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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5EE67 it is the complementary color #3A1198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5EE67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5EE67 shade: #CAEE62, #DBFF75, #ECFF88, #FDFF9B and #FFFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5EE67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5EE67 shade: #C5EE67, #B4DC54, #A3CA41, #92B82E and #81A61B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5EE67 shade: #C5EE67, #E9EE67, #EECE67, #EEAA67 and #EE8567

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5EE67 shade: #C5EE67, #A0EE67, #7CEE67, #67EE76 and #67EE9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5EE67 shade matches the following richer shades: #C5EE67 and #CAFB59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5EE67 shade: #C5EE67, #BFE075, #BAD282, #B5C590 and #AFB79D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5EE67 shade: #EECE67, #E9EE67, #C5EE67, #A1EE67 and #7DEE67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5EE67 shade: #A8E51D, #B7EA42, #C5EE67, #D3F28C and #E1F6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5EE67 shade: #C5EE67, #67EEAA and #E067EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5EE67 shade: #C5EE67, #67C5EE and #EE67C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5EE67 shade: #C5EE67, #67EEAA, #8F67EE and #EE67AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5EE67 shade: #C5EE67, #67EED3, #8F67EE and #EE6782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

Complementary color

CMYK 62 / 89 / 0 / 40

HEX #3A1198

RGB 58 17 152

HSL 258.22, 0.8%, 0.33%

LAB 22.19, 50.93, -64.29

 

CMYK 15 / 0 / 59 / 7

HEX #CAEE62

RGB 202 238 98

HSL 75.43, 0.8%, 0.66%

LAB 89.2, -31.46, 62.37

 

CMYK 14 / 0 / 54 / 0

HEX #DBFF75

RGB 219 255 117

HSL 75.65, 1%, 0.73%

LAB 95.1, -31.3, 61.13

 

CMYK 7 / 0 / 47 / 0

HEX #ECFF88

RGB 236 255 136

HSL 69.58, 1%, 0.77%

LAB 96.46, -23.14, 54.41

 

CMYK 1 / 0 / 39 / 0

HEX #FDFF9B

RGB 253 255 155

HSL 61.2, 1%, 0.8%

LAB 97.94, -14.78, 47.51

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 18 / 0 / 62 / 14

HEX #B4DC54

RGB 180 220 84

HSL 77.65, 0.66%, 0.6%

LAB 82.66, -32.66, 60.67

 

CMYK 19 / 0 / 68 / 21

HEX #A3CA41

RGB 163 202 65

HSL 77.08, 0.56%, 0.52%

LAB 76.32, -32.26, 61.27

 

CMYK 21 / 0 / 75 / 28

HEX #92B82E

RGB 146 184 46

HSL 76.52, 0.6%, 0.45%

LAB 69.89, -31.72, 61.4

 

CMYK 22 / 0 / 84 / 35

HEX #81A61B

RGB 129 166 27

HSL 75.97, 0.72%, 0.38%

LAB 63.36, -30.99, 60.67

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 2 / 0 / 57 / 7

HEX #E9EE67

RGB 233 238 103

HSL 62.22, 0.8%, 0.67%

LAB 91.44, -18.94, 63.33

 

CMYK 0 / 13 / 57 / 7

HEX #EECE67

RGB 238 206 103

HSL 45.78, 0.8%, 0.67%

LAB 83.6, -0.92, 54.54

 

CMYK 0 / 29 / 57 / 7

HEX #EEAA67

RGB 238 170 103

HSL 29.78, 0.8%, 0.67%

LAB 74.77, 17.93, 44.08

 

CMYK 0 / 44 / 57 / 7

HEX #EE8567

RGB 238 133 103

HSL 13.33, 0.8%, 0.67%

LAB 66.47, 37.37, 33.78

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 33 / 0 / 57 / 7

HEX #A0EE67

RGB 160 238 103

HSL 94.67, 0.8%, 0.67%

LAB 86.8, -46.27, 56.83

 

CMYK 48 / 0 / 57 / 7

HEX #7CEE67

RGB 124 238 103

HSL 110.67, 0.8%, 0.67%

LAB 85.21, -57.42, 54.57

 

CMYK 57 / 0 / 50 / 7

HEX #67EE76

RGB 103 238 118

HSL 126.67, 0.8%, 0.67%

LAB 84.66, -60.94, 46.86

 

CMYK 57 / 0 / 35 / 7

HEX #67EE9B

RGB 103 238 155

HSL 143.11, 0.8%, 0.67%

LAB 85.2, -55.11, 29.35

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 20 / 0 / 65 / 2

HEX #CAFB59

RGB 202 251 89

HSL 78.15, 0.95%, 0.67%

LAB 92.69, -38.03, 69.81

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 15 / 0 / 48 / 12

HEX #BFE075

RGB 191 224 117

HSL 78.5, 0.63%, 0.67%

LAB 84.83, -27.37, 48.5

 

