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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C646E6 it is the complementary color #39B919. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C646E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C646E6 shade: #CB46E1, #DC58F4, #ED6AFF, #FE7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C646E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C646E6 shade: #C646E6, #B534D3, #A422C0, #9310AD and #82009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C646E6 shade: #C646E5, #E546DA, #E546AF, #E54685 and #E5465A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C646E6 shade: #C646E5, #9B46E5, #7046E5 and #4646E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C646E6 shade matches the following richer shades: #C646E5 and #D036F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C646E6 shade: #C646E5, #BB57D4, #B168C4, #A779B3 and #9D8AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C646E6 shade: #7146E5, #9B46E5, #C646E5, #E546DB and #E546B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C646E6 shade: #9E1AC0, #BA22E0, #C646E5, #D16BEA and #DC8FEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C646E6 shade: #C646E6, #E54646 and #46E586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C646E6 shade: #C646E6, #E5C646 and #46E5C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C646E6 shade: #C646E6, #E54646, #66E546 and #46E5E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C646E6 shade: #C646E6, #E57646, #66E546 and #46B6E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 70 / 0 / 10

HEX #C646E6

RGB 198 70 230

HSL 288, 0.76%, 0.59%

LAB 54.13, 71.66, -57.29

 

Complementary color

CMYK 69 / 0 / 86 / 27

HEX #39B919

RGB 57 185 25

HSL 108, 0.76%, 0.41%

LAB 66.24, -61.06, 62.5

 

CMYK 10 / 69 / 0 / 12

HEX #CB46E1

RGB 203 70 225

HSL 291.48, 0.72%, 0.58%

LAB 54.57, 71.8, -53.74

 

CMYK 10 / 64 / 0 / 4

HEX #DC58F4

RGB 220 88 244

HSL 290.77, 0.88%, 0.65%

LAB 60.54, 71.91, -54.71

 

CMYK 7 / 58 / 0 / 0

HEX #ED6AFF

RGB 237 106 255

HSL 292.75, 1%, 0.71%

LAB 66.16, 70.27, -51.71

 

CMYK 0 / 51 / 0 / 0

HEX #FE7CFF

RGB 254 124 255

HSL 299.54, 1%, 0.74%

LAB 71.36, 66.53, -43.38

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 14 / 70 / 0 / 10

HEX #C646E6

RGB 198 70 230

HSL 288, 0.76%, 0.59%

LAB 54.13, 71.66, -57.29

 

CMYK 14 / 75 / 0 / 17

HEX #B534D3

RGB 181 52 211

HSL 288.68, 0.64%, 0.52%

LAB 48.24, 71.1, -56.09

 

CMYK 15 / 82 / 0 / 25

HEX #A422C0

RGB 164 34 192

HSL 289.37, 0.7%, 0.44%

LAB 42.52, 69.78, -54.43

 

CMYK 15 / 91 / 0 / 32

HEX #9310AD

RGB 147 16 173

HSL 290.06, 0.83%, 0.37%

LAB 37.1, 67.34, -52.1

 

CMYK 16 / 100 / 0 / 40

HEX #82009A

RGB 130 0 154

HSL 290.65, 1%, 0.3%

LAB 31.99, 63.6, -49.04

 

CMYK 14 / 69 / 0 / 10

HEX #C646E5

RGB 198 70 229

HSL 288.3, 0.75%, 0.59%

LAB 54.07, 71.47, -56.83

 

CMYK 0 / 69 / 5 / 10

HEX #E546DA

RGB 229 70 218

HSL 304.15, 0.75%, 0.59%

LAB 58.13, 76.3, -43.88

 

CMYK 0 / 69 / 24 / 10

HEX #E546AF

RGB 229 70 175

HSL 320.38, 0.75%, 0.59%

LAB 56.22, 70.27, -22.2

 

CMYK 0 / 69 / 42 / 10

HEX #E54685

RGB 229 70 133

HSL 336.23, 0.75%, 0.59%

LAB 54.79, 65.56, 0.35

 

CMYK 0 / 69 / 61 / 10

HEX #E5465A

RGB 229 70 90

HSL 352.45, 0.75%, 0.59%

LAB 53.79, 62.11, 24.54

 

CMYK 14 / 69 / 0 / 10

HEX #C646E5

RGB 198 70 229

HSL 288.3, 0.75%, 0.59%

LAB 54.07, 71.47, -56.83

 

CMYK 32 / 69 / 0 / 10

HEX #9B46E5

RGB 155 70 229

HSL 272.08, 0.75%, 0.59%

LAB 48.27, 62.85, -66.48

 

CMYK 51 / 69 / 0 / 10

HEX #7046E5

RGB 112 70 229

HSL 255.85, 0.75%, 0.59%

LAB 43.48, 55.26, -74.48

 

CMYK 69 / 69 / 0 / 10

HEX #4646E5

RGB 70 70 229

HSL 240, 0.75%, 0.59%

LAB 40.15, 49.62, -80.08

 

CMYK 14 / 69 / 0 / 10

HEX #C646E5

RGB 198 70 229

HSL 288.3, 0.75%, 0.59%

LAB 54.07, 71.47, -56.83

 

CMYK 15 / 78 / 0 / 4

HEX #D036F6

RGB 208 54 246

HSL 288.13, 0.91%, 0.59%

LAB 54.76, 81.67, -65.17

 

CMYK 14 / 69 / 0 / 10

HEX #C646E5

RGB 198 70 229

HSL 288.3, 0.75%, 0.59%

LAB 54.07, 71.47, -56.83

 

