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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6365D it is the complementary color #39C9A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6365D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6365D shade: #CB3658, #DC486B, #ED5A7E, #FE6C91 and #FF7EA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6365D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6365D shade: #C6365D, #B5244A, #A41237, #930024 and #820011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6365D shade: #C4355C, #C43535 and #C43535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6365D shade: #C4355C, #C43582, #C435A9, #B835C4 and #9235C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6365D shade matches the following richer shades: #C4355C, #D82153 and #EC0D49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6365D shade: #C4355C, #AF4965, #9B5E6E, #877278 and #738681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6365D shade: #C435AA, #C43584, #C4355E, #C43538 and #C45935

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6365D shade: #83233D, #A32C4D, #C4355C, #CF5374 and #D8738F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6365D shade: #C6365D, #C4B835 and #3597C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6365D shade: #C6365D, #5EC435 and #355EC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6365D shade: #C6365D, #C4B835, #35C49B and #3541C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6365D shade: #C6365D, #A5C435, #35C49B and #5435C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 53 / 22

HEX #C6365D

RGB 198 54 93

HSL 343.75, 0.57%, 0.49%

LAB 46.22, 58.78, 11.57

 

Complementary color

CMYK 72 / 0 / 19 / 21

HEX #39C9A2

RGB 57 201 162

HSL 163.75, 0.57%, 0.51%

LAB 73.06, -46.89, 8.67

 

CMYK 0 / 73 / 57 / 20

HEX #CB3658

RGB 203 54 88

HSL 346.31, 0.59%, 0.5%

LAB 47.03, 59.87, 15.89

 

CMYK 0 / 67 / 51 / 14

HEX #DC486B

RGB 220 72 107

HSL 345.81, 0.68%, 0.57%

LAB 52.85, 59.84, 12.89

 

CMYK 0 / 62 / 47 / 7

HEX #ED5A7E

RGB 237 90 126

HSL 345.31, 0.8%, 0.64%

LAB 58.81, 59.43, 10.42

 

CMYK 0 / 57 / 43 / 0

HEX #FE6C91

RGB 254 108 145

HSL 344.79, 0.99%, 0.71%

LAB 64.84, 58.79, 8.35

 

CMYK 0 / 51 / 36 / 0

HEX #FF7EA4

RGB 255 126 164

HSL 342.33, 1%, 0.75%

LAB 68.65, 52.79, 3.07

 

CMYK 0 / 73 / 53 / 22

HEX #C6365D

RGB 198 54 93

HSL 343.75, 0.57%, 0.49%

LAB 46.22, 58.78, 11.57

 

CMYK 0 / 80 / 59 / 29

HEX #B5244A

RGB 181 36 74

HSL 344.28, 0.67%, 0.43%

LAB 40.54, 58.19, 15.1

 

CMYK 0 / 89 / 66 / 36

HEX #A41237

RGB 164 18 55

HSL 344.79, 0.8%, 0.36%

LAB 35.2, 56.6, 19.55

 

CMYK 0 / 100 / 76 / 42

HEX #930024

RGB 147 0 36

HSL 345.31, 1%, 0.29%

LAB 30.23, 53.98, 24.91

 

CMYK 0 / 100 / 87 / 49

HEX #820011

RGB 130 0 17

HSL 352.15, 1%, 0.25%

LAB 26.12, 48.92, 31.25

 

CMYK 0 / 73 / 53 / 23

HEX #C4355C

RGB 196 53 92

HSL 343.64, 0.57%, 0.49%

LAB 45.71, 58.46, 11.41

 

CMYK 0 / 73 / 73 / 23

HEX #C43535

RGB 196 53 53

HSL 0, 0.57%, 0.49%

LAB 45, 56.07, 34.15

 

CMYK 0 / 73 / 73 / 23

HEX #C43535

RGB 196 53 53

HSL 0, 0.57%, 0.49%

LAB 45, 56.07, 34.15

 

CMYK 0 / 73 / 53 / 23

HEX #C4355C

RGB 196 53 92

HSL 343.64, 0.57%, 0.49%

LAB 45.71, 58.46, 11.41

 

CMYK 0 / 73 / 34 / 23

HEX #C43582

RGB 196 53 130

HSL 327.69, 0.57%, 0.49%

LAB 46.83, 62.12, -10.27

 

CMYK 0 / 73 / 14 / 23

HEX #C435A9

RGB 196 53 169

HSL 311.33, 0.57%, 0.49%

LAB 48.44, 67.13, -31.17

 

CMYK 6 / 73 / 0 / 23

HEX #B835C4

RGB 184 53 196

HSL 294.97, 0.57%, 0.49%

LAB 47.91, 68.72, -47.95

 

CMYK 26 / 73 / 0 / 23

HEX #9235C4

RGB 146 53 196

HSL 279.02, 0.57%, 0.49%

LAB 42.22, 61.04, -57.39

 

CMYK 0 / 73 / 53 / 23

HEX #C4355C

RGB 196 53 92

HSL 343.64, 0.57%, 0.49%

LAB 45.71, 58.46, 11.41

 

CMYK 0 / 85 / 62 / 15

HEX #D82153

RGB 216 33 83

HSL 343.61, 0.73%, 0.49%

LAB 47.38, 68.84, 19.87

 

CMYK 0 / 94 / 69 / 7

HEX #EC0D49

RGB 236 13 73

HSL 343.86, 0.9%, 0.49%

LAB 50.22, 76.14, 30.4

 

CMYK 0 / 73 / 53 / 23

HEX #C4355C

RGB 196 53 92

HSL 343.64, 0.57%, 0.49%

LAB 45.71, 58.46, 11.41

 

