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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C647AB it is the complementary color #39B854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C647AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C647AB shade: #CB47A6, #DC59B9, #ED6BCC, #FE7DDF and #FF8FF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C647AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C647AB shade: #C647AB, #B53598, #A42385, #931172 and #82005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C647AB shade: #C647AB, #C64789, #C64767 and #C64747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C647AB shade: #C647AB, #BF47C6, #9D47C6, #7A47C6 and #5847C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C647AB shade matches the following richer shades: #C647AB, #DA34B6 and #ED20C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C647AB shade: #C647AB, #B35BA0, #9F6E95, #8C818A and #79957F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C647AB shade: #9C47C6, #BE47C6, #C647AD, #C6478B and #C64769

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C647AB shade: #8F2C7A, #AF3595, #C647AB, #D067B9 and #DA86C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C647AB shade: #C647AB, #C67A47 and #47C6AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C647AB shade: #C647AB, #ADC647 and #47ADC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C647AB shade: #C647AB, #C67A47, #47C661 and #4793C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C647AB shade: #C647AB, #C6A047, #47C661 and #476DC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

Complementary color

CMYK 69 / 0 / 54 / 28

HEX #39B854

RGB 57 184 84

HSL 132.76, 0.53%, 0.47%

LAB 66.36, -55.5, 40.53

 

CMYK 0 / 65 / 18 / 20

HEX #CB47A6

RGB 203 71 166

HSL 316.82, 0.56%, 0.54%

LAB 51.79, 61.93, -24.12

 

CMYK 0 / 60 / 16 / 14

HEX #DC59B9

RGB 220 89 185

HSL 316.03, 0.65%, 0.61%

LAB 57.91, 61.8, -25.51

 

CMYK 0 / 55 / 14 / 7

HEX #ED6BCC

RGB 237 107 204

HSL 315.23, 0.78%, 0.67%

LAB 64.06, 61.42, -26.64

 

CMYK 0 / 51 / 12 / 0

HEX #FE7DDF

RGB 254 125 223

HSL 314.42, 0.98%, 0.74%

LAB 70.22, 60.88, -27.57

 

CMYK 0 / 44 / 5 / 0

HEX #FF8FF2

RGB 255 143 242

HSL 306.96, 1%, 0.78%

LAB 74.39, 55.57, -31.57

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 71 / 16 / 29

HEX #B53598

RGB 181 53 152

HSL 313.59, 0.55%, 0.46%

LAB 45.13, 61.06, -26.4

 

CMYK 0 / 79 / 19 / 36

HEX #A42385

RGB 164 35 133

HSL 314.42, 0.65%, 0.39%

LAB 39.22, 60.09, -24.27

 

CMYK 0 / 88 / 22 / 42

HEX #931172

RGB 147 17 114

HSL 315.23, 0.79%, 0.32%

LAB 33.6, 58.01, -21.37

 

CMYK 0 / 100 / 27 / 49

HEX #82005F

RGB 130 0 95

HSL 316.15, 1%, 0.25%

LAB 28.31, 54.68, -17.62

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 64 / 31 / 22

HEX #C64789

RGB 198 71 137

HSL 328.82, 0.53%, 0.53%

LAB 49.88, 56.68, -9.88

 

CMYK 0 / 64 / 48 / 22

HEX #C64767

RGB 198 71 103

HSL 344.88, 0.53%, 0.53%

LAB 48.87, 53.03, 9.17

 

CMYK 0 / 64 / 64 / 22

HEX #C64747

RGB 198 71 71

HSL 0, 0.53%, 0.53%

LAB 48.22, 50.57, 27.55

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 4 / 64 / 0 / 22

HEX #BF47C6

RGB 191 71 198

HSL 296.69, 0.53%, 0.53%

LAB 51.45, 63.96, -43.4

 

CMYK 21 / 64 / 0 / 22

HEX #9D47C6

RGB 157 71 198

HSL 280.63, 0.53%, 0.53%

LAB 46.65, 56, -51.34

 

CMYK 38 / 64 / 0 / 22

HEX #7A47C6

RGB 122 71 198

HSL 264.09, 0.53%, 0.53%

LAB 42.34, 48.25, -58.5

 

CMYK 56 / 64 / 0 / 22

HEX #5847C6

RGB 88 71 198

HSL 248.03, 0.53%, 0.53%

LAB 39, 41.69, -64.08

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 76 / 17 / 15

HEX #DA34B6

RGB 218 52 182

HSL 313.01, 0.69%, 0.53%

LAB 52.66, 74.26, -31.93

 

CMYK 0 / 86 / 19 / 7

HEX #ED20C1

RGB 237 32 193

HSL 312.88, 0.85%, 0.53%

LAB 54.96, 84.04, -34.49

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 49 / 11 / 30

HEX #B35BA0

RGB 179 91 160

HSL 312.95, 0.37%, 0.53%

LAB 51.39, 44.89, -21.51

 

