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Color name
HEX #C61253

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C61253 it is the complementary color #39EDAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C61253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C61253 shade: #CB124E, #DC2461, #ED3674, #FE4887 and #FF5A9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C61253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C61253 shade: #C61253, #B50040, #A4002D, #93001A and #820007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C61253 shade: #C31252, #C31222 and #C31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C61253 shade: #C31252, #C31282, #C312B2, #A512C3 and #7512C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C61253 shade matches the following richer shades: #C31252 and #D5004D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C61253 shade: #C31252, #B22357, #A1345C, #904660 and #7E5765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C61253 shade: #C312B2, #C31282, #C31253, #C31223 and #C32F12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C61253 shade: #780B32, #9E0E42, #C31252, #E91662 and #EC3B7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C61253 shade: #C61253, #C3A612 and #129AC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C61253 shade: #C61253, #53C312 and #1253C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C61253 shade: #C61253, #C3A612, #12C382 and #122FC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C61253 shade: #C61253, #ACC312, #12C382 and #2912C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 58 / 22

HEX #C61253

RGB 198 18 83

HSL 338.33, 0.83%, 0.42%

LAB 42.86, 66.94, 13.14

 

Complementary color

CMYK 76 / 0 / 27 / 7

HEX #39EDAC

RGB 57 237 172

HSL 158.33, 0.83%, 0.58%

LAB 84.18, -58.95, 19.06

 

CMYK 0 / 91 / 62 / 20

HEX #CB124E

RGB 203 18 78

HSL 340.54, 0.84%, 0.43%

LAB 43.77, 67.86, 17.69

 

CMYK 0 / 84 / 56 / 14

HEX #DC2461

RGB 220 36 97

HSL 340.11, 0.72%, 0.5%

LAB 48.69, 70.11, 13.16

 

CMYK 0 / 77 / 51 / 7

HEX #ED3674

RGB 237 54 116

HSL 339.67, 0.84%, 0.57%

LAB 53.92, 71.4, 9.44

 

CMYK 0 / 72 / 47 / 0

HEX #FE4887

RGB 254 72 135

HSL 339.23, 0.99%, 0.64%

LAB 59.39, 71.99, 6.36

 

CMYK 0 / 65 / 40 / 0

HEX #FF5A9A

RGB 255 90 154

HSL 336.73, 1%, 0.68%

LAB 62.43, 67.53, -0.28

 

CMYK 0 / 91 / 58 / 22

HEX #C61253

RGB 198 18 83

HSL 338.33, 0.83%, 0.42%

LAB 42.86, 66.94, 13.14

 

CMYK 0 / 100 / 65 / 29

HEX #B50040

RGB 181 0 64

HSL 338.78, 1%, 0.35%

LAB 38.19, 63.73, 18.33

 

CMYK 0 / 100 / 73 / 36

HEX #A4002D

RGB 164 0 45

HSL 343.54, 1%, 0.32%

LAB 34.15, 58.65, 24.68

 

CMYK 0 / 100 / 82 / 42

HEX #93001A

RGB 147 0 26

HSL 349.39, 1%, 0.29%

LAB 30.1, 53.63, 31.07

 

CMYK 0 / 100 / 95 / 49

HEX #820007

RGB 130 0 7

HSL 356.77, 1%, 0.25%

LAB 26.04, 48.72, 35.85

 

CMYK 0 / 91 / 58 / 24

HEX #C31252

RGB 195 18 82

HSL 338.31, 0.83%, 0.42%

LAB 42.22, 66.15, 12.79

 

CMYK 0 / 91 / 83 / 24

HEX #C31222

RGB 195 18 34

HSL 354.58, 0.83%, 0.42%

LAB 41.45, 63.98, 41.13

 

CMYK 0 / 91 / 91 / 24

HEX #C31212

RGB 195 18 18

HSL 0, 0.83%, 0.42%

LAB 41.34, 63.66, 48.87

 

CMYK 0 / 91 / 58 / 24

HEX #C31252

RGB 195 18 82

HSL 338.31, 0.83%, 0.42%

LAB 42.22, 66.15, 12.79

 

CMYK 0 / 91 / 33 / 24

HEX #C31282

RGB 195 18 130

HSL 322.03, 0.83%, 0.42%

LAB 43.72, 70.25, -15

 

CMYK 0 / 91 / 9 / 24

HEX #C312B2

RGB 195 18 178

HSL 305.76, 0.83%, 0.42%

LAB 45.97, 76.15, -40.38

 

CMYK 15 / 91 / 0 / 24

HEX #A512C3

RGB 165 18 195

HSL 289.83, 0.83%, 0.42%

LAB 41.8, 73.69, -57.34

 

CMYK 40 / 91 / 0 / 24

HEX #7512C3

RGB 117 18 195

HSL 273.56, 0.83%, 0.42%

LAB 34.3, 67.1, -69.89

 

CMYK 0 / 91 / 58 / 24

HEX #C31252

RGB 195 18 82

HSL 338.31, 0.83%, 0.42%

LAB 42.22, 66.15, 12.79

 

CMYK 0 / 100 / 64 / 16

HEX #D5004D

RGB 213 0 77

HSL 338.31, 1%, 0.42%

LAB 45.2, 71.98, 20.58

 

CMYK 0 / 91 / 58 / 24

HEX #C31252

RGB 195 18 82

HSL 338.31, 0.83%, 0.42%

LAB 42.22, 66.15, 12.79

 

