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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C660FA it is the complementary color #399F05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C660FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C660FA shade: #CB60F5, #DC72FF, #ED84FF, #FE96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C660FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C660FA shade: #C660FA, #B54EE7, #A43CD4, #932AC1 and #8218AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C660FA shade: #C660FA, #EF60FA, #FA60DB, #FA60B1 and #FA6088

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C660FA shade: #C660FA, #9C60FA, #7360FA and #6060FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C660FA shade matches the following richer shades: #C660FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C660FA shade: #C660FA, #C26DEC, #BD7BDF, #B988D2 and #B595C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C660FA shade: #7260FA, #9B60FA, #C460FA, #ED60FA and #FA60DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C660FA shade: #A910F7, #B738F8, #C660FA, #D488FB and #E2B0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C660FA shade: #C660FA, #FA6077 and #60FA87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C660FA shade: #C660FA, #FAC460 and #60FAC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C660FA shade: #C660FA, #FA6077, #96FA60 and #60FAE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C660FA shade: #C660FA, #FA7760, #96FA60 and #60E3FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

Complementary color

CMYK 64 / 0 / 97 / 38

HEX #399F05

RGB 57 159 5

HSL 99.74, 0.94%, 0.32%

LAB 57.73, -53.03, 58.72

 

CMYK 17 / 61 / 0 / 4

HEX #CB60F5

RGB 203 96 245

HSL 283.09, 0.88%, 0.67%

LAB 59.58, 64.78, -56.93

 

CMYK 14 / 55 / 0 / 0

HEX #DC72FF

RGB 220 114 255

HSL 285.11, 1%, 0.72%

LAB 65.33, 62.47, -53.16

 

CMYK 7 / 48 / 0 / 0

HEX #ED84FF

RGB 237 132 255

HSL 291.22, 1%, 0.76%

LAB 70.68, 58.19, -44.59

 

CMYK 0 / 41 / 0 / 0

HEX #FE96FF

RGB 254 150 255

HSL 299.43, 1%, 0.79%

LAB 76.13, 54.04, -35.94

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 22 / 66 / 0 / 9

HEX #B54EE7

RGB 181 78 231

HSL 280.39, 0.76%, 0.61%

LAB 53, 65.05, -59.81

 

CMYK 23 / 72 / 0 / 17

HEX #A43CD4

RGB 164 60 212

HSL 281.05, 0.64%, 0.53%

LAB 46.81, 65.12, -59.09

 

CMYK 24 / 78 / 0 / 24

HEX #932AC1

RGB 147 42 193

HSL 281.72, 0.64%, 0.46%

LAB 40.75, 64.63, -58.01

 

CMYK 25 / 86 / 0 / 32

HEX #8218AE

RGB 130 24 174

HSL 282.4, 0.76%, 0.39%

LAB 34.91, 63.21, -56.37

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 4 / 62 / 0 / 2

HEX #EF60FA

RGB 239 96 250

HSL 295.71, 0.94%, 0.68%

LAB 64.66, 74.07, -51.32

 

CMYK 0 / 62 / 12 / 2

HEX #FA60DB

RGB 250 96 219

HSL 312.08, 0.94%, 0.68%

LAB 64.81, 71.84, -33.76

 

CMYK 0 / 62 / 29 / 2

HEX #FA60B1

RGB 250 96 177

HSL 328.44, 0.94%, 0.68%

LAB 63.23, 66.23, -12.4

 

CMYK 0 / 62 / 46 / 2

HEX #FA6088

RGB 250 96 136

HSL 344.42, 0.94%, 0.68%

LAB 62.06, 61.87, 9.49

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 38 / 62 / 0 / 2

HEX #9C60FA

RGB 156 96 250

HSL 263.38, 0.94%, 0.68%

LAB 54.38, 55.52, -68.35

 

CMYK 54 / 62 / 0 / 2

HEX #7360FA

RGB 115 96 250

HSL 247.4, 0.94%, 0.68%

LAB 50.58, 47.69, -74.68

 

CMYK 62 / 62 / 0 / 2

HEX #6060FA

RGB 96 96 250

HSL 240, 0.94%, 0.68%

LAB 49.2, 44.64, -77

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 18 / 54 / 0 / 7

HEX #C26DEC

RGB 194 109 236

HSL 280.16, 0.77%, 0.68%

LAB 60.3, 54.51, -50.84

 

CMYK 15 / 45 / 0 / 13

HEX #BD7BDF

RGB 189 123 223

HSL 279.6, 0.61%, 0.68%

LAB 61.92, 43.11, -41.08

 

