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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6338E it is the complementary color #39CC71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6338E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6338E shade: #CB3389, #DC459C, #ED57AF, #FE69C2 and #FF7BD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6338E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6338E shade: #C6338E, #B5217B, #A40F68, #930055 and #820042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6338E shade: #C6338E, #C63366, #C6333E and #C63333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6338E shade: #C6338E, #C633B6, #AF33C6, #8733C6 and #5F33C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6338E shade matches the following richer shades: #C6338E, #DA1F93 and #EF0A98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6338E shade: #C6338E, #B24789, #9E5B84, #8A6F80 and #75847B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6338E shade: #AE33C6, #C633B7, #C63390, #C63369 and #C63341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6338E shade: #85225F, #A52A76, #C6338E, #D251A0 and #DA71B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6338E shade: #C6338E, #C68633 and #33C6C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6338E shade: #C6338E, #90C633 and #3390C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6338E shade: #C6338E, #C68633, #33C669 and #3373C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6338E shade: #C6338E, #C6B333, #33C669 and #3346C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

Complementary color

CMYK 72 / 0 / 45 / 20

HEX #39CC71

RGB 57 204 113

HSL 142.86, 0.59%, 0.51%

LAB 73.05, -58.2, 34.48

 

CMYK 0 / 75 / 33 / 20

HEX #CB3389

RGB 203 51 137

HSL 326.05, 0.6%, 0.5%

LAB 48.1, 65.39, -12.49

 

CMYK 0 / 69 / 29 / 14

HEX #DC459C

RGB 220 69 156

HSL 325.43, 0.68%, 0.57%

LAB 53.89, 65.93, -14.77

 

CMYK 0 / 63 / 26 / 7

HEX #ED57AF

RGB 237 87 175

HSL 324.8, 0.81%, 0.64%

LAB 59.81, 65.99, -16.61

 

CMYK 0 / 59 / 24 / 0

HEX #FE69C2

RGB 254 105 194

HSL 324.16, 0.99%, 0.7%

LAB 65.8, 65.73, -18.12

 

CMYK 0 / 52 / 16 / 0

HEX #FF7BD5

RGB 255 123 213

HSL 319.09, 1%, 0.74%

LAB 69.63, 60.6, -22.92

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 82 / 32 / 29

HEX #B5217B

RGB 181 33 123

HSL 323.51, 0.69%, 0.42%

LAB 41.75, 63.43, -13.92

 

CMYK 0 / 91 / 37 / 36

HEX #A40F68

RGB 164 15 104

HSL 324.16, 0.83%, 0.35%

LAB 36.43, 61.03, -10.38

 

CMYK 0 / 100 / 42 / 42

HEX #930055

RGB 147 0 85

HSL 325.31, 1%, 0.29%

LAB 31.48, 57.31, -5.89

 

CMYK 0 / 100 / 49 / 49

HEX #820042

RGB 130 0 66

HSL 329.54, 1%, 0.25%

LAB 27.13, 51.63, -0.06

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 74 / 48 / 22

HEX #C63366

RGB 198 51 102

HSL 339.18, 0.59%, 0.49%

LAB 46.09, 60.54, 5.83

 

CMYK 0 / 74 / 69 / 22

HEX #C6333E

RGB 198 51 62

HSL 355.51, 0.59%, 0.49%

LAB 45.25, 57.81, 29.23

 

CMYK 0 / 74 / 74 / 22

HEX #C63333

RGB 198 51 51

HSL 0, 0.59%, 0.49%

LAB 45.1, 57.3, 35.53

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 74 / 8 / 22

HEX #C633B6

RGB 198 51 182

HSL 306.53, 0.59%, 0.49%

LAB 49.19, 70.12, -37.61

 

CMYK 12 / 74 / 0 / 22

HEX #AF33C6

RGB 175 51 198

HSL 290.61, 0.59%, 0.49%

LAB 46.39, 67.9, -51.61

 

CMYK 32 / 74 / 0 / 22

HEX #8733C6

RGB 135 51 198

HSL 274.29, 0.59%, 0.49%

LAB 40.57, 60.21, -61.31

 

CMYK 52 / 74 / 0 / 22

HEX #5F33C6

RGB 95 51 198

HSL 257.96, 0.59%, 0.49%

LAB 35.75, 53.58, -69.37

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 86 / 33 / 15

HEX #DA1F93

RGB 218 31 147

HSL 322.78, 0.75%, 0.49%

LAB 49.49, 74.98, -16.14

 

CMYK 0 / 96 / 36 / 6

HEX #EF0A98

RGB 239 10 152

HSL 322.79, 0.92%, 0.49%

LAB 52.77, 82.52, -13.78

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 60 / 23 / 30

HEX #B24789

RGB 178 71 137

HSL 322.99, 0.43%, 0.49%

LAB 46.68, 50.73, -15.03

 

