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Color name
HEX #C63838

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63838 it is the complementary color #39C7C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63838 shade: #CB3833, #DC4A46, #ED5C59, #FE6E6C and #FF807F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63838 shade: #C63838, #B52625, #A41412, #930200 and #820000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63838 shade: #C63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63838 shade: #C63838, #C65E38, #C68538, #C6AB38 and #BBC638

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63838 shade matches the following richer shades: #C63838, #DB2323 and #F00E0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63838 shade: #C63838, #B24C4C, #9D6161, #897575 and #748A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63838 shade: #C63884, #C6385E, #C63838, #C65E38 and #C68438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63838 shade: #862525, #A62F2F, #C63838, #CF5858 and #D97878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63838 shade: #C63838, #AAC638 and #3871C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63838 shade: #C63838, #38C638 and #3838C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63838 shade: #C63838, #AAC638, #38C6C6 and #5438C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63838 shade: #C63838, #7FC638, #38C6C6 and #7F38C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

Complementary color

CMYK 71 / 0 / 0 / 22

HEX #39C7C7

RGB 57 199 199

HSL 180, 0.56%, 0.5%

LAB 73.44, -36.18, -10.82

 

CMYK 0 / 72 / 75 / 20

HEX #CB3833

RGB 203 56 51

HSL 1.97, 0.6%, 0.5%

LAB 46.66, 57.12, 37.53

 

CMYK 0 / 66 / 68 / 14

HEX #DC4A46

RGB 220 74 70

HSL 1.6, 0.68%, 0.57%

LAB 52.46, 56.58, 34.2

 

CMYK 0 / 61 / 62 / 7

HEX #ED5C59

RGB 237 92 89

HSL 1.22, 0.8%, 0.64%

LAB 58.4, 55.75, 31.31

 

CMYK 0 / 57 / 57 / 0

HEX #FE6E6C

RGB 254 110 108

HSL 0.82, 0.99%, 0.71%

LAB 64.41, 54.76, 28.82

 

CMYK 0 / 50 / 50 / 0

HEX #FF807F

RGB 255 128 127

HSL 0.47, 1%, 0.75%

LAB 68.19, 48.11, 23.22

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 79 / 80 / 29

HEX #B52625

RGB 181 38 37

HSL 0.42, 0.66%, 0.43%

LAB 40.15, 55.77, 37.22

 

CMYK 0 / 88 / 89 / 36

HEX #A41412

RGB 164 20 18

HSL 0.82, 0.8%, 0.36%

LAB 34.88, 54.87, 41.15

 

CMYK 0 / 99 / 100 / 42

HEX #930200

RGB 147 2 0

HSL 0.82, 1%, 0.29%

LAB 30.03, 52.82, 43.61

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 0 / 33 / 72 / 22

HEX #C68538

RGB 198 133 56

HSL 32.54, 0.56%, 0.5%

LAB 60.84, 18.04, 49.98

 

CMYK 0 / 14 / 72 / 22

HEX #C6AB38

RGB 198 171 56

HSL 48.59, 0.56%, 0.5%

LAB 70.47, -2.54, 59.75

 

CMYK 6 / 0 / 72 / 22

HEX #BBC638

RGB 187 198 56

HSL 64.65, 0.56%, 0.5%

LAB 76.82, -21.08, 65.64

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 84 / 84 / 14

HEX #DB2323

RGB 219 35 35

HSL 0, 0.72%, 0.5%

LAB 47.47, 67.28, 47.94

 

CMYK 0 / 94 / 94 / 6

HEX #F00E0E

RGB 240 14 14

HSL 0, 0.89%, 0.5%

LAB 50.54, 75.54, 60.65

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 57 / 57 / 30

HEX #B24C4C

RGB 178 76 76

HSL 0, 0.4%, 0.5%

LAB 45.85, 41.57, 20.85

 

CMYK 0 / 38 / 38 / 38

HEX #9D6161

RGB 157 97 97

HSL 0, 0.24%, 0.5%

LAB 47.73, 24.37, 10.3

 

