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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C635CE it is the complementary color #39CA31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C635CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C635CE shade: #CB35C9, #DC47DC, #ED59EF, #FE6BFF and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C635CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C635CE shade: #C635CE, #B523BB, #A411A8, #930095 and #820082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C635CE shade: #C635CE, #CE35AD, #CE3584, #CE355A and #CE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C635CE shade: #C635CE, #9D35CE, #7435CE, #4A35CE and #3535CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C635CE shade matches the following richer shades: #C635CE, #D821E2 and #EA0DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C635CE shade: #C635CE, #B44ABA, #A25EA5, #8F7291 and #7D867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C635CE shade: #7235CE, #9B35CE, #C435CE, #CE35AF and #CE3587

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C635CE shade: #89228E, #A92AB0, #C635CE, #CF57D6 and #D978DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C635CE shade: #C635CE, #CE4A35 and #35CE87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C635CE shade: #C635CE, #CEC435 and #35CEC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C635CE shade: #C635CE, #CE4A35, #3FCE35 and #35B9CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C635CE shade: #C635CE, #CE7735, #3FCE35 and #358CCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

Complementary color

CMYK 72 / 0 / 76 / 21

HEX #39CA31

RGB 57 202 49

HSL 116.86, 0.61%, 0.49%

LAB 71.78, -65.16, 60.99

 

CMYK 0 / 74 / 1 / 20

HEX #CB35C9

RGB 203 53 201

HSL 300.8, 0.59%, 0.5%

LAB 51.22, 73.5, -45.38

 

CMYK 0 / 68 / 0 / 14

HEX #DC47DC

RGB 220 71 220

HSL 300, 0.68%, 0.57%

LAB 56.97, 74.28, -46.94

 

CMYK 1 / 63 / 0 / 6

HEX #ED59EF

RGB 237 89 239

HSL 299.2, 0.82%, 0.64%

LAB 62.83, 74.54, -48.15

 

CMYK 0 / 58 / 0 / 0

HEX #FE6BFF

RGB 254 107 255

HSL 299.59, 1%, 0.71%

LAB 68.61, 73.96, -47.69

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 3 / 81 / 0 / 27

HEX #B523BB

RGB 181 35 187

HSL 297.63, 0.68%, 0.44%

LAB 45.1, 71.79, -47.21

 

CMYK 2 / 90 / 0 / 34

HEX #A411A8

RGB 164 17 168

HSL 298.41, 0.82%, 0.36%

LAB 39.78, 69.22, -44.64

 

CMYK 1 / 100 / 0 / 42

HEX #930095

RGB 147 0 149

HSL 299.19, 1%, 0.29%

LAB 34.75, 65.48, -41.37

 

CMYK 0 / 100 / 0 / 49

HEX #820082

RGB 130 0 130

HSL 300, 1%, 0.25%

LAB 30.3, 59.6, -36.91

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 0 / 74 / 16 / 19

HEX #CE35AD

RGB 206 53 173

HSL 312.94, 0.61%, 0.51%

LAB 50.32, 70.02, -30.48

 

CMYK 0 / 74 / 36 / 19

HEX #CE3584

RGB 206 53 132

HSL 329.02, 0.61%, 0.51%

LAB 48.68, 64.99, -8.53

 

CMYK 0 / 74 / 56 / 19

HEX #CE355A

RGB 206 53 90

HSL 345.49, 0.61%, 0.51%

LAB 47.5, 61.22, 15.41

 

CMYK 0 / 74 / 74 / 19

HEX #CE3535

RGB 206 53 53

HSL 0, 0.61%, 0.51%

LAB 46.88, 59.16, 36.79

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 24 / 74 / 0 / 19

HEX #9D35CE

RGB 157 53 206

HSL 280.78, 0.61%, 0.51%

LAB 44.48, 65.22, -59.46

 

CMYK 44 / 74 / 0 / 19

HEX #7435CE

RGB 116 53 206

HSL 264.71, 0.61%, 0.51%

LAB 39.1, 57.99, -68.45

 

CMYK 64 / 74 / 0 / 19

HEX #4A35CE

RGB 74 53 206

HSL 248.24, 0.61%, 0.51%

LAB 34.92, 52.14, -75.46

 

CMYK 74 / 74 / 0 / 19

HEX #3535CE

RGB 53 53 206

HSL 240, 0.61%, 0.51%

LAB 33.48, 50.05, -77.89

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 4 / 85 / 0 / 11

HEX #D821E2

RGB 216 33 226

HSL 296.89, 0.77%, 0.51%

LAB 53.14, 84.58, -56.47

 

CMYK 5 / 95 / 0 / 4

HEX #EA0DF6

RGB 234 13 246

HSL 296.91, 0.93%, 0.51%

LAB 56.52, 92.94, -62.13

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 3 / 60 / 0 / 27

HEX #B44ABA

RGB 180 74 186

HSL 296.79, 0.45%, 0.51%

LAB 49.67, 57.87, -39.37

 

