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Color name
HEX #C648D5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C648D5 it is the complementary color #39B72A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C648D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C648D5 shade: #CB48D0, #DC5AE3, #ED6CF6, #FE7EFF and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C648D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C648D5 shade: #C648D5, #B536C2, #A424AF, #93129C and #820089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C648D5 shade: #C648D5, #D548BE, #D54898, #D54872 and #D5484C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C648D5 shade: #C648D5, #A048D5, #7A48D5, #5448D5 and #4848D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C648D5 shade matches the following richer shades: #C648D5, #D435E7 and #E323F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C648D5 shade: #C648D5, #B85AC3, #A96CB1, #9B7E9F and #8D908C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C648D5 shade: #7948D5, #9F48D5, #C448D5, #D548C0 and #D5489A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C648D5 shade: #9725A5, #B62DC7, #C648D5, #D069DD and #DB8BE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C648D5 shade: #C648D5, #D55348 and #48D58C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C648D5 shade: #C648D5, #D5C448 and #48D5C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C648D5 shade: #C648D5, #D55348, #58D548 and #48C9D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C648D5 shade: #C648D5, #D57E48, #58D548 and #489FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

Complementary color

CMYK 69 / 0 / 77 / 28

HEX #39B72A

RGB 57 183 42

HSL 113.62, 0.63%, 0.44%

LAB 65.67, -59.49, 57.32

 

CMYK 2 / 65 / 0 / 18

HEX #CB48D0

RGB 203 72 208

HSL 297.79, 0.59%, 0.55%

LAB 53.91, 68.09, -45.14

 

CMYK 3 / 60 / 0 / 11

HEX #DC5AE3

RGB 220 90 227

HSL 296.93, 0.71%, 0.62%

LAB 59.96, 68.1, -46.15

 

CMYK 4 / 56 / 0 / 4

HEX #ED6CF6

RGB 237 108 246

HSL 296.09, 0.88%, 0.69%

LAB 66.05, 67.81, -46.94

 

CMYK 0 / 51 / 0 / 0

HEX #FE7EFF

RGB 254 126 255

HSL 299.53, 1%, 0.75%

LAB 71.7, 65.61, -42.84

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 7 / 72 / 0 / 24

HEX #B536C2

RGB 181 54 194

HSL 294.43, 0.56%, 0.49%

LAB 47.44, 67.41, -47.56

 

CMYK 6 / 79 / 0 / 31

HEX #A424AF

RGB 164 36 175

HSL 295.25, 0.66%, 0.41%

LAB 41.61, 66.29, -45.88

 

CMYK 6 / 88 / 0 / 39

HEX #93129C

RGB 147 18 156

HSL 296.09, 0.79%, 0.34%

LAB 36.05, 64.09, -43.55

 

CMYK 5 / 100 / 0 / 46

HEX #820089

RGB 130 0 137

HSL 296.93, 1%, 0.27%

LAB 30.76, 60.72, -40.53

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 0 / 66 / 11 / 16

HEX #D548BE

RGB 213 72 190

HSL 309.79, 0.63%, 0.56%

LAB 54.55, 67.61, -33.68

 

CMYK 0 / 66 / 29 / 16

HEX #D54898

RGB 213 72 152

HSL 325.96, 0.63%, 0.56%

LAB 53, 62.41, -13.87

 

CMYK 0 / 66 / 46 / 16

HEX #D54872

RGB 213 72 114

HSL 342.13, 0.63%, 0.56%

LAB 51.83, 58.31, 7.08

 

CMYK 0 / 66 / 64 / 16

HEX #D5484C

RGB 213 72 76

HSL 358.3, 0.63%, 0.56%

LAB 51.04, 55.44, 28.7

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 25 / 66 / 0 / 16

HEX #A048D5

RGB 160 72 213

HSL 277.45, 0.63%, 0.56%

LAB 48.15, 59.42, -57.54

 

CMYK 43 / 66 / 0 / 16

HEX #7A48D5

RGB 122 72 213

HSL 261.28, 0.63%, 0.56%

LAB 43.62, 51.65, -65.08

 

CMYK 61 / 66 / 0 / 16

HEX #5448D5

RGB 84 72 213

HSL 245.11, 0.63%, 0.56%

LAB 40.12, 45.15, -70.94

 

CMYK 66 / 66 / 0 / 16

HEX #4848D5

RGB 72 72 213

HSL 240, 0.63%, 0.56%

LAB 39.27, 43.48, -72.37

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 8 / 77 / 0 / 9

HEX #D435E7

RGB 212 53 231

HSL 293.6, 0.79%, 0.56%

LAB 54.36, 80.12, -57.38

 

