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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64B47 it is the complementary color #39B4B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64B47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64B47 shade: #CB4B42, #DC5D55, #ED6F68, #FE817B and #FF938E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64B47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64B47 shade: #C64B47, #B53934, #A42721, #93150E and #820300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64B47 shade: #C64B47 and #C64747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64B47 shade: #C64B47, #C66D47, #C69047, #C6B247 and #B8C647

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64B47 shade matches the following richer shades: #C64B47, #DA3934 and #ED2720

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64B47 shade: #C64B47, #B35D5B, #9F6F6E, #8C8281 and #799495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64B47 shade: #C64789, #C64767, #C64947, #C66B47 and #C68D47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64B47 shade: #8F2F2C, #AF3935, #C64B47, #D06A67 and #DA8986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64B47 shade: #C64B47, #ABC647 and #4778C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64B47 shade: #C64B47, #47C649 and #4947C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64B47 shade: #C64B47, #ABC647, #47C4C6 and #6347C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64B47 shade: #C64B47, #85C647, #47C4C6 and #8947C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

Complementary color

CMYK 69 / 2 / 0 / 28

HEX #39B4B8

RGB 57 180 184

HSL 181.89, 0.53%, 0.47%

LAB 67.26, -31.57, -11.86

 

CMYK 0 / 63 / 67 / 20

HEX #CB4B42

RGB 203 75 66

HSL 3.94, 0.57%, 0.53%

LAB 49.64, 50.25, 32.42

 

CMYK 0 / 58 / 61 / 14

HEX #DC5D55

RGB 220 93 85

HSL 3.56, 0.66%, 0.6%

LAB 55.79, 49.19, 29.73

 

CMYK 0 / 53 / 56 / 7

HEX #ED6F68

RGB 237 111 104

HSL 3.16, 0.79%, 0.67%

LAB 61.97, 48.06, 27.41

 

CMYK 0 / 49 / 52 / 0

HEX #FE817B

RGB 254 129 123

HSL 2.75, 0.98%, 0.74%

LAB 68.17, 46.92, 25.4

 

CMYK 0 / 42 / 44 / 0

HEX #FF938E

RGB 255 147 142

HSL 2.65, 1%, 0.78%

LAB 72.28, 40.02, 20.47

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 0 / 69 / 71 / 29

HEX #B53934

RGB 181 57 52

HSL 2.33, 0.55%, 0.46%

LAB 42.76, 49.66, 31.43

 

CMYK 0 / 76 / 80 / 36

HEX #A42721

RGB 164 39 33

HSL 2.75, 0.66%, 0.39%

LAB 36.84, 50.08, 35

 

CMYK 0 / 86 / 90 / 42

HEX #93150E

RGB 147 21 14

HSL 3.16, 0.83%, 0.32%

LAB 31.28, 49.66, 38.68

 

CMYK 0 / 98 / 100 / 49

HEX #820300

RGB 130 3 0

HSL 1.38, 1%, 0.25%

LAB 26.19, 48.04, 38.84

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 0 / 64 / 64 / 22

HEX #C64747

RGB 198 71 71

HSL 0, 0.53%, 0.53%

LAB 48.22, 50.57, 27.55

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 0 / 45 / 64 / 22

HEX #C66D47

RGB 198 109 71

HSL 17.95, 0.53%, 0.53%

LAB 55.48, 31.93, 36.44

 

CMYK 0 / 27 / 64 / 22

HEX #C69047

RGB 198 144 71

HSL 34.49, 0.53%, 0.53%

LAB 63.68, 12.88, 45.94

 

CMYK 0 / 10 / 64 / 22

HEX #C6B247

RGB 198 178 71

HSL 50.55, 0.53%, 0.53%

LAB 72.43, -5.39, 55.56

 

CMYK 7 / 0 / 64 / 22

HEX #B8C647

RGB 184 198 71

HSL 66.61, 0.53%, 0.53%

LAB 76.7, -21.47, 59.74

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 0 / 74 / 76 / 15

HEX #DA3934

RGB 218 57 52

HSL 1.81, 0.69%, 0.53%

LAB 49.59, 61.43, 40.97

 

CMYK 0 / 84 / 86 / 7

HEX #ED2720

RGB 237 39 32

HSL 2.05, 0.85%, 0.53%

LAB 51.34, 71.23, 54.06

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 0 / 48 / 49 / 30

HEX #B35D5B

RGB 179 93 91

HSL 1.36, 0.37%, 0.53%

LAB 49.7, 34.56, 17.07

 

