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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C626F7 it is the complementary color #39D908. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C626F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C626F7 shade: #CB26F2, #DC38FF, #ED4AFF, #FE5CFF and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C626F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C626F7 shade: #C626F7, #B514E4, #A402D1, #9300BE and #8200AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C626F7 shade: #C626F7, #F726EF, #F726B7, #F7267F and #F72646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C626F7 shade: #C626F7, #8D26F7, #5526F7 and #2626F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C626F7 shade matches the following richer shades: #C626F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C626F7 shade: #C626F7, #BC38E4, #B24AD2, #A95CC0 and #9F6FAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C626F7 shade: #5326F7, #8B26F7, #C226F7, #F726F3 and #F726BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C626F7 shade: #9707C3, #B608EB, #C626F7, #D04EF8 and #DB76FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C626F7 shade: #C626F7, #F72630 and #26F76F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C626F7 shade: #C626F7, #F7C226 and #26F7C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C626F7 shade: #C626F7, #F72630, #5AF726 and #26F7EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C626F7 shade: #C626F7, #F75A26, #5AF726 and #26C2F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

Complementary color

CMYK 74 / 0 / 96 / 15

HEX #39D908

RGB 57 217 8

HSL 105.93, 0.93%, 0.44%

LAB 76.38, -71.38, 73.53

 

CMYK 16 / 84 / 0 / 5

HEX #CB26F2

RGB 203 38 242

HSL 288.53, 0.89%, 0.55%

LAB 52.39, 84.07, -66.8

 

CMYK 14 / 78 / 0 / 0

HEX #DC38FF

RGB 220 56 255

HSL 289.45, 1%, 0.61%

LAB 57.33, 84.78, -65.94

 

CMYK 7 / 71 / 0 / 0

HEX #ED4AFF

RGB 237 74 255

HSL 294.03, 1%, 0.65%

LAB 61.76, 82.55, -58.7

 

CMYK 0 / 64 / 0 / 0

HEX #FE5CFF

RGB 254 92 255

HSL 299.63, 1%, 0.68%

LAB 66.48, 79.87, -51.05

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 21 / 91 / 0 / 11

HEX #B514E4

RGB 181 20 228

HSL 286.44, 0.84%, 0.49%

LAB 46.88, 81.5, -68

 

CMYK 22 / 99 / 0 / 18

HEX #A402D1

RGB 164 2 209

HSL 286.96, 0.98%, 0.41%

LAB 42.06, 77.77, -65.06

 

CMYK 23 / 100 / 0 / 25

HEX #9300BE

RGB 147 0 190

HSL 286.42, 1%, 0.37%

LAB 37.7, 72.37, -61.2

 

CMYK 24 / 100 / 0 / 33

HEX #8200AB

RGB 130 0 171

HSL 285.61, 1%, 0.34%

LAB 33.32, 66.65, -57.17

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 0 / 85 / 3 / 3

HEX #F726EF

RGB 247 38 239

HSL 302.3, 0.93%, 0.56%

LAB 59.34, 91, -53.59

 

CMYK 0 / 85 / 26 / 3

HEX #F726B7

RGB 247 38 183

HSL 318.37, 0.93%, 0.56%

LAB 56.66, 83.85, -25.91

 

CMYK 0 / 85 / 49 / 3

HEX #F7267F

RGB 247 38 127

HSL 334.45, 0.93%, 0.56%

LAB 54.75, 78.51, 4.28

 

CMYK 0 / 85 / 72 / 3

HEX #F72646

RGB 247 38 70

HSL 350.81, 0.93%, 0.56%

LAB 53.6, 75.17, 36.77

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 43 / 85 / 0 / 3

HEX #8D26F7

RGB 141 38 247

HSL 269.57, 0.93%, 0.56%

LAB 43.89, 76.37, -83.84

 

CMYK 66 / 85 / 0 / 3

HEX #5526F7

RGB 85 38 247

HSL 253.49, 0.93%, 0.56%

LAB 37.9, 71.03, -93.93

 

CMYK 85 / 85 / 0 / 3

HEX #2626F7

RGB 38 38 247

HSL 240, 0.93%, 0.56%

LAB 35.03, 68.66, -98.79

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 18 / 75 / 0 / 11

HEX #BC38E4

RGB 188 56 228

HSL 286.05, 0.76%, 0.56%

LAB 50.83, 74.23, -61.55

 

CMYK 15 / 65 / 0 / 18

HEX #B24AD2

RGB 178 74 210

HSL 285.88, 0.6%, 0.56%

LAB 50.71, 61.9, -51.59

 

