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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E59D it is the complementary color #3A1A62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E59D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E59D shade: #CAE598, #DBF7AB, #ECFFBE, #FDFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E59D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E59D shade: #C5E59D, #B4D38A, #A3C177, #92AF64 and #819D51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E59D shade: #C5E59E, #D8E59E, #E5DE9E, #E5CB9E and #E5B89E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E59D shade: #C5E59E, #B2E59E, #9FE59E, #9EE5B0 and #9EE5C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E59D shade matches the following richer shades: #C5E59E, #C6EF94 and #C7F98A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E59D shade: #C5E59E, #C4DBA8, #C3D1B2, #C2C7BC and #C1BDC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E59D shade: #E5DE9E, #D9E59E, #C6E59E, #B3E59E and #A0E59E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E59D shade: #9FD35D, #B2DC7D, #C5E59E, #D9EDBE and #ECF6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E59D shade: #C5E59D, #9EE5CB and #E59EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E59D shade: #C5E59D, #9EC6E5 and #E59EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E59D shade: #C5E59D, #9EE5CB, #BD9EE5 and #E59EB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E59D shade: #C5E59D, #9EE5E0, #BD9EE5 and #E59EA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 31 / 10

HEX #C5E59D

RGB 197 229 157

HSL 86.67, 0.58%, 0.76%

LAB 87.16, -22.71, 31.75

 

Complementary color

CMYK 41 / 73 / 0 / 62

HEX #3A1A62

RGB 58 26 98

HSL 266.67, 0.58%, 0.24%

LAB 18.01, 31.83, -36.75

 

CMYK 12 / 0 / 34 / 10

HEX #CAE598

RGB 202 229 152

HSL 81.04, 0.6%, 0.75%

LAB 87.42, -21.56, 34.68

 

CMYK 11 / 0 / 31 / 3

HEX #DBF7AB

RGB 219 247 171

HSL 82.11, 0.83%, 0.82%

LAB 93.68, -21.59, 33.61

 

CMYK 7 / 0 / 25 / 0

HEX #ECFFBE

RGB 236 255 190

HSL 77.54, 1%, 0.87%

LAB 97.26, -16.78, 29.07

 

CMYK 1 / 0 / 18 / 0

HEX #FDFFD1

RGB 253 255 209

HSL 62.61, 1%, 0.91%

LAB 98.83, -8.05, 21.81

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59D

RGB 197 229 157

HSL 86.67, 0.58%, 0.76%

LAB 87.16, -22.71, 31.75

 

CMYK 15 / 0 / 35 / 17

HEX #B4D38A

RGB 180 211 138

HSL 85.48, 0.45%, 0.68%

LAB 80.81, -22.73, 32.84

 

CMYK 16 / 0 / 38 / 24

HEX #A3C177

RGB 163 193 119

HSL 84.32, 0.37%, 0.61%

LAB 74.35, -22.73, 33.98

 

CMYK 17 / 0 / 43 / 31

HEX #92AF64

RGB 146 175 100

HSL 83.2, 0.32%, 0.54%

LAB 67.79, -22.7, 35.16

 

CMYK 18 / 0 / 48 / 38

HEX #819D51

RGB 129 157 81

HSL 82.11, 0.32%, 0.47%

LAB 61.11, -22.64, 36.36

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59E

RGB 197 229 158

HSL 87.04, 0.58%, 0.76%

LAB 87.18, -22.57, 31.26

 

CMYK 6 / 0 / 31 / 10

HEX #D8E59E

RGB 216 229 158

HSL 70.99, 0.58%, 0.76%

LAB 88.5, -15.61, 33.25

 

CMYK 0 / 3 / 31 / 10

HEX #E5DE9E

RGB 229 222 158

HSL 54.08, 0.58%, 0.76%

LAB 87.66, -7.2, 32.32

 

CMYK 0 / 11 / 31 / 10

HEX #E5CB9E

RGB 229 203 158

HSL 38.03, 0.58%, 0.76%

LAB 82.83, 2.56, 25.82

 

CMYK 0 / 20 / 31 / 10

HEX #E5B89E

RGB 229 184 158

HSL 21.97, 0.58%, 0.76%

LAB 78.12, 12.56, 19.36

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59E

RGB 197 229 158

HSL 87.04, 0.58%, 0.76%

LAB 87.18, -22.57, 31.26

 

CMYK 22 / 0 / 31 / 10

HEX #B2E59E

RGB 178 229 158

HSL 103.1, 0.58%, 0.76%

LAB 85.99, -29.25, 29.46

 

CMYK 31 / 0 / 31 / 10

HEX #9FE59E

RGB 159 229 158

HSL 119.15, 0.58%, 0.76%

LAB 84.93, -35.54, 27.85

 

CMYK 31 / 0 / 23 / 10

HEX #9EE5B0

RGB 158 229 176

HSL 135.21, 0.58%, 0.76%

LAB 85.22, -32.79, 18.93

 

CMYK 31 / 0 / 15 / 10

HEX #9EE5C3

RGB 158 229 195

HSL 151.27, 0.58%, 0.76%

LAB 85.63, -29.2, 9.57

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59E

RGB 197 229 158

HSL 87.04, 0.58%, 0.76%

LAB 87.18, -22.57, 31.26

 

CMYK 17 / 0 / 38 / 6

HEX #C6EF94

RGB 198 239 148

HSL 87.03, 0.74%, 0.76%

LAB 89.8, -28.32, 39.75

 