CMYK 12 / 35 / 0 / 18

HEX #B988D2

RGB 185 136 210

HSL 279.73, 0.45%, 0.68%

LAB 63.82, 32.04, -30.9

 

CMYK 8 / 24 / 0 / 23

HEX #B595C5

RGB 181 149 197

HSL 280, 0.29%, 0.68%

LAB 66.02, 20.79, -20.29

 

CMYK 54 / 62 / 0 / 2

HEX #7260FA

RGB 114 96 250

HSL 247.01, 0.94%, 0.68%

LAB 50.51, 47.52, -74.81

 

CMYK 38 / 62 / 0 / 2

HEX #9B60FA

RGB 155 96 250

HSL 262.99, 0.94%, 0.68%

LAB 54.28, 55.31, -68.52

 

CMYK 22 / 62 / 0 / 2

HEX #C460FA

RGB 196 96 250

HSL 278.96, 0.94%, 0.68%

LAB 58.98, 64.2, -60.71

 

CMYK 5 / 62 / 0 / 2

HEX #ED60FA

RGB 237 96 250

HSL 294.94, 0.94%, 0.68%

LAB 64.38, 73.6, -51.78

 

CMYK 0 / 62 / 12 / 2

HEX #FA60DD

RGB 250 96 221

HSL 311.3, 0.94%, 0.68%

LAB 64.89, 72.13, -34.75

 

CMYK 32 / 94 / 0 / 3

HEX #A910F7

RGB 169 16 247

HSL 279.74, 0.94%, 0.52%

LAB 46.34, 83.9, -79.68

 

CMYK 26 / 77 / 0 / 3

HEX #B738F8

RGB 183 56 248

HSL 279.69, 0.93%, 0.6%

LAB 51.47, 77.17, -71.8

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 16 / 46 / 0 / 2

HEX #D488FB

RGB 212 136 251

HSL 279.65, 0.93%, 0.76%

LAB 68.44, 48.53, -46.13

 

CMYK 10 / 30 / 0 / 1

HEX #E2B0FC

RGB 226 176 252

HSL 279.47, 0.93%, 0.84%

LAB 78.61, 31.51, -30.75

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 0 / 62 / 52 / 2

HEX #FA6077

RGB 250 96 119

HSL 351.04, 0.94%, 0.68%

LAB 61.67, 60.41, 18.78

 

CMYK 62 / 0 / 46 / 2

HEX #60FA87

RGB 96 250 135

HSL 135.19, 0.94%, 0.68%

LAB 88.26, -64.42, 43.21

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 0 / 22 / 62 / 2

HEX #FAC460

RGB 250 196 96

HSL 38.96, 0.94%, 0.68%

LAB 82.19, 8.71, 56.48

 

CMYK 62 / 0 / 22 / 2

HEX #60FAC4

RGB 96 250 196

HSL 158.96, 0.94%, 0.68%

LAB 89.32, -53.12, 13.97

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 0 / 62 / 52 / 2

HEX #FA6077

RGB 250 96 119

HSL 351.04, 0.94%, 0.68%

LAB 61.67, 60.41, 18.78

 

CMYK 40 / 0 / 62 / 2

HEX #96FA60

RGB 150 250 96

HSL 98.96, 0.94%, 0.68%

LAB 89.72, -55.11, 62.99

 

CMYK 62 / 0 / 9 / 2

HEX #60FAE3

RGB 96 250 227

HSL 171.04, 0.94%, 0.68%

LAB 90.05, -45.88, -1.05

 

CMYK 21 / 62 / 0 / 2

HEX #C660FA

RGB 198 96 250

HSL 279.74, 0.94%, 0.68%

LAB 59.23, 64.65, -60.3

 

CMYK 0 / 52 / 62 / 2

HEX #FA7760

RGB 250 119 96

HSL 8.96, 0.94%, 0.68%

LAB 65.25, 48.33, 36.42

 

CMYK 40 / 0 / 62 / 2

HEX #96FA60

RGB 150 250 96

HSL 98.96, 0.94%, 0.68%

LAB 89.72, -55.11, 62.99

 

CMYK 62 / 9 / 0 / 2

HEX #60E3FA

RGB 96 227 250

HSL 188.96, 0.94%, 0.68%

LAB 84.14, -29.21, -21.92

 

Description

Color code: HEX #C660FA | qconv.com Color code: HEX #C660FA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 96 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 96 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 62 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 62% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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