CMYK 0 / 80 / 51 / 30

HEX #B22357

RGB 178 35 87

HSL 338.18, 0.67%, 0.42%

LAB 40.17, 58.61, 6.26

 

CMYK 0 / 68 / 43 / 37

HEX #A1345C

RGB 161 52 92

HSL 337.98, 0.51%, 0.42%

LAB 39.25, 48.22, 1.36

 

CMYK 0 / 51 / 33 / 44

HEX #904660

RGB 144 70 96

HSL 338.92, 0.35%, 0.42%

LAB 39.84, 34.26, -0.63

 

CMYK 0 / 31 / 20 / 51

HEX #7E5765

RGB 126 87 101

HSL 338.46, 0.18%, 0.42%

LAB 41.52, 18.38, -1.55

 

CMYK 0 / 91 / 9 / 24

HEX #C312B2

RGB 195 18 178

HSL 305.76, 0.83%, 0.42%

LAB 45.97, 76.15, -40.38

 

CMYK 0 / 91 / 33 / 24

HEX #C31282

RGB 195 18 130

HSL 322.03, 0.83%, 0.42%

LAB 43.72, 70.25, -15

 

CMYK 0 / 91 / 57 / 24

HEX #C31253

RGB 195 18 83

HSL 337.97, 0.83%, 0.42%

LAB 42.25, 66.21, 12.2

 

CMYK 0 / 91 / 82 / 24

HEX #C31223

RGB 195 18 35

HSL 354.24, 0.83%, 0.42%

LAB 41.46, 64.01, 40.59

 

CMYK 0 / 76 / 91 / 24

HEX #C32F12

RGB 195 47 18

HSL 9.83, 0.83%, 0.42%

LAB 43.77, 56.78, 50.57

 

CMYK 0 / 91 / 58 / 53

HEX #780B32

RGB 120 11 50

HSL 338.53, 0.83%, 0.26%

LAB 25.15, 45.73, 7.75

 

CMYK 0 / 91 / 58 / 38

HEX #9E0E42

RGB 158 14 66

HSL 338.33, 0.84%, 0.34%

LAB 33.93, 56.41, 10.45

 

CMYK 0 / 91 / 58 / 24

HEX #C31252

RGB 195 18 82

HSL 338.31, 0.83%, 0.42%

LAB 42.22, 66.15, 12.79

 

CMYK 0 / 91 / 58 / 9

HEX #E91662

RGB 233 22 98

HSL 338.39, 0.83%, 0.5%

LAB 50.43, 75.76, 15.35

 

CMYK 0 / 75 / 48 / 7

HEX #EC3B7B

RGB 236 59 123

HSL 338.31, 0.82%, 0.58%

LAB 54.44, 70.24, 5.95

 

CMYK 0 / 91 / 58 / 22

HEX #C61253

RGB 198 18 83

HSL 338.33, 0.83%, 0.42%

LAB 42.86, 66.94, 13.14

 

CMYK 0 / 15 / 91 / 24

HEX #C3A612

RGB 195 166 18

HSL 50.17, 0.83%, 0.42%

LAB 68.69, -2.45, 69.19

 

CMYK 91 / 21 / 0 / 24

HEX #129AC3

RGB 18 154 195

HSL 193.9, 0.83%, 0.42%

LAB 59.14, -18.5, -30.43

 

CMYK 0 / 91 / 58 / 22

HEX #C61253

RGB 198 18 83

HSL 338.33, 0.83%, 0.42%

LAB 42.86, 66.94, 13.14

 

CMYK 57 / 0 / 91 / 24

HEX #53C312

RGB 83 195 18

HSL 97.97, 0.83%, 0.42%

LAB 70.11, -58.74, 67.42

 

CMYK 91 / 57 / 0 / 24

HEX #1253C3

RGB 18 83 195

HSL 217.97, 0.83%, 0.42%

LAB 38.3, 24.85, -63.63

 

CMYK 0 / 91 / 58 / 22

HEX #C61253

RGB 198 18 83

HSL 338.33, 0.83%, 0.42%

LAB 42.86, 66.94, 13.14

 

CMYK 0 / 15 / 91 / 24

HEX #C3A612

RGB 195 166 18

HSL 50.17, 0.83%, 0.42%

LAB 68.69, -2.45, 69.19

 

CMYK 91 / 0 / 33 / 24

HEX #12C382

RGB 18 195 130

HSL 157.97, 0.83%, 0.42%

LAB 70.01, -55.63, 21.52

 

CMYK 91 / 76 / 0 / 24

HEX #122FC3

RGB 18 47 195

HSL 230.17, 0.83%, 0.42%

LAB 29.67, 47.67, -77.82

 

CMYK 0 / 91 / 58 / 22

HEX #C61253

RGB 198 18 83

HSL 338.33, 0.83%, 0.42%

LAB 42.86, 66.94, 13.14

 

CMYK 12 / 0 / 91 / 24

HEX #ACC312

RGB 172 195 18

HSL 67.8, 0.83%, 0.42%

LAB 74.73, -27.18, 73.09

 

CMYK 91 / 0 / 33 / 24

HEX #12C382

RGB 18 195 130

HSL 157.97, 0.83%, 0.42%

LAB 70.01, -55.63, 21.52

 

CMYK 79 / 91 / 0 / 24

HEX #2912C3

RGB 41 18 195

HSL 247.8, 0.83%, 0.42%

LAB 26.29, 61.25, -83.41

 

Description

Color code: HEX #C61253 | qconv.com Color code: HEX #C61253 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 18 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 18 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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