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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66A47 it is the complementary color #3995B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66A47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66A47 shade: #CB6A42, #DC7C55, #ED8E68, #FEA07B and #FFB28E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66A47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66A47 shade: #C66A47, #B55834, #A44621, #93340E and #822200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66A47 shade: #C66A47, #C64847 and #C64747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66A47 shade: #C66A47, #C68C47, #C6AF47, #BBC647 and #99C647

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66A47 shade matches the following richer shades: #C66A47, #DA6134 and #ED5920

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66A47 shade: #C66A47, #B3735B, #9F7C6E, #8C8481 and #798D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66A47 shade: #C64769, #C64747, #C66947, #C68B47 and #C6AD47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66A47 shade: #8F472C, #AF5735, #C66A47, #D08467 and #DA9D86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66A47 shade: #C66A47, #8BC647 and #4758C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66A47 shade: #C66A47, #47C669 and #6947C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66A47 shade: #C66A47, #8BC647, #47A4C6 and #8247C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66A47 shade: #C66A47, #65C647, #47A4C6 and #A947C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

Complementary color

CMYK 69 / 19 / 0 / 28

HEX #3995B8

RGB 57 149 184

HSL 196.54, 0.53%, 0.47%

LAB 57.87, -15.72, -26.13

 

CMYK 0 / 48 / 67 / 20

HEX #CB6A42

RGB 203 106 66

HSL 17.52, 0.57%, 0.53%

LAB 55.48, 35.2, 39.3

 

CMYK 0 / 44 / 61 / 14

HEX #DC7C55

RGB 220 124 85

HSL 17.33, 0.66%, 0.6%

LAB 61.9, 33.73, 37.32

 

CMYK 0 / 40 / 56 / 7

HEX #ED8E68

RGB 237 142 104

HSL 17.14, 0.79%, 0.67%

LAB 68.28, 32.39, 35.51

 

CMYK 0 / 37 / 52 / 0

HEX #FEA07B

RGB 254 160 123

HSL 16.95, 0.98%, 0.74%

LAB 74.6, 31.18, 33.85

 

CMYK 0 / 30 / 44 / 0

HEX #FFB28E

RGB 255 178 142

HSL 19.12, 1%, 0.78%

LAB 79.07, 23.94, 29.65

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 0 / 51 / 71 / 29

HEX #B55834

RGB 181 88 52

HSL 16.74, 0.55%, 0.46%

LAB 48.32, 35.06, 37.79

 

CMYK 0 / 57 / 80 / 36

HEX #A44621

RGB 164 70 33

HSL 16.95, 0.66%, 0.39%

LAB 41.82, 36.71, 40.01

 

CMYK 0 / 65 / 90 / 42

HEX #93340E

RGB 147 52 14

HSL 17.14, 0.83%, 0.32%

LAB 35.38, 38.37, 41.85

 

CMYK 0 / 74 / 100 / 49

HEX #822200

RGB 130 34 0

HSL 15.69, 1%, 0.25%

LAB 29.13, 39.74, 41.34

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 0 / 64 / 64 / 22

HEX #C64847

RGB 198 72 71

HSL 0.47, 0.53%, 0.53%

LAB 48.38, 50.14, 27.75

 

CMYK 0 / 64 / 64 / 22

HEX #C64747

RGB 198 71 71

HSL 0, 0.53%, 0.53%

LAB 48.22, 50.57, 27.55

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 0 / 29 / 64 / 22

HEX #C68C47

RGB 198 140 71

HSL 32.6, 0.53%, 0.53%

LAB 62.69, 15.07, 44.83

 

CMYK 0 / 12 / 64 / 22

HEX #C6AF47

RGB 198 175 71

HSL 49.13, 0.53%, 0.53%

LAB 71.64, -3.81, 54.71

 

CMYK 6 / 0 / 64 / 22

HEX #BBC647

RGB 187 198 71

HSL 65.2, 0.53%, 0.53%

LAB 76.93, -20.23, 60.05

 

CMYK 23 / 0 / 64 / 22

HEX #99C647

RGB 153 198 71

HSL 81.26, 0.53%, 0.53%

LAB 74.58, -33.88, 56.85

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 0 / 56 / 76 / 15

HEX #DA6134

RGB 218 97 52

HSL 16.27, 0.69%, 0.53%

LAB 55.79, 44.83, 47.49

 

CMYK 0 / 62 / 86 / 7

HEX #ED5920

RGB 237 89 32

HSL 16.68, 0.85%, 0.53%

LAB 57.32, 54.73, 58.85

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 0 / 36 / 49 / 30

HEX #B3735B

RGB 179 115 91

HSL 16.36, 0.37%, 0.53%

LAB 54.66, 22.53, 23.7

 