CMYK 0 / 58 / 42 / 31

HEX #AF4965

RGB 175 73 101

HSL 343.53, 0.41%, 0.49%

LAB 45.38, 44.3, 4.91

 

CMYK 0 / 39 / 29 / 39

HEX #9B5E6E

RGB 155 94 110

HSL 344.26, 0.24%, 0.49%

LAB 47.11, 27.04, 1.56

 

CMYK 0 / 16 / 11 / 47

HEX #877278

RGB 135 114 120

HSL 342.86, 0.08%, 0.49%

LAB 50.15, 9.27, -0.26

 

CMYK 14 / 0 / 4 / 47

HEX #738681

RGB 115 134 129

HSL 164.21, 0.08%, 0.49%

LAB 54.32, -7.93, 0.37

 

CMYK 0 / 73 / 13 / 23

HEX #C435AA

RGB 196 53 170

HSL 310.91, 0.57%, 0.49%

LAB 48.49, 67.28, -31.69

 

CMYK 0 / 73 / 33 / 23

HEX #C43584

RGB 196 53 132

HSL 326.85, 0.57%, 0.49%

LAB 46.91, 62.35, -11.38

 

CMYK 0 / 73 / 52 / 23

HEX #C4355E

RGB 196 53 94

HSL 342.8, 0.57%, 0.49%

LAB 45.76, 58.62, 10.25

 

CMYK 0 / 73 / 71 / 23

HEX #C43538

RGB 196 53 56

HSL 358.74, 0.57%, 0.49%

LAB 45.04, 56.21, 32.45

 

CMYK 0 / 55 / 73 / 23

HEX #C45935

RGB 196 89 53

HSL 15.1, 0.57%, 0.49%

LAB 50.85, 40.47, 40.7

 

CMYK 0 / 73 / 53 / 49

HEX #83233D

RGB 131 35 61

HSL 343.75, 0.58%, 0.33%

LAB 30.31, 42.57, 7.88

 

CMYK 0 / 73 / 53 / 36

HEX #A32C4D

RGB 163 44 77

HSL 343.36, 0.57%, 0.41%

LAB 38.06, 50.57, 9.23

 

CMYK 0 / 73 / 53 / 23

HEX #C4355C

RGB 196 53 92

HSL 343.64, 0.57%, 0.49%

LAB 45.71, 58.46, 11.41

 

CMYK 0 / 60 / 44 / 19

HEX #CF5374

RGB 207 83 116

HSL 344.03, 0.56%, 0.57%

LAB 52.63, 51.92, 6.9

 

CMYK 0 / 47 / 34 / 15

HEX #D8738F

RGB 216 115 143

HSL 343.37, 0.56%, 0.65%

LAB 60.64, 42.48, 2.76

 

CMYK 0 / 73 / 53 / 22

HEX #C6365D

RGB 198 54 93

HSL 343.75, 0.57%, 0.49%

LAB 46.22, 58.78, 11.57

 

CMYK 0 / 6 / 73 / 23

HEX #C4B835

RGB 196 184 53

HSL 54.97, 0.57%, 0.49%

LAB 73.72, -10.34, 63.97

 

CMYK 73 / 23 / 0 / 23

HEX #3597C4

RGB 53 151 196

HSL 198.88, 0.57%, 0.49%

LAB 58.86, -13.37, -31.39

 

CMYK 0 / 73 / 53 / 22

HEX #C6365D

RGB 198 54 93

HSL 343.75, 0.57%, 0.49%

LAB 46.22, 58.78, 11.57

 

CMYK 52 / 0 / 73 / 23

HEX #5EC435

RGB 94 196 53

HSL 102.8, 0.57%, 0.49%

LAB 70.95, -54.44, 59.14

 

CMYK 73 / 52 / 0 / 23

HEX #355EC4

RGB 53 94 196

HSL 222.8, 0.57%, 0.49%

LAB 42.38, 21.15, -57.53

 

CMYK 0 / 73 / 53 / 22

HEX #C6365D

RGB 198 54 93

HSL 343.75, 0.57%, 0.49%

LAB 46.22, 58.78, 11.57

 

CMYK 0 / 6 / 73 / 23

HEX #C4B835

RGB 196 184 53

HSL 54.97, 0.57%, 0.49%

LAB 73.72, -10.34, 63.97

 

CMYK 73 / 0 / 21 / 23

HEX #35C49B

RGB 53 196 155

HSL 162.8, 0.57%, 0.49%

LAB 71.28, -47.04, 9.92

 

CMYK 73 / 67 / 0 / 23

HEX #3541C4

RGB 53 65 196

HSL 234.97, 0.57%, 0.49%

LAB 35.05, 39.69, -69.48

 

CMYK 0 / 73 / 53 / 22

HEX #C6365D

RGB 198 54 93

HSL 343.75, 0.57%, 0.49%

LAB 46.22, 58.78, 11.57

 

CMYK 16 / 0 / 73 / 23

HEX #A5C435

RGB 165 196 53

HSL 73.01, 0.57%, 0.49%

LAB 74.66, -29.34, 64.04

 

CMYK 73 / 0 / 21 / 23

HEX #35C49B

RGB 53 196 155

HSL 162.8, 0.57%, 0.49%

LAB 71.28, -47.04, 9.92

 

CMYK 57 / 73 / 0 / 23

HEX #5435C4

RGB 84 53 196

HSL 253.01, 0.57%, 0.49%

LAB 34.84, 50.44, -69.74

 

Description

Color code: HEX #C6365D | qconv.com Color code: HEX #C6365D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 54 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 54 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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