CMYK 0 / 42 / 16 / 38

HEX #9E5B84

RGB 158 91 132

HSL 323.28, 0.27%, 0.49%

LAB 47.52, 33.24, -11.03

 

CMYK 0 / 20 / 7 / 46

HEX #8A6F80

RGB 138 111 128

HSL 322.22, 0.11%, 0.49%

LAB 49.89, 13.67, -5.33

 

CMYK 11 / 0 / 7 / 48

HEX #75847B

RGB 117 132 123

HSL 144, 0.06%, 0.49%

LAB 53.72, -7.34, 2.99

 

CMYK 12 / 74 / 0 / 22

HEX #AE33C6

RGB 174 51 198

HSL 290.2, 0.59%, 0.49%

LAB 46.24, 67.7, -51.87

 

CMYK 0 / 74 / 8 / 22

HEX #C633B7

RGB 198 51 183

HSL 306.12, 0.59%, 0.49%

LAB 49.24, 70.27, -38.12

 

CMYK 0 / 74 / 27 / 22

HEX #C63390

RGB 198 51 144

HSL 322.04, 0.59%, 0.49%

LAB 47.48, 64.94, -17.73

 

CMYK 0 / 74 / 47 / 22

HEX #C63369

RGB 198 51 105

HSL 337.96, 0.59%, 0.49%

LAB 46.17, 60.81, 4.1

 

CMYK 0 / 74 / 67 / 22

HEX #C63341

RGB 198 51 65

HSL 354.29, 0.59%, 0.49%

LAB 45.3, 57.96, 27.48

 

CMYK 0 / 74 / 29 / 48

HEX #85225F

RGB 133 34 95

HSL 323.03, 0.59%, 0.33%

LAB 31.71, 47.34, -12.34

 

CMYK 0 / 75 / 28 / 35

HEX #A52A76

RGB 165 42 118

HSL 322.93, 0.59%, 0.41%

LAB 39.52, 56.17, -14.49

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 61 / 24 / 18

HEX #D251A0

RGB 210 81 160

HSL 323.26, 0.59%, 0.57%

LAB 54.16, 58.9, -16.87

 

CMYK 0 / 48 / 18 / 15

HEX #DA71B2

RGB 218 113 178

HSL 322.86, 0.59%, 0.65%

LAB 61.59, 48.95, -15.89

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 32 / 74 / 22

HEX #C68633

RGB 198 134 51

HSL 33.88, 0.59%, 0.49%

LAB 61.04, 17.25, 52.41

 

CMYK 74 / 0 / 3 / 22

HEX #33C6C1

RGB 51 198 193

HSL 177.96, 0.59%, 0.49%

LAB 72.85, -38.13, -8.45

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 27 / 0 / 74 / 22

HEX #90C633

RGB 144 198 51

HSL 82.04, 0.59%, 0.49%

LAB 73.91, -38.63, 63.54

 

CMYK 74 / 27 / 0 / 22

HEX #3390C6

RGB 51 144 198

HSL 202.04, 0.59%, 0.49%

LAB 56.81, -9.03, -35.72

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 32 / 74 / 22

HEX #C68633

RGB 198 134 51

HSL 33.88, 0.59%, 0.49%

LAB 61.04, 17.25, 52.41

 

CMYK 74 / 0 / 47 / 22

HEX #33C669

RGB 51 198 105

HSL 142.04, 0.59%, 0.49%

LAB 70.95, -58.27, 35.8

 

CMYK 74 / 42 / 0 / 22

HEX #3373C6

RGB 51 115 198

HSL 213.88, 0.59%, 0.49%

LAB 48.31, 8.26, -49.15

 

CMYK 0 / 74 / 28 / 22

HEX #C6338E

RGB 198 51 142

HSL 322.86, 0.59%, 0.49%

LAB 47.4, 64.7, -16.64

 

CMYK 0 / 10 / 74 / 22

HEX #C6B333

RGB 198 179 51

HSL 52.24, 0.59%, 0.49%

LAB 72.55, -6.97, 63.63

 

CMYK 74 / 0 / 47 / 22

HEX #33C669

RGB 51 198 105

HSL 142.04, 0.59%, 0.49%

LAB 70.95, -58.27, 35.8

 

CMYK 74 / 65 / 0 / 22

HEX #3346C6

RGB 51 70 198

HSL 232.24, 0.59%, 0.49%

LAB 36.29, 37.07, -68.61

 

Description

Color code: HEX #C6338E | qconv.com Color code: HEX #C6338E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 51 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 51 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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