CMYK 0 / 22 / 31 / 38

HEX #9F7C6E

RGB 159 124 110

HSL 17.14, 0.2%, 0.53%

LAB 54.98, 11.47, 12.84

 

CMYK 0 / 6 / 8 / 45

HEX #8C8481

RGB 140 132 129

HSL 16.36, 0.05%, 0.53%

LAB 55.75, 2.45, 2.69

 

CMYK 19 / 5 / 0 / 42

HEX #798D95

RGB 121 141 149

HSL 197.14, 0.12%, 0.53%

LAB 57.35, -5.34, -6.66

 

CMYK 0 / 64 / 47 / 22

HEX #C64769

RGB 198 71 105

HSL 343.94, 0.53%, 0.53%

LAB 48.92, 53.21, 8.03

 

CMYK 0 / 64 / 64 / 22

HEX #C64747

RGB 198 71 71

HSL 0, 0.53%, 0.53%

LAB 48.22, 50.57, 27.55

 

CMYK 0 / 47 / 64 / 22

HEX #C66947

RGB 198 105 71

HSL 16.06, 0.53%, 0.53%

LAB 54.62, 34.05, 35.41

 

CMYK 0 / 30 / 64 / 22

HEX #C68B47

RGB 198 139 71

HSL 32.13, 0.53%, 0.53%

LAB 62.45, 15.62, 44.55

 

CMYK 0 / 13 / 64 / 22

HEX #C6AD47

RGB 198 173 71

HSL 48.19, 0.53%, 0.53%

LAB 71.11, -2.76, 54.14

 

CMYK 0 / 50 / 69 / 44

HEX #8F472C

RGB 143 71 44

HSL 16.36, 0.53%, 0.37%

LAB 38.77, 28.19, 29.8

 

CMYK 0 / 50 / 70 / 31

HEX #AF5735

RGB 175 87 53

HSL 16.72, 0.54%, 0.45%

LAB 47.22, 33.24, 35.76

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 0 / 37 / 50 / 18

HEX #D08467

RGB 208 132 103

HSL 16.57, 0.53%, 0.61%

LAB 62.42, 26.13, 27.8

 

CMYK 0 / 28 / 39 / 15

HEX #DA9D86

RGB 218 157 134

HSL 16.43, 0.53%, 0.69%

LAB 69.99, 19.82, 21.03

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 30 / 0 / 64 / 22

HEX #8BC647

RGB 139 198 71

HSL 87.87, 0.53%, 0.53%

LAB 73.76, -39.14, 55.73

 

CMYK 64 / 56 / 0 / 22

HEX #4758C6

RGB 71 88 198

HSL 231.97, 0.53%, 0.53%

LAB 41.84, 28.38, -59.52

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 64 / 0 / 47 / 22

HEX #47C669

RGB 71 198 105

HSL 136.06, 0.53%, 0.53%

LAB 71.38, -54.84, 36.44

 

CMYK 47 / 64 / 0 / 22

HEX #6947C6

RGB 105 71 198

HSL 256.06, 0.53%, 0.53%

LAB 40.55, 44.81, -61.49

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 30 / 0 / 64 / 22

HEX #8BC647

RGB 139 198 71

HSL 87.87, 0.53%, 0.53%

LAB 73.76, -39.14, 55.73

 

CMYK 64 / 17 / 0 / 22

HEX #47A4C6

RGB 71 164 198

HSL 196.06, 0.53%, 0.53%

LAB 63.32, -17.03, -25.58

 

CMYK 34 / 64 / 0 / 22

HEX #8247C6

RGB 130 71 198

HSL 267.87, 0.53%, 0.53%

LAB 43.26, 49.96, -56.98

 

CMYK 0 / 46 / 64 / 22

HEX #C66A47

RGB 198 106 71

HSL 16.54, 0.53%, 0.53%

LAB 54.83, 33.52, 35.67

 

CMYK 49 / 0 / 64 / 22

HEX #65C647

RGB 101 198 71

HSL 105.83, 0.53%, 0.53%

LAB 71.97, -51.71, 53.26

 

CMYK 64 / 17 / 0 / 22

HEX #47A4C6

RGB 71 164 198

HSL 196.06, 0.53%, 0.53%

LAB 63.32, -17.03, -25.58

 

CMYK 15 / 64 / 0 / 22

HEX #A947C6

RGB 169 71 198

HSL 286.3, 0.53%, 0.53%

LAB 48.28, 58.78, -48.63

 

Description

Color code: HEX #C66A47 | qconv.com Color code: HEX #C66A47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 106 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 106 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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