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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63415 it is the complementary color #39CBEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63415 shade: #CB3410, #DC4623, #ED5836, #FE6A49 and #FF7C5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63415 shade: #C63415, #B52202, #A41000, #930000 and #820000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63415 shade: #C63314 and #C61414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63415 shade: #C63314, #C66314, #C69314, #C6C314 and #99C614

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63415 shade matches the following richer shades: #C63314 and #D82803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63415 shade: #C63314, #B43F26, #A24B38, #91564A and #7F625B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63415 shade: #C61455, #C61426, #C63214, #C66114 and #C69114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63415 shade: #7B200C, #A12A10, #C63314, #E7401D and #EB6042

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63415 shade: #C63415, #85C614 and #143EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63415 shade: #C63415, #14C632 and #3214C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63415 shade: #C63415, #85C614, #14A8C6 and #5514C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63415 shade: #C63415, #50C614, #14A8C6 and #8B14C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 89 / 22

HEX #C63415

RGB 198 52 21

HSL 10.51, 0.81%, 0.43%

LAB 44.96, 56.09, 50.54

 

Complementary color

CMYK 76 / 13 / 0 / 8

HEX #39CBEA

RGB 57 203 234

HSL 190.51, 0.81%, 0.57%

LAB 75.78, -27.58, -26.21

 

CMYK 0 / 74 / 92 / 20

HEX #CB3410

RGB 203 52 16

HSL 11.55, 0.85%, 0.43%

LAB 45.89, 57.59, 53.47

 

CMYK 0 / 68 / 84 / 14

HEX #DC4623

RGB 220 70 35

HSL 11.35, 0.73%, 0.5%

LAB 51.52, 56.85, 51.57

 

CMYK 0 / 63 / 77 / 7

HEX #ED5836

RGB 237 88 54

HSL 11.15, 0.84%, 0.57%

LAB 57.32, 55.77, 49.04

 

CMYK 0 / 58 / 71 / 0

HEX #FE6A49

RGB 254 106 73

HSL 10.94, 0.99%, 0.64%

LAB 63.23, 54.54, 46.47

 

CMYK 0 / 51 / 64 / 0

HEX #FF7C5C

RGB 255 124 92

HSL 11.78, 1%, 0.68%

LAB 66.86, 47.49, 40.72

 

CMYK 0 / 74 / 89 / 22

HEX #C63415

RGB 198 52 21

HSL 10.51, 0.81%, 0.43%

LAB 44.96, 56.09, 50.54

 

CMYK 0 / 81 / 99 / 29

HEX #B52202

RGB 181 34 2

HSL 10.73, 0.98%, 0.36%

LAB 39.53, 56.23, 51.99

 

CMYK 0 / 90 / 100 / 36

HEX #A41000

RGB 164 16 0

HSL 5.85, 1%, 0.32%

LAB 34.52, 55.36, 48.39

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 74 / 90 / 22

HEX #C63314

RGB 198 51 20

HSL 10.45, 0.82%, 0.43%

LAB 44.83, 56.42, 50.84

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 74 / 90 / 22

HEX #C63314

RGB 198 51 20

HSL 10.45, 0.82%, 0.43%

LAB 44.83, 56.42, 50.84

 

CMYK 0 / 50 / 90 / 22

HEX #C66314

RGB 198 99 20

HSL 26.63, 0.82%, 0.43%

LAB 52.93, 35.1, 56.85

 

CMYK 0 / 26 / 90 / 22

HEX #C69314

RGB 198 147 20

HSL 42.81, 0.82%, 0.43%

LAB 64.1, 9.15, 65.39

 

CMYK 0 / 2 / 90 / 22

HEX #C6C314

RGB 198 195 20

HSL 58.99, 0.82%, 0.43%

LAB 76.73, -16.08, 75.22

 

CMYK 23 / 0 / 90 / 22

HEX #99C614

RGB 153 198 20

HSL 75.17, 0.82%, 0.43%

LAB 74.32, -36.29, 71.93

 

CMYK 0 / 74 / 90 / 22

HEX #C63314

RGB 198 51 20

HSL 10.45, 0.82%, 0.43%

LAB 44.83, 56.42, 50.84

 

CMYK 0 / 81 / 99 / 15

HEX #D82803

RGB 216 40 3

HSL 10.42, 0.97%, 0.43%

LAB 47.14, 64.83, 59.21

 

CMYK 0 / 74 / 90 / 22

HEX #C63314

RGB 198 51 20

HSL 10.45, 0.82%, 0.43%

LAB 44.83, 56.42, 50.84

 

CMYK 0 / 65 / 79 / 29

HEX #B43F26

RGB 180 63 38

HSL 10.56, 0.65%, 0.43%

LAB 43.36, 46.18, 39.89

 

CMYK 0 / 54 / 65 / 36

HEX #A24B38

RGB 162 75 56

HSL 10.75, 0.49%, 0.43%

LAB 42.76, 34.54, 28.31

 

CMYK 0 / 41 / 49 / 43

HEX #91564A

RGB 145 86 74

HSL 10.14, 0.32%, 0.43%

LAB 43.02, 23.07, 17.42

 

