #D48BC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D48C shade: #C5D48C, #8BD4A8, #9A8BD4 and #D48BB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D48C shade: #C5D48C, #8BD4BE, #9A8BD4 and #D48BA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 34 / 17

HEX #C5D48C

RGB 197 212 140

HSL 72.5, 0.46%, 0.69%

LAB 82.3, -16.6, 33.99

 

Complementary color

CMYK 50 / 63 / 0 / 55

HEX #3A2B73

RGB 58 43 115

HSL 252.5, 0.46%, 0.31%

LAB 23.22, 26.7, -39.36

 

CMYK 5 / 0 / 36 / 17

HEX #CAD487

RGB 202 212 135

HSL 67.79, 0.47%, 0.68%

LAB 82.59, -15.3, 36.99

 

CMYK 5 / 0 / 33 / 10

HEX #DBE69A

RGB 219 230 154

HSL 68.68, 0.6%, 0.75%

LAB 88.92, -15.48, 35.87

 

CMYK 5 / 0 / 30 / 3

HEX #ECF8AD

RGB 236 248 173

HSL 69.6, 0.84%, 0.83%

LAB 95.15, -15.64, 34.79

 

CMYK 1 / 0 / 25 / 0

HEX #FDFFC0

RGB 253 255 192

HSL 61.9, 1%, 0.88%

LAB 98.51, -10.4, 29.98

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48C

RGB 197 212 140

HSL 72.5, 0.46%, 0.69%

LAB 82.3, -16.6, 33.99

 

CMYK 7 / 0 / 38 / 24

HEX #B4C279

RGB 180 194 121

HSL 71.51, 0.37%, 0.62%

LAB 75.86, -16.45, 35.13

 

CMYK 7 / 0 / 42 / 31

HEX #A3B066

RGB 163 176 102

HSL 70.54, 0.32%, 0.55%

LAB 69.32, -16.26, 36.32

 

CMYK 8 / 0 / 47 / 38

HEX #929E53

RGB 146 158 83

HSL 69.6, 0.31%, 0.47%

LAB 62.67, -16, 37.53

 

CMYK 8 / 0 / 54 / 45

HEX #818C40

RGB 129 140 64

HSL 68.68, 0.37%, 0.4%

LAB 55.88, -15.66, 38.71

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 0 / 2 / 34 / 17

HEX #D4CF8B

RGB 212 207 139

HSL 55.89, 0.46%, 0.69%

LAB 82.1, -8.42, 34.46

 

CMYK 0 / 11 / 34 / 17

HEX #D4BC8B

RGB 212 188 139

HSL 40.27, 0.46%, 0.69%

LAB 77.18, 1.45, 27.95

 

CMYK 0 / 21 / 34 / 17

HEX #D4A88B

RGB 212 168 139

HSL 23.84, 0.46%, 0.69%

LAB 72.14, 12.12, 21.13

 

CMYK 0 / 30 / 34 / 17

HEX #D4958B

RGB 212 149 139

HSL 8.22, 0.46%, 0.69%

LAB 67.54, 22.42, 14.78

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 17 / 0 / 34 / 17

HEX #B1D48B

RGB 177 212 139

HSL 88.77, 0.46%, 0.69%

LAB 80.9, -24.18, 32.41

 

CMYK 26 / 0 / 34 / 17

HEX #9DD48B

RGB 157 212 139

HSL 105.21, 0.46%, 0.69%

LAB 79.68, -31.26, 30.57

 

CMYK 34 / 0 / 34 / 17

HEX #8BD48C

RGB 139 212 140

HSL 120.82, 0.46%, 0.69%

LAB 78.73, -37.03, 28.62

 

CMYK 34 / 0 / 25 / 17

HEX #8BD4A0

RGB 139 212 160

HSL 137.26, 0.46%, 0.69%

LAB 79.11, -33.58, 18.67

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 9 / 0 / 44 / 12

HEX #CCE17E

RGB 204 225 126

HSL 72.73, 0.62%, 0.69%

LAB 86.1, -21.95, 45.94

 

CMYK 11 / 0 / 52 / 7

HEX #D4ED72

RGB 212 237 114

HSL 72.2, 0.77%, 0.69%

LAB 89.76, -25.81, 56.13

 

CMYK 12 / 0 / 60 / 2

HEX #DBFA65

RGB 219 250 101

HSL 72.48, 0.94%, 0.69%

LAB 93.61, -30.26, 66.3

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 5 / 0 / 24 / 22

HEX #BDC798

RGB 189 199 152

HSL 72.77, 0.3%, 0.69%

LAB 78.42, -11.39, 22.44

 

CMYK 2 / 0 / 11 / 27

HEX #B6BAA5

RGB 182 186 165

HSL 71.43, 0.13%, 0.69%

LAB 74.69, -5.15, 10.17

 

