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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C670B2 it is the complementary color #398F4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C670B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C670B2 shade: #CB70AD, #DC82C0, #ED94D3, #FEA6E6 and #FFB8F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C670B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C670B2 shade: #C670B2, #B55E9F, #A44C8C, #933A79 and #822866

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C670B2 shade: #C670B2, #C6709B, #C67084 and #C67070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C670B2 shade: #C670B2, #C370C6, #AC70C6, #9570C6 and #7D70C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C670B2 shade matches the following richer shades: #C670B2, #D660BB, #E650C3 and #F640CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C670B2 shade: #C670B2, #B680A9, #A690A1, #96A198 and #85B18F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C670B2 shade: #AB70C6, #C270C6, #C670B3, #C6709C and #C67086

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C670B2 shade: #A3418C, #BA53A2, #C670B2, #D28EC2 and #DDABD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C670B2 shade: #C670B2, #C69470 and #70C6B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C670B2 shade: #C670B2, #B3C670 and #70B3C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C670B2 shade: #C670B2, #C69470, #70C683 and #70A2C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C670B2 shade: #C670B2, #C6AE70, #70C683 and #7089C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

Complementary color

CMYK 60 / 0 / 46 / 44

HEX #398F4D

RGB 57 143 77

HSL 133.95, 0.43%, 0.39%

LAB 53, -40.82, 27.53

 

CMYK 0 / 45 / 15 / 20

HEX #CB70AD

RGB 203 112 173

HSL 319.78, 0.47%, 0.62%

LAB 59.25, 43.87, -16.77

 

CMYK 0 / 41 / 13 / 14

HEX #DC82C0

RGB 220 130 192

HSL 318.67, 0.56%, 0.69%

LAB 65.74, 43.1, -17.52

 

CMYK 0 / 38 / 11 / 7

HEX #ED94D3

RGB 237 148 211

HSL 317.53, 0.71%, 0.75%

LAB 72.15, 42.35, -18.19

 

CMYK 0 / 35 / 9 / 0

HEX #FEA6E6

RGB 254 166 230

HSL 316.36, 0.98%, 0.82%

LAB 78.49, 41.62, -18.8

 

CMYK 0 / 28 / 2 / 0

HEX #FFB8F9

RGB 255 184 249

HSL 305.07, 1%, 0.86%

LAB 83.12, 35.8, -22.01

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 48 / 12 / 29

HEX #B55E9F

RGB 181 94 159

HSL 315.17, 0.37%, 0.54%

LAB 52.21, 43.82, -19.63

 

CMYK 0 / 54 / 15 / 36

HEX #A44C8C

RGB 164 76 140

HSL 316.36, 0.37%, 0.47%

LAB 45.57, 44.49, -18.72

 

CMYK 0 / 61 / 18 / 42

HEX #933A79

RGB 147 58 121

HSL 317.53, 0.43%, 0.4%

LAB 38.92, 44.99, -17.55

 

CMYK 0 / 69 / 22 / 49

HEX #822866

RGB 130 40 102

HSL 318.67, 0.53%, 0.33%

LAB 32.31, 45.11, -15.98

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 43 / 22 / 22

HEX #C6709B

RGB 198 112 155

HSL 330, 0.43%, 0.61%

LAB 58, 39.42, -8.34

 

CMYK 0 / 43 / 33 / 22

HEX #C67084

RGB 198 112 132

HSL 346.05, 0.43%, 0.61%

LAB 57.33, 36.23, 4.04

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 2 / 43 / 0 / 22

HEX #C370C6

RGB 195 112 198

HSL 297.91, 0.43%, 0.61%

LAB 59.22, 45.7, -31.18

 

CMYK 13 / 43 / 0 / 22

HEX #AC70C6

RGB 172 112 198

HSL 281.86, 0.43%, 0.61%

LAB 56.52, 38.83, -35.59

 

CMYK 25 / 43 / 0 / 22

HEX #9570C6

RGB 149 112 198

HSL 265.81, 0.43%, 0.61%

LAB 54.09, 32.1, -39.58

 

CMYK 37 / 43 / 0 / 22

HEX #7D70C6

RGB 125 112 198

HSL 249.07, 0.43%, 0.61%

LAB 51.87, 25.44, -43.23

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 55 / 13 / 16

HEX #D660BB

RGB 214 96 187

HSL 313.73, 0.59%, 0.61%

LAB 58.27, 57.29, -26.17

 

CMYK 0 / 65 / 15 / 10

HEX #E650C3

RGB 230 80 195

HSL 314, 0.75%, 0.61%

LAB 58.51, 69.55, -30.19

 

