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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5F13B it is the complementary color #3A0EC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5F13B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5F13B shade: #CAF136, #DBFF49, #ECFF5C, #FDFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5F13B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5F13B shade: #C5F13B, #B4DF28, #A3CD15, #92BB02 and #81A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5F13B shade: #C5F13B, #F1EC3B, #F1BB3B, #F18A3B and #F1593B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5F13B shade: #C5F13B, #94F13B, #63F13B, #3BF144 and #3BF175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5F13B shade matches the following richer shades: #C5F13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5F13B shade: #C5F13B, #BCE04C, #B3CF5D, #ABBE6E and #A2AD7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5F13B shade: #F1BA3B, #F1EB3B, #C6F13B, #96F13B and #65F13B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5F13B shade: #9ECC0E, #BAEE14, #C5F13B, #D0F462 and #DCF688

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5F13B shade: #C5F13B, #3BF18A and #D33BF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5F13B shade: #C5F13B, #3BC6F1 and #F13BC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5F13B shade: #C5F13B, #3BF18A, #653BF1 and #F13BA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5F13B shade: #C5F13B, #3BF1C0, #653BF1 and #F13B6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

Complementary color

CMYK 70 / 93 / 0 / 23

HEX #3A0EC4

RGB 58 14 196

HSL 254.51, 0.87%, 0.41%

LAB 27.29, 63.28, -82.29

 

CMYK 16 / 0 / 78 / 5

HEX #CAF136

RGB 202 241 54

HSL 72.51, 0.87%, 0.58%

LAB 89.74, -35.4, 78.71

 

CMYK 14 / 0 / 71 / 0

HEX #DBFF49

RGB 219 255 73

HSL 71.87, 1%, 0.64%

LAB 94.76, -34.28, 78.01

 

CMYK 7 / 0 / 64 / 0

HEX #ECFF5C

RGB 236 255 92

HSL 66.99, 1%, 0.68%

LAB 96.05, -26.58, 72.86

 

CMYK 1 / 0 / 56 / 0

HEX #FDFF6F

RGB 253 255 111

HSL 60.83, 1%, 0.72%

LAB 97.45, -18.63, 67.04

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 20 / 0 / 90 / 20

HEX #A3CD15

RGB 163 205 21

HSL 73.7, 0.81%, 0.44%

LAB 76.98, -35.47, 74.18

 

CMYK 22 / 0 / 99 / 27

HEX #92BB02

RGB 146 187 2

HSL 73.3, 0.98%, 0.37%

LAB 70.63, -34.37, 71.06

 

CMYK 24 / 0 / 100 / 34

HEX #81A900

RGB 129 169 0

HSL 74.2, 1%, 0.33%

LAB 64.2, -33.01, 65.93

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 0 / 2 / 76 / 5

HEX #F1EC3B

RGB 241 236 59

HSL 58.35, 0.87%, 0.59%

LAB 91.24, -17.11, 79.68

 

CMYK 0 / 22 / 76 / 5

HEX #F1BB3B

RGB 241 187 59

HSL 42.2, 0.87%, 0.59%

LAB 78.79, 7.68, 68.13

 

CMYK 0 / 43 / 76 / 5

HEX #F18A3B

RGB 241 138 59

HSL 26.04, 0.87%, 0.59%

LAB 67.42, 33.42, 57.09

 

CMYK 0 / 63 / 76 / 5

HEX #F1593B

RGB 241 89 59

HSL 9.89, 0.87%, 0.59%

LAB 58.19, 56.89, 47.62

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 39 / 0 / 76 / 5

HEX #94F13B

RGB 148 241 59

HSL 90.66, 0.87%, 0.59%

LAB 86.76, -54.81, 73.39

 

CMYK 59 / 0 / 76 / 5

HEX #63F13B

RGB 99 241 59

HSL 106.81, 0.87%, 0.59%

LAB 84.93, -68.7, 71

 

CMYK 76 / 0 / 72 / 5

HEX #3BF144

RGB 59 241 68

HSL 122.97, 0.87%, 0.59%

LAB 84.1, -75.48, 66.91

 

CMYK 76 / 0 / 51 / 5

HEX #3BF175

RGB 59 241 117

HSL 139.12, 0.87%, 0.59%

LAB 84.55, -70.07, 46.97

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 16 / 0 / 66 / 12

HEX #BCE04C

RGB 188 224 76

HSL 74.59, 0.7%, 0.59%

LAB 84.24, -31.96, 65.71

 

