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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6638E it is the complementary color #399C71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6638E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6638E shade: #CB6389, #DC759C, #ED87AF, #FE99C2 and #FFABD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6638E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6638E shade: #C6638E, #B5517B, #A43F68, #932D55 and #821B42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6638E shade: #C5628D, #C56272 and #C56262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6638E shade: #C5628D, #C562A8, #C562C2, #AD62C5 and #9262C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6638E shade matches the following richer shades: #C5628D, #D6518B, #E73F88 and #F92E86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6638E shade: #C5628D, #B3738F, #A28591, #919694 and #7FA796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6638E shade: #C562C3, #C562A9, #C5628E, #C56274 and #C56A62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6638E shade: #9B3964, #B94477, #C5628D, #D080A3 and #DB9EB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6638E shade: #C6638E, #C5AC62 and #62B6C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6638E shade: #C6638E, #8EC562 and #628EC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6638E shade: #C6638E, #C5AC62, #62C598 and #627BC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6638E shade: #C6638E, #C0C562, #62C598 and #6762C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 28 / 22

HEX #C6638E

RGB 198 99 142

HSL 333.94, 0.46%, 0.58%

LAB 54.95, 44.29, -5.29

 

Complementary color

CMYK 63 / 0 / 28 / 39

HEX #399C71

RGB 57 156 113

HSL 153.94, 0.46%, 0.42%

LAB 57.88, -39.22, 14.2

 

CMYK 0 / 51 / 33 / 20

HEX #CB6389

RGB 203 99 137

HSL 338.08, 0.5%, 0.59%

LAB 55.51, 45.33, -1.45

 

CMYK 0 / 47 / 29 / 14

HEX #DC759C

RGB 220 117 156

HSL 337.28, 0.6%, 0.66%

LAB 61.95, 44.5, -2.75

 

CMYK 0 / 43 / 26 / 7

HEX #ED87AF

RGB 237 135 175

HSL 336.47, 0.74%, 0.73%

LAB 68.33, 43.66, -3.87

 

CMYK 0 / 40 / 24 / 0

HEX #FE99C2

RGB 254 153 194

HSL 335.64, 0.98%, 0.8%

LAB 74.67, 42.83, -4.86

 

CMYK 0 / 33 / 16 / 0

HEX #FFABD5

RGB 255 171 213

HSL 330, 1%, 0.84%

LAB 79.15, 36.65, -8.59

 

CMYK 0 / 50 / 28 / 22

HEX #C6638E

RGB 198 99 142

HSL 333.94, 0.46%, 0.58%

LAB 54.95, 44.29, -5.29

 

CMYK 0 / 55 / 32 / 29

HEX #B5517B

RGB 181 81 123

HSL 334.8, 0.4%, 0.51%

LAB 48.43, 45.06, -3.91

 

CMYK 0 / 62 / 37 / 36

HEX #A43F68

RGB 164 63 104

HSL 335.64, 0.44%, 0.45%

LAB 41.92, 45.68, -2.2

 

CMYK 0 / 69 / 42 / 42

HEX #932D55

RGB 147 45 85

HSL 336.47, 0.53%, 0.38%

LAB 35.47, 45.99, 0

 

CMYK 0 / 79 / 49 / 49

HEX #821B42

RGB 130 27 66

HSL 337.28, 0.66%, 0.31%

LAB 29.22, 45.63, 2.97

 

CMYK 0 / 50 / 28 / 23

HEX #C5628D

RGB 197 98 141

HSL 333.94, 0.46%, 0.58%

LAB 54.58, 44.32, -5.26

 

CMYK 0 / 50 / 42 / 23

HEX #C56272

RGB 197 98 114

HSL 350.3, 0.46%, 0.58%

LAB 53.84, 41.04, 9.58

 

CMYK 0 / 50 / 50 / 23

HEX #C56262

RGB 197 98 98

HSL 0, 0.46%, 0.58%

LAB 53.48, 39.43, 18.5

 

CMYK 0 / 50 / 28 / 23

HEX #C5628D

RGB 197 98 141

HSL 333.94, 0.46%, 0.58%

LAB 54.58, 44.32, -5.26

 

CMYK 0 / 50 / 15 / 23

HEX #C562A8

RGB 197 98 168

HSL 317.58, 0.46%, 0.58%

LAB 55.52, 48.28, -19.64

 

CMYK 0 / 50 / 2 / 23

HEX #C562C2

RGB 197 98 194

HSL 301.82, 0.46%, 0.58%

LAB 56.59, 52.64, -32.98

 

CMYK 12 / 50 / 0 / 23

HEX #AD62C5

RGB 173 98 197

HSL 285.45, 0.46%, 0.58%

LAB 53.65, 46.43, -39.51

 

CMYK 26 / 50 / 0 / 23

HEX #9262C5

RGB 146 98 197

HSL 269.09, 0.46%, 0.58%

LAB 50.54, 38.99, -44.63

 

CMYK 0 / 50 / 28 / 23

HEX #C5628D

RGB 197 98 141

HSL 333.94, 0.46%, 0.58%

LAB 54.58, 44.32, -5.26

 

CMYK 0 / 62 / 35 / 16

HEX #D6518B

RGB 214 81 139

HSL 333.83, 0.62%, 0.58%

LAB 54.07, 57.47, -4.55

 

CMYK 0 / 73 / 41 / 9

HEX #E73F88

RGB 231 63 136

HSL 333.93, 0.78%, 0.58%

LAB 54.37, 68.8, -2.02

 

CMYK 0 / 82 / 46 / 2

HEX #F92E86

RGB 249 46 134

HSL 333.99, 0.94%, 0.58%

LAB 55.9, 77.88, 1.81

 