CMYK 9 / 86 / 0 / 2

HEX #E323F9

RGB 227 35 249

HSL 293.83, 0.95%, 0.56%

LAB 56.46, 89.63, -63.96

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 6 / 54 / 0 / 24

HEX #B85AC3

RGB 184 90 195

HSL 293.71, 0.47%, 0.56%

LAB 53.43, 53.12, -38.62

 

CMYK 5 / 39 / 0 / 31

HEX #A96CB1

RGB 169 108 177

HSL 293.04, 0.31%, 0.56%

LAB 54.38, 35.78, -26.9

 

CMYK 3 / 21 / 0 / 38

HEX #9B7E9F

RGB 155 126 159

HSL 292.73, 0.15%, 0.56%

LAB 56.48, 17.23, -13.43

 

CMYK 2 / 0 / 3 / 44

HEX #8D908C

RGB 141 144 140

HSL 105, 0.02%, 0.56%

LAB 59.44, -1.87, 1.73

 

CMYK 43 / 66 / 0 / 16

HEX #7948D5

RGB 121 72 213

HSL 260.85, 0.63%, 0.56%

LAB 43.51, 51.46, -65.26

 

CMYK 25 / 66 / 0 / 16

HEX #9F48D5

RGB 159 72 213

HSL 277.02, 0.63%, 0.56%

LAB 48.02, 59.21, -57.75

 

CMYK 8 / 66 / 0 / 16

HEX #C448D5

RGB 196 72 213

HSL 292.77, 0.63%, 0.56%

LAB 53.14, 67.37, -49.27

 

CMYK 0 / 66 / 10 / 16

HEX #D548C0

RGB 213 72 192

HSL 308.94, 0.63%, 0.56%

LAB 54.64, 67.91, -34.69

 

CMYK 0 / 66 / 28 / 16

HEX #D5489A

RGB 213 72 154

HSL 325.11, 0.63%, 0.56%

LAB 53.07, 62.65, -14.94

 

CMYK 8 / 78 / 0 / 35

HEX #9725A5

RGB 151 37 165

HSL 293.44, 0.63%, 0.4%

LAB 38.93, 61.69, -44.33

 

CMYK 9 / 77 / 0 / 22

HEX #B62DC7

RGB 182 45 199

HSL 293.38, 0.63%, 0.48%

LAB 46.9, 71.33, -51.31

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 6 / 52 / 0 / 13

HEX #D069DD

RGB 208 105 221

HSL 293.28, 0.63%, 0.64%

LAB 60.55, 57.19, -41.97

 

CMYK 4 / 39 / 0 / 11

HEX #DB8BE4

RGB 219 139 228

HSL 293.93, 0.62%, 0.72%

LAB 68.84, 44.41, -32.82

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 0 / 61 / 66 / 16

HEX #D55348

RGB 213 83 72

HSL 4.68, 0.63%, 0.56%

LAB 52.73, 50.51, 33.11

 

CMYK 66 / 0 / 34 / 16

HEX #48D58C

RGB 72 213 140

HSL 148.94, 0.63%, 0.56%

LAB 76.59, -54.2, 25.32

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 0 / 8 / 66 / 16

HEX #D5C448

RGB 213 196 72

HSL 52.77, 0.63%, 0.56%

LAB 78.52, -8.26, 61.96

 

CMYK 66 / 0 / 8 / 16

HEX #48D5C4

RGB 72 213 196

HSL 172.77, 0.63%, 0.56%

LAB 77.85, -41.31, -2.64

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 0 / 61 / 66 / 16

HEX #D55348

RGB 213 83 72

HSL 4.68, 0.63%, 0.56%

LAB 52.73, 50.51, 33.11

 

CMYK 59 / 0 / 66 / 16

HEX #58D548

RGB 88 213 72

HSL 113.19, 0.63%, 0.56%

LAB 76.15, -60.63, 57.27

 

CMYK 66 / 6 / 0 / 16

HEX #48C9D5

RGB 72 201 213

HSL 185.11, 0.63%, 0.56%

LAB 74.8, -31.05, -16.34

 

CMYK 7 / 66 / 0 / 16

HEX #C648D5

RGB 198 72 213

HSL 293.62, 0.63%, 0.56%

LAB 53.43, 67.82, -48.78

 

CMYK 0 / 41 / 66 / 16

HEX #D57E48

RGB 213 126 72

HSL 22.98, 0.63%, 0.56%

LAB 61.25, 29.02, 43.17

 

CMYK 59 / 0 / 66 / 16

HEX #58D548

RGB 88 213 72

HSL 113.19, 0.63%, 0.56%

LAB 76.15, -60.63, 57.27

 

CMYK 66 / 25 / 0 / 16

HEX #489FD5

RGB 72 159 213

HSL 202.98, 0.63%, 0.56%

LAB 62.49, -9.3, -35.21

 

Description

Color code: HEX #C648D5 | qconv.com Color code: HEX #C648D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 72 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 72 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 66 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 66% 0% 16% C M Y K

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