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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64D8C it is the complementary color #39B273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64D8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64D8C shade: #CB4D87, #DC5F9A, #ED71AD, #FE83C0 and #FF95D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64D8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64D8C shade: #C64D8C, #B53B79, #A42966, #931753 and #820540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64D8C shade: #C54D8C, #C54D6B and #C54D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64D8C shade: #C54D8C, #C54DAC, #BE4DC5, #9E4DC5 and #7D4DC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64D8C shade matches the following richer shades: #C54D8C, #D83A8C, #EB278D and #FE148E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64D8C shade: #C54D8C, #B2608B, #9F738A, #8C8689 and #799989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64D8C shade: #BD4DC5, #C54DAD, #C54D8D, #C54D6D and #C54D4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64D8C shade: #912F62, #B03977, #C54D8C, #CF6DA0 and #D98CB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64D8C shade: #C64D8C, #C59D4D and #4DBDC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64D8C shade: #C64D8C, #8DC54D and #4D8DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64D8C shade: #C64D8C, #C59D4D, #4DC585 and #4D75C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64D8C shade: #C64D8C, #C5C14D, #4DC585 and #4D51C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 29 / 22

HEX #C64D8C

RGB 198 77 140

HSL 328.76, 0.51%, 0.54%

LAB 50.93, 54.49, -10.1

 

Complementary color

CMYK 68 / 0 / 35 / 30

HEX #39B273

RGB 57 178 115

HSL 148.76, 0.51%, 0.46%

LAB 64.92, -47.96, 22.73

 

CMYK 0 / 62 / 33 / 20

HEX #CB4D87

RGB 203 77 135

HSL 332.38, 0.55%, 0.55%

LAB 51.56, 55.39, -6.1

 

CMYK 0 / 57 / 30 / 14

HEX #DC5F9A

RGB 220 95 154

HSL 331.68, 0.64%, 0.62%

LAB 57.78, 54.91, -7.75

 

CMYK 0 / 52 / 27 / 7

HEX #ED71AD

RGB 237 113 173

HSL 330.97, 0.78%, 0.69%

LAB 64.02, 54.27, -9.13

 

CMYK 0 / 48 / 24 / 0

HEX #FE83C0

RGB 254 131 192

HSL 330.24, 0.98%, 0.75%

LAB 70.25, 53.55, -10.3

 

CMYK 0 / 42 / 17 / 0

HEX #FF95D3

RGB 255 149 211

HSL 324.91, 1%, 0.79%

LAB 74.48, 47.66, -14.47

 

CMYK 0 / 61 / 29 / 22

HEX #C64D8C

RGB 198 77 140

HSL 328.76, 0.51%, 0.54%

LAB 50.93, 54.49, -10.1

 

CMYK 0 / 67 / 33 / 29

HEX #B53B79

RGB 181 59 121

HSL 329.51, 0.51%, 0.47%

LAB 44.71, 54.68, -8.24

 

CMYK 0 / 75 / 38 / 36

HEX #A42966

RGB 164 41 102

HSL 330.24, 0.6%, 0.4%

LAB 38.62, 54.35, -5.83

 

CMYK 0 / 84 / 44 / 42

HEX #931753

RGB 147 23 83

HSL 330.97, 0.73%, 0.33%

LAB 32.79, 53.13, -2.64

 

CMYK 0 / 96 / 51 / 49

HEX #820540

RGB 130 5 64

HSL 331.68, 0.93%, 0.26%

LAB 27.37, 50.58, 1.64

 

CMYK 0 / 61 / 29 / 23

HEX #C54D8C

RGB 197 77 140

HSL 328.5, 0.51%, 0.54%

LAB 50.77, 54.18, -10.36

 

CMYK 0 / 61 / 46 / 23

HEX #C54D6B

RGB 197 77 107

HSL 345, 0.51%, 0.54%

LAB 49.79, 50.45, 8.02

 