CMYK 12 / 59 / 0 / 17

HEX #BB57D4

RGB 187 87 212

HSL 288, 0.59%, 0.59%

LAB 54.17, 58.59, -47.14

 

CMYK 10 / 47 / 0 / 23

HEX #B168C4

RGB 177 104 196

HSL 287.61, 0.44%, 0.59%

LAB 55.31, 44.2, -36.3

 

CMYK 7 / 32 / 0 / 30

HEX #A779B3

RGB 167 121 179

HSL 287.59, 0.28%, 0.59%

LAB 57.22, 28.25, -23.7

 

CMYK 3 / 15 / 0 / 36

HEX #9D8AA2

RGB 157 138 162

HSL 287.5, 0.11%, 0.59%

LAB 59.85, 11.66, -10.07

 

CMYK 51 / 69 / 0 / 10

HEX #7146E5

RGB 113 70 229

HSL 256.23, 0.75%, 0.59%

LAB 43.58, 55.42, -74.32

 

CMYK 32 / 69 / 0 / 10

HEX #9B46E5

RGB 155 70 229

HSL 272.08, 0.75%, 0.59%

LAB 48.27, 62.85, -66.48

 

CMYK 14 / 69 / 0 / 10

HEX #C646E5

RGB 198 70 229

HSL 288.3, 0.75%, 0.59%

LAB 54.07, 71.47, -56.83

 

CMYK 0 / 69 / 4 / 10

HEX #E546DB

RGB 229 70 219

HSL 303.77, 0.75%, 0.59%

LAB 58.18, 76.45, -44.36

 

CMYK 0 / 69 / 23 / 10

HEX #E546B0

RGB 229 70 176

HSL 320, 0.75%, 0.59%

LAB 56.26, 70.39, -22.72

 

CMYK 18 / 86 / 0 / 25

HEX #9E1AC0

RGB 158 26 192

HSL 287.71, 0.76%, 0.43%

LAB 40.92, 70.62, -57.07

 

CMYK 17 / 85 / 0 / 12

HEX #BA22E0

RGB 186 34 224

HSL 288, 0.75%, 0.51%

LAB 48.22, 79.1, -63.52

 

CMYK 14 / 69 / 0 / 10

HEX #C646E5

RGB 198 70 229

HSL 288.3, 0.75%, 0.59%

LAB 54.07, 71.47, -56.83

 

CMYK 11 / 54 / 0 / 8

HEX #D16BEA

RGB 209 107 234

HSL 288.19, 0.75%, 0.67%

LAB 61.66, 58.95, -47.46

 

CMYK 8 / 40 / 0 / 6

HEX #DC8FEF

RGB 220 143 239

HSL 288.13, 0.75%, 0.75%

LAB 70.24, 44.72, -36.68

 

CMYK 14 / 70 / 0 / 10

HEX #C646E6

RGB 198 70 230

HSL 288, 0.76%, 0.59%

LAB 54.13, 71.66, -57.29

 

CMYK 0 / 69 / 69 / 10

HEX #E54646

RGB 229 70 70

HSL 0, 0.75%, 0.59%

LAB 53.47, 61, 35.79

 

CMYK 69 / 0 / 41 / 10

HEX #46E586

RGB 70 229 134

HSL 144.15, 0.75%, 0.59%

LAB 81.33, -61.64, 34.67

 

CMYK 14 / 70 / 0 / 10

HEX #C646E6

RGB 198 70 230

HSL 288, 0.76%, 0.59%

LAB 54.13, 71.66, -57.29

 

CMYK 0 / 14 / 69 / 10

HEX #E5C646

RGB 229 198 70

HSL 48.3, 0.75%, 0.59%

LAB 80.45, -2.62, 65.2

 

CMYK 69 / 0 / 14 / 10

HEX #46E5C6

RGB 70 229 198

HSL 168.3, 0.75%, 0.59%

LAB 82.6, -48.03, 3.23

 

CMYK 14 / 70 / 0 / 10

HEX #C646E6

RGB 198 70 230

HSL 288, 0.76%, 0.59%

LAB 54.13, 71.66, -57.29

 

CMYK 0 / 69 / 69 / 10

HEX #E54646

RGB 229 70 70

HSL 0, 0.75%, 0.59%

LAB 53.47, 61, 35.79

 

CMYK 55 / 0 / 69 / 10

HEX #66E546

RGB 102 229 70

HSL 107.92, 0.75%, 0.59%

LAB 81.46, -63.06, 63.79

 

CMYK 69 / 0 / 0 / 10

HEX #46E5E5

RGB 70 229 229

HSL 180, 0.75%, 0.59%

LAB 83.44, -39.83, -11.93

 

CMYK 14 / 70 / 0 / 10

HEX #C646E6

RGB 198 70 230

HSL 288, 0.76%, 0.59%

LAB 54.13, 71.66, -57.29

 

CMYK 0 / 48 / 69 / 10

HEX #E57646

RGB 229 118 70

HSL 18.11, 0.75%, 0.59%

LAB 61.7, 39.44, 45.29

 

CMYK 55 / 0 / 69 / 10

HEX #66E546

RGB 102 229 70

HSL 107.92, 0.75%, 0.59%

LAB 81.46, -63.06, 63.79

 

CMYK 69 / 21 / 0 / 10

HEX #46B6E5

RGB 70 182 229

HSL 197.74, 0.75%, 0.59%

LAB 69.76, -16.85, -32.73

 

Description

Color code: HEX #C646E6 | qconv.com Color code: HEX #C646E6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 70 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 70 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 70 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 70% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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