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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C624AD it is the complementary color #39DB52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C624AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C624AD shade: #CB24A8, #DC36BB, #ED48CE, #FE5AE1 and #FF6CF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C624AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C624AD shade: #C624AD, #B5129A, #A40087, #930074 and #820061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C624AD shade: #C624AD, #C62481, #C62455, #C6242A and #C62424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C624AD shade: #C624AD, #B324C6, #8724C6, #5C24C6 and #3024C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C624AD shade matches the following richer shades: #C624AD and #D911BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C624AD shade: #C624AD, #B337A0, #A04A93, #8D5D85 and #7A7078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C624AD shade: #8824C6, #B324C6, #C624AD, #C62482 and #C62457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C624AD shade: #801770, #A31D8E, #C624AD, #DA39C1 and #E15CCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C624AD shade: #C624AD, #C65D24 and #24C69D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C624AD shade: #C624AD, #ADC624 and #24ADC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C624AD shade: #C624AD, #C65D24, #24C63C and #248DC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C624AD shade: #C624AD, #C68D24, #24C63C and #245DC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

Complementary color

CMYK 74 / 0 / 63 / 14

HEX #39DB52

RGB 57 219 82

HSL 129.26, 0.69%, 0.54%

LAB 77.37, -67.61, 54.26

 

CMYK 0 / 82 / 17 / 20

HEX #CB24A8

RGB 203 36 168

HSL 312.57, 0.7%, 0.47%

LAB 47.99, 73.21, -31.2

 

CMYK 0 / 75 / 15 / 14

HEX #DC36BB

RGB 220 54 187

HSL 311.93, 0.7%, 0.54%

LAB 53.43, 74.82, -33.62

 

CMYK 0 / 70 / 13 / 7

HEX #ED48CE

RGB 237 72 206

HSL 311.27, 0.82%, 0.61%

LAB 59.06, 75.68, -35.52

 

CMYK 0 / 65 / 11 / 0

HEX #FE5AE1

RGB 254 90 225

HSL 310.61, 0.99%, 0.67%

LAB 64.82, 76.03, -37.05

 

CMYK 0 / 58 / 4 / 0

HEX #FF6CF4

RGB 255 108 244

HSL 304.49, 1%, 0.71%

LAB 68.4, 72, -41.98

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 90 / 15 / 29

HEX #B5129A

RGB 181 18 154

HSL 309.94, 0.82%, 0.39%

LAB 42.14, 70.21, -32.29

 

CMYK 0 / 100 / 18 / 36

HEX #A40087

RGB 164 0 135

HSL 310.61, 1%, 0.32%

LAB 37.19, 66.54, -28.67

 

CMYK 0 / 100 / 21 / 42

HEX #930074

RGB 147 0 116

HSL 312.65, 1%, 0.29%

LAB 32.84, 60.79, -23.83

 

CMYK 0 / 100 / 25 / 49

HEX #820061

RGB 130 0 97

HSL 315.23, 1%, 0.25%

LAB 28.4, 54.92, -18.78

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 82 / 35 / 22

HEX #C62481

RGB 198 36 129

HSL 325.56, 0.69%, 0.46%

LAB 45.43, 67.43, -11.74

 

CMYK 0 / 82 / 57 / 22

HEX #C62455

RGB 198 36 85

HSL 341.85, 0.69%, 0.46%

LAB 44.12, 63.58, 13.62

 

CMYK 0 / 82 / 79 / 22

HEX #C6242A

RGB 198 36 42

HSL 357.78, 0.69%, 0.46%

LAB 43.41, 61.42, 38.84

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 10 / 82 / 0 / 22

HEX #B324C6

RGB 179 36 198

HSL 292.96, 0.69%, 0.46%

LAB 45.53, 73, -52.96

 

CMYK 32 / 82 / 0 / 22

HEX #8724C6

RGB 135 36 198

HSL 276.67, 0.69%, 0.46%

LAB 38.71, 65.58, -64.33

 

CMYK 54 / 82 / 0 / 22

HEX #5C24C6

RGB 92 36 198

HSL 260.74, 0.69%, 0.46%

LAB 33.17, 59.7, -73.63

 

CMYK 76 / 82 / 0 / 22

HEX #3024C6

RGB 48 36 198

HSL 244.44, 0.69%, 0.46%

LAB 29.33, 55.74, -80.1

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 92 / 14 / 15

HEX #D911BA

RGB 217 17 186

HSL 309.3, 0.85%, 0.46%

LAB 50.33, 81.39, -37.93

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 69 / 11 / 30

HEX #B337A0

RGB 179 55 160

HSL 309.19, 0.53%, 0.46%

LAB 45.43, 61.03, -30.74

 