CMYK 11 / 0 / 38 / 18

HEX #BAD282

RGB 186 210 130

HSL 78, 0.47%, 0.67%

LAB 80.82, -21.02, 37.01

 

CMYK 8 / 0 / 27 / 23

HEX #B5C590

RGB 181 197 144

HSL 78.11, 0.31%, 0.67%

LAB 77.14, -14.52, 24.83

 

CMYK 4 / 0 / 14 / 28

HEX #AFB79D

RGB 175 183 157

HSL 78.46, 0.15%, 0.67%

LAB 73.16, -7.47, 12.28

 

CMYK 0 / 13 / 57 / 7

HEX #EECE67

RGB 238 206 103

HSL 45.78, 0.8%, 0.67%

LAB 83.6, -0.92, 54.54

 

CMYK 2 / 0 / 57 / 7

HEX #E9EE67

RGB 233 238 103

HSL 62.22, 0.8%, 0.67%

LAB 91.44, -18.94, 63.33

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 32 / 0 / 57 / 7

HEX #A1EE67

RGB 161 238 103

HSL 94.22, 0.8%, 0.67%

LAB 86.85, -45.93, 56.9

 

CMYK 47 / 0 / 57 / 7

HEX #7DEE67

RGB 125 238 103

HSL 110.22, 0.8%, 0.67%

LAB 85.24, -57.14, 54.63

 

CMYK 27 / 0 / 87 / 10

HEX #A8E51D

RGB 168 229 29

HSL 78.3, 0.79%, 0.51%

LAB 84.2, -43.97, 78.87

 

CMYK 22 / 0 / 72 / 8

HEX #B7EA42

RGB 183 234 66

HSL 78.21, 0.8%, 0.59%

LAB 86.66, -39.03, 71.67

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 13 / 0 / 42 / 5

HEX #D3F28C

RGB 211 242 140

HSL 78.24, 0.8%, 0.75%

LAB 91.35, -25.94, 45.81

 

CMYK 9 / 0 / 28 / 4

HEX #E1F6B1

RGB 225 246 177

HSL 78.26, 0.79%, 0.83%

LAB 93.92, -18.13, 30.99

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 57 / 0 / 29 / 7

HEX #67EEAA

RGB 103 238 170

HSL 149.78, 0.8%, 0.67%

LAB 85.47, -52.28, 22.04

 

CMYK 6 / 57 / 0 / 7

HEX #E067EE

RGB 224 103 238

HSL 293.78, 0.8%, 0.67%

LAB 63.11, 65.36, -47.27

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 57 / 17 / 0 / 7

HEX #67C5EE

RGB 103 197 238

HSL 198.22, 0.8%, 0.67%

LAB 75.44, -16.39, -28.76

 

CMYK 0 / 57 / 17 / 7

HEX #EE67C5

RGB 238 103 197

HSL 318.22, 0.8%, 0.67%

LAB 63.27, 62.46, -23.89

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 57 / 0 / 29 / 7

HEX #67EEAA

RGB 103 238 170

HSL 149.78, 0.8%, 0.67%

LAB 85.47, -52.28, 22.04

 

CMYK 40 / 57 / 0 / 7

HEX #8F67EE

RGB 143 103 238

HSL 257.78, 0.8%, 0.67%

LAB 53.72, 45.9, -62.79

 

CMYK 0 / 57 / 29 / 7

HEX #EE67AA

RGB 238 103 170

HSL 330.22, 0.8%, 0.67%

LAB 62.32, 58.82, -9.94

 

CMYK 17 / 0 / 57 / 7

HEX #C5EE67

RGB 197 238 103

HSL 78.22, 0.8%, 0.67%

LAB 88.92, -32.96, 59.82

 

CMYK 57 / 0 / 11 / 7

HEX #67EED3

RGB 103 238 211

HSL 168, 0.8%, 0.67%

LAB 86.37, -43.3, 1.97

 

CMYK 40 / 57 / 0 / 7

HEX #8F67EE

RGB 143 103 238

HSL 257.78, 0.8%, 0.67%

LAB 53.72, 45.9, -62.79

 

CMYK 0 / 57 / 45 / 7

HEX #EE6782

RGB 238 103 130

HSL 348, 0.8%, 0.67%

LAB 61.21, 54.39, 11.5

 

Description

Color code: HEX #C5EE67 | qconv.com Color code: HEX #C5EE67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 238 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 238 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 57 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 57% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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