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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67878 it is the complementary color #398787. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67878. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67878 shade: #CB7873, #DC8A86, #ED9C99, #FEAEAC and #FFC0BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67878. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67878 shade: #C67878, #B56665, #A45452, #93423F and #82302C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67878 shade: #C57676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67878 shade: #C57676, #C58B76, #C5A176, #C5B676 and #BFC576

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67878 shade matches the following richer shades: #C57676, #D56666, #E55757 and #F44747

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67878 shade: #C57676, #B68686, #A69595, #96A5A5 and #87B5B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67878 shade: #C576A0, #C5768B, #C57676, #C58B76 and #C5A076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67878 shade: #A44444, #B95959, #C57676, #D29393 and #DEB0B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67878 shade: #C67878, #B5C576 and #7696C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67878 shade: #C67878, #76C576 and #7676C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67878 shade: #C67878, #B5C576, #76C5C5 and #8676C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67878 shade: #C67878, #9EC576, #76C5C5 and #9E76C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 39 / 22

HEX #C67878

RGB 198 120 120

HSL 0, 0.41%, 0.62%

LAB 58.78, 30.48, 13.05

 

Complementary color

CMYK 58 / 0 / 0 / 47

HEX #398787

RGB 57 135 135

HSL 180, 0.41%, 0.38%

LAB 51.78, -23.61, -7.22

 

CMYK 0 / 41 / 43 / 20

HEX #CB7873

RGB 203 120 115

HSL 3.41, 0.46%, 0.62%

LAB 59.31, 31.84, 16.76

 

CMYK 0 / 37 / 39 / 14

HEX #DC8A86

RGB 220 138 134

HSL 2.79, 0.55%, 0.69%

LAB 65.84, 30.81, 15.34

 

CMYK 0 / 34 / 35 / 7

HEX #ED9C99

RGB 237 156 153

HSL 2.14, 0.7%, 0.76%

LAB 72.28, 29.88, 14.08

 

CMYK 0 / 31 / 32 / 0

HEX #FEAEAC

RGB 254 174 172

HSL 1.46, 0.98%, 0.84%

LAB 78.65, 29.03, 12.93

 

CMYK 0 / 25 / 25 / 0

HEX #FFC0BF

RGB 255 192 191

HSL 0.94, 1%, 0.87%

LAB 83.3, 22.44, 9.32

 

CMYK 0 / 39 / 39 / 22

HEX #C67878

RGB 198 120 120

HSL 0, 0.41%, 0.62%

LAB 58.78, 30.48, 13.05

 

CMYK 0 / 44 / 44 / 29

HEX #B56665

RGB 181 102 101

HSL 0.75, 0.35%, 0.55%

LAB 52.14, 31.53, 14.54

 

CMYK 0 / 49 / 50 / 36

HEX #A45452

RGB 164 84 82

HSL 1.46, 0.33%, 0.48%

LAB 45.42, 32.68, 16.28

 

CMYK 0 / 55 / 57 / 42

HEX #93423F

RGB 147 66 63

HSL 2.14, 0.4%, 0.41%

LAB 38.65, 33.89, 18.39

 

CMYK 0 / 63 / 66 / 49

HEX #82302C

RGB 130 48 44

HSL 2.79, 0.49%, 0.34%

LAB 31.9, 35.09, 21.02

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 29 / 40 / 23

HEX #C58B76

RGB 197 139 118

HSL 15.95, 0.41%, 0.62%

LAB 63.05, 19.46, 20.05

 

CMYK 0 / 18 / 40 / 23

HEX #C5A176

RGB 197 161 118

HSL 32.66, 0.41%, 0.62%

LAB 68.51, 7.41, 27.39

 

CMYK 0 / 8 / 40 / 23

HEX #C5B676

RGB 197 182 118

HSL 48.61, 0.41%, 0.62%

LAB 73.96, -3.83, 34.5

 

CMYK 3 / 0 / 40 / 23

HEX #BFC576

RGB 191 197 118

HSL 64.56, 0.41%, 0.62%

LAB 77.47, -13.99, 38.88

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 52 / 52 / 16

HEX #D56666

RGB 213 102 102

HSL 0, 0.57%, 0.62%

LAB 56.69, 43.65, 20.91

 

CMYK 0 / 62 / 62 / 10

HEX #E55757

RGB 229 87 87

HSL 0, 0.73%, 0.62%

LAB 56.25, 55.11, 29.47

 

CMYK 0 / 71 / 71 / 4

HEX #F44747

RGB 244 71 71

HSL 0, 0.89%, 0.62%

LAB 56.28, 65.3, 39.19

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 26 / 26 / 29

HEX #B68686

RGB 182 134 134

HSL 0, 0.25%, 0.62%

LAB 60.53, 18.39, 7.23

 

CMYK 0 / 10 / 10 / 35

HEX #A69595

RGB 166 149 149

HSL 0, 0.09%, 0.62%

LAB 63.15, 6.29, 2.29

 