CMYK 2 / 43 / 0 / 35

HEX #A25EA5

RGB 162 94 165

HSL 297.46, 0.28%, 0.51%

LAB 49.98, 38.89, -26.8

 

CMYK 1 / 21 / 0 / 43

HEX #8F7291

RGB 143 114 145

HSL 296.13, 0.12%, 0.51%

LAB 51.75, 17.1, -12.54

 

CMYK 7 / 0 / 7 / 47

HEX #7D867D

RGB 125 134 125

HSL 120, 0.04%, 0.51%

LAB 54.96, -5.11, 3.7

 

CMYK 45 / 74 / 0 / 19

HEX #7235CE

RGB 114 53 206

HSL 263.92, 0.61%, 0.51%

LAB 38.86, 57.67, -68.84

 

CMYK 25 / 74 / 0 / 19

HEX #9B35CE

RGB 155 53 206

HSL 280, 0.61%, 0.51%

LAB 44.19, 64.84, -59.94

 

CMYK 5 / 74 / 0 / 19

HEX #C435CE

RGB 196 53 206

HSL 296.08, 0.61%, 0.51%

LAB 50.38, 72.87, -49.66

 

CMYK 0 / 74 / 15 / 19

HEX #CE35AF

RGB 206 53 175

HSL 312.16, 0.61%, 0.51%

LAB 50.41, 70.3, -31.51

 

CMYK 0 / 74 / 34 / 19

HEX #CE3587

RGB 206 53 135

HSL 327.84, 0.61%, 0.51%

LAB 48.78, 65.31, -10.19

 

CMYK 4 / 76 / 0 / 44

HEX #89228E

RGB 137 34 142

HSL 297.22, 0.61%, 0.35%

LAB 34.83, 55.64, -37.04

 

CMYK 4 / 76 / 0 / 31

HEX #A92AB0

RGB 169 42 176

HSL 296.87, 0.61%, 0.43%

LAB 43.1, 65.73, -44.04

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 3 / 59 / 0 / 16

HEX #CF57D6

RGB 207 87 214

HSL 296.69, 0.61%, 0.59%

LAB 57.01, 63.93, -43.59

 

CMYK 2 / 46 / 0 / 13

HEX #D978DE

RGB 217 120 222

HSL 297.06, 0.61%, 0.67%

LAB 64.53, 52.48, -36.21

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 0 / 64 / 74 / 19

HEX #CE4A35

RGB 206 74 53

HSL 8.24, 0.61%, 0.51%

LAB 49.83, 51.09, 40.06

 

CMYK 74 / 0 / 34 / 19

HEX #35CE87

RGB 53 206 135

HSL 152.16, 0.61%, 0.51%

LAB 73.96, -55.43, 24.32

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 0 / 5 / 74 / 19

HEX #CEC435

RGB 206 196 53

HSL 56.08, 0.61%, 0.51%

LAB 77.79, -12.18, 68.13

 

CMYK 74 / 0 / 5 / 19

HEX #35CEC4

RGB 53 206 196

HSL 176.08, 0.61%, 0.51%

LAB 75.38, -40.68, -6.32

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 0 / 64 / 74 / 19

HEX #CE4A35

RGB 206 74 53

HSL 8.24, 0.61%, 0.51%

LAB 49.83, 51.09, 40.06

 

CMYK 69 / 0 / 74 / 19

HEX #3FCE35

RGB 63 206 53

HSL 116.08, 0.61%, 0.51%

LAB 73.19, -65.1, 61.09

 

CMYK 74 / 10 / 0 / 19

HEX #35B9CE

RGB 53 185 206

HSL 188.24, 0.61%, 0.51%

LAB 69.41, -27.86, -20.73

 

CMYK 4 / 74 / 0 / 19

HEX #C635CE

RGB 198 53 206

HSL 296.86, 0.61%, 0.51%

LAB 50.7, 73.28, -49.14

 

CMYK 0 / 42 / 74 / 19

HEX #CE7735

RGB 206 119 53

HSL 25.88, 0.61%, 0.51%

LAB 58.58, 28.88, 49.33

 

CMYK 69 / 0 / 74 / 19

HEX #3FCE35

RGB 63 206 53

HSL 116.08, 0.61%, 0.51%

LAB 73.19, -65.1, 61.09

 

CMYK 74 / 32 / 0 / 19

HEX #358CCE

RGB 53 140 206

HSL 205.88, 0.61%, 0.51%

LAB 56.06, -3.66, -41.41

 

Description

Color code: HEX #C635CE | qconv.com Color code: HEX #C635CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 53 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 53 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 74 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 74% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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