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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5EDBE it is the complementary color #3A1241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5EDBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5EDBE shade: #CAEDB9, #DBFFCC, #ECFFDF and #FDFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5EDBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5EDBE shade: #C5EDBE, #B4DBAB, #A3C998, #92B785 and #81A572

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5EDBE shade: #C5EDBE, #D2EDBE, #DEEDBE, #EBEDBE and #EDE2BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5EDBE shade: #C5EDBE, #BEEDC4, #BEEDD1, #BEEDDD and #BEEDEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5EDBE shade matches the following richer shades: #C5EDBE, #C1F4B8 and #BCFAB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5EDBE shade: #C5EDBE, #CAE6C5, #CFE0CC, #D3D9D2 and #D8D3D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5EDBE shade: #DEEDBE, #D2EDBE, #C5EDBE, #BEEDC4 and #BEEDD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5EDBE shade: #8CDB7E, #A8E49E, #C5EDBE and #E2F6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5EDBE shade: #C5EDBE, #BEEBED and #EDBED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5EDBE shade: #C5EDBE, #BEC5ED and #EDBEC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5EDBE shade: #C5EDBE, #BEEBED, #E6BEED and #EDC1BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5EDBE shade: #C5EDBE, #BEDDED, #E6BEED and #EDCFBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

Complementary color

CMYK 11 / 72 / 0 / 75

HEX #3A1241

RGB 58 18 65

HSL 291.06, 0.57%, 0.16%

LAB 13.91, 27.6, -20.9

 

CMYK 15 / 0 / 22 / 7

HEX #CAEDB9

RGB 202 237 185

HSL 100.38, 0.59%, 0.83%

LAB 90.15, -20.68, 21.5

 

CMYK 14 / 0 / 20 / 0

HEX #DBFFCC

RGB 219 255 204

HSL 102.35, 1%, 0.9%

LAB 96.39, -20.6, 20.6

 

CMYK 7 / 0 / 13 / 0

HEX #ECFFDF

RGB 236 255 223

HSL 95.63, 1%, 0.94%

LAB 97.91, -11.77, 13.19

 

CMYK 1 / 0 / 5 / 0

HEX #FDFFF2

RGB 253 255 242

HSL 69.23, 1%, 0.97%

LAB 99.54, -2.89, 5.96

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 18 / 0 / 22 / 14

HEX #B4DBAB

RGB 180 219 171

HSL 108.75, 0.4%, 0.76%

LAB 83.6, -21.69, 19.48

 

CMYK 19 / 0 / 24 / 21

HEX #A3C998

RGB 163 201 152

HSL 106.53, 0.31%, 0.69%

LAB 77.18, -21.82, 20.44

 

CMYK 20 / 0 / 27 / 28

HEX #92B785

RGB 146 183 133

HSL 104.4, 0.26%, 0.62%

LAB 70.64, -21.97, 21.46

 

CMYK 22 / 0 / 31 / 35

HEX #81A572

RGB 129 165 114

HSL 102.35, 0.22%, 0.55%

LAB 63.99, -22.12, 22.54

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 11 / 0 / 20 / 7

HEX #D2EDBE

RGB 210 237 190

HSL 94.47, 0.57%, 0.84%

LAB 90.77, -17.12, 19.87

 

CMYK 6 / 0 / 20 / 7

HEX #DEEDBE

RGB 222 237 190

HSL 79.15, 0.57%, 0.84%

LAB 91.6, -12.91, 21.15

 

CMYK 1 / 0 / 20 / 7

HEX #EBEDBE

RGB 235 237 190

HSL 62.55, 0.57%, 0.84%

LAB 92.55, -8.25, 22.61

 

CMYK 0 / 5 / 20 / 7

HEX #EDE2BE

RGB 237 226 190

HSL 45.96, 0.57%, 0.84%

LAB 89.91, -1.96, 18.97

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 20 / 0 / 17 / 7

HEX #BEEDC4

RGB 190 237 196

HSL 127.66, 0.57%, 0.84%

LAB 89.63, -22.87, 14.97

 

CMYK 20 / 0 / 12 / 7

HEX #BEEDD1

RGB 190 237 209

HSL 144.26, 0.57%, 0.84%

LAB 89.91, -20.51, 8.62

 

CMYK 20 / 0 / 7 / 7

HEX #BEEDDD

RGB 190 237 221

HSL 159.57, 0.57%, 0.84%

LAB 90.2, -18.21, 2.77

 

CMYK 20 / 0 / 1 / 7

HEX #BEEDEA

RGB 190 237 234

HSL 176.17, 0.57%, 0.84%

LAB 90.53, -15.59, -3.53

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 21 / 0 / 25 / 4

HEX #C1F4B8

RGB 193 244 184

HSL 111, 0.73%, 0.84%

LAB 91.46, -27.25, 23.74

 

