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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64DFD it is the complementary color #39B202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64DFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64DFD shade: #CB4DF8, #DC5FFF, #ED71FF, #FE83FF and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64DFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64DFD shade: #C64DFD, #B53BEA, #A429D7, #9317C4 and #8205B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64DFD shade: #C64EFD, #F54EFD, #FD4ED5, #FD4EA6 and #FD4E77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64DFD shade: #C64EFD, #974EFD, #684EFD and #4E4EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64DFD shade matches the following richer shades: #C64EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64DFD shade: #C64EFD, #C15CEE, #BB6BE0, #B679D1 and #B088C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64DFD shade: #684EFD, #974EFD, #C54EFD, #F44EFD and #FD4ED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64DFD shade: #AA02F6, #B925FC, #C64EFD, #D377FD and #E09FFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64DFD shade: #C64DFD, #FD4E62 and #4EFD7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64DFD shade: #C64DFD, #FDC54E and #4EFDC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64DFD shade: #C64DFD, #FD4E62, #85FD4E and #4EFDE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64DFD shade: #C64DFD, #FD6E4E, #85FD4E and #4EDDFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 70 / 0 / 1

HEX #C64DFD

RGB 198 77 253

HSL 281.25, 0.98%, 0.65%

LAB 56.49, 73.36, -66.35

 

Complementary color

CMYK 68 / 0 / 99 / 30

HEX #39B202

RGB 57 178 2

HSL 101.25, 0.98%, 0.35%

LAB 63.93, -59.43, 64.13

 

CMYK 18 / 69 / 0 / 3

HEX #CB4DF8

RGB 203 77 248

HSL 284.21, 0.92%, 0.64%

LAB 56.86, 73.39, -62.94

 

CMYK 14 / 63 / 0 / 0

HEX #DC5FFF

RGB 220 95 255

HSL 286.88, 1%, 0.69%

LAB 62.19, 71.03, -58.16

 

CMYK 7 / 56 / 0 / 0

HEX #ED71FF

RGB 237 113 255

HSL 292.39, 1%, 0.72%

LAB 67.3, 67.17, -49.9

 

CMYK 0 / 49 / 0 / 0

HEX #FE83FF

RGB 254 131 255

HSL 299.52, 1%, 0.76%

LAB 72.58, 63.28, -41.47

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 22 / 70 / 0 / 1

HEX #C64DFD

RGB 198 77 253

HSL 281.25, 0.98%, 0.65%

LAB 56.49, 73.36, -66.35

 

CMYK 23 / 75 / 0 / 8

HEX #B53BEA

RGB 181 59 234

HSL 281.83, 0.81%, 0.57%

LAB 50.56, 73.08, -65.42

 

CMYK 24 / 81 / 0 / 16

HEX #A429D7

RGB 164 41 215

HSL 282.41, 0.69%, 0.5%

LAB 44.78, 72.16, -64.1

 

CMYK 25 / 88 / 0 / 23

HEX #9317C4

RGB 147 23 196

HSL 283.01, 0.79%, 0.43%

LAB 39.24, 70.28, -62.21

 

CMYK 27 / 97 / 0 / 31

HEX #8205B1

RGB 130 5 177

HSL 283.6, 0.95%, 0.36%

LAB 34.04, 67.09, -59.58

 

CMYK 22 / 69 / 0 / 1

HEX #C64EFD

RGB 198 78 253

HSL 281.14, 0.98%, 0.65%

LAB 56.63, 72.97, -66.13

 

CMYK 3 / 69 / 0 / 1

HEX #F54EFD

RGB 245 78 253

HSL 297.26, 0.98%, 0.65%

LAB 63.3, 82.54, -55.07

 

CMYK 0 / 69 / 16 / 1

HEX #FD4ED5

RGB 253 78 213

HSL 313.71, 0.98%, 0.65%

LAB 62.62, 78.38, -33.75

 

CMYK 0 / 69 / 34 / 1

HEX #FD4EA6

RGB 253 78 166

HSL 329.83, 0.98%, 0.65%

LAB 60.86, 72.66, -9.58

 

CMYK 0 / 69 / 53 / 1

HEX #FD4E77

RGB 253 78 119

HSL 345.94, 0.98%, 0.65%

LAB 59.58, 68.37, 15.99

 

CMYK 22 / 69 / 0 / 1

HEX #C64EFD

RGB 198 78 253

HSL 281.14, 0.98%, 0.65%

LAB 56.63, 72.97, -66.13

 

CMYK 40 / 69 / 0 / 1

HEX #974EFD

RGB 151 78 253

HSL 265.03, 0.98%, 0.65%

LAB 50.83, 64.14, -75.8

 

CMYK 59 / 69 / 0 / 1

HEX #684EFD

RGB 104 78 253

HSL 248.91, 0.98%, 0.65%

LAB 46.29, 56.76, -83.4

 

CMYK 69 / 69 / 0 / 1

HEX #4E4EFD

RGB 78 78 253

HSL 240, 0.98%, 0.65%

LAB 44.46, 53.63, -86.47

 

CMYK 22 / 69 / 0 / 1

HEX #C64EFD

RGB 198 78 253

HSL 281.14, 0.98%, 0.65%

LAB 56.63, 72.97, -66.13

 

CMYK 22 / 69 / 0 / 1

HEX #C64EFD

RGB 198 78 253

HSL 281.14, 0.98%, 0.65%

LAB 56.63, 72.97, -66.13

 

CMYK 19 / 61 / 0 / 7

HEX #C15CEE

RGB 193 92 238

HSL 281.51, 0.81%, 0.65%

LAB 57.24, 62.89, -56.85

 

