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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6516D it is the complementary color #39AE92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6516D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6516D shade: #CB5168, #DC637B, #ED758E, #FE87A1 and #FF99B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6516D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6516D shade: #C6516D, #B53F5A, #A42D47, #931B34 and #820921

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6516D shade: #C6516D and #C65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6516D shade: #C6516D, #C6518D, #C651AC, #C151C6 and #A151C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6516D shade matches the following richer shades: #C6516D, #D93F64, #EB2C5A and #FE1A50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6516D shade: #C6516D, #B46477, #A17681, #8F898A and #7C9B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6516D shade: #C651AD, #C6518E, #C6516E, #C65351 and #C67251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6516D shade: #953048, #B43A57, #C6516D, #D07087 and #DA90A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6516D shade: #C6516D, #C6C051 and #519DC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6516D shade: #C6516D, #6EC651 and #516EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6516D shade: #C6516D, #C6C051, #51C6A9 and #5157C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6516D shade: #C6516D, #A9C651, #51C6A9 and #6E51C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

Complementary color

CMYK 67 / 0 / 16 / 32

HEX #39AE92

RGB 57 174 146

HSL 165.64, 0.51%, 0.45%

LAB 64.34, -39.23, 4.92

 

CMYK 0 / 60 / 49 / 20

HEX #CB5168

RGB 203 81 104

HSL 348.69, 0.54%, 0.56%

LAB 51.36, 50.35, 12.18

 

CMYK 0 / 55 / 44 / 14

HEX #DC637B

RGB 220 99 123

HSL 348.1, 0.63%, 0.63%

LAB 57.63, 49.54, 10.13

 

CMYK 0 / 51 / 40 / 7

HEX #ED758E

RGB 237 117 142

HSL 347.5, 0.77%, 0.69%

LAB 63.9, 48.64, 8.4

 

CMYK 0 / 47 / 37 / 0

HEX #FE87A1

RGB 254 135 161

HSL 346.89, 0.98%, 0.76%

LAB 70.16, 47.73, 6.9

 

CMYK 0 / 40 / 29 / 0

HEX #FF99B4

RGB 255 153 180

HSL 344.12, 1%, 0.8%

LAB 74.41, 41.3, 2.49

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 65 / 50 / 29

HEX #B53F5A

RGB 181 63 90

HSL 346.27, 0.48%, 0.48%

LAB 44.4, 49.78, 10.42

 

CMYK 0 / 73 / 57 / 36

HEX #A42D47

RGB 164 45 71

HSL 346.89, 0.57%, 0.41%

LAB 38.24, 50.03, 13.33

 

CMYK 0 / 82 / 65 / 42

HEX #931B34

RGB 147 27 52

HSL 347.5, 0.69%, 0.34%

LAB 32.34, 49.56, 17.09

 

CMYK 0 / 93 / 75 / 49

HEX #820921

RGB 130 9 33

HSL 348.1, 0.87%, 0.27%

LAB 26.88, 47.85, 21.97

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 59 / 29 / 22

HEX #C6518D

RGB 198 81 141

HSL 329.23, 0.51%, 0.55%

LAB 51.63, 52.83, -9.65

 

CMYK 0 / 59 / 13 / 22

HEX #C651AC

RGB 198 81 172

HSL 313.33, 0.51%, 0.55%

LAB 52.81, 57.23, -26.12

 

CMYK 3 / 59 / 0 / 22

HEX #C151C6

RGB 193 81 198

HSL 297.44, 0.51%, 0.55%

LAB 53.28, 60.22, -40.5

 

CMYK 19 / 59 / 0 / 22

HEX #A151C6

RGB 161 81 198

HSL 281.03, 0.51%, 0.55%

LAB 48.93, 52.15, -47.66

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 71 / 54 / 15

HEX #D93F64

RGB 217 63 100

HSL 345.58, 0.67%, 0.55%

LAB 50.95, 61.74, 14.38

 

CMYK 0 / 81 / 62 / 8

HEX #EB2C5A

RGB 235 44 90

HSL 345.55, 0.83%, 0.55%

LAB 52.06, 71.72, 22.48

 

CMYK 0 / 90 / 69 / 0

HEX #FE1A50

RGB 254 26 80

HSL 345.79, 0.99%, 0.55%

LAB 54.44, 79.31, 32.24

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 44 / 34 / 29

HEX #B46477

RGB 180 100 119

HSL 345.75, 0.35%, 0.55%

LAB 52.01, 34.37, 3.69

 