CMYK 2 / 2 / 0 / 31

HEX #AEADB1

RGB 174 173 177

HSL 255, 0.02%, 0.69%

LAB 70.91, 1.12, -1.93

 

CMYK 12 / 15 / 0 / 25

HEX #A7A1BE

RGB 167 161 190

HSL 252.41, 0.18%, 0.69%

LAB 67.59, 7.95, -14.12

 

CMYK 0 / 11 / 34 / 17

HEX #D4BC8B

RGB 212 188 139

HSL 40.27, 0.46%, 0.69%

LAB 77.18, 1.45, 27.95

 

CMYK 0 / 2 / 34 / 17

HEX #D4CF8B

RGB 212 207 139

HSL 55.89, 0.46%, 0.69%

LAB 82.1, -8.42, 34.46

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 16 / 0 / 34 / 17

HEX #B2D48B

RGB 178 212 139

HSL 87.95, 0.46%, 0.69%

LAB 80.97, -23.81, 32.51

 

CMYK 25 / 0 / 34 / 17

HEX #9ED48B

RGB 158 212 139

HSL 104.38, 0.46%, 0.69%

LAB 79.74, -30.91, 30.66

 

CMYK 13 / 0 / 58 / 25

HEX #A6BE4F

RGB 166 190 79

HSL 72.97, 0.46%, 0.53%

LAB 73.22, -24.31, 52.15

 

CMYK 9 / 0 / 46 / 21

HEX #B6C96D

RGB 182 201 109

HSL 72.39, 0.46%, 0.61%

LAB 77.77, -20.53, 43.61

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48B

RGB 197 212 139

HSL 72.33, 0.46%, 0.69%

LAB 82.28, -16.72, 34.48

 

CMYK 5 / 0 / 24 / 13

HEX #D4DFA9

RGB 212 223 169

HSL 72.22, 0.46%, 0.77%

LAB 86.82, -12.6, 25.29

 

CMYK 3 / 0 / 15 / 8

HEX #E3EAC7

RGB 227 234 199

HSL 72, 0.45%, 0.85%

LAB 91.37, -8.26, 16.22

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48C

RGB 197 212 140

HSL 72.5, 0.46%, 0.69%

LAB 82.3, -16.6, 33.99

 

CMYK 34 / 0 / 21 / 17

HEX #8BD4A8

RGB 139 212 168

HSL 143.84, 0.46%, 0.69%

LAB 79.27, -32.07, 14.67

 

CMYK 7 / 34 / 0 / 17

HEX #C58BD4

RGB 197 139 212

HSL 287.67, 0.46%, 0.69%

LAB 65.82, 34.54, -28.82

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48C

RGB 197 212 140

HSL 72.5, 0.46%, 0.69%

LAB 82.3, -16.6, 33.99

 

CMYK 34 / 7 / 0 / 17

HEX #8BC5D4

RGB 139 197 212

HSL 192.33, 0.46%, 0.69%

LAB 76.18, -14.98, -13.47

 

CMYK 0 / 34 / 7 / 17

HEX #D48BC5

RGB 212 139 197

HSL 312.33, 0.46%, 0.69%

LAB 66.9, 36.57, -18.66

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48C

RGB 197 212 140

HSL 72.5, 0.46%, 0.69%

LAB 82.3, -16.6, 33.99

 

CMYK 34 / 0 / 21 / 17

HEX #8BD4A8

RGB 139 212 168

HSL 143.84, 0.46%, 0.69%

LAB 79.27, -32.07, 14.67

 

CMYK 27 / 34 / 0 / 17

HEX #9A8BD4

RGB 154 139 212

HSL 252.33, 0.46%, 0.69%

LAB 61.73, 21.42, -35.48

 

CMYK 0 / 34 / 14 / 17

HEX #D48BB7

RGB 212 139 183

HSL 323.84, 0.46%, 0.69%

LAB 66.43, 34.2, -11.52

 

CMYK 7 / 0 / 34 / 17

HEX #C5D48C

RGB 197 212 140

HSL 72.5, 0.46%, 0.69%

LAB 82.3, -16.6, 33.99

 

CMYK 34 / 0 / 10 / 17

HEX #8BD4BE

RGB 139 212 190

HSL 161.92, 0.46%, 0.69%

LAB 79.78, -27.57, 3.68

 

CMYK 27 / 34 / 0 / 17

HEX #9A8BD4

RGB 154 139 212

HSL 252.33, 0.46%, 0.69%

LAB 61.73, 21.42, -35.48

 

CMYK 0 / 34 / 24 / 17

HEX #D48BA1

RGB 212 139 161

HSL 341.92, 0.46%, 0.69%

LAB 65.78, 30.81, -0.09

 

Description

Color code: HEX #C5D48C | qconv.com Color code: HEX #C5D48C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 212 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 212 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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