CMYK 0 / 61 / 61 / 23

HEX #C54D4D

RGB 197 77 77

HSL 0, 0.51%, 0.54%

LAB 49.15, 47.96, 25.15

 

CMYK 0 / 61 / 29 / 23

HEX #C54D8C

RGB 197 77 140

HSL 328.5, 0.51%, 0.54%

LAB 50.77, 54.18, -10.36

 

CMYK 0 / 61 / 13 / 23

HEX #C54DAC

RGB 197 77 172

HSL 312.5, 0.51%, 0.54%

LAB 52.01, 58.71, -27.36

 

CMYK 4 / 61 / 0 / 23

HEX #BE4DC5

RGB 190 77 197

HSL 296.5, 0.51%, 0.54%

LAB 52.16, 61.03, -41.72

 

CMYK 20 / 61 / 0 / 23

HEX #9E4DC5

RGB 158 77 197

HSL 280.5, 0.51%, 0.54%

LAB 47.76, 53.16, -48.97

 

CMYK 37 / 61 / 0 / 23

HEX #7D4DC5

RGB 125 77 197

HSL 264, 0.51%, 0.54%

LAB 43.8, 45.43, -55.55

 

CMYK 0 / 61 / 29 / 23

HEX #C54D8C

RGB 197 77 140

HSL 328.5, 0.51%, 0.54%

LAB 50.77, 54.18, -10.36

 

CMYK 0 / 73 / 35 / 15

HEX #D83A8C

RGB 216 58 140

HSL 328.86, 0.67%, 0.54%

LAB 51.29, 66.86, -9.26

 

CMYK 0 / 83 / 40 / 8

HEX #EB278D

RGB 235 39 141

HSL 328.78, 0.83%, 0.54%

LAB 52.99, 76.68, -6.96

 

CMYK 0 / 92 / 44 / 0

HEX #FE148E

RGB 254 20 142

HSL 328.72, 0.99%, 0.54%

LAB 55.61, 83.92, -3.28

 

CMYK 0 / 61 / 29 / 23

HEX #C54D8C

RGB 197 77 140

HSL 328.5, 0.51%, 0.54%

LAB 50.77, 54.18, -10.36

 

CMYK 0 / 46 / 22 / 30

HEX #B2608B

RGB 178 96 139

HSL 328.54, 0.35%, 0.54%

LAB 51.49, 38.6, -8.97

 

CMYK 0 / 28 / 13 / 38

HEX #9F738A

RGB 159 115 138

HSL 328.64, 0.19%, 0.54%

LAB 53.46, 21.04, -5.69

 

CMYK 0 / 4 / 2 / 45

HEX #8C8689

RGB 140 134 137

HSL 330, 0.03%, 0.54%

LAB 56.52, 2.82, -0.81

 

CMYK 21 / 0 / 10 / 40

HEX #799989

RGB 121 153 137

HSL 150, 0.14%, 0.54%

LAB 60.47, -14.52, 4.76

 

CMYK 4 / 61 / 0 / 23

HEX #BD4DC5

RGB 189 77 197

HSL 296, 0.51%, 0.54%

LAB 52.02, 60.78, -41.95

 

CMYK 0 / 61 / 12 / 23

HEX #C54DAD

RGB 197 77 173

HSL 312, 0.51%, 0.54%

LAB 52.06, 58.86, -27.88

 

CMYK 0 / 61 / 28 / 23

HEX #C54D8D

RGB 197 77 141

HSL 328, 0.51%, 0.54%

LAB 50.81, 54.31, -10.9

 

CMYK 0 / 61 / 45 / 23

HEX #C54D6D

RGB 197 77 109

HSL 344, 0.51%, 0.54%

LAB 49.84, 50.65, 6.89

 

CMYK 0 / 61 / 61 / 23

HEX #C54D4D

RGB 197 77 77

HSL 0, 0.51%, 0.54%

LAB 49.15, 47.96, 25.15

 