CMYK 0 / 15 / 15 / 46

HEX #897575

RGB 137 117 117

HSL 0, 0.08%, 0.5%

LAB 51.07, 7.77, 2.87

 

CMYK 16 / 0 / 0 / 46

HEX #748A8A

RGB 116 138 138

HSL 180, 0.09%, 0.5%

LAB 55.81, -7.84, -2.65

 

CMYK 0 / 72 / 33 / 22

HEX #C63884

RGB 198 56 132

HSL 327.89, 0.56%, 0.5%

LAB 47.62, 61.85, -10.26

 

CMYK 0 / 72 / 53 / 22

HEX #C6385E

RGB 198 56 94

HSL 343.94, 0.56%, 0.5%

LAB 46.5, 58.15, 11.34

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 53 / 72 / 22

HEX #C65E38

RGB 198 94 56

HSL 16.06, 0.56%, 0.5%

LAB 52.17, 38.87, 40.66

 

CMYK 0 / 33 / 72 / 22

HEX #C68438

RGB 198 132 56

HSL 32.11, 0.56%, 0.5%

LAB 60.6, 18.58, 49.72

 

CMYK 0 / 72 / 72 / 47

HEX #862525

RGB 134 37 37

HSL 0, 0.57%, 0.34%

LAB 30.7, 41.08, 24.14

 

CMYK 0 / 72 / 72 / 35

HEX #A62F2F

RGB 166 47 47

HSL 0, 0.56%, 0.42%

LAB 38.46, 48.4, 28.66

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 0 / 57 / 57 / 19

HEX #CF5858

RGB 207 88 88

HSL 0, 0.55%, 0.58%

LAB 52.89, 47.15, 23.85

 

CMYK 0 / 45 / 45 / 15

HEX #D97878

RGB 217 120 120

HSL 0, 0.56%, 0.66%

LAB 61.26, 37.66, 16.86

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 14 / 0 / 72 / 22

HEX #AAC638

RGB 170 198 56

HSL 71.83, 0.56%, 0.5%

LAB 75.59, -28.1, 64.02

 

CMYK 72 / 43 / 0 / 22

HEX #3871C6

RGB 56 113 198

HSL 215.92, 0.56%, 0.5%

LAB 47.92, 10.18, -49.77

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 72 / 0 / 72 / 22

HEX #38C638

RGB 56 198 56

HSL 120, 0.56%, 0.5%

LAB 70.53, -63.51, 57.29

 

CMYK 72 / 72 / 0 / 22

HEX #3838C6

RGB 56 56 198

HSL 240, 0.56%, 0.5%

LAB 33.45, 46.04, -73.27

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 14 / 0 / 72 / 22

HEX #AAC638

RGB 170 198 56

HSL 71.83, 0.56%, 0.5%

LAB 75.59, -28.1, 64.02

 

CMYK 72 / 0 / 0 / 22

HEX #38C6C6

RGB 56 198 198

HSL 180, 0.56%, 0.5%

LAB 73.09, -36.12, -10.8

 

CMYK 58 / 72 / 0 / 22

HEX #5438C6

RGB 84 56 198

HSL 251.83, 0.56%, 0.5%

LAB 35.58, 49.46, -69.69

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 36 / 0 / 72 / 22

HEX #7FC638

RGB 127 198 56

HSL 90, 0.56%, 0.5%

LAB 73.01, -44.54, 60.61

 

CMYK 72 / 0 / 0 / 22

HEX #38C6C6

RGB 56 198 198

HSL 180, 0.56%, 0.5%

LAB 73.09, -36.12, -10.8

 

CMYK 36 / 72 / 0 / 22

HEX #7F38C6

RGB 127 56 198

HSL 270, 0.56%, 0.5%

LAB 40.28, 56.6, -61.83

 

Description

Color code: HEX #C63838 | qconv.com Color code: HEX #C63838 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 56 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 56 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 72% 22% C M Y K

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