CMYK 14 / 0 / 55 / 19

HEX #B3CF5D

RGB 179 207 93

HSL 74.74, 0.54%, 0.59%

LAB 79.04, -26.18, 52.67

 

CMYK 10 / 0 / 42 / 25

HEX #ABBE6E

RGB 171 190 110

HSL 74.25, 0.38%, 0.59%

LAB 73.94, -19.26, 38.17

 

CMYK 6 / 0 / 27 / 32

HEX #A2AD7F

RGB 162 173 127

HSL 74.35, 0.22%, 0.59%

LAB 68.82, -11.82, 22.41

 

CMYK 0 / 23 / 76 / 5

HEX #F1BA3B

RGB 241 186 59

HSL 41.87, 0.87%, 0.59%

LAB 78.54, 8.2, 67.9

 

CMYK 0 / 2 / 76 / 5

HEX #F1EB3B

RGB 241 235 59

HSL 58.02, 0.87%, 0.59%

LAB 90.98, -16.62, 79.44

 

CMYK 18 / 0 / 76 / 5

HEX #C6F13B

RGB 198 241 59

HSL 74.18, 0.87%, 0.59%

LAB 89.5, -36.75, 76.95

 

CMYK 38 / 0 / 76 / 5

HEX #96F13B

RGB 150 241 59

HSL 90, 0.87%, 0.59%

LAB 86.85, -54.15, 73.51

 

CMYK 58 / 0 / 76 / 5

HEX #65F13B

RGB 101 241 59

HSL 106.15, 0.87%, 0.59%

LAB 84.99, -68.23, 71.08

 

CMYK 23 / 0 / 93 / 20

HEX #9ECC0E

RGB 158 204 14

HSL 74.53, 0.87%, 0.43%

LAB 76.37, -37.13, 74.54

 

CMYK 22 / 0 / 92 / 7

HEX #BAEE14

RGB 186 238 20

HSL 74.31, 0.87%, 0.51%

LAB 87.79, -41.22, 83.59

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 15 / 0 / 60 / 4

HEX #D0F462

RGB 208 244 98

HSL 74.79, 0.87%, 0.67%

LAB 91.23, -31.94, 64.73

 

CMYK 11 / 0 / 45 / 4

HEX #DCF688

RGB 220 246 136

HSL 74.18, 0.86%, 0.75%

LAB 92.97, -24.91, 49.89

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 76 / 0 / 43 / 5

HEX #3BF18A

RGB 59 241 138

HSL 146.04, 0.87%, 0.59%

LAB 84.83, -66.77, 37.2

 

CMYK 12 / 76 / 0 / 5

HEX #D33BF1

RGB 211 59 241

HSL 290.11, 0.87%, 0.59%

LAB 55.41, 79.89, -61.32

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 76 / 18 / 0 / 5

HEX #3BC6F1

RGB 59 198 241

HSL 194.18, 0.87%, 0.59%

LAB 74.62, -22.65, -31.76

 

CMYK 0 / 76 / 18 / 5

HEX #F13BC6

RGB 241 59 198

HSL 314.18, 0.87%, 0.59%

LAB 57.95, 79.52, -32.64

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 76 / 0 / 43 / 5

HEX #3BF18A

RGB 59 241 138

HSL 146.04, 0.87%, 0.59%

LAB 84.83, -66.77, 37.2

 

CMYK 58 / 76 / 0 / 5

HEX #653BF1

RGB 101 59 241

HSL 253.85, 0.87%, 0.59%

LAB 41.6, 62.42, -84.39

 

CMYK 0 / 76 / 33 / 5

HEX #F13BA2

RGB 241 59 162

HSL 326.04, 0.87%, 0.59%

LAB 56.52, 75.25, -13.97

 

CMYK 18 / 0 / 76 / 5

HEX #C5F13B

RGB 197 241 59

HSL 74.51, 0.87%, 0.59%

LAB 89.44, -37.14, 76.87

 

CMYK 76 / 0 / 20 / 5

HEX #3BF1C0

RGB 59 241 192

HSL 163.85, 0.87%, 0.59%

LAB 85.83, -55.76, 10.99

 

CMYK 58 / 76 / 0 / 5

HEX #653BF1

RGB 101 59 241

HSL 253.85, 0.87%, 0.59%

LAB 41.6, 62.42, -84.39

 

CMYK 0 / 76 / 55 / 5

HEX #F13B6C

RGB 241 59 108

HSL 343.85, 0.87%, 0.59%

LAB 54.98, 70.44, 15.81

 

Description

Color code: HEX #C5F13B | qconv.com Color code: HEX #C5F13B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 241 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 241 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 76% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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