CMYK 9 / 0 / 0 / 35

HEX #96A5A5

RGB 150 165 165

HSL 180, 0.08%, 0.62%

LAB 66.6, -5.26, -1.81

 

CMYK 25 / 0 / 0 / 29

HEX #87B5B5

RGB 135 181 181

HSL 180, 0.24%, 0.62%

LAB 70.55, -15.17, -4.97

 

CMYK 0 / 40 / 19 / 23

HEX #C576A0

RGB 197 118 160

HSL 328.1, 0.41%, 0.62%

LAB 59.31, 36.64, -9.28

 

CMYK 0 / 40 / 29 / 23

HEX #C5768B

RGB 197 118 139

HSL 344.05, 0.41%, 0.62%

LAB 58.69, 33.58, 1.93

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 29 / 40 / 23

HEX #C58B76

RGB 197 139 118

HSL 15.95, 0.41%, 0.62%

LAB 63.05, 19.46, 20.05

 

CMYK 0 / 19 / 40 / 23

HEX #C5A076

RGB 197 160 118

HSL 31.9, 0.41%, 0.62%

LAB 68.26, 7.95, 27.05

 

CMYK 0 / 59 / 59 / 36

HEX #A44444

RGB 164 68 68

HSL 0, 0.41%, 0.45%

LAB 41.91, 39.72, 20.11

 

CMYK 0 / 52 / 52 / 27

HEX #B95959

RGB 185 89 89

HSL 0, 0.41%, 0.54%

LAB 49.71, 38.74, 18.43

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 0 / 30 / 30 / 18

HEX #D29393

RGB 210 147 147

HSL 0, 0.41%, 0.7%

LAB 67.03, 23.78, 9.56

 

CMYK 0 / 21 / 21 / 13

HEX #DEB0B0

RGB 222 176 176

HSL 0, 0.41%, 0.78%

LAB 75.89, 16.7, 6.38

 

CMYK 0 / 39 / 39 / 22

HEX #C67878

RGB 198 120 120

HSL 0, 0.41%, 0.62%

LAB 58.78, 30.48, 13.05

 

CMYK 8 / 0 / 40 / 23

HEX #B5C576

RGB 181 197 118

HSL 72.15, 0.41%, 0.62%

LAB 76.72, -17.93, 37.77

 

CMYK 40 / 24 / 0 / 23

HEX #7696C5

RGB 118 150 197

HSL 215.7, 0.41%, 0.62%

LAB 61.39, 0.91, -27.81

 

CMYK 0 / 39 / 39 / 22

HEX #C67878

RGB 198 120 120

HSL 0, 0.41%, 0.62%

LAB 58.78, 30.48, 13.05

 

CMYK 40 / 0 / 40 / 23

HEX #76C576

RGB 118 197 118

HSL 120, 0.41%, 0.62%

LAB 72.95, -40.33, 32.18

 

CMYK 40 / 40 / 0 / 23

HEX #7676C5

RGB 118 118 197

HSL 240, 0.41%, 0.62%

LAB 52.77, 19.71, -41.26

 

CMYK 0 / 39 / 39 / 22

HEX #C67878

RGB 198 120 120

HSL 0, 0.41%, 0.62%

LAB 58.78, 30.48, 13.05

 

CMYK 8 / 0 / 40 / 23

HEX #B5C576

RGB 181 197 118

HSL 72.15, 0.41%, 0.62%

LAB 76.72, -17.93, 37.77

 

CMYK 40 / 0 / 0 / 23

HEX #76C5C5

RGB 118 197 197

HSL 180, 0.41%, 0.62%

LAB 74.71, -24.21, -7.64

 

CMYK 32 / 40 / 0 / 23

HEX #8676C5

RGB 134 118 197

HSL 252.15, 0.41%, 0.62%

LAB 54.09, 24.08, -39.1

 

CMYK 0 / 39 / 39 / 22

HEX #C67878

RGB 198 120 120

HSL 0, 0.41%, 0.62%

LAB 58.78, 30.48, 13.05

 

CMYK 20 / 0 / 40 / 23

HEX #9EC576

RGB 158 197 118

HSL 89.62, 0.41%, 0.62%

LAB 75.15, -26.68, 35.44

 

CMYK 40 / 0 / 0 / 23

HEX #76C5C5

RGB 118 197 197

HSL 180, 0.41%, 0.62%

LAB 74.71, -24.21, -7.64

 

CMYK 20 / 40 / 0 / 23

HEX #9E76C5

RGB 158 118 197

HSL 270.38, 0.41%, 0.62%

LAB 56.34, 31.07, -35.4

 

Description

Color code: HEX #C67878 | qconv.com Color code: HEX #C67878 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 120 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 120 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 39% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Clown(s) The Movie |...
Link: http://www.clowns-themovie.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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