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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65F51 it is the complementary color #39A0AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65F51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65F51 shade: #CB5F4C, #DC715F, #ED8372, #FE9585 and #FFA798

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65F51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65F51 shade: #C65F51, #B54D3E, #A43B2B, #932918 and #821705

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65F51 shade: #C65F51 and #C65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65F51 shade: #C65F51, #C67F51, #C69E51, #C6BE51 and #AFC651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65F51 shade matches the following richer shades: #C65F51, #D9513F, #EB432C and #FE351A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65F51 shade: #C65F51, #B46D64, #A17B76, #8F8A89 and #7C989B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65F51 shade: #C65182, #C65163, #C65F51, #C67E51 and #C69D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65F51 shade: #953C30, #B4493A, #C65F51, #D07C70 and #DA9890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65F51 shade: #C65F51, #A1C651 and #5172C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65F51 shade: #C65F51, #51C65F and #5F51C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65F51 shade: #C65F51, #A1C651, #51B9C6 and #7651C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65F51 shade: #C65F51, #7EC651, #51B9C6 and #9951C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

Complementary color

CMYK 67 / 8 / 0 / 32

HEX #39A0AE

RGB 57 160 174

HSL 187.18, 0.51%, 0.45%

LAB 60.84, -24.69, -15.94

 

CMYK 0 / 53 / 63 / 20

HEX #CB5F4C

RGB 203 95 76

HSL 8.98, 0.55%, 0.55%

LAB 53.39, 41.44, 31.28

 

CMYK 0 / 49 / 57 / 14

HEX #DC715F

RGB 220 113 95

HSL 8.64, 0.64%, 0.62%

LAB 59.75, 40.14, 29.12

 

CMYK 0 / 45 / 52 / 7

HEX #ED8372

RGB 237 131 114

HSL 8.29, 0.77%, 0.69%

LAB 66.1, 38.91, 27.23

 

CMYK 0 / 41 / 48 / 0

HEX #FE9585

RGB 254 149 133

HSL 7.93, 0.98%, 0.76%

LAB 72.4, 37.76, 25.55

 

CMYK 0 / 35 / 40 / 0

HEX #FFA798

RGB 255 167 152

HSL 8.74, 1%, 0.8%

LAB 76.78, 30.73, 21.18

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 0 / 57 / 66 / 29

HEX #B54D3E

RGB 181 77 62

HSL 7.56, 0.49%, 0.48%

LAB 46.28, 41.2, 29.81

 

CMYK 0 / 64 / 74 / 36

HEX #A43B2B

RGB 164 59 43

HSL 7.93, 0.58%, 0.41%

LAB 39.91, 42.44, 32.59

 

CMYK 0 / 72 / 84 / 42

HEX #932918

RGB 147 41 24

HSL 8.29, 0.72%, 0.34%

LAB 33.68, 43.42, 35.71

 

CMYK 0 / 82 / 96 / 49

HEX #821705

RGB 130 23 5

HSL 8.64, 0.93%, 0.26%

LAB 27.76, 43.73, 38.18

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 0 / 36 / 59 / 22

HEX #C67F51

RGB 198 127 81

HSL 23.59, 0.51%, 0.55%

LAB 59.69, 22.9, 36.12

 

CMYK 0 / 20 / 59 / 22

HEX #C69E51

RGB 198 158 81

HSL 39.49, 0.51%, 0.55%

LAB 67.32, 5.96, 45.2

 

CMYK 0 / 4 / 59 / 22

HEX #C6BE51

RGB 198 190 81

HSL 55.9, 0.51%, 0.55%

LAB 75.72, -10.93, 54.73

 

CMYK 12 / 0 / 59 / 22

HEX #AFC651

RGB 175 198 81

HSL 71.79, 0.51%, 0.55%

LAB 76.13, -24.42, 54.68

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 0 / 63 / 71 / 15

HEX #D9513F

RGB 217 81 63

HSL 7.01, 0.67%, 0.55%

LAB 52.94, 52.3, 38.58

 

CMYK 0 / 71 / 81 / 8

HEX #EB432C

RGB 235 67 44

HSL 7.23, 0.83%, 0.55%

LAB 53.88, 62.98, 50.49

 