CMYK 20 / 0 / 45 / 2

HEX #C7F98A

RGB 199 249 138

HSL 87.03, 0.9%, 0.76%

LAB 92.45, -33.81, 47.99

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59E

RGB 197 229 158

HSL 87.04, 0.58%, 0.76%

LAB 87.18, -22.57, 31.26

 

CMYK 11 / 0 / 23 / 14

HEX #C4DBA8

RGB 196 219 168

HSL 87.06, 0.41%, 0.76%

LAB 84.6, -16.55, 22.59

 

CMYK 7 / 0 / 15 / 18

HEX #C3D1B2

RGB 195 209 178

HSL 87.1, 0.25%, 0.76%

LAB 82.06, -10.27, 13.79

 

CMYK 3 / 0 / 6 / 22

HEX #C2C7BC

RGB 194 199 188

HSL 87.27, 0.09%, 0.76%

LAB 79.58, -3.72, 4.89

 

CMYK 2 / 4 / 0 / 23

HEX #C1BDC5

RGB 193 189 197

HSL 270, 0.06%, 0.76%

LAB 77.14, 2.88, -3.53

 

CMYK 0 / 3 / 31 / 10

HEX #E5DE9E

RGB 229 222 158

HSL 54.08, 0.58%, 0.76%

LAB 87.66, -7.2, 32.32

 

CMYK 5 / 0 / 31 / 10

HEX #D9E59E

RGB 217 229 158

HSL 70.14, 0.58%, 0.76%

LAB 88.57, -15.23, 33.36

 

CMYK 14 / 0 / 31 / 10

HEX #C6E59E

RGB 198 229 158

HSL 86.2, 0.58%, 0.76%

LAB 87.25, -22.21, 31.36

 

CMYK 22 / 0 / 31 / 10

HEX #B3E59E

RGB 179 229 158

HSL 102.25, 0.58%, 0.76%

LAB 86.05, -28.9, 29.55

 

CMYK 30 / 0 / 31 / 10

HEX #A0E59E

RGB 160 229 158

HSL 118.31, 0.58%, 0.76%

LAB 84.99, -35.22, 27.93

 

CMYK 25 / 0 / 56 / 17

HEX #9FD35D

RGB 159 211 93

HSL 86.44, 0.57%, 0.6%

LAB 78.9, -35.7, 52.17

 

CMYK 19 / 0 / 43 / 14

HEX #B2DC7D

RGB 178 220 125

HSL 86.53, 0.58%, 0.68%

LAB 82.98, -29.44, 42.16

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59E

RGB 197 229 158

HSL 87.04, 0.58%, 0.76%

LAB 87.18, -22.57, 31.26

 

CMYK 8 / 0 / 20 / 7

HEX #D9EDBE

RGB 217 237 190

HSL 85.53, 0.57%, 0.84%

LAB 91.25, -14.67, 20.61

 

CMYK 4 / 0 / 9 / 4

HEX #ECF6DF

RGB 236 246 223

HSL 86.09, 0.56%, 0.92%

LAB 95.61, -7.3, 9.92

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59D

RGB 197 229 157

HSL 86.67, 0.58%, 0.76%

LAB 87.16, -22.71, 31.75

 

CMYK 31 / 0 / 11 / 10

HEX #9EE5CB

RGB 158 229 203

HSL 158.03, 0.58%, 0.76%

LAB 85.82, -27.58, 5.63

 

CMYK 0 / 31 / 1 / 10

HEX #E59EE2

RGB 229 158 226

HSL 302.54, 0.58%, 0.76%

LAB 73.93, 37.1, -23.8

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59D

RGB 197 229 157

HSL 86.67, 0.58%, 0.76%

LAB 87.16, -22.71, 31.75

 

CMYK 31 / 14 / 0 / 10

HEX #9EC6E5

RGB 158 198 229

HSL 206.2, 0.58%, 0.76%

LAB 78.06, -6.05, -19.69

 

CMYK 0 / 31 / 14 / 10

HEX #E59EC6

RGB 229 158 198

HSL 326.2, 0.58%, 0.76%

LAB 73.02, 32.29, -9.82

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59D

RGB 197 229 157

HSL 86.67, 0.58%, 0.76%

LAB 87.16, -22.71, 31.75

 

CMYK 31 / 0 / 11 / 10

HEX #9EE5CB

RGB 158 229 203

HSL 158.03, 0.58%, 0.76%

LAB 85.82, -27.58, 5.63

 

CMYK 17 / 31 / 0 / 10

HEX #BD9EE5

RGB 189 158 229

HSL 266.2, 0.58%, 0.76%

LAB 70.13, 25.15, -31.62

 

CMYK 0 / 31 / 20 / 10

HEX #E59EB8

RGB 229 158 184

HSL 338.03, 0.58%, 0.76%

LAB 72.61, 30.1, -2.7

 

CMYK 14 / 0 / 31 / 10

HEX #C5E59D

RGB 197 229 157

HSL 86.67, 0.58%, 0.76%

LAB 87.16, -22.71, 31.75

 

CMYK 31 / 0 / 2 / 10

HEX #9EE5E0

RGB 158 229 224

HSL 175.77, 0.58%, 0.76%

LAB 86.35, -23.06, -4.64

 

CMYK 17 / 31 / 0 / 10

HEX #BD9EE5

RGB 189 158 229

HSL 266.2, 0.58%, 0.76%

LAB 70.13, 25.15, -31.62

 

CMYK 0 / 31 / 29 / 10

HEX #E59EA3

RGB 229 158 163

HSL 355.77, 0.58%, 0.76%

LAB 72.07, 27.11, 8.12

 

Description

Color code: HEX #C5E59D | qconv.com Color code: HEX #C5E59D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 229 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 229 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 31 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 31% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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