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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66210 it is the complementary color #399DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66210 shade: #CB620B, #DC741E, #ED8631, #FE9844 and #FFAA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66210 shade: #C66210, #B55000, #A43E00, #932C00 and #821A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66210 shade: #C66210, #C63010 and #C61010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66210 shade: #C66210, #C69310, #C6C410, #96C610 and #65C610

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66210 shade matches the following richer shades: #C66210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66210 shade: #C66210, #B46321, #A36532, #926744 and #806855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66210 shade: #C6101F, #C63110, #C66110, #C69210 and #C6C310

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66210 shade: #793C09, #9F4F0C, #C66210, #EB7513 and #EF8B39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66210 shade: #C66210, #4FC610 and #1910C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66210 shade: #C66210, #10C661 and #6110C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66210 shade: #C66210, #4FC610, #1074C6 and #8610C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66210 shade: #C66210, #19C610, #1074C6 and #BD10C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

Complementary color

CMYK 76 / 34 / 0 / 6

HEX #399DEF

RGB 57 157 239

HSL 207.03, 0.85%, 0.58%

LAB 62.69, -1.32, -49.3

 

CMYK 0 / 52 / 95 / 20

HEX #CB620B

RGB 203 98 11

HSL 27.19, 0.9%, 0.42%

LAB 53.45, 37.49, 59.82

 

CMYK 0 / 47 / 86 / 14

HEX #DC741E

RGB 220 116 30

HSL 27.16, 0.76%, 0.49%

LAB 59.71, 35.42, 60.39

 

CMYK 0 / 43 / 79 / 7

HEX #ED8631

RGB 237 134 49

HSL 27.13, 0.84%, 0.56%

LAB 65.96, 33.51, 59.71

 

CMYK 0 / 40 / 73 / 0

HEX #FE9844

RGB 254 152 68

HSL 27.1, 0.99%, 0.63%

LAB 72.19, 31.78, 58.48

 

CMYK 0 / 33 / 66 / 0

HEX #FFAA57

RGB 255 170 87

HSL 29.64, 1%, 0.67%

LAB 76.5, 23.78, 54.42

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 0 / 56 / 100 / 29

HEX #B55000

RGB 181 80 0

HSL 26.52, 1%, 0.35%

LAB 46.39, 37.71, 56.18

 

CMYK 0 / 62 / 100 / 36

HEX #A43E00

RGB 164 62 0

HSL 22.68, 1%, 0.32%

LAB 40.14, 39.89, 51.2

 

CMYK 0 / 70 / 100 / 42

HEX #932C00

RGB 147 44 0

HSL 17.96, 1%, 0.29%

LAB 33.99, 41.69, 46.26

 

CMYK 0 / 80 / 100 / 49

HEX #821A00

RGB 130 26 0

HSL 12, 1%, 0.25%

LAB 28.07, 42.68, 40.48

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 0 / 76 / 92 / 22

HEX #C63010

RGB 198 48 16

HSL 10.55, 0.85%, 0.42%

LAB 44.46, 57.35, 52.05

 

CMYK 0 / 92 / 92 / 22

HEX #C61010

RGB 198 16 16

HSL 0, 0.85%, 0.42%

LAB 41.87, 64.7, 50.34

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 0 / 26 / 92 / 22

HEX #C69310

RGB 198 147 16

HSL 43.19, 0.85%, 0.42%

LAB 64.09, 9.09, 66.18

 

CMYK 0 / 1 / 92 / 22

HEX #C6C410

RGB 198 196 16

HSL 59.34, 0.85%, 0.42%

LAB 76.99, -16.64, 76.01

 

CMYK 24 / 0 / 92 / 22

HEX #96C610

RGB 150 198 16

HSL 75.82, 0.85%, 0.42%

LAB 74.13, -37.56, 72.29

 

CMYK 49 / 0 / 92 / 22

HEX #65C610

RGB 101 198 16

HSL 91.98, 0.85%, 0.42%

LAB 71.69, -54.82, 69.29

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 0 / 45 / 82 / 29

HEX #B46321

RGB 180 99 33

HSL 26.94, 0.69%, 0.42%

LAB 50.38, 27.97, 49.01

 

CMYK 0 / 38 / 69 / 36

HEX #A36532

RGB 163 101 50

HSL 27.08, 0.53%, 0.42%

LAB 48.67, 20.31, 38.52

 

