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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66E61 it is the complementary color #39919E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66E61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66E61 shade: #CB6E5C, #DC806F, #ED9282, #FEA495 and #FFB6A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66E61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66E61 shade: #C66E61, #B55C4E, #A44A3B, #933828 and #822615

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66E61 shade: #C66E61 and #C66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66E61 shade: #C66E61, #C68961, #C6A461, #C6BF61 and #B1C661

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66E61 shade matches the following richer shades: #C66E61, #D76150, #E8543E and #FA472D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66E61 shade: #C66E61, #B47B72, #A38884, #929595 and #80A1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66E61 shade: #C6618B, #C66170, #C66D61, #C68861 and #C6A361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66E61 shade: #9C4538, #BB5243, #C66E61, #D18A7F and #DCA69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66E61 shade: #C66E61, #A6C661 and #617EC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66E61 shade: #C66E61, #61C66D and #6D61C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66E61 shade: #C66E61, #A6C661, #61BAC6 and #8161C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66E61 shade: #C66E61, #88C661, #61BAC6 and #9F61C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

Complementary color

CMYK 64 / 8 / 0 / 38

HEX #39919E

RGB 57 145 158

HSL 187.72, 0.47%, 0.42%

LAB 55.67, -21.89, -14.66

 

CMYK 0 / 46 / 55 / 20

HEX #CB6E5C

RGB 203 110 92

HSL 9.73, 0.52%, 0.58%

LAB 56.7, 34.95, 26.41

 

CMYK 0 / 42 / 50 / 14

HEX #DC806F

RGB 220 128 111

HSL 9.36, 0.61%, 0.65%

LAB 63.18, 33.73, 24.63

 

CMYK 0 / 38 / 45 / 7

HEX #ED9282

RGB 237 146 130

HSL 8.97, 0.75%, 0.72%

LAB 69.59, 32.62, 23.05

 

CMYK 0 / 35 / 41 / 0

HEX #FEA495

RGB 254 164 149

HSL 8.57, 0.98%, 0.79%

LAB 75.94, 31.6, 21.64

 

CMYK 0 / 29 / 34 / 0

HEX #FFB6A8

RGB 255 182 168

HSL 9.66, 1%, 0.83%

LAB 80.48, 24.72, 17.68

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 49 / 57 / 29

HEX #B55C4E

RGB 181 92 78

HSL 8.16, 0.41%, 0.51%

LAB 49.53, 34.7, 24.56

 

CMYK 0 / 55 / 64 / 36

HEX #A44A3B

RGB 164 74 59

HSL 8.57, 0.47%, 0.44%

LAB 42.92, 36.04, 26.82

 

CMYK 0 / 62 / 73 / 42

HEX #933828

RGB 147 56 40

HSL 8.97, 0.57%, 0.37%

LAB 36.34, 37.39, 29.49

 

CMYK 0 / 71 / 84 / 49

HEX #822615

RGB 130 38 21

HSL 9.36, 0.72%, 0.3%

LAB 29.88, 38.57, 32.53

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 51 / 51 / 22

HEX #C66161

RGB 198 97 97

HSL 0, 0.47%, 0.58%

LAB 53.4, 40.22, 19.01

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 31 / 51 / 22

HEX #C68961

RGB 198 137 97

HSL 23.76, 0.47%, 0.58%

LAB 62.3, 18.78, 30.73

 

CMYK 0 / 17 / 51 / 22

HEX #C6A461

RGB 198 164 97

HSL 39.8, 0.47%, 0.58%

LAB 69.05, 4.05, 39.21

 

CMYK 0 / 4 / 51 / 22

HEX #C6BF61

RGB 198 191 97

HSL 55.84, 0.47%, 0.58%

LAB 76.15, -10.18, 47.78

 

CMYK 11 / 0 / 51 / 22

HEX #B1C661

RGB 177 198 97

HSL 72.48, 0.47%, 0.58%

LAB 76.44, -22.23, 47.72

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 55 / 63 / 16

HEX #D76150

RGB 215 97 80

HSL 7.56, 0.63%, 0.58%

LAB 55.66, 45.17, 32.24

 

CMYK 0 / 64 / 73 / 9

HEX #E8543E

RGB 232 84 62

HSL 7.76, 0.79%, 0.58%

LAB 55.93, 56.08, 43.17

 

CMYK 0 / 72 / 82 / 2

HEX #FA472D

RGB 250 71 45

HSL 7.61, 0.95%, 0.58%

LAB 57.09, 66.23, 53.98

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 32 / 37 / 29

HEX #B47B72

RGB 180 123 114

HSL 8.18, 0.31%, 0.58%

LAB 57.16, 21.05, 13.91

 

