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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C658CE it is the complementary color #39A731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C658CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C658CE shade: #CB58C9, #DC6ADC, #ED7CEF, #FE8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C658CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C658CE shade: #C658CE, #B546BB, #A434A8, #932295 and #821082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C658CE shade: #C658CE, #CE58B7, #CE5897, #CE5877 and #CE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C658CE shade: #C658CE, #A758CE, #8758CE, #6758CE and #5858CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C658CE shade matches the following richer shades: #C658CE, #D547E0 and #E436F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C658CE shade: #C658CE, #B76ABD, #A87BAC, #998C9A and #8A9E89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C658CE shade: #8658CE, #A558CE, #C458CE, #CE58B9 and #CE5899

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C658CE shade: #9D2FA5, #BB39C5, #C658CE, #D178D8 and #DC98E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C658CE shade: #C658CE, #CE6658 and #58CE95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C658CE shade: #C658CE, #CEC458 and #58CEC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C658CE shade: #C658CE, #CE6658, #62CE58 and #58C1CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C658CE shade: #C658CE, #CE8A58, #62CE58 and #589DCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

Complementary color

CMYK 66 / 0 / 71 / 35

HEX #39A731

RGB 57 167 49

HSL 115.93, 0.55%, 0.42%

LAB 60.54, -53.5, 49.61

 

CMYK 0 / 57 / 1 / 20

HEX #CB58C9

RGB 203 88 201

HSL 301.04, 0.53%, 0.57%

LAB 55.98, 60.2, -37.87

 

CMYK 0 / 52 / 0 / 14

HEX #DC6ADC

RGB 220 106 220

HSL 300, 0.62%, 0.64%

LAB 62.25, 59.76, -38.63

 

CMYK 1 / 48 / 0 / 6

HEX #ED7CEF

RGB 237 124 239

HSL 298.96, 0.78%, 0.71%

LAB 68.5, 59.18, -39.24

 

CMYK 0 / 44 / 0 / 0

HEX #FE8EFF

RGB 254 142 255

HSL 299.47, 1%, 0.78%

LAB 74.6, 58, -38.33

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 3 / 63 / 0 / 27

HEX #B546BB

RGB 181 70 187

HSL 296.92, 0.46%, 0.5%

LAB 49.24, 60.03, -40.63

 

CMYK 2 / 69 / 0 / 34

HEX #A434A8

RGB 164 52 168

HSL 297.93, 0.53%, 0.43%

LAB 43.03, 59.86, -39.47

 

CMYK 1 / 77 / 0 / 42

HEX #932295

RGB 147 34 149

HSL 298.96, 0.63%, 0.36%

LAB 36.96, 59.01, -37.84

 

CMYK 0 / 88 / 0 / 49

HEX #821082

RGB 130 16 130

HSL 300, 0.78%, 0.29%

LAB 31.18, 57, -35.5

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 0 / 57 / 11 / 19

HEX #CE58B7

RGB 206 88 183

HSL 311.69, 0.55%, 0.58%

LAB 55.6, 58.05, -28.08

 

CMYK 0 / 57 / 27 / 19

HEX #CE5897

RGB 206 88 151

HSL 327.97, 0.55%, 0.58%

LAB 54.38, 53.4, -11.3

 

CMYK 0 / 57 / 42 / 19

HEX #CE5877

RGB 206 88 119

HSL 344.24, 0.55%, 0.58%

LAB 53.42, 49.6, 6.21

 

CMYK 0 / 57 / 57 / 19

HEX #CE5858

RGB 206 88 88

HSL 0, 0.55%, 0.58%

LAB 52.74, 46.8, 23.62

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 19 / 57 / 0 / 19

HEX #A758CE

RGB 167 88 206

HSL 280.17, 0.55%, 0.58%

LAB 51.44, 51.87, -48.21

 

CMYK 34 / 57 / 0 / 19

HEX #8758CE

RGB 135 88 206

HSL 263.9, 0.55%, 0.58%

LAB 47.73, 44.02, -54.35

 

CMYK 50 / 57 / 0 / 19

HEX #6758CE

RGB 103 88 206

HSL 247.63, 0.55%, 0.58%

LAB 44.69, 36.92, -59.42

 

CMYK 57 / 57 / 0 / 19

HEX #5858CE

RGB 88 88 206

HSL 240, 0.55%, 0.58%

LAB 43.52, 34.01, -61.36

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 5 / 68 / 0 / 12

HEX #D547E0

RGB 213 71 224

HSL 295.69, 0.71%, 0.58%

LAB 56.12, 73.41, -50.61

 