CMYK 0 / 50 / 28 / 23

HEX #C5628D

RGB 197 98 141

HSL 333.94, 0.46%, 0.58%

LAB 54.58, 44.32, -5.26

 

CMYK 0 / 36 / 20 / 30

HEX #B3738F

RGB 179 115 143

HSL 333.75, 0.3%, 0.58%

LAB 55.92, 29.23, -4.72

 

CMYK 0 / 18 / 10 / 36

HEX #A28591

RGB 162 133 145

HSL 335.17, 0.13%, 0.58%

LAB 58.51, 13.1, -2.26

 

CMYK 3 / 0 / 1 / 41

HEX #919694

RGB 145 150 148

HSL 156, 0.02%, 0.58%

LAB 61.63, -2.2, 0.42

 

CMYK 24 / 0 / 10 / 35

HEX #7FA796

RGB 127 167 150

HSL 154.5, 0.19%, 0.58%

LAB 65.24, -17.18, 4.38

 

CMYK 0 / 50 / 1 / 23

HEX #C562C3

RGB 197 98 195

HSL 301.21, 0.46%, 0.58%

LAB 56.63, 52.82, -33.48

 

CMYK 0 / 50 / 14 / 23

HEX #C562A9

RGB 197 98 169

HSL 316.97, 0.46%, 0.58%

LAB 55.55, 48.44, -20.16

 

CMYK 0 / 50 / 28 / 23

HEX #C5628E

RGB 197 98 142

HSL 333.33, 0.46%, 0.58%

LAB 54.61, 44.46, -5.8

 

CMYK 0 / 50 / 41 / 23

HEX #C56274

RGB 197 98 116

HSL 349.09, 0.46%, 0.58%

LAB 53.89, 41.26, 8.47

 

CMYK 0 / 46 / 50 / 23

HEX #C56A62

RGB 197 106 98

HSL 4.85, 0.46%, 0.58%

LAB 55.13, 35.27, 20.74

 

CMYK 0 / 63 / 35 / 39

HEX #9B3964

RGB 155 57 100

HSL 333.67, 0.46%, 0.42%

LAB 39.27, 45.04, -3.78

 

CMYK 0 / 63 / 36 / 27

HEX #B94477

RGB 185 68 119

HSL 333.85, 0.46%, 0.5%

LAB 46.69, 51.88, -4

 

CMYK 0 / 50 / 28 / 23

HEX #C5628D

RGB 197 98 141

HSL 333.94, 0.46%, 0.58%

LAB 54.58, 44.32, -5.26

 

CMYK 0 / 38 / 22 / 18

HEX #D080A3

RGB 208 128 163

HSL 333.75, 0.46%, 0.66%

LAB 62.92, 35.58, -5.48

 

CMYK 0 / 28 / 16 / 14

HEX #DB9EB9

RGB 219 158 185

HSL 333.44, 0.46%, 0.74%

LAB 71.57, 26.72, -4.91

 

CMYK 0 / 50 / 28 / 22

HEX #C6638E

RGB 198 99 142

HSL 333.94, 0.46%, 0.58%

LAB 54.95, 44.29, -5.29

 

CMYK 0 / 13 / 50 / 23

HEX #C5AC62

RGB 197 172 98

HSL 44.85, 0.46%, 0.58%

LAB 71.05, -0.56, 41.13

 

CMYK 50 / 8 / 0 / 23

HEX #62B6C5

RGB 98 182 197

HSL 189.09, 0.46%, 0.58%

LAB 69.53, -21.39, -15.48

 

CMYK 0 / 50 / 28 / 22

HEX #C6638E

RGB 198 99 142

HSL 333.94, 0.46%, 0.58%

LAB 54.95, 44.29, -5.29

 

CMYK 28 / 0 / 50 / 23

HEX #8EC562

RGB 142 197 98

HSL 93.33, 0.46%, 0.58%

LAB 73.91, -34.97, 43.68

 

CMYK 50 / 28 / 0 / 23

HEX #628EC5

RGB 98 142 197

HSL 213.33, 0.46%, 0.58%

LAB 58.01, 0.43, -33.14

 

CMYK 0 / 50 / 28 / 22

HEX #C6638E

RGB 198 99 142

HSL 333.94, 0.46%, 0.58%

LAB 54.95, 44.29, -5.29

 

CMYK 0 / 13 / 50 / 23

HEX #C5AC62

RGB 197 172 98

HSL 44.85, 0.46%, 0.58%

LAB 71.05, -0.56, 41.13

 

CMYK 50 / 0 / 23 / 23

HEX #62C598

RGB 98 197 152

HSL 152.73, 0.46%, 0.58%

LAB 72.76, -39.62, 13.8

 

CMYK 50 / 38 / 0 / 23

HEX #627BC5

RGB 98 123 197

HSL 224.85, 0.46%, 0.58%

LAB 52.72, 11.69, -41.43

 

CMYK 0 / 50 / 28 / 22

HEX #C6638E

RGB 198 99 142

HSL 333.94, 0.46%, 0.58%

LAB 54.95, 44.29, -5.29

 

CMYK 3 / 0 / 50 / 23

HEX #C0C562

RGB 192 197 98

HSL 63.03, 0.46%, 0.58%

LAB 77.29, -15.6, 48.54

 

CMYK 50 / 0 / 23 / 23

HEX #62C598

RGB 98 197 152

HSL 152.73, 0.46%, 0.58%

LAB 72.76, -39.62, 13.8

 

CMYK 48 / 50 / 0 / 23

HEX #6762C5

RGB 103 98 197

HSL 243.03, 0.46%, 0.58%

LAB 46.51, 28.14, -51.3

 

Description

Color code: HEX #C6638E | qconv.com Color code: HEX #C6638E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 99 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 99 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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