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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63958 it is the complementary color #39C6A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63958. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63958 shade: #CB3953, #DC4B66, #ED5D79, #FE6F8C and #FF819F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63958. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63958 shade: #C63958, #B52745, #A41532, #93031F and #82000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63958 shade: #C53958 and #C53939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63958 shade: #C53958, #C5397E, #C539A3, #C139C5 and #9B39C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63958 shade matches the following richer shades: #C53958, #DA244C and #EE1041

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63958 shade: #C53958, #B04E63, #9C626F, #87777A and #738B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63958 shade: #C539A4, #C5397F, #C5395A, #C53E39 and #C56339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63958 shade: #85263B, #A53049, #C53958, #CE5973 and #D8798E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63958 shade: #C63958, #C5C039 and #3992C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63958 shade: #C63958, #5AC539 and #395AC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63958 shade: #C63958, #C5C039, #39C5A4 and #393EC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63958 shade: #C63958, #A0C539, #39C5A4 and #5E39C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 56 / 22

HEX #C63958

RGB 198 57 88

HSL 346.81, 0.55%, 0.5%

LAB 46.49, 57.33, 15.02

 

Complementary color

CMYK 71 / 0 / 16 / 22

HEX #39C6A7

RGB 57 198 167

HSL 166.81, 0.55%, 0.5%

LAB 72.26, -44.38, 4.83

 

CMYK 0 / 72 / 59 / 20

HEX #CB3953

RGB 203 57 83

HSL 349.32, 0.58%, 0.51%

LAB 47.3, 58.48, 19.31

 

CMYK 0 / 66 / 54 / 14

HEX #DC4B66

RGB 220 75 102

HSL 348.83, 0.67%, 0.58%

LAB 53.18, 58.25, 16.32

 

CMYK 0 / 61 / 49 / 7

HEX #ED5D79

RGB 237 93 121

HSL 348.33, 0.8%, 0.65%

LAB 59.17, 57.7, 13.85

 

CMYK 0 / 56 / 45 / 0

HEX #FE6F8C

RGB 254 111 140

HSL 347.83, 0.99%, 0.72%

LAB 65.23, 56.96, 11.76

 

CMYK 0 / 49 / 38 / 0

HEX #FF819F

RGB 255 129 159

HSL 345.71, 1%, 0.75%

LAB 69.09, 50.78, 6.51

 

CMYK 0 / 71 / 56 / 22

HEX #C63958

RGB 198 57 88

HSL 346.81, 0.55%, 0.5%

LAB 46.49, 57.33, 15.02

 

CMYK 0 / 78 / 62 / 29

HEX #B52745

RGB 181 39 69

HSL 347.32, 0.65%, 0.43%

LAB 40.74, 57, 18.52

 

CMYK 0 / 87 / 70 / 36

HEX #A41532

RGB 164 21 50

HSL 347.83, 0.77%, 0.36%

LAB 35.32, 55.75, 22.91

 

CMYK 0 / 98 / 79 / 42

HEX #93031F

RGB 147 3 31

HSL 348.33, 0.96%, 0.29%

LAB 30.32, 53.33, 28.2

 

CMYK 0 / 100 / 91 / 49

HEX #82000C

RGB 130 0 12

HSL 354.46, 1%, 0.25%

LAB 26.08, 48.81, 33.8

 

CMYK 0 / 71 / 55 / 23

HEX #C53958

RGB 197 57 88

HSL 346.71, 0.55%, 0.5%

LAB 46.31, 57.02, 14.74

 

CMYK 0 / 71 / 71 / 23

HEX #C53939

RGB 197 57 57

HSL 0, 0.55%, 0.5%

LAB 45.76, 55.12, 32.76

 

CMYK 0 / 71 / 55 / 23

HEX #C53958

RGB 197 57 88

HSL 346.71, 0.55%, 0.5%

LAB 46.31, 57.02, 14.74

 

CMYK 0 / 71 / 36 / 23

HEX #C5397E

RGB 197 57 126

HSL 330.43, 0.55%, 0.5%

LAB 47.37, 60.56, -7.02

 

CMYK 0 / 71 / 17 / 23

HEX #C539A3

RGB 197 57 163

HSL 314.57, 0.55%, 0.5%

LAB 48.81, 65.19, -27.04

 

CMYK 2 / 71 / 0 / 23

HEX #C139C5

RGB 193 57 197

HSL 298.29, 0.55%, 0.5%

LAB 49.85, 69.46, -45.34

 

CMYK 21 / 71 / 0 / 23

HEX #9B39C5

RGB 155 57 197

HSL 282, 0.55%, 0.5%

LAB 44.13, 61.44, -54.83

 

CMYK 0 / 71 / 55 / 23

HEX #C53958

RGB 197 57 88

HSL 346.71, 0.55%, 0.5%

LAB 46.31, 57.02, 14.74

 

CMYK 0 / 83 / 65 / 15

HEX #DA244C

RGB 218 36 76

HSL 346.81, 0.72%, 0.5%

LAB 47.87, 68.33, 24.86

 

CMYK 0 / 93 / 73 / 7

HEX #EE1041

RGB 238 16 65

HSL 346.76, 0.87%, 0.5%

LAB 50.6, 76.01, 35.73

 

CMYK 0 / 71 / 55 / 23

HEX #C53958

RGB 197 57 88

HSL 346.71, 0.55%, 0.5%

LAB 46.31, 57.02, 14.74

 