CMYK 0 / 54 / 8 / 37

HEX #A04A93

RGB 160 74 147

HSL 309.07, 0.37%, 0.46%

LAB 44.91, 45.44, -24

 

CMYK 0 / 34 / 6 / 45

HEX #8D5D85

RGB 141 93 133

HSL 310, 0.21%, 0.46%

LAB 45.89, 26.28, -14.3

 

CMYK 0 / 8 / 2 / 52

HEX #7A7078

RGB 122 112 120

HSL 312, 0.04%, 0.46%

LAB 48.36, 5.44, -3.02

 

CMYK 31 / 82 / 0 / 22

HEX #8824C6

RGB 136 36 198

HSL 277.04, 0.69%, 0.46%

LAB 38.85, 65.73, -64.09

 

CMYK 10 / 82 / 0 / 22

HEX #B324C6

RGB 179 36 198

HSL 292.96, 0.69%, 0.46%

LAB 45.53, 73, -52.96

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 82 / 34 / 22

HEX #C62482

RGB 198 36 130

HSL 325.19, 0.69%, 0.46%

LAB 45.47, 67.54, -12.29

 

CMYK 0 / 82 / 56 / 22

HEX #C62457

RGB 198 36 87

HSL 341.11, 0.69%, 0.46%

LAB 44.17, 63.72, 12.44

 

CMYK 0 / 82 / 13 / 50

HEX #801770

RGB 128 23 112

HSL 309.14, 0.7%, 0.3%

LAB 30.33, 52.05, -25.48

 

CMYK 0 / 82 / 13 / 36

HEX #A31D8E

RGB 163 29 142

HSL 309.4, 0.7%, 0.38%

LAB 38.93, 62.73, -30.26

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 74 / 11 / 15

HEX #DA39C1

RGB 218 57 193

HSL 309.32, 0.69%, 0.54%

LAB 53.69, 74.32, -36.71

 

CMYK 0 / 59 / 9 / 12

HEX #E15CCC

RGB 225 92 204

HSL 309.47, 0.69%, 0.62%

LAB 59.91, 64.74, -33.2

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 53 / 82 / 22

HEX #C65D24

RGB 198 93 36

HSL 21.11, 0.69%, 0.46%

LAB 51.79, 38.57, 50.01

 

CMYK 82 / 0 / 21 / 22

HEX #24C69D

RGB 36 198 157

HSL 164.81, 0.69%, 0.46%

LAB 71.69, -49.26, 9.38

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 13 / 0 / 82 / 22

HEX #ADC624

RGB 173 198 36

HSL 69.26, 0.69%, 0.46%

LAB 75.7, -27.74, 70.29

 

CMYK 82 / 13 / 0 / 22

HEX #24ADC6

RGB 36 173 198

HSL 189.26, 0.69%, 0.46%

LAB 65.23, -26.13, -22.71

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 53 / 82 / 22

HEX #C65D24

RGB 198 93 36

HSL 21.11, 0.69%, 0.46%

LAB 51.79, 38.57, 50.01

 

CMYK 82 / 0 / 70 / 22

HEX #24C63C

RGB 36 198 60

HSL 128.89, 0.69%, 0.46%

LAB 70.24, -65.95, 55.37

 

CMYK 82 / 29 / 0 / 22

HEX #248DC6

RGB 36 141 198

HSL 201.11, 0.69%, 0.46%

LAB 55.59, -8.97, -37.66

 

CMYK 0 / 82 / 13 / 22

HEX #C624AD

RGB 198 36 173

HSL 309.26, 0.69%, 0.46%

LAB 47.35, 72.83, -35.23

 

CMYK 0 / 29 / 82 / 22

HEX #C68D24

RGB 198 141 36

HSL 38.89, 0.69%, 0.46%

LAB 62.66, 12.83, 59.76

 

CMYK 82 / 0 / 70 / 22

HEX #24C63C

RGB 36 198 60

HSL 128.89, 0.69%, 0.46%

LAB 70.24, -65.95, 55.37

 

CMYK 82 / 53 / 0 / 22

HEX #245DC6

RGB 36 93 198

HSL 218.89, 0.69%, 0.46%

LAB 41.66, 20.68, -59.88

 

Description

Color code: HEX #C624AD | qconv.com Color code: HEX #C624AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 36 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 36 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 13% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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