CMYK 0 / 30 / 31 / 38

HEX #9F6F6E

RGB 159 111 110

HSL 1.22, 0.2%, 0.53%

LAB 51.68, 18.91, 8.2

 

CMYK 0 / 7 / 8 / 45

HEX #8C8281

RGB 140 130 129

HSL 5.45, 0.05%, 0.53%

LAB 55.2, 3.59, 1.89

 

CMYK 19 / 1 / 0 / 42

HEX #799495

RGB 121 148 149

HSL 182.14, 0.12%, 0.53%

LAB 59.36, -9.22, -3.69

 

CMYK 0 / 64 / 31 / 22

HEX #C64789

RGB 198 71 137

HSL 328.82, 0.53%, 0.53%

LAB 49.88, 56.68, -9.88

 

CMYK 0 / 64 / 48 / 22

HEX #C64767

RGB 198 71 103

HSL 344.88, 0.53%, 0.53%

LAB 48.87, 53.03, 9.17

 

CMYK 0 / 63 / 64 / 22

HEX #C64947

RGB 198 73 71

HSL 0.94, 0.53%, 0.53%

LAB 48.54, 49.7, 27.96

 

CMYK 0 / 46 / 64 / 22

HEX #C66B47

RGB 198 107 71

HSL 17.01, 0.53%, 0.53%

LAB 55.05, 32.99, 35.92

 

CMYK 0 / 29 / 64 / 22

HEX #C68D47

RGB 198 141 71

HSL 33.07, 0.53%, 0.53%

LAB 62.94, 14.52, 45.1

 

CMYK 0 / 67 / 69 / 44

HEX #8F2F2C

RGB 143 47 44

HSL 1.82, 0.53%, 0.37%

LAB 34.1, 40.35, 24.25

 

CMYK 0 / 67 / 70 / 31

HEX #AF3935

RGB 175 57 53

HSL 1.97, 0.54%, 0.45%

LAB 41.68, 47.68, 29.3

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 0 / 49 / 50 / 18

HEX #D06A67

RGB 208 106 103

HSL 1.71, 0.53%, 0.61%

LAB 56.78, 39.89, 20.32

 

CMYK 0 / 37 / 39 / 15

HEX #DA8986

RGB 218 137 134

HSL 2.14, 0.53%, 0.69%

LAB 65.37, 30.59, 14.65

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 14 / 0 / 64 / 22

HEX #ABC647

RGB 171 198 71

HSL 72.76, 0.53%, 0.53%

LAB 75.76, -26.78, 58.47

 

CMYK 64 / 39 / 0 / 22

HEX #4778C6

RGB 71 120 198

HSL 216.85, 0.53%, 0.53%

LAB 50.51, 8.25, -45.6

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 64 / 0 / 63 / 22

HEX #47C649

RGB 71 198 73

HSL 120.94, 0.53%, 0.53%

LAB 71.01, -59.05, 51.08

 

CMYK 63 / 64 / 0 / 22

HEX #4947C6

RGB 73 71 198

HSL 240.94, 0.53%, 0.53%

LAB 37.84, 39.28, -66.02

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 14 / 0 / 64 / 22

HEX #ABC647

RGB 171 198 71

HSL 72.76, 0.53%, 0.53%

LAB 75.76, -26.78, 58.47

 

CMYK 64 / 1 / 0 / 22

HEX #47C4C6

RGB 71 196 198

HSL 180.94, 0.53%, 0.53%

LAB 72.82, -33.11, -11.17

 

CMYK 50 / 64 / 0 / 22

HEX #6347C6

RGB 99 71 198

HSL 253.23, 0.53%, 0.53%

LAB 39.98, 43.67, -62.45

 

CMYK 0 / 62 / 64 / 22

HEX #C64B47

RGB 198 75 71

HSL 1.89, 0.53%, 0.53%

LAB 48.88, 48.81, 28.37

 

CMYK 33 / 0 / 64 / 22

HEX #85C647

RGB 133 198 71

HSL 90.71, 0.53%, 0.53%

LAB 73.43, -41.31, 55.28

 

CMYK 64 / 1 / 0 / 22

HEX #47C4C6

RGB 71 196 198

HSL 180.94, 0.53%, 0.53%

LAB 72.82, -33.11, -11.17

 

CMYK 31 / 64 / 0 / 22

HEX #8947C6

RGB 137 71 198

HSL 271.18, 0.53%, 0.53%

LAB 44.09, 51.49, -55.59

 

Description

Color code: HEX #C64B47 | qconv.com Color code: HEX #C64B47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 75 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 75 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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