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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C645E0 it is the complementary color #39BA1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C645E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C645E0 shade: #CB45DB, #DC57EE, #ED69FF, #FE7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C645E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C645E0 shade: #C645E0, #B533CD, #A421BA, #930FA7 and #820094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C645E0 shade: #C543DF, #DF43CF, #DF43A5, #DF437B and #DF4351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C645E0 shade: #C543DF, #9B43DF, #7143DF, #4743DF and #4343DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C645E0 shade matches the following richer shades: #C543DF and #D031F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C645E0 shade: #C543DF, #B955CD, #AD66BB, #A178A9 and #958A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C645E0 shade: #6F43DF, #9943DF, #C243DF, #DF43D2 and #DF43A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C645E0 shade: #991EB1, #B724D5, #C543DF, #CF66E5 and #DA8AEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C645E0 shade: #C645E0, #DF4643 and #43DF84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C645E0 shade: #C645E0, #DFC243 and #43DFC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C645E0 shade: #C645E0, #DF4643, #60DF43 and #43DCDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C645E0 shade: #C645E0, #DF7443, #60DF43 and #43ADDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 69 / 0 / 12

HEX #C645E0

RGB 198 69 224

HSL 289.94, 0.71%, 0.57%

LAB 53.65, 70.93, -54.68

 

Complementary color

CMYK 69 / 0 / 83 / 27

HEX #39BA1F

RGB 57 186 31

HSL 109.94, 0.71%, 0.43%

LAB 66.59, -61.11, 61.39

 

CMYK 7 / 68 / 0 / 14

HEX #CB45DB

RGB 203 69 219

HSL 293.6, 0.68%, 0.56%

LAB 54.1, 71.11, -51.09

 

CMYK 8 / 63 / 0 / 7

HEX #DC57EE

RGB 220 87 238

HSL 292.85, 0.82%, 0.64%

LAB 60.07, 71.25, -52.11

 

CMYK 7 / 59 / 0 / 0

HEX #ED69FF

RGB 237 105 255

HSL 292.8, 1%, 0.71%

LAB 66, 70.7, -51.96

 

CMYK 0 / 52 / 0 / 0

HEX #FE7BFF

RGB 254 123 255

HSL 299.55, 1%, 0.74%

LAB 71.18, 66.98, -43.65

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 12 / 69 / 0 / 12

HEX #C645E0

RGB 198 69 224

HSL 289.94, 0.71%, 0.57%

LAB 53.65, 70.93, -54.68

 

CMYK 12 / 75 / 0 / 20

HEX #B533CD

RGB 181 51 205

HSL 290.65, 0.61%, 0.5%

LAB 47.75, 70.34, -53.43

 

CMYK 12 / 82 / 0 / 27

HEX #A421BA

RGB 164 33 186

HSL 291.37, 0.7%, 0.43%

LAB 42.04, 68.97, -51.69

 

CMYK 12 / 91 / 0 / 35

HEX #930FA7

RGB 147 15 167

HSL 292.11, 0.84%, 0.36%

LAB 36.62, 66.45, -49.28

 

CMYK 12 / 100 / 0 / 42

HEX #820094

RGB 130 0 148

HSL 292.7, 1%, 0.29%

LAB 31.54, 62.56, -46.09

 

CMYK 12 / 70 / 0 / 13

HEX #C543DF

RGB 197 67 223

HSL 290, 0.71%, 0.57%

LAB 53.18, 71.28, -54.87

 

CMYK 0 / 70 / 7 / 13

HEX #DF43CF

RGB 223 67 207

HSL 306.15, 0.71%, 0.57%

LAB 56.29, 74.3, -40.59

 

CMYK 0 / 70 / 26 / 13

HEX #DF43A5

RGB 223 67 165

HSL 322.31, 0.71%, 0.57%

LAB 54.47, 68.53, -19.14

 

CMYK 0 / 70 / 45 / 13

HEX #DF437B

RGB 223 67 123

HSL 338.46, 0.71%, 0.57%

LAB 53.09, 63.99, 3.72

 

CMYK 0 / 70 / 64 / 13

HEX #DF4351

RGB 223 67 81

HSL 354.62, 0.71%, 0.57%

LAB 52.17, 60.83, 27.56

 

CMYK 12 / 70 / 0 / 13

HEX #C543DF

RGB 197 67 223

HSL 290, 0.71%, 0.57%

LAB 53.18, 71.28, -54.87

 

CMYK 30 / 70 / 0 / 13

HEX #9B43DF

RGB 155 67 223

HSL 273.85, 0.71%, 0.57%

LAB 47.38, 62.82, -64.51

 

CMYK 49 / 70 / 0 / 13

HEX #7143DF

RGB 113 67 223

HSL 257.69, 0.71%, 0.57%

LAB 42.54, 55.3, -72.6

 

CMYK 68 / 70 / 0 / 13

HEX #4743DF

RGB 71 67 223

HSL 241.54, 0.71%, 0.57%

LAB 39.04, 49.5, -78.48

 

CMYK 70 / 70 / 0 / 13

HEX #4343DF

RGB 67 67 223

HSL 240, 0.71%, 0.57%

LAB 38.79, 49.06, -78.9

 

CMYK 12 / 70 / 0 / 13

HEX #C543DF

RGB 197 67 223

HSL 290, 0.71%, 0.57%

LAB 53.18, 71.28, -54.87

 

CMYK 13 / 80 / 0 / 6

HEX #D031F0

RGB 208 49 240

HSL 289.95, 0.86%, 0.57%

LAB 53.92, 81.98, -63.18

 

CMYK 12 / 70 / 0 / 13

HEX #C543DF

RGB 197 67 223

HSL 290, 0.71%, 0.57%

LAB 53.18, 71.28, -54.87

 