CMYK 0 / 23 / 28 / 50

HEX #7F625B

RGB 127 98 91

HSL 11.67, 0.17%, 0.43%

LAB 44.24, 10.61, 8.48

 

CMYK 0 / 90 / 57 / 22

HEX #C61455

RGB 198 20 85

HSL 338.09, 0.82%, 0.43%

LAB 43.01, 66.78, 12.08

 

CMYK 0 / 90 / 81 / 22

HEX #C61426

RGB 198 20 38

HSL 353.93, 0.82%, 0.43%

LAB 42.22, 64.57, 39.88

 

CMYK 0 / 75 / 90 / 22

HEX #C63214

RGB 198 50 20

HSL 10.11, 0.82%, 0.43%

LAB 44.71, 56.76, 50.75

 

CMYK 0 / 51 / 90 / 22

HEX #C66114

RGB 198 97 20

HSL 25.96, 0.82%, 0.43%

LAB 52.52, 36.13, 56.54

 

CMYK 0 / 27 / 90 / 22

HEX #C69114

RGB 198 145 20

HSL 42.13, 0.82%, 0.43%

LAB 63.6, 10.24, 65

 

CMYK 0 / 74 / 90 / 52

HEX #7B200C

RGB 123 32 12

HSL 10.81, 0.82%, 0.26%

LAB 27.49, 38.31, 34.47

 

CMYK 0 / 74 / 90 / 37

HEX #A12A10

RGB 161 42 16

HSL 10.76, 0.82%, 0.35%

LAB 36.5, 47.58, 43.04

 

CMYK 0 / 74 / 90 / 22

HEX #C63314

RGB 198 51 20

HSL 10.45, 0.82%, 0.43%

LAB 44.83, 56.42, 50.84

 

CMYK 0 / 72 / 87 / 9

HEX #E7401D

RGB 231 64 29

HSL 10.4, 0.81%, 0.51%

LAB 52.67, 62.43, 55.9

 

CMYK 0 / 59 / 72 / 8

HEX #EB6042

RGB 235 96 66

HSL 10.65, 0.81%, 0.59%

LAB 58.43, 52.06, 43.96

 

CMYK 0 / 74 / 89 / 22

HEX #C63415

RGB 198 52 21

HSL 10.51, 0.81%, 0.43%

LAB 44.96, 56.09, 50.54

 

CMYK 33 / 0 / 90 / 22

HEX #85C614

RGB 133 198 20

HSL 81.91, 0.82%, 0.43%

LAB 73.17, -43.95, 70.51

 

CMYK 90 / 69 / 0 / 22

HEX #143EC6

RGB 20 62 198

HSL 225.84, 0.82%, 0.43%

LAB 33.29, 39.8, -73.59

 

CMYK 0 / 74 / 89 / 22

HEX #C63415

RGB 198 52 21

HSL 10.51, 0.81%, 0.43%

LAB 44.96, 56.09, 50.54

 

CMYK 90 / 0 / 75 / 22

HEX #14C632

RGB 20 198 50

HSL 130.11, 0.82%, 0.43%

LAB 70.01, -68.19, 58.74

 

CMYK 75 / 90 / 0 / 22

HEX #3214C6

RGB 50 20 198

HSL 250.11, 0.82%, 0.43%

LAB 27.45, 61.85, -83.22

 

CMYK 0 / 74 / 89 / 22

HEX #C63415

RGB 198 52 21

HSL 10.51, 0.81%, 0.43%

LAB 44.96, 56.09, 50.54

 

CMYK 33 / 0 / 90 / 22

HEX #85C614

RGB 133 198 20

HSL 81.91, 0.82%, 0.43%

LAB 73.17, -43.95, 70.51

 

CMYK 90 / 15 / 0 / 22

HEX #14A8C6

RGB 20 168 198

HSL 190.11, 0.82%, 0.43%

LAB 63.53, -24.68, -25.33

 

CMYK 57 / 90 / 0 / 22

HEX #5514C6

RGB 85 20 198

HSL 261.91, 0.82%, 0.43%

LAB 30.66, 64.12, -77.79

 

CMYK 0 / 74 / 89 / 22

HEX #C63415

RGB 198 52 21

HSL 10.51, 0.81%, 0.43%

LAB 44.96, 56.09, 50.54

 

CMYK 60 / 0 / 90 / 22

HEX #50C614

RGB 80 198 20

HSL 99.78, 0.82%, 0.43%

LAB 70.97, -60.48, 67.78

 

CMYK 90 / 15 / 0 / 22

HEX #14A8C6

RGB 20 168 198

HSL 190.11, 0.82%, 0.43%

LAB 63.53, -24.68, -25.33

 

CMYK 30 / 90 / 0 / 22

HEX #8B14C6

RGB 139 20 198

HSL 280.11, 0.82%, 0.43%

LAB 37.96, 70.11, -65.52

 

Description

Color code: HEX #C63415 | qconv.com Color code: HEX #C63415 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 52 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 52 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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