CMYK 0 / 31 / 6 / 38

HEX #9F6E95

RGB 159 110 149

HSL 312.24, 0.2%, 0.53%

LAB 52.61, 25.89, -13.41

 

CMYK 0 / 8 / 1 / 45

HEX #8C818A

RGB 140 129 138

HSL 310.91, 0.05%, 0.53%

LAB 55.19, 5.88, -3.35

 

CMYK 19 / 0 / 15 / 42

HEX #79957F

RGB 121 149 127

HSL 132.86, 0.12%, 0.53%

LAB 59.06, -14.4, 8.39

 

CMYK 21 / 64 / 0 / 22

HEX #9C47C6

RGB 156 71 198

HSL 280.16, 0.53%, 0.53%

LAB 46.51, 55.77, -51.56

 

CMYK 4 / 64 / 0 / 22

HEX #BE47C6

RGB 190 71 198

HSL 296.22, 0.53%, 0.53%

LAB 51.3, 63.73, -43.65

 

CMYK 0 / 64 / 13 / 22

HEX #C647AD

RGB 198 71 173

HSL 311.81, 0.53%, 0.53%

LAB 51.3, 61.63, -29.04

 

CMYK 0 / 64 / 30 / 22

HEX #C6478B

RGB 198 71 139

HSL 327.87, 0.53%, 0.53%

LAB 49.95, 56.93, -10.98

 

CMYK 0 / 64 / 47 / 22

HEX #C64769

RGB 198 71 105

HSL 343.94, 0.53%, 0.53%

LAB 48.92, 53.21, 8.03

 

CMYK 0 / 69 / 15 / 44

HEX #8F2C7A

RGB 143 44 122

HSL 312.73, 0.53%, 0.37%

LAB 36.07, 50.13, -22.62

 

CMYK 0 / 70 / 15 / 31

HEX #AF3595

RGB 175 53 149

HSL 312.79, 0.54%, 0.45%

LAB 43.99, 59.11, -26.45

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 50 / 11 / 18

HEX #D067B9

RGB 208 103 185

HSL 313.14, 0.53%, 0.61%

LAB 58.61, 51.89, -24.56

 

CMYK 0 / 39 / 8 / 15

HEX #DA86C8

RGB 218 134 200

HSL 312.86, 0.53%, 0.69%

LAB 66.62, 41.69, -20.7

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 38 / 64 / 22

HEX #C67A47

RGB 198 122 71

HSL 24.09, 0.53%, 0.53%

LAB 58.4, 24.92, 39.88

 

CMYK 64 / 0 / 13 / 22

HEX #47C6AD

RGB 71 198 173

HSL 168.19, 0.53%, 0.53%

LAB 72.72, -40.73, 2.28

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 13 / 0 / 64 / 22

HEX #ADC647

RGB 173 198 71

HSL 71.81, 0.53%, 0.53%

LAB 75.9, -25.97, 58.66

 

CMYK 64 / 13 / 0 / 22

HEX #47ADC6

RGB 71 173 198

HSL 191.81, 0.53%, 0.53%

LAB 65.98, -21.74, -21.5

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 38 / 64 / 22

HEX #C67A47

RGB 198 122 71

HSL 24.09, 0.53%, 0.53%

LAB 58.4, 24.92, 39.88

 

CMYK 64 / 0 / 51 / 22

HEX #47C661

RGB 71 198 97

HSL 132.28, 0.53%, 0.53%

LAB 71.28, -56.04, 40.28

 

CMYK 64 / 26 / 0 / 22

HEX #4793C6

RGB 71 147 198

HSL 204.09, 0.53%, 0.53%

LAB 58.31, -7.69, -33.33

 

CMYK 0 / 64 / 14 / 22

HEX #C647AB

RGB 198 71 171

HSL 312.76, 0.53%, 0.53%

LAB 51.21, 61.33, -28.01

 

CMYK 0 / 19 / 64 / 22

HEX #C6A047

RGB 198 160 71

HSL 42.05, 0.53%, 0.53%

LAB 67.73, 4.18, 50.45

 

CMYK 64 / 0 / 51 / 22

HEX #47C661

RGB 71 198 97

HSL 132.28, 0.53%, 0.53%

LAB 71.28, -56.04, 40.28

 

CMYK 64 / 45 / 0 / 22

HEX #476DC6

RGB 71 109 198

HSL 222.05, 0.53%, 0.53%

LAB 47.44, 15.08, -50.51

 

Description

Color code: HEX #C647AB | qconv.com Color code: HEX #C647AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 71 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 71 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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