CMYK 0 / 68 / 32 / 43

HEX #912F62

RGB 145 47 98

HSL 328.78, 0.51%, 0.38%

LAB 35.86, 46.06, -7.78

 

CMYK 0 / 68 / 32 / 31

HEX #B03977

RGB 176 57 119

HSL 328.74, 0.51%, 0.46%

LAB 43.49, 53.78, -8.92

 

CMYK 0 / 61 / 29 / 23

HEX #C54D8C

RGB 197 77 140

HSL 328.5, 0.51%, 0.54%

LAB 50.77, 54.18, -10.36

 

CMYK 0 / 47 / 23 / 19

HEX #CF6DA0

RGB 207 109 160

HSL 328.78, 0.51%, 0.62%

LAB 58.73, 44.74, -10.01

 

CMYK 0 / 35 / 17 / 15

HEX #D98CB4

RGB 217 140 180

HSL 328.83, 0.5%, 0.7%

LAB 67.13, 34.91, -8.73

 

CMYK 0 / 61 / 29 / 22

HEX #C64D8C

RGB 198 77 140

HSL 328.76, 0.51%, 0.54%

LAB 50.93, 54.49, -10.1

 

CMYK 0 / 20 / 61 / 23

HEX #C59D4D

RGB 197 157 77

HSL 40, 0.51%, 0.54%

LAB 66.92, 5.78, 46.67

 

CMYK 61 / 4 / 0 / 23

HEX #4DBDC5

RGB 77 189 197

HSL 184, 0.51%, 0.54%

LAB 70.87, -29.04, -13.53

 

CMYK 0 / 61 / 29 / 22

HEX #C64D8C

RGB 198 77 140

HSL 328.76, 0.51%, 0.54%

LAB 50.93, 54.49, -10.1

 

CMYK 28 / 0 / 61 / 23

HEX #8DC54D

RGB 141 197 77

HSL 88, 0.51%, 0.54%

LAB 73.63, -37.45, 53.06

 

CMYK 61 / 28 / 0 / 23

HEX #4D8DC5

RGB 77 141 197

HSL 208, 0.51%, 0.54%

LAB 56.74, -3.49, -35.19

 

CMYK 0 / 61 / 29 / 22

HEX #C64D8C

RGB 198 77 140

HSL 328.76, 0.51%, 0.54%

LAB 50.93, 54.49, -10.1

 

CMYK 0 / 20 / 61 / 23

HEX #C59D4D

RGB 197 157 77

HSL 40, 0.51%, 0.54%

LAB 66.92, 5.78, 46.67

 

CMYK 61 / 0 / 32 / 23

HEX #4DC585

RGB 77 197 133

HSL 148, 0.51%, 0.54%

LAB 71.69, -48.25, 22.38

 

CMYK 61 / 41 / 0 / 23

HEX #4D75C5

RGB 77 117 197

HSL 220, 0.51%, 0.54%

LAB 49.9, 10.86, -45.99

 

CMYK 0 / 61 / 29 / 22

HEX #C64D8C

RGB 198 77 140

HSL 328.76, 0.51%, 0.54%

LAB 50.93, 54.49, -10.1

 

CMYK 0 / 2 / 61 / 23

HEX #C5C14D

RGB 197 193 77

HSL 58, 0.51%, 0.54%

LAB 76.4, -13.16, 57.21

 

CMYK 61 / 0 / 32 / 23

HEX #4DC585

RGB 77 197 133

HSL 148, 0.51%, 0.54%

LAB 71.69, -48.25, 22.38

 

CMYK 61 / 59 / 0 / 23

HEX #4D51C5

RGB 77 81 197

HSL 238, 0.51%, 0.54%

LAB 40.4, 33.44, -61.26

 

Description

Color code: HEX #C64D8C | qconv.com Color code: HEX #C64D8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 77 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 77 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 29 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 29% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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