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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C619A3 it is the complementary color #39E65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C619A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C619A3 shade: #CB199E, #DC2BB1, #ED3DC4, #FE4FD7 and #FF61EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C619A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C619A3 shade: #C619A3, #B50790, #A4007D, #93006A and #820057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C619A3 shade: #C718A4, #C71875, #C71845 and #C71818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C619A3 shade: #C718A4, #BB18C7, #8C18C7, #5D18C7 and #2E18C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C619A3 shade matches the following richer shades: #C718A4 and #D906AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C619A3 shade: #C718A4, #B52A99, #A33C8E, #914F83 and #7F6179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C619A3 shade: #8D18C7, #BC18C7, #C718A4, #C71876 and #C71847

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C619A3 shade: #7E0F67, #A21486, #C718A4, #E425BD and #E84AC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C619A3 shade: #C619A3, #C75E18 and #18C7A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C619A3 shade: #C619A3, #A4C718 and #18A4C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C619A3 shade: #C619A3, #C75E18, #18C73B and #1881C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C619A3 shade: #C619A3, #C79318, #18C73B and #184DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 18 / 22

HEX #C619A3

RGB 198 25 163

HSL 312.14, 0.78%, 0.44%

LAB 46.1, 73.68, -31.24

 

Complementary color

CMYK 75 / 0 / 60 / 10

HEX #39E65C

RGB 57 230 92

HSL 132.14, 0.78%, 0.56%

LAB 80.87, -70.01, 53.93

 

CMYK 0 / 88 / 22 / 20

HEX #CB199E

RGB 203 25 158

HSL 315.17, 0.78%, 0.45%

LAB 46.79, 74.07, -27.12

 

CMYK 0 / 80 / 20 / 14

HEX #DC2BB1

RGB 220 43 177

HSL 314.58, 0.72%, 0.52%

LAB 51.97, 76.38, -30.06

 

CMYK 0 / 74 / 17 / 7

HEX #ED3DC4

RGB 237 61 196

HSL 313.98, 0.83%, 0.58%

LAB 57.39, 77.79, -32.41

 

CMYK 0 / 69 / 15 / 0

HEX #FE4FD7

RGB 254 79 215

HSL 313.37, 0.99%, 0.65%

LAB 62.99, 78.55, -34.3

 

CMYK 0 / 62 / 8 / 0

HEX #FF61EA

RGB 255 97 234

HSL 307.97, 1%, 0.69%

LAB 66.33, 74.92, -39.69

 

CMYK 0 / 87 / 18 / 22

HEX #C619A3

RGB 198 25 163

HSL 312.14, 0.78%, 0.44%

LAB 46.1, 73.68, -31.24

 

CMYK 0 / 96 / 20 / 29

HEX #B50790

RGB 181 7 144

HSL 312.76, 0.93%, 0.37%

LAB 41.2, 70.21, -27.69

 

CMYK 0 / 100 / 24 / 36

HEX #A4007D

RGB 164 0 125

HSL 314.27, 1%, 0.32%

LAB 36.69, 65.29, -23.23

 

CMYK 0 / 100 / 28 / 42

HEX #93006A

RGB 147 0 106

HSL 316.73, 1%, 0.29%

LAB 32.36, 59.56, -18.2

 

CMYK 0 / 100 / 33 / 49

HEX #820057

RGB 130 0 87

HSL 319.85, 1%, 0.25%

LAB 27.94, 53.73, -12.92

 

CMYK 0 / 88 / 18 / 22

HEX #C718A4

RGB 199 24 164

HSL 312, 0.78%, 0.44%

LAB 46.28, 74.17, -31.55

 

CMYK 0 / 88 / 41 / 22

HEX #C71875

RGB 199 24 117

HSL 328.11, 0.78%, 0.44%

LAB 44.35, 68.93, -5.96

 

CMYK 0 / 88 / 65 / 22

HEX #C71845

RGB 199 24 69

HSL 344.57, 0.78%, 0.44%

LAB 43.1, 65.42, 22.28

 

CMYK 0 / 88 / 88 / 22

HEX #C71818

RGB 199 24 24

HSL 0, 0.78%, 0.44%

LAB 42.55, 63.84, 47.5

 

CMYK 0 / 88 / 18 / 22

HEX #C718A4

RGB 199 24 164

HSL 312, 0.78%, 0.44%

LAB 46.28, 74.17, -31.55

 

CMYK 6 / 88 / 0 / 22

HEX #BB18C7

RGB 187 24 199

HSL 295.89, 0.78%, 0.44%

LAB 46.1, 76.98, -52.56

 

CMYK 30 / 88 / 0 / 22

HEX #8C18C7

RGB 140 24 199

HSL 279.77, 0.78%, 0.44%

LAB 38.47, 69.65, -65.28

 

CMYK 53 / 88 / 0 / 22

HEX #5D18C7

RGB 93 24 199

HSL 263.66, 0.78%, 0.44%

LAB 32.04, 64.02, -76.07

 

CMYK 77 / 88 / 0 / 22

HEX #2E18C7

RGB 46 24 199

HSL 247.54, 0.78%, 0.44%

LAB 27.73, 60.67, -83.35

 

CMYK 0 / 88 / 18 / 22

HEX #C718A4

RGB 199 24 164

HSL 312, 0.78%, 0.44%

LAB 46.28, 74.17, -31.55

 

CMYK 0 / 97 / 19 / 15

HEX #D906AF

RGB 217 6 175

HSL 311.94, 0.95%, 0.44%

LAB 49.47, 80.97, -32.84

 