CMYK 17 / 52 / 0 / 12

HEX #BB6BE0

RGB 187 107 224

HSL 281.03, 0.65%, 0.65%

LAB 58.47, 51.19, -47.09

 

CMYK 13 / 42 / 0 / 18

HEX #B679D1

RGB 182 121 209

HSL 281.59, 0.49%, 0.65%

LAB 60.09, 39.19, -36.16

 

CMYK 10 / 30 / 0 / 24

HEX #B088C3

RGB 176 136 195

HSL 280.68, 0.33%, 0.65%

LAB 62.32, 26.04, -24.87

 

CMYK 59 / 69 / 0 / 1

HEX #684EFD

RGB 104 78 253

HSL 248.91, 0.98%, 0.65%

LAB 46.29, 56.76, -83.4

 

CMYK 40 / 69 / 0 / 1

HEX #974EFD

RGB 151 78 253

HSL 265.03, 0.98%, 0.65%

LAB 50.83, 64.14, -75.8

 

CMYK 22 / 69 / 0 / 1

HEX #C54EFD

RGB 197 78 253

HSL 280.8, 0.98%, 0.65%

LAB 56.5, 72.77, -66.35

 

CMYK 4 / 69 / 0 / 1

HEX #F44EFD

RGB 244 78 253

HSL 296.91, 0.98%, 0.65%

LAB 63.16, 82.33, -55.32

 

CMYK 0 / 69 / 15 / 1

HEX #FD4ED7

RGB 253 78 215

HSL 313.03, 0.98%, 0.65%

LAB 62.71, 78.65, -34.74

 

CMYK 31 / 99 / 0 / 4

HEX #AA02F6

RGB 170 2 246

HSL 281.31, 0.98%, 0.49%

LAB 45.97, 85.16, -79.73

 

CMYK 27 / 85 / 0 / 1

HEX #B925FC

RGB 185 37 252

HSL 281.3, 0.97%, 0.57%

LAB 50.29, 83.37, -75.92

 

CMYK 22 / 69 / 0 / 1

HEX #C64EFD

RGB 198 78 253

HSL 281.14, 0.98%, 0.65%

LAB 56.63, 72.97, -66.13

 

CMYK 17 / 53 / 0 / 1

HEX #D377FD

RGB 211 119 253

HSL 281.19, 0.97%, 0.73%

LAB 65.07, 57.37, -52.55

 

CMYK 12 / 37 / 0 / 0

HEX #E09FFE

RGB 224 159 254

HSL 281.05, 0.98%, 0.81%

LAB 74.7, 40.41, -37.88

 

CMYK 22 / 70 / 0 / 1

HEX #C64DFD

RGB 198 77 253

HSL 281.25, 0.98%, 0.65%

LAB 56.49, 73.36, -66.35

 

CMYK 0 / 69 / 61 / 1

HEX #FD4E62

RGB 253 78 98

HSL 353.14, 0.98%, 0.65%

LAB 59.17, 66.94, 27.68

 

CMYK 69 / 0 / 50 / 1

HEX #4EFD7F

RGB 78 253 127

HSL 136.8, 0.98%, 0.65%

LAB 88.64, -69.9, 47.4

 

CMYK 22 / 70 / 0 / 1

HEX #C64DFD

RGB 198 77 253

HSL 281.25, 0.98%, 0.65%

LAB 56.49, 73.36, -66.35

 

CMYK 0 / 22 / 69 / 1

HEX #FDC54E

RGB 253 197 78

HSL 40.8, 0.98%, 0.65%

LAB 82.57, 8.39, 64.87

 

CMYK 69 / 0 / 22 / 1

HEX #4EFDC5

RGB 78 253 197

HSL 160.8, 0.98%, 0.65%

LAB 89.81, -56.97, 14.1

 

CMYK 22 / 70 / 0 / 1

HEX #C64DFD

RGB 198 77 253

HSL 281.25, 0.98%, 0.65%

LAB 56.49, 73.36, -66.35

 

CMYK 0 / 69 / 61 / 1

HEX #FD4E62

RGB 253 78 98

HSL 353.14, 0.98%, 0.65%

LAB 59.17, 66.94, 27.68

 

CMYK 47 / 0 / 69 / 1

HEX #85FD4E

RGB 133 253 78

HSL 101.14, 0.98%, 0.65%

LAB 89.76, -62.81, 69.8

 

CMYK 69 / 0 / 8 / 1

HEX #4EFDE8

RGB 78 253 232

HSL 172.8, 0.98%, 0.65%

LAB 90.64, -48.55, -2.82

 

CMYK 22 / 70 / 0 / 1

HEX #C64DFD

RGB 198 77 253

HSL 281.25, 0.98%, 0.65%

LAB 56.49, 73.36, -66.35

 

CMYK 0 / 57 / 69 / 1

HEX #FD6E4E

RGB 253 110 78

HSL 10.97, 0.98%, 0.65%

LAB 63.82, 52.61, 44.49

 

CMYK 47 / 0 / 69 / 1

HEX #85FD4E

RGB 133 253 78

HSL 101.14, 0.98%, 0.65%

LAB 89.76, -62.81, 69.8

 

CMYK 69 / 13 / 0 / 1

HEX #4EDDFD

RGB 78 221 253

HSL 190.97, 0.98%, 0.65%

LAB 82.07, -28.09, -26.69

 

Description

Color code: HEX #C64DFD | qconv.com Color code: HEX #C64DFD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 77 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 77 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 70 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 70% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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