CMYK 5 / 78 / 0 / 5

HEX #E436F1

RGB 228 54 241

HSL 295.83, 0.87%, 0.58%

LAB 57.54, 84.44, -57.75

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 3 / 44 / 0 / 26

HEX #B76ABD

RGB 183 106 189

HSL 295.66, 0.39%, 0.58%

LAB 56.14, 43.54, -30.95

 

CMYK 2 / 28 / 0 / 33

HEX #A87BAC

RGB 168 123 172

HSL 295.1, 0.23%, 0.58%

LAB 57.53, 26.04, -19.19

 

CMYK 1 / 9 / 0 / 40

HEX #998C9A

RGB 153 140 154

HSL 295.71, 0.06%, 0.58%

LAB 59.76, 7.5, -5.66

 

CMYK 13 / 0 / 13 / 38

HEX #8A9E89

RGB 138 158 137

HSL 117.14, 0.1%, 0.58%

LAB 63.06, -11.2, 8.62

 

CMYK 35 / 57 / 0 / 19

HEX #8658CE

RGB 134 88 206

HSL 263.39, 0.55%, 0.58%

LAB 47.63, 43.78, -54.53

 

CMYK 20 / 57 / 0 / 19

HEX #A558CE

RGB 165 88 206

HSL 279.15, 0.55%, 0.58%

LAB 51.19, 51.37, -48.62

 

CMYK 5 / 57 / 0 / 19

HEX #C458CE

RGB 196 88 206

HSL 294.92, 0.55%, 0.58%

LAB 55.25, 59.27, -41.94

 

CMYK 0 / 57 / 10 / 19

HEX #CE58B9

RGB 206 88 185

HSL 310.68, 0.55%, 0.58%

LAB 55.69, 58.37, -29.11

 

CMYK 0 / 57 / 26 / 19

HEX #CE5899

RGB 206 88 153

HSL 326.95, 0.55%, 0.58%

LAB 54.45, 53.67, -12.38

 

CMYK 5 / 72 / 0 / 35

HEX #9D2FA5

RGB 157 47 165

HSL 295.93, 0.56%, 0.42%

LAB 41.09, 59.6, -40.83

 

CMYK 5 / 71 / 0 / 23

HEX #BB39C5

RGB 187 57 197

HSL 295.71, 0.55%, 0.5%

LAB 48.91, 68.17, -46.9

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 3 / 44 / 0 / 15

HEX #D178D8

RGB 209 120 216

HSL 295.63, 0.55%, 0.66%

LAB 63.3, 49.06, -34.85

 

CMYK 2 / 32 / 0 / 12

HEX #DC98E1

RGB 220 152 225

HSL 295.89, 0.55%, 0.74%

LAB 71.63, 37.26, -26.86

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 57 / 0 / 28 / 19

HEX #58CE95

RGB 88 206 149

HSL 151.02, 0.55%, 0.58%

LAB 75.07, -46.45, 18.57

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 0 / 5 / 57 / 19

HEX #CEC458

RGB 206 196 88

HSL 54.92, 0.55%, 0.58%

LAB 78.06, -10.15, 54.37

 

CMYK 57 / 0 / 5 / 19

HEX #58CEC4

RGB 88 206 196

HSL 174.92, 0.55%, 0.58%

LAB 76.19, -35.42, -5.03

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 52 / 0 / 57 / 19

HEX #62CE58

RGB 98 206 88

HSL 114.92, 0.55%, 0.58%

LAB 74.47, -53.87, 48.57

 

CMYK 57 / 6 / 0 / 19

HEX #58C1CE

RGB 88 193 206

HSL 186.61, 0.55%, 0.58%

LAB 72.67, -26.47, -15.7

 

CMYK 4 / 57 / 0 / 19

HEX #C658CE

RGB 198 88 206

HSL 295.93, 0.55%, 0.58%

LAB 55.52, 59.79, -41.48

 

CMYK 0 / 33 / 57 / 19

HEX #CE8A58

RGB 206 138 88

HSL 25.42, 0.55%, 0.58%

LAB 63.35, 20.77, 37.08

 

CMYK 52 / 0 / 57 / 19

HEX #62CE58

RGB 98 206 88

HSL 114.92, 0.55%, 0.58%

LAB 74.47, -53.87, 48.57

 

CMYK 57 / 24 / 0 / 19

HEX #589DCE

RGB 88 157 206

HSL 204.92, 0.55%, 0.58%

LAB 62.21, -7.52, -31.71

 

Description

Color code: HEX #C658CE | qconv.com Color code: HEX #C658CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 88 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 88 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 57 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 57% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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