CMYK 0 / 74 / 17 / 4

HEX #F640CC

RGB 246 64 204

HSL 313.85, 0.91%, 0.61%

LAB 59.54, 79.99, -33.52

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 30 / 7 / 29

HEX #B680A9

RGB 182 128 169

HSL 314.44, 0.27%, 0.61%

LAB 60.11, 27.46, -13.42

 

CMYK 0 / 13 / 3 / 35

HEX #A690A1

RGB 166 144 161

HSL 313.64, 0.11%, 0.61%

LAB 62.19, 11.28, -5.92

 

CMYK 7 / 0 / 6 / 37

HEX #96A198

RGB 150 161 152

HSL 130.91, 0.06%, 0.61%

LAB 65.15, -5.66, 3.33

 

CMYK 25 / 0 / 19 / 31

HEX #85B18F

RGB 133 177 143

HSL 133.64, 0.22%, 0.61%

LAB 68.32, -21.71, 12.69

 

CMYK 14 / 43 / 0 / 22

HEX #AB70C6

RGB 171 112 198

HSL 281.16, 0.43%, 0.61%

LAB 56.41, 38.53, -35.77

 

CMYK 2 / 43 / 0 / 22

HEX #C270C6

RGB 194 112 198

HSL 297.21, 0.43%, 0.61%

LAB 59.1, 45.4, -31.38

 

CMYK 0 / 43 / 10 / 22

HEX #C670B3

RGB 198 112 179

HSL 313.26, 0.43%, 0.61%

LAB 58.83, 43.24, -20.9

 

CMYK 0 / 43 / 21 / 22

HEX #C6709C

RGB 198 112 156

HSL 329.3, 0.43%, 0.61%

LAB 58.03, 39.57, -8.87

 

CMYK 0 / 43 / 32 / 22

HEX #C67086

RGB 198 112 134

HSL 344.65, 0.43%, 0.61%

LAB 57.38, 36.49, 2.95

 

CMYK 0 / 60 / 14 / 36

HEX #A3418C

RGB 163 65 140

HSL 314.08, 0.43%, 0.45%

LAB 43.45, 49.48, -22

 

CMYK 0 / 55 / 13 / 27

HEX #BA53A2

RGB 186 83 162

HSL 313.98, 0.43%, 0.53%

LAB 50.96, 51.3, -23.26

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 32 / 8 / 18

HEX #D28EC2

RGB 210 142 194

HSL 314.12, 0.43%, 0.69%

LAB 67.23, 33.76, -16.49

 

CMYK 0 / 23 / 5 / 13

HEX #DDABD2

RGB 221 171 210

HSL 313.2, 0.42%, 0.77%

LAB 75.55, 24.61, -12.7

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 25 / 43 / 22

HEX #C69470

RGB 198 148 112

HSL 25.12, 0.43%, 0.61%

LAB 65.24, 14.25, 26.35

 

CMYK 43 / 0 / 8 / 22

HEX #70C6B6

RGB 112 198 182

HSL 168.84, 0.43%, 0.61%

LAB 74.32, -29.86, -0.1

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 10 / 0 / 43 / 22

HEX #B3C670

RGB 179 198 112

HSL 73.26, 0.43%, 0.61%

LAB 76.76, -19.89, 40.82

 

CMYK 43 / 10 / 0 / 22

HEX #70B3C6

RGB 112 179 198

HSL 193.26, 0.43%, 0.61%

LAB 69.3, -16.27, -16.32

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 25 / 43 / 22

HEX #C69470

RGB 198 148 112

HSL 25.12, 0.43%, 0.61%

LAB 65.24, 14.25, 26.35

 

CMYK 43 / 0 / 34 / 22

HEX #70C683

RGB 112 198 131

HSL 133.26, 0.43%, 0.61%

LAB 73.2, -40.42, 25.68

 

CMYK 43 / 18 / 0 / 22

HEX #70A2C6

RGB 112 162 198

HSL 205.12, 0.43%, 0.61%

LAB 64.45, -7.13, -23.69

 

CMYK 0 / 43 / 10 / 22

HEX #C670B2

RGB 198 112 178

HSL 313.95, 0.43%, 0.61%

LAB 58.8, 43.07, -20.39

 

CMYK 0 / 12 / 43 / 22

HEX #C6AE70

RGB 198 174 112

HSL 43.26, 0.43%, 0.61%

LAB 71.86, 0.16, 34.95

 

CMYK 43 / 0 / 34 / 22

HEX #70C683

RGB 112 198 131

HSL 133.26, 0.43%, 0.61%

LAB 73.2, -40.42, 25.68

 

CMYK 43 / 31 / 0 / 22

HEX #7089C6

RGB 112 137 198

HSL 222.56, 0.43%, 0.61%

LAB 57.48, 7.12, -34.48

 

Description

Color code: HEX #C670B2 | qconv.com Color code: HEX #C670B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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