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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6707C it is the complementary color #398F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6707C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6707C shade: #CB7077, #DC828A, #ED949D, #FEA6B0 and #FFB8C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6707C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6707C shade: #C6707C, #B55E69, #A44C56, #933A43 and #822830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6707C shade: #C6707C and #C67070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6707C shade: #C6707C, #C67093, #C670AA, #C670C1 and #B370C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6707C shade matches the following richer shades: #C6707C, #D66071, #E65065 and #F64059

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6707C shade: #C6707C, #B68088, #A69093, #96A19F and #85B1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6707C shade: #C670AB, #C67094, #C6707D, #C67A70 and #C69170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6707C shade: #A3414E, #BA5361, #C6707C, #D28E97 and #DDABB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6707C shade: #C6707C, #C2C670 and #709FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6707C shade: #C6707C, #7DC670 and #707DC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6707C shade: #C6707C, #C2C670, #70C6B9 and #7570C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6707C shade: #C6707C, #A8C670, #70C6B9 and #8E70C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

Complementary color

CMYK 60 / 0 / 8 / 44

HEX #398F83

RGB 57 143 131

HSL 171.63, 0.43%, 0.39%

LAB 54.19, -28.75, -1.33

 

CMYK 0 / 45 / 41 / 20

HEX #CB7077

RGB 203 112 119

HSL 355.38, 0.47%, 0.62%

LAB 57.67, 36.52, 12.17

 

CMYK 0 / 41 / 37 / 14

HEX #DC828A

RGB 220 130 138

HSL 354.67, 0.56%, 0.69%

LAB 64.17, 35.52, 10.75

 

CMYK 0 / 38 / 34 / 7

HEX #ED949D

RGB 237 148 157

HSL 353.93, 0.71%, 0.75%

LAB 70.61, 34.58, 9.49

 

CMYK 0 / 35 / 31 / 0

HEX #FEA6B0

RGB 254 166 176

HSL 353.18, 0.98%, 0.82%

LAB 76.97, 33.71, 8.37

 

CMYK 0 / 28 / 24 / 0

HEX #FFB8C3

RGB 255 184 195

HSL 350.7, 1%, 0.86%

LAB 81.56, 27.2, 4.67

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 0 / 48 / 42 / 29

HEX #B55E69

RGB 181 94 105

HSL 352.41, 0.37%, 0.54%

LAB 50.51, 36.26, 9.9

 

CMYK 0 / 54 / 48 / 36

HEX #A44C56

RGB 164 76 86

HSL 353.18, 0.37%, 0.47%

LAB 43.85, 37.3, 11.7

 

CMYK 0 / 61 / 54 / 42

HEX #933A43

RGB 147 58 67

HSL 353.93, 0.43%, 0.4%

LAB 37.18, 38.31, 13.91

 

CMYK 0 / 69 / 63 / 49

HEX #822830

RGB 130 40 48

HSL 354.67, 0.53%, 0.33%

LAB 30.58, 39.1, 16.77

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 0 / 43 / 26 / 22

HEX #C67093

RGB 198 112 147

HSL 335.58, 0.43%, 0.61%

LAB 57.75, 38.25, -4.06

 

CMYK 0 / 43 / 14 / 22

HEX #C670AA

RGB 198 112 170

HSL 319.53, 0.43%, 0.61%

LAB 58.51, 41.75, -16.23

 

CMYK 0 / 43 / 3 / 22

HEX #C670C1

RGB 198 112 193

HSL 303.49, 0.43%, 0.61%

LAB 59.38, 45.69, -28.05

 

CMYK 10 / 43 / 0 / 22

HEX #B370C6

RGB 179 112 198

HSL 286.74, 0.43%, 0.61%

LAB 57.32, 40.91, -34.29

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 0 / 55 / 47 / 16

HEX #D66071

RGB 214 96 113

HSL 351.36, 0.59%, 0.61%

LAB 55.94, 47.93, 13.49

 

CMYK 0 / 65 / 56 / 10

HEX #E65065

RGB 230 80 101

HSL 351.6, 0.75%, 0.61%

LAB 55.58, 59.31, 20.47

 

CMYK 0 / 74 / 64 / 4

HEX #F64059

RGB 246 64 89

HSL 351.76, 0.91%, 0.61%

LAB 56.07, 69.11, 28.67

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 0 / 30 / 25 / 29

HEX #B68088

RGB 182 128 136

HSL 351.11, 0.27%, 0.61%

LAB 59.12, 22.04, 4.06

 