CMYK 25 / 0 / 29 / 2

HEX #BCFAB1

RGB 188 250 177

HSL 110.96, 0.88%, 0.84%

LAB 92.68, -32.82, 28.92

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 12 / 0 / 14 / 10

HEX #CAE6C5

RGB 202 230 197

HSL 110.91, 0.4%, 0.84%

LAB 88.53, -15.25, 13.01

 

CMYK 8 / 0 / 9 / 12

HEX #CFE0CC

RGB 207 224 204

HSL 111, 0.24%, 0.84%

LAB 87.45, -9.31, 7.85

 

CMYK 3 / 0 / 3 / 15

HEX #D3D9D2

RGB 211 217 210

HSL 111.43, 0.08%, 0.84%

LAB 86.07, -3.29, 2.73

 

CMYK 0 / 3 / 0 / 15

HEX #D8D3D9

RGB 216 211 217

HSL 290, 0.07%, 0.84%

LAB 85.1, 2.8, -2.36

 

CMYK 6 / 0 / 20 / 7

HEX #DEEDBE

RGB 222 237 190

HSL 79.15, 0.57%, 0.84%

LAB 91.6, -12.91, 21.15

 

CMYK 11 / 0 / 20 / 7

HEX #D2EDBE

RGB 210 237 190

HSL 94.47, 0.57%, 0.84%

LAB 90.77, -17.12, 19.87

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 20 / 0 / 17 / 7

HEX #BEEDC4

RGB 190 237 196

HSL 127.66, 0.57%, 0.84%

LAB 89.63, -22.87, 14.97

 

CMYK 20 / 0 / 12 / 7

HEX #BEEDD0

RGB 190 237 208

HSL 142.98, 0.57%, 0.84%

LAB 89.89, -20.7, 9.11

 

CMYK 36 / 0 / 42 / 14

HEX #8CDB7E

RGB 140 219 126

HSL 110.97, 0.56%, 0.68%

LAB 80.6, -41.94, 38.19

 

CMYK 26 / 0 / 31 / 11

HEX #A8E49E

RGB 168 228 158

HSL 111.43, 0.56%, 0.76%

LAB 85.14, -32.15, 28.21

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 8 / 0 / 9 / 4

HEX #E2F6DF

RGB 226 246 223

HSL 112.17, 0.56%, 0.92%

LAB 94.91, -10.67, 8.83

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 20 / 1 / 0 / 7

HEX #BEEBED

RGB 190 235 237

HSL 182.55, 0.57%, 0.84%

LAB 90.08, -13.97, -5.76

 

CMYK 0 / 20 / 9 / 7

HEX #EDBED8

RGB 237 190 216

HSL 326.81, 0.57%, 0.84%

LAB 81.72, 20.94, -6.59

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 20 / 17 / 0 / 7

HEX #BEC5ED

RGB 190 197 237

HSL 231.06, 0.57%, 0.84%

LAB 80.18, 5.83, -20.58

 

CMYK 0 / 20 / 17 / 7

HEX #EDBEC5

RGB 237 190 197

HSL 351.06, 0.57%, 0.84%

LAB 81.22, 17.87, 2.88

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 20 / 1 / 0 / 7

HEX #BEEBED

RGB 190 235 237

HSL 182.55, 0.57%, 0.84%

LAB 90.08, -13.97, -5.76

 

CMYK 3 / 20 / 0 / 7

HEX #E6BEED

RGB 230 190 237

HSL 291.06, 0.57%, 0.84%

LAB 81.71, 22.34, -17.94

 

CMYK 0 / 19 / 20 / 7

HEX #EDC1BE

RGB 237 193 190

HSL 3.83, 0.57%, 0.84%

LAB 81.76, 15.22, 7.43

 

CMYK 17 / 0 / 20 / 7

HEX #C5EDBE

RGB 197 237 190

HSL 111.06, 0.57%, 0.84%

LAB 89.93, -21.57, 18.57

 

CMYK 20 / 7 / 0 / 7

HEX #BEDDED

RGB 190 221 237

HSL 200.43, 0.57%, 0.84%

LAB 86.39, -6.84, -11.23

 

CMYK 3 / 20 / 0 / 7

HEX #E6BEED

RGB 230 190 237

HSL 291.06, 0.57%, 0.84%

LAB 81.71, 22.34, -17.94

 

CMYK 0 / 13 / 20 / 7

HEX #EDCFBE

RGB 237 207 190

HSL 21.7, 0.57%, 0.84%

LAB 85.17, 7.86, 12.3

 

Description

Color code: HEX #C5EDBE | qconv.com Color code: HEX #C5EDBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 237 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 237 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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