CMYK 0 / 79 / 90 / 0

HEX #FE351A

RGB 254 53 26

HSL 7.11, 0.99%, 0.55%

LAB 55.78, 72.45, 61.28

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 0 / 39 / 44 / 29

HEX #B46D64

RGB 180 109 100

HSL 6.75, 0.35%, 0.55%

LAB 53.56, 27.2, 17.06

 

CMYK 0 / 24 / 27 / 37

HEX #A17B76

RGB 161 123 118

HSL 6.98, 0.19%, 0.55%

LAB 55.12, 14, 8.43

 

CMYK 0 / 3 / 4 / 44

HEX #8F8A89

RGB 143 138 137

HSL 10, 0.03%, 0.55%

LAB 57.87, 1.67, 1.19

 

CMYK 20 / 2 / 0 / 39

HEX #7C989B

RGB 124 152 155

HSL 185.81, 0.13%, 0.55%

LAB 60.88, -9.07, -4.83

 

CMYK 0 / 59 / 34 / 22

HEX #C65182

RGB 198 81 130

HSL 334.87, 0.51%, 0.55%

LAB 51.27, 51.46, -3.62

 

CMYK 0 / 59 / 50 / 22

HEX #C65163

RGB 198 81 99

HSL 350.77, 0.51%, 0.55%

LAB 50.44, 48.21, 13.78

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 0 / 36 / 59 / 22

HEX #C67E51

RGB 198 126 81

HSL 23.08, 0.51%, 0.55%

LAB 59.45, 23.45, 35.84

 

CMYK 0 / 21 / 59 / 22

HEX #C69D51

RGB 198 157 81

HSL 38.97, 0.51%, 0.55%

LAB 67.06, 6.5, 44.91

 

CMYK 0 / 60 / 68 / 42

HEX #953C30

RGB 149 60 48

HSL 7.13, 0.51%, 0.39%

LAB 37.54, 36.64, 26.23

 

CMYK 0 / 59 / 68 / 29

HEX #B4493A

RGB 180 73 58

HSL 7.38, 0.51%, 0.47%

LAB 45.32, 42.53, 30.93

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 0 / 40 / 46 / 18

HEX #D07C70

RGB 208 124 112

HSL 7.5, 0.51%, 0.63%

LAB 60.78, 31.31, 20.57

 

CMYK 0 / 30 / 34 / 15

HEX #DA9890

RGB 218 152 144

HSL 6.49, 0.5%, 0.71%

LAB 69.02, 23.73, 14.17

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 19 / 0 / 59 / 22

HEX #A1C651

RGB 161 198 81

HSL 78.97, 0.51%, 0.55%

LAB 75.18, -29.98, 53.36

 

CMYK 59 / 42 / 0 / 22

HEX #5172C6

RGB 81 114 198

HSL 223.08, 0.51%, 0.55%

LAB 49.33, 13.83, -47.45

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 59 / 0 / 52 / 22

HEX #51C65F

RGB 81 198 95

HSL 127.18, 0.51%, 0.55%

LAB 71.53, -54.16, 41.62

 

CMYK 52 / 59 / 0 / 22

HEX #5F51C6

RGB 95 81 198

HSL 247.18, 0.51%, 0.55%

LAB 41.84, 37.06, -59.44

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 19 / 0 / 59 / 22

HEX #A1C651

RGB 161 198 81

HSL 78.97, 0.51%, 0.55%

LAB 75.18, -29.98, 53.36

 

CMYK 59 / 7 / 0 / 22

HEX #51B9C6

RGB 81 185 198

HSL 186.67, 0.51%, 0.55%

LAB 69.84, -26.07, -15.62

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 0 / 52 / 59 / 22

HEX #C65F51

RGB 198 95 81

HSL 7.18, 0.51%, 0.55%

LAB 52.71, 39.91, 27.42

 

CMYK 36 / 0 / 59 / 22

HEX #7EC651

RGB 126 198 81

HSL 96.92, 0.51%, 0.55%

LAB 73.17, -42.84, 50.54

 

CMYK 59 / 7 / 0 / 22

HEX #51B9C6

RGB 81 185 198

HSL 186.67, 0.51%, 0.55%

LAB 69.84, -26.07, -15.62

 

CMYK 23 / 59 / 0 / 22

HEX #9951C6

RGB 153 81 198

HSL 276.92, 0.51%, 0.55%

LAB 47.92, 50.17, -49.33

 

Description

Color code: HEX #C65F51 | qconv.com Color code: HEX #C65F51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 95 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 95 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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