CMYK 10 / 59 / 0 / 20

HEX #B955CD

RGB 185 85 205

HSL 290, 0.55%, 0.57%

LAB 53.19, 57.67, -44.72

 

CMYK 7 / 45 / 0 / 27

HEX #AD66BB

RGB 173 102 187

HSL 290.12, 0.38%, 0.57%

LAB 54, 42.28, -33.22

 

CMYK 5 / 29 / 0 / 34

HEX #A178A9

RGB 161 120 169

HSL 290.2, 0.22%, 0.57%

LAB 55.96, 24.78, -19.93

 

CMYK 2 / 9 / 0 / 40

HEX #958A98

RGB 149 138 152

HSL 287.14, 0.06%, 0.57%

LAB 58.82, 6.79, -5.96

 

CMYK 50 / 70 / 0 / 13

HEX #6F43DF

RGB 111 67 223

HSL 256.92, 0.71%, 0.57%

LAB 42.34, 54.98, -72.94

 

CMYK 31 / 70 / 0 / 13

HEX #9943DF

RGB 153 67 223

HSL 273.08, 0.71%, 0.57%

LAB 47.12, 62.43, -64.94

 

CMYK 13 / 70 / 0 / 13

HEX #C243DF

RGB 194 67 223

HSL 288.85, 0.71%, 0.57%

LAB 52.74, 70.66, -55.6

 

CMYK 0 / 70 / 6 / 13

HEX #DF43D2

RGB 223 67 210

HSL 305, 0.71%, 0.57%

LAB 56.44, 74.75, -42.07

 

CMYK 0 / 70 / 25 / 13

HEX #DF43A8

RGB 223 67 168

HSL 321.15, 0.71%, 0.57%

LAB 54.58, 68.9, -20.72

 

CMYK 14 / 83 / 0 / 31

HEX #991EB1

RGB 153 30 177

HSL 290.2, 0.71%, 0.41%

LAB 39.37, 66.16, -50.77

 

CMYK 14 / 83 / 0 / 16

HEX #B724D5

RGB 183 36 213

HSL 289.83, 0.71%, 0.49%

LAB 47.15, 76.26, -58.98

 

CMYK 12 / 70 / 0 / 13

HEX #C543DF

RGB 197 67 223

HSL 290, 0.71%, 0.57%

LAB 53.18, 71.28, -54.87

 

CMYK 10 / 55 / 0 / 10

HEX #CF66E5

RGB 207 102 229

HSL 289.61, 0.71%, 0.65%

LAB 60.27, 59.86, -46.89

 

CMYK 7 / 41 / 0 / 8

HEX #DA8AEB

RGB 218 138 235

HSL 289.48, 0.71%, 0.73%

LAB 68.81, 45.98, -36.73

 

CMYK 12 / 69 / 0 / 12

HEX #C645E0

RGB 198 69 224

HSL 289.94, 0.71%, 0.57%

LAB 53.65, 70.93, -54.68

 

CMYK 0 / 69 / 70 / 13

HEX #DF4643

RGB 223 70 67

HSL 1.15, 0.71%, 0.57%

LAB 52.37, 58.97, 35.93

 

CMYK 70 / 0 / 41 / 13

HEX #43DF84

RGB 67 223 132

HSL 145, 0.71%, 0.57%

LAB 79.41, -60.28, 33.15

 

CMYK 12 / 69 / 0 / 12

HEX #C645E0

RGB 198 69 224

HSL 289.94, 0.71%, 0.57%

LAB 53.65, 70.93, -54.68

 

CMYK 0 / 13 / 70 / 13

HEX #DFC243

RGB 223 194 67

HSL 48.85, 0.71%, 0.57%

LAB 78.85, -3.26, 64.58

 

CMYK 70 / 0 / 13 / 13

HEX #43DFC2

RGB 67 223 194

HSL 168.85, 0.71%, 0.57%

LAB 80.66, -46.89, 2.53

 

CMYK 12 / 69 / 0 / 12

HEX #C645E0

RGB 198 69 224

HSL 289.94, 0.71%, 0.57%

LAB 53.65, 70.93, -54.68

 

CMYK 0 / 69 / 70 / 13

HEX #DF4643

RGB 223 70 67

HSL 1.15, 0.71%, 0.57%

LAB 52.37, 58.97, 35.93

 

CMYK 57 / 0 / 70 / 13

HEX #60DF43

RGB 96 223 67

HSL 108.85, 0.71%, 0.57%

LAB 79.42, -62.66, 62.73

 

CMYK 70 / 1 / 0 / 13

HEX #43DCDF

RGB 67 220 223

HSL 181.15, 0.71%, 0.57%

LAB 80.58, -37.79, -13.04

 

CMYK 12 / 69 / 0 / 12

HEX #C645E0

RGB 198 69 224

HSL 289.94, 0.71%, 0.57%

LAB 53.65, 70.93, -54.68

 

CMYK 0 / 48 / 70 / 13

HEX #DF7443

RGB 223 116 67

HSL 18.85, 0.71%, 0.57%

LAB 60.41, 37.97, 45.14

 

CMYK 57 / 0 / 70 / 13

HEX #60DF43

RGB 96 223 67

HSL 108.85, 0.71%, 0.57%

LAB 79.42, -62.66, 62.73

 

CMYK 70 / 22 / 0 / 13

HEX #43ADDF

RGB 67 173 223

HSL 199.23, 0.71%, 0.57%

LAB 66.83, -14.43, -34

 

Description

Color code: HEX #C645E0 | qconv.com Color code: HEX #C645E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 69 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 69 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 69 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 69% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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