CMYK 0 / 56 / 44 / 31

HEX #B04E63

RGB 176 78 99

HSL 347.14, 0.39%, 0.5%

LAB 46.42, 42, 7.63

 

CMYK 0 / 37 / 29 / 39

HEX #9C626F

RGB 156 98 111

HSL 346.55, 0.23%, 0.5%

LAB 48.2, 25.3, 2.56

 

CMYK 0 / 12 / 10 / 47

HEX #87777A

RGB 135 119 122

HSL 348.75, 0.06%, 0.5%

LAB 51.55, 6.72, 0.62

 

CMYK 17 / 0 / 4 / 45

HEX #738B86

RGB 115 139 134

HSL 167.5, 0.09%, 0.5%

LAB 55.92, -9.62, -0.19

 

CMYK 0 / 71 / 17 / 23

HEX #C539A4

RGB 197 57 164

HSL 314.14, 0.55%, 0.5%

LAB 48.86, 65.33, -27.56

 

CMYK 0 / 71 / 36 / 23

HEX #C5397F

RGB 197 57 127

HSL 330, 0.55%, 0.5%

LAB 47.4, 60.67, -7.58

 

CMYK 0 / 71 / 54 / 23

HEX #C5395A

RGB 197 57 90

HSL 345.86, 0.55%, 0.5%

LAB 46.36, 57.18, 13.57

 

CMYK 0 / 69 / 71 / 23

HEX #C53E39

RGB 197 62 57

HSL 2.14, 0.55%, 0.5%

LAB 46.46, 53.2, 33.58

 

CMYK 0 / 50 / 71 / 23

HEX #C56339

RGB 197 99 57

HSL 18, 0.55%, 0.5%

LAB 53.05, 35.97, 41.07

 

CMYK 0 / 71 / 56 / 48

HEX #85263B

RGB 133 38 59

HSL 346.74, 0.56%, 0.34%

LAB 31.09, 41.84, 10.33

 

CMYK 0 / 71 / 56 / 35

HEX #A53049

RGB 165 48 73

HSL 347.18, 0.55%, 0.42%

LAB 38.89, 49.35, 12.98

 

CMYK 0 / 71 / 55 / 23

HEX #C53958

RGB 197 57 88

HSL 346.71, 0.55%, 0.5%

LAB 46.31, 57.02, 14.74

 

CMYK 0 / 57 / 44 / 19

HEX #CE5973

RGB 206 89 115

HSL 346.67, 0.54%, 0.58%

LAB 53.5, 48.71, 8.7

 

CMYK 0 / 44 / 34 / 15

HEX #D8798E

RGB 216 121 142

HSL 346.74, 0.55%, 0.66%

LAB 61.85, 39.26, 5.08

 

CMYK 0 / 71 / 56 / 22

HEX #C63958

RGB 198 57 88

HSL 346.81, 0.55%, 0.5%

LAB 46.49, 57.33, 15.02

 

CMYK 0 / 3 / 71 / 23

HEX #C5C039

RGB 197 192 57

HSL 57.86, 0.55%, 0.5%

LAB 75.99, -13.81, 64.75

 

CMYK 71 / 26 / 0 / 23

HEX #3992C5

RGB 57 146 197

HSL 201.86, 0.55%, 0.5%

LAB 57.52, -9.69, -34.03

 

CMYK 0 / 71 / 56 / 22

HEX #C63958

RGB 198 57 88

HSL 346.81, 0.55%, 0.5%

LAB 46.49, 57.33, 15.02

 

CMYK 54 / 0 / 71 / 23

HEX #5AC539

RGB 90 197 57

HSL 105.86, 0.55%, 0.5%

LAB 71.15, -55.61, 57.84

 

CMYK 71 / 54 / 0 / 23

HEX #395AC5

RGB 57 90 197

HSL 225.86, 0.55%, 0.5%

LAB 41.55, 24.63, -59.44

 

CMYK 0 / 71 / 56 / 22

HEX #C63958

RGB 198 57 88

HSL 346.81, 0.55%, 0.5%

LAB 46.49, 57.33, 15.02

 

CMYK 0 / 3 / 71 / 23

HEX #C5C039

RGB 197 192 57

HSL 57.86, 0.55%, 0.5%

LAB 75.99, -13.81, 64.75

 

CMYK 71 / 0 / 17 / 23

HEX #39C5A4

RGB 57 197 164

HSL 165.86, 0.55%, 0.5%

LAB 71.88, -44.71, 5.91

 

CMYK 71 / 69 / 0 / 23

HEX #393EC5

RGB 57 62 197

HSL 237.86, 0.55%, 0.5%

LAB 34.69, 42.29, -70.64

 

CMYK 0 / 71 / 56 / 22

HEX #C63958

RGB 198 57 88

HSL 346.81, 0.55%, 0.5%

LAB 46.49, 57.33, 15.02

 

CMYK 19 / 0 / 71 / 23

HEX #A0C539

RGB 160 197 57

HSL 75.86, 0.55%, 0.5%

LAB 74.64, -31.6, 62.5

 

CMYK 71 / 0 / 17 / 23

HEX #39C5A4

RGB 57 197 164

HSL 165.86, 0.55%, 0.5%

LAB 71.88, -44.71, 5.91

 

CMYK 52 / 71 / 0 / 23

HEX #5E39C5

RGB 94 57 197

HSL 255.86, 0.55%, 0.5%

LAB 36.63, 50.14, -67.36

 

Description

Color code: HEX #C63958 | qconv.com Color code: HEX #C63958 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 57 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 57 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 56 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 56% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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