CMYK 0 / 27 / 20 / 37

HEX #A17681

RGB 161 118 129

HSL 344.65, 0.19%, 0.55%

LAB 54.15, 18.57, 0.62

 

CMYK 0 / 4 / 3 / 44

HEX #8F898A

RGB 143 137 138

HSL 350, 0.03%, 0.55%

LAB 57.62, 2.42, 0.26

 

CMYK 20 / 0 / 5 / 39

HEX #7C9B94

RGB 124 155 148

HSL 166.45, 0.13%, 0.55%

LAB 61.54, -12.25, 0.1

 

CMYK 0 / 59 / 13 / 22

HEX #C651AD

RGB 198 81 173

HSL 312.82, 0.51%, 0.55%

LAB 52.85, 57.39, -26.64

 

CMYK 0 / 59 / 28 / 22

HEX #C6518E

RGB 198 81 142

HSL 328.72, 0.51%, 0.55%

LAB 51.66, 52.96, -10.2

 

CMYK 0 / 59 / 44 / 22

HEX #C6516E

RGB 198 81 110

HSL 345.13, 0.51%, 0.55%

LAB 50.71, 49.26, 7.55

 

CMYK 0 / 58 / 59 / 22

HEX #C65351

RGB 198 83 81

HSL 1.03, 0.51%, 0.55%

LAB 50.44, 45.8, 24.48

 

CMYK 0 / 42 / 59 / 22

HEX #C67251

RGB 198 114 81

HSL 16.92, 0.51%, 0.55%

LAB 56.72, 29.96, 32.46

 

CMYK 0 / 68 / 52 / 42

HEX #953048

RGB 149 48 72

HSL 345.74, 0.51%, 0.39%

LAB 35.93, 44.07, 9.06

 

CMYK 0 / 68 / 52 / 29

HEX #B43A57

RGB 180 58 87

HSL 345.74, 0.51%, 0.47%

LAB 43.39, 51.28, 10.84

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 46 / 35 / 18

HEX #D07087

RGB 208 112 135

HSL 345.63, 0.51%, 0.63%

LAB 58.74, 40.21, 4.5

 

CMYK 0 / 34 / 26 / 15

HEX #DA90A1

RGB 218 144 161

HSL 346.22, 0.5%, 0.71%

LAB 67.59, 30.3, 2.64

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 3 / 59 / 22

HEX #C6C051

RGB 198 192 81

HSL 56.92, 0.51%, 0.55%

LAB 76.25, -11.96, 55.32

 

CMYK 59 / 21 / 0 / 22

HEX #519DC6

RGB 81 157 198

HSL 201.03, 0.51%, 0.55%

LAB 61.6, -11.41, -28.19

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 44 / 0 / 59 / 22

HEX #6EC651

RGB 110 198 81

HSL 105.13, 0.51%, 0.55%

LAB 72.43, -48.02, 49.5

 

CMYK 59 / 44 / 0 / 22

HEX #516EC6

RGB 81 110 198

HSL 225.13, 0.51%, 0.55%

LAB 48.23, 16.32, -49.2

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 0 / 3 / 59 / 22

HEX #C6C051

RGB 198 192 81

HSL 56.92, 0.51%, 0.55%

LAB 76.25, -11.96, 55.32

 

CMYK 59 / 0 / 15 / 22

HEX #51C6A9

RGB 81 198 169

HSL 165.13, 0.51%, 0.55%

LAB 72.89, -39.92, 4.73

 

CMYK 59 / 56 / 0 / 22

HEX #5157C6

RGB 81 87 198

HSL 236.92, 0.51%, 0.55%

LAB 42.22, 30.73, -58.87

 

CMYK 0 / 59 / 45 / 22

HEX #C6516D

RGB 198 81 109

HSL 345.64, 0.51%, 0.55%

LAB 50.68, 49.16, 8.11

 

CMYK 15 / 0 / 59 / 22

HEX #A9C651

RGB 169 198 81

HSL 74.87, 0.51%, 0.55%

LAB 75.71, -26.83, 54.1

 

CMYK 59 / 0 / 15 / 22

HEX #51C6A9

RGB 81 198 169

HSL 165.13, 0.51%, 0.55%

LAB 72.89, -39.92, 4.73

 

CMYK 44 / 59 / 0 / 22

HEX #6E51C6

RGB 110 81 198

HSL 254.87, 0.51%, 0.55%

LAB 43.18, 40.15, -57.21

 

Description

Color code: HEX #C6516D | qconv.com Color code: HEX #C6516D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 81 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 81 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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