CMYK 12 / 52 / 0 / 25

HEX #A95CC0

RGB 169 92 192

HSL 286.2, 0.44%, 0.56%

LAB 51.72, 47.42, -39.72

 

CMYK 9 / 36 / 0 / 32

HEX #9F6FAE

RGB 159 111 174

HSL 285.71, 0.28%, 0.56%

LAB 53.81, 30.29, -26.14

 

CMYK 66 / 85 / 0 / 3

HEX #5326F7

RGB 83 38 247

HSL 252.92, 0.93%, 0.56%

LAB 37.74, 70.89, -94.21

 

CMYK 44 / 85 / 0 / 3

HEX #8B26F7

RGB 139 38 247

HSL 269, 0.93%, 0.56%

LAB 43.64, 76.13, -84.27

 

CMYK 21 / 85 / 0 / 3

HEX #C226F7

RGB 194 38 247

HSL 284.78, 0.93%, 0.56%

LAB 51.35, 83.55, -71.36

 

CMYK 0 / 85 / 2 / 3

HEX #F726F3

RGB 247 38 243

HSL 301.15, 0.93%, 0.56%

LAB 59.55, 91.57, -55.48

 

CMYK 0 / 85 / 24 / 3

HEX #F726BC

RGB 247 38 188

HSL 316.94, 0.93%, 0.56%

LAB 56.87, 84.42, -28.48

 

CMYK 23 / 96 / 0 / 24

HEX #9707C3

RGB 151 7 195

HSL 285.96, 0.93%, 0.4%

LAB 39.02, 73, -61.96

 

CMYK 23 / 97 / 0 / 8

HEX #B608EB

RGB 182 8 235

HSL 285.99, 0.93%, 0.48%

LAB 47.13, 84.13, -71.55

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 16 / 69 / 0 / 3

HEX #D04EF8

RGB 208 78 248

HSL 285.88, 0.92%, 0.64%

LAB 57.69, 74.02, -61.58

 

CMYK 12 / 53 / 0 / 2

HEX #DB76FA

RGB 219 118 250

HSL 285.91, 0.93%, 0.72%

LAB 65.69, 59.31, -49.86

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 0 / 85 / 81 / 3

HEX #F72630

RGB 247 38 48

HSL 357.13, 0.93%, 0.56%

LAB 53.36, 74.44, 48.75

 

CMYK 85 / 0 / 55 / 3

HEX #26F76F

RGB 38 247 111

HSL 140.96, 0.93%, 0.56%

LAB 86.05, -75.01, 51.49

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 0 / 21 / 85 / 3

HEX #F7C226

RGB 247 194 38

HSL 44.78, 0.93%, 0.56%

LAB 81.01, 5.93, 76.83

 

CMYK 85 / 0 / 21 / 3

HEX #26F7C2

RGB 38 247 194

HSL 164.78, 0.93%, 0.56%

LAB 87.4, -59.5, 12.15

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 0 / 85 / 81 / 3

HEX #F72630

RGB 247 38 48

HSL 357.13, 0.93%, 0.56%

LAB 53.36, 74.44, 48.75

 

CMYK 64 / 0 / 85 / 3

HEX #5AF726

RGB 90 247 38

HSL 105.07, 0.93%, 0.56%

LAB 86.42, -73.69, 77.79

 

CMYK 85 / 0 / 4 / 3

HEX #26F7EC

RGB 38 247 236

HSL 176.84, 0.93%, 0.56%

LAB 88.44, -48.72, -8.21

 

CMYK 20 / 85 / 0 / 3

HEX #C626F7

RGB 198 38 247

HSL 285.93, 0.93%, 0.56%

LAB 51.96, 84.16, -70.34

 

CMYK 0 / 64 / 85 / 3

HEX #F75A26

RGB 247 90 38

HSL 14.93, 0.93%, 0.56%

LAB 59.18, 57.87, 58.7

 

CMYK 64 / 0 / 85 / 3

HEX #5AF726

RGB 90 247 38

HSL 105.07, 0.93%, 0.56%

LAB 86.42, -73.69, 77.79

 

CMYK 85 / 21 / 0 / 3

HEX #26C2F7

RGB 38 194 247

HSL 195.22, 0.93%, 0.56%

LAB 73.36, -20.48, -36.96

 

Description

Color code: HEX #C626F7 | qconv.com Color code: HEX #C626F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 38 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 38 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 85 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 85% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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