CMYK 0 / 88 / 18 / 22

HEX #C718A4

RGB 199 24 164

HSL 312, 0.78%, 0.44%

LAB 46.28, 74.17, -31.55

 

CMYK 0 / 77 / 15 / 29

HEX #B52A99

RGB 181 42 153

HSL 312.09, 0.62%, 0.44%

LAB 43.92, 64.79, -28.9

 

CMYK 0 / 63 / 13 / 36

HEX #A33C8E

RGB 163 60 142

HSL 312.23, 0.46%, 0.44%

LAB 42.72, 52.03, -24.34

 

CMYK 0 / 46 / 10 / 43

HEX #914F83

RGB 145 79 131

HSL 312.73, 0.29%, 0.44%

LAB 43.14, 35.22, -17.24

 

CMYK 0 / 24 / 5 / 50

HEX #7F6179

RGB 127 97 121

HSL 312, 0.13%, 0.44%

LAB 44.86, 16.47, -8.77

 

CMYK 29 / 88 / 0 / 22

HEX #8D18C7

RGB 141 24 199

HSL 280.11, 0.78%, 0.44%

LAB 38.62, 69.79, -65.02

 

CMYK 6 / 88 / 0 / 22

HEX #BC18C7

RGB 188 24 199

HSL 296.23, 0.78%, 0.44%

LAB 46.27, 77.15, -52.27

 

CMYK 0 / 88 / 18 / 22

HEX #C718A4

RGB 199 24 164

HSL 312, 0.78%, 0.44%

LAB 46.28, 74.17, -31.55

 

CMYK 0 / 88 / 41 / 22

HEX #C71876

RGB 199 24 118

HSL 327.77, 0.78%, 0.44%

LAB 44.38, 69.03, -6.53

 

CMYK 0 / 88 / 64 / 22

HEX #C71847

RGB 199 24 71

HSL 343.89, 0.78%, 0.44%

LAB 43.14, 65.53, 21.08

 

CMYK 0 / 88 / 18 / 51

HEX #7E0F67

RGB 126 15 103

HSL 312.43, 0.79%, 0.28%

LAB 28.79, 52.24, -22.14

 

CMYK 0 / 88 / 17 / 36

HEX #A21486

RGB 162 20 134

HSL 311.83, 0.78%, 0.36%

LAB 37.67, 63.34, -27.34

 

CMYK 0 / 88 / 18 / 22

HEX #C718A4

RGB 199 24 164

HSL 312, 0.78%, 0.44%

LAB 46.28, 74.17, -31.55

 

CMYK 0 / 84 / 17 / 11

HEX #E425BD

RGB 228 37 189

HSL 312.25, 0.78%, 0.52%

LAB 53.48, 80.86, -34.59

 

CMYK 0 / 68 / 14 / 9

HEX #E84AC8

RGB 232 74 200

HSL 312.15, 0.77%, 0.6%

LAB 58.25, 72.96, -33.43

 

CMYK 0 / 87 / 18 / 22

HEX #C619A3

RGB 198 25 163

HSL 312.14, 0.78%, 0.44%

LAB 46.1, 73.68, -31.24

 

CMYK 0 / 53 / 88 / 22

HEX #C75E18

RGB 199 94 24

HSL 24, 0.78%, 0.44%

LAB 52.08, 38.14, 54.99

 

CMYK 88 / 0 / 18 / 22

HEX #18C7A4

RGB 24 199 164

HSL 168, 0.78%, 0.44%

LAB 72.04, -48.79, 6.08

 

CMYK 0 / 87 / 18 / 22

HEX #C619A3

RGB 198 25 163

HSL 312.14, 0.78%, 0.44%

LAB 46.1, 73.68, -31.24

 

CMYK 18 / 0 / 88 / 22

HEX #A4C718

RGB 164 199 24

HSL 72, 0.78%, 0.44%

LAB 75.33, -32.24, 72.35

 

CMYK 88 / 18 / 0 / 22

HEX #18A4C7

RGB 24 164 199

HSL 192, 0.78%, 0.44%

LAB 62.4, -22.06, -27.64

 

CMYK 0 / 87 / 18 / 22

HEX #C619A3

RGB 198 25 163

HSL 312.14, 0.78%, 0.44%

LAB 46.1, 73.68, -31.24

 

CMYK 0 / 53 / 88 / 22

HEX #C75E18

RGB 199 94 24

HSL 24, 0.78%, 0.44%

LAB 52.08, 38.14, 54.99

 

CMYK 88 / 0 / 70 / 22

HEX #18C73B

RGB 24 199 59

HSL 132, 0.78%, 0.44%

LAB 70.43, -67.45, 55.91

 

CMYK 88 / 35 / 0 / 22

HEX #1881C7

RGB 24 129 199

HSL 204, 0.78%, 0.44%

LAB 51.86, -2.54, -44.12

 

CMYK 0 / 87 / 18 / 22

HEX #C619A3

RGB 198 25 163

HSL 312.14, 0.78%, 0.44%

LAB 46.1, 73.68, -31.24

 

CMYK 0 / 26 / 88 / 22

HEX #C79318

RGB 199 147 24

HSL 42.17, 0.78%, 0.44%

LAB 64.22, 9.68, 64.61

 

CMYK 88 / 0 / 70 / 22

HEX #18C73B

RGB 24 199 59

HSL 132, 0.78%, 0.44%

LAB 70.43, -67.45, 55.91

 

CMYK 88 / 61 / 0 / 22

HEX #184DC7

RGB 24 77 199

HSL 221.83, 0.78%, 0.44%

LAB 37.16, 30.69, -67.8

 

Description

Color code: HEX #C619A3 | qconv.com Color code: HEX #C619A3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 25 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 25 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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