CMYK 0 / 17 / 19 / 36

HEX #A38884

RGB 163 136 132

HSL 7.74, 0.14%, 0.58%

LAB 59.03, 9.58, 5.97

 

CMYK 2 / 0 / 0 / 42

HEX #929595

RGB 146 149 149

HSL 180, 0.01%, 0.58%

LAB 61.46, -1.08, -0.39

 

CMYK 23 / 3 / 0 / 35

HEX #80A1A6

RGB 128 161 166

HSL 187.89, 0.18%, 0.58%

LAB 64.02, -10.16, -6.34

 

CMYK 0 / 51 / 30 / 22

HEX #C6618B

RGB 198 97 139

HSL 335.05, 0.47%, 0.58%

LAB 54.47, 44.9, -4.24

 

CMYK 0 / 51 / 43 / 22

HEX #C66170

RGB 198 97 112

HSL 351.09, 0.47%, 0.58%

LAB 53.73, 41.69, 10.64

 

CMYK 0 / 45 / 51 / 22

HEX #C66D61

RGB 198 109 97

HSL 7.13, 0.47%, 0.58%

LAB 55.89, 33.97, 22.35

 

CMYK 0 / 31 / 51 / 22

HEX #C68861

RGB 198 136 97

HSL 23.17, 0.47%, 0.58%

LAB 62.06, 19.32, 30.42

 

CMYK 0 / 18 / 51 / 22

HEX #C6A361

RGB 198 163 97

HSL 39.21, 0.47%, 0.58%

LAB 68.8, 4.59, 38.89

 

CMYK 0 / 56 / 64 / 39

HEX #9C4538

RGB 156 69 56

HSL 7.8, 0.47%, 0.42%

LAB 40.59, 35.3, 25.43

 

CMYK 0 / 56 / 64 / 27

HEX #BB5243

RGB 187 82 67

HSL 7.5, 0.47%, 0.5%

LAB 48.27, 41.3, 29.55

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 0 / 34 / 39 / 18

HEX #D18A7F

RGB 209 138 127

HSL 8.05, 0.47%, 0.66%

LAB 64.37, 25.78, 17.04

 

CMYK 0 / 25 / 28 / 14

HEX #DCA69E

RGB 220 166 158

HSL 7.74, 0.47%, 0.74%

LAB 72.86, 18.77, 11.88

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 16 / 0 / 51 / 22

HEX #A6C661

RGB 166 198 97

HSL 79.01, 0.47%, 0.58%

LAB 75.67, -26.55, 46.63

 

CMYK 51 / 36 / 0 / 22

HEX #617EC6

RGB 97 126 198

HSL 222.77, 0.47%, 0.58%

LAB 53.54, 9.96, -40.73

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 51 / 0 / 45 / 22

HEX #61C66D

RGB 97 198 109

HSL 127.13, 0.47%, 0.58%

LAB 72.25, -48.16, 35.7

 

CMYK 45 / 51 / 0 / 22

HEX #6D61C6

RGB 109 97 198

HSL 247.13, 0.47%, 0.58%

LAB 46.81, 30.44, -51.36

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 16 / 0 / 51 / 22

HEX #A6C661

RGB 166 198 97

HSL 79.01, 0.47%, 0.58%

LAB 75.67, -26.55, 46.63

 

CMYK 51 / 6 / 0 / 22

HEX #61BAC6

RGB 97 186 198

HSL 187.13, 0.47%, 0.58%

LAB 70.69, -23.37, -14.29

 

CMYK 35 / 51 / 0 / 22

HEX #8161C6

RGB 129 97 198

HSL 259.01, 0.47%, 0.58%

LAB 48.63, 35.34, -48.36

 

CMYK 0 / 44 / 51 / 22

HEX #C66E61

RGB 198 110 97

HSL 7.72, 0.47%, 0.58%

LAB 56.11, 33.44, 22.64

 

CMYK 31 / 0 / 51 / 22

HEX #88C661

RGB 136 198 97

HSL 96.83, 0.47%, 0.58%

LAB 73.86, -37.67, 44.02

 

CMYK 51 / 6 / 0 / 22

HEX #61BAC6

RGB 97 186 198

HSL 187.13, 0.47%, 0.58%

LAB 70.69, -23.37, -14.29

 

CMYK 20 / 51 / 0 / 22

HEX #9F61C6

RGB 159 97 198

HSL 276.83, 0.47%, 0.58%

LAB 51.83, 43.31, -43.06

 

Description

Color code: HEX #C66E61 | qconv.com Color code: HEX #C66E61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 110 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 110 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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