CMYK 0 / 29 / 53 / 43

HEX #926744

RGB 146 103 68

HSL 26.92, 0.36%, 0.42%

LAB 47.27, 13.05, 26.51

 

CMYK 0 / 19 / 34 / 50

HEX #806855

RGB 128 104 85

HSL 26.51, 0.2%, 0.42%

LAB 45.83, 6.6, 14.31

 

CMYK 0 / 92 / 84 / 22

HEX #C6101F

RGB 198 16 31

HSL 355.05, 0.85%, 0.42%

LAB 41.96, 64.97, 43.44

 

CMYK 0 / 75 / 92 / 22

HEX #C63110

RGB 198 49 16

HSL 10.88, 0.85%, 0.42%

LAB 44.57, 57.03, 52.13

 

CMYK 0 / 51 / 92 / 22

HEX #C66110

RGB 198 97 16

HSL 26.7, 0.85%, 0.42%

LAB 52.5, 36.07, 57.65

 

CMYK 0 / 26 / 92 / 22

HEX #C69210

RGB 198 146 16

HSL 42.86, 0.85%, 0.42%

LAB 63.84, 9.63, 65.99

 

CMYK 0 / 2 / 92 / 22

HEX #C6C310

RGB 198 195 16

HSL 59.01, 0.85%, 0.42%

LAB 76.72, -16.14, 75.8

 

CMYK 0 / 50 / 93 / 53

HEX #793C09

RGB 121 60 9

HSL 27.32, 0.86%, 0.25%

LAB 32.52, 23.33, 39.55

 

CMYK 0 / 50 / 92 / 38

HEX #9F4F0C

RGB 159 79 12

HSL 27.35, 0.86%, 0.34%

LAB 42.75, 29.38, 48.96

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 0 / 50 / 92 / 8

HEX #EB7513

RGB 235 117 19

HSL 27.22, 0.85%, 0.5%

LAB 62.02, 40.68, 66.19

 

CMYK 0 / 42 / 76 / 6

HEX #EF8B39

RGB 239 139 57

HSL 27.03, 0.85%, 0.58%

LAB 67.36, 32.02, 57.81

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 60 / 0 / 92 / 22

HEX #4FC610

RGB 79 198 16

HSL 99.23, 0.85%, 0.42%

LAB 70.93, -60.83, 68.36

 

CMYK 87 / 92 / 0 / 22

HEX #1910C6

RGB 25 16 198

HSL 242.97, 0.85%, 0.42%

LAB 25.73, 62.16, -86.13

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 92 / 0 / 51 / 22

HEX #10C661

RGB 16 198 97

HSL 146.7, 0.85%, 0.42%

LAB 70.43, -62.93, 39.04

 

CMYK 51 / 92 / 0 / 22

HEX #6110C6

RGB 97 16 198

HSL 266.7, 0.85%, 0.42%

LAB 31.78, 66.08, -75.9

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 60 / 0 / 92 / 22

HEX #4FC610

RGB 79 198 16

HSL 99.23, 0.85%, 0.42%

LAB 70.93, -60.83, 68.36

 

CMYK 92 / 41 / 0 / 22

HEX #1074C6

RGB 16 116 198

HSL 207.03, 0.85%, 0.42%

LAB 47.85, 4.55, -49.93

 

CMYK 32 / 92 / 0 / 22

HEX #8610C6

RGB 134 16 198

HSL 278.9, 0.85%, 0.42%

LAB 36.96, 70.16, -67.19

 

CMYK 0 / 51 / 92 / 22

HEX #C66210

RGB 198 98 16

HSL 27.03, 0.85%, 0.42%

LAB 52.71, 35.55, 57.8

 

CMYK 87 / 0 / 92 / 22

HEX #19C610

RGB 25 198 16

HSL 117.03, 0.85%, 0.42%

LAB 69.92, -69.56, 67.1

 

CMYK 92 / 41 / 0 / 22

HEX #1074C6

RGB 16 116 198

HSL 207.03, 0.85%, 0.42%

LAB 47.85, 4.55, -49.93

 

CMYK 5 / 92 / 0 / 22

HEX #BD10C6

RGB 189 16 198

HSL 297.03, 0.85%, 0.42%

LAB 46, 78.29, -52.12

 

Description

Color code: HEX #C66210 | qconv.com Color code: HEX #C66210 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 98 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 98 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 92 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 92% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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