CMYK 0 / 13 / 11 / 35

HEX #A69093

RGB 166 144 147

HSL 351.82, 0.11%, 0.61%

LAB 61.79, 8.74, 1.44

 

CMYK 7 / 0 / 1 / 37

HEX #96A19F

RGB 150 161 159

HSL 169.09, 0.06%, 0.61%

LAB 65.34, -4.29, -0.31

 

CMYK 25 / 0 / 3 / 31

HEX #85B1AB

RGB 133 177 171

HSL 171.82, 0.22%, 0.61%

LAB 69.02, -15.95, -1.73

 

CMYK 0 / 43 / 14 / 22

HEX #C670AB

RGB 198 112 171

HSL 318.84, 0.43%, 0.61%

LAB 58.54, 41.91, -16.76

 

CMYK 0 / 43 / 25 / 22

HEX #C67094

RGB 198 112 148

HSL 334.88, 0.43%, 0.61%

LAB 57.78, 38.39, -4.6

 

CMYK 0 / 43 / 37 / 22

HEX #C6707D

RGB 198 112 125

HSL 350.93, 0.43%, 0.61%

LAB 57.15, 35.36, 7.85

 

CMYK 0 / 38 / 43 / 22

HEX #C67A70

RGB 198 122 112

HSL 6.98, 0.43%, 0.61%

LAB 59.06, 28.49, 18.03

 

CMYK 0 / 27 / 43 / 22

HEX #C69170

RGB 198 145 112

HSL 23.02, 0.43%, 0.61%

LAB 64.5, 15.89, 25.37

 

CMYK 0 / 60 / 52 / 36

HEX #A3414E

RGB 163 65 78

HSL 352.04, 0.43%, 0.45%

LAB 41.4, 41.66, 13.23

 

CMYK 0 / 55 / 48 / 27

HEX #BA5361

RGB 186 83 97

HSL 351.84, 0.43%, 0.53%

LAB 48.87, 42.87, 12.51

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 0 / 32 / 28 / 18

HEX #D28E97

RGB 210 142 151

HSL 352.06, 0.43%, 0.69%

LAB 65.97, 27.04, 5.79

 

CMYK 0 / 23 / 19 / 13

HEX #DDABB2

RGB 221 171 178

HSL 351.6, 0.42%, 0.77%

LAB 74.64, 19.33, 3.47

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 2 / 0 / 43 / 22

HEX #C2C670

RGB 194 198 112

HSL 62.79, 0.43%, 0.61%

LAB 77.89, -13.95, 42.47

 

CMYK 43 / 20 / 0 / 22

HEX #709FC6

RGB 112 159 198

HSL 207.21, 0.43%, 0.61%

LAB 63.61, -5.46, -24.99

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 37 / 0 / 43 / 22

HEX #7DC670

RGB 125 198 112

HSL 110.93, 0.43%, 0.61%

LAB 73.49, -39.45, 36.01

 

CMYK 43 / 37 / 0 / 22

HEX #707DC6

RGB 112 125 198

HSL 230.93, 0.43%, 0.61%

LAB 54.23, 14.24, -39.57

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 2 / 0 / 43 / 22

HEX #C2C670

RGB 194 198 112

HSL 62.79, 0.43%, 0.61%

LAB 77.89, -13.95, 42.47

 

CMYK 43 / 0 / 7 / 22

HEX #70C6B9

RGB 112 198 185

HSL 170.93, 0.43%, 0.61%

LAB 74.4, -29.14, -1.61

 

CMYK 41 / 43 / 0 / 22

HEX #7570C6

RGB 117 112 198

HSL 243.49, 0.43%, 0.61%

LAB 51.21, 23.35, -44.32

 

CMYK 0 / 43 / 37 / 22

HEX #C6707C

RGB 198 112 124

HSL 351.63, 0.43%, 0.61%

LAB 57.12, 35.24, 8.4

 

CMYK 15 / 0 / 43 / 22

HEX #A8C670

RGB 168 198 112

HSL 80.93, 0.43%, 0.61%

LAB 76, -24.15, 39.7

 

CMYK 43 / 0 / 7 / 22

HEX #70C6B9

RGB 112 198 185

HSL 170.93, 0.43%, 0.61%

LAB 74.4, -29.14, -1.61

 

CMYK 28 / 43 / 0 / 22

HEX #8E70C6

RGB 142 112 198

HSL 260.93, 0.43%, 0.61%

LAB 53.4, 30.11, -40.7

 

Description

Color code: HEX #C6707C | qconv.com Color code: HEX #C6707C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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