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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C670DE it is the complementary color #398F21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C670DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C670DE shade: #CB70D9, #DC82EC, #ED94FF, #FEA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C670DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C670DE shade: #C670DE, #B55ECB, #A44CB8, #933AA5 and #822892

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C670DE shade: #C56DDD, #DD6DD8, #DD6DB9, #DD6D9B and #DD6D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C670DE shade: #C56DDD, #A76DDD, #886DDD and #6D6DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C670DE shade matches the following richer shades: #C56DDD, #CD5FEC and #D550FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C670DE shade: #C56DDD, #BD7BCF, #B58AC1, #AD98B2 and #A4A7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C670DE shade: #876DDD, #A56DDD, #C36DDD, #DD6DDA and #DD6DBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C670DE shade: #A82ECA, #B84BD6, #C56DDD, #D28FE5 and #E0B0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C670DE shade: #C670DE, #DD6D71 and #6DDD96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C670DE shade: #C670DE, #DDC36D and #6DDDC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C670DE shade: #C670DE, #DD6D71, #87DD6D and #6DDDDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C670DE shade: #C670DE, #DD8B6D, #87DD6D and #6DBFDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 50 / 0 / 13

HEX #C670DE

RGB 198 112 222

HSL 286.91, 0.63%, 0.65%

LAB 60.66, 51.19, -42.43

 

Complementary color

CMYK 60 / 0 / 77 / 44

HEX #398F21

RGB 57 143 33

HSL 106.91, 0.63%, 0.35%

LAB 52.54, -46.09, 47.52

 

CMYK 6 / 48 / 0 / 15

HEX #CB70D9

RGB 203 112 217

HSL 292, 0.58%, 0.65%

LAB 61.04, 51.61, -38.99

 

CMYK 7 / 45 / 0 / 7

HEX #DC82EC

RGB 220 130 236

HSL 290.94, 0.74%, 0.72%

LAB 67.45, 50.89, -39.38

 

CMYK 7 / 42 / 0 / 0

HEX #ED94FF

RGB 237 148 255

HSL 289.91, 1%, 0.79%

LAB 73.81, 50.15, -39.71

 

CMYK 0 / 35 / 0 / 0

HEX #FEA6FF

RGB 254 166 255

HSL 299.33, 1%, 0.83%

LAB 79.36, 45.92, -30.96

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 11 / 50 / 0 / 13

HEX #C670DE

RGB 198 112 222

HSL 286.91, 0.63%, 0.65%

LAB 60.66, 51.19, -42.43

 

CMYK 11 / 54 / 0 / 20

HEX #B55ECB

RGB 181 94 203

HSL 287.89, 0.51%, 0.58%

LAB 54.18, 51.89, -42.05

 

CMYK 11 / 59 / 0 / 28

HEX #A44CB8

RGB 164 76 184

HSL 288.89, 0.43%, 0.51%

LAB 47.65, 52.47, -41.55

 

CMYK 11 / 65 / 0 / 35

HEX #933AA5

RGB 147 58 165

HSL 289.91, 0.48%, 0.44%

LAB 41.13, 52.81, -40.85

 

CMYK 11 / 73 / 0 / 43

HEX #822892

RGB 130 40 146

HSL 290.94, 0.57%, 0.36%

LAB 34.68, 52.67, -39.81

 

CMYK 11 / 51 / 0 / 13

HEX #C56DDD

RGB 197 109 221

HSL 287.14, 0.62%, 0.65%

LAB 59.91, 52.24, -43.05

 

CMYK 0 / 51 / 2 / 13

HEX #DD6DD8

RGB 221 109 216

HSL 302.68, 0.62%, 0.65%

LAB 62.73, 57.93, -35.62

 

CMYK 0 / 51 / 16 / 13

HEX #DD6DB9

RGB 221 109 185

HSL 319.29, 0.62%, 0.65%

LAB 61.49, 52.9, -20

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9B

RGB 221 109 155

HSL 335.36, 0.62%, 0.65%

LAB 60.49, 48.7, -4.29

 

CMYK 0 / 51 / 43 / 13

HEX #DD6D7D

RGB 221 109 125

HSL 351.43, 0.62%, 0.65%

LAB 59.7, 45.22, 11.9

 

CMYK 11 / 51 / 0 / 13

HEX #C56DDD

RGB 197 109 221

HSL 287.14, 0.62%, 0.65%

LAB 59.91, 52.24, -43.05

 

CMYK 24 / 51 / 0 / 13

HEX #A76DDD

RGB 167 109 221

HSL 271.07, 0.62%, 0.65%

LAB 56.46, 44.19, -48.74

 

CMYK 38 / 51 / 0 / 13

HEX #886DDD

RGB 136 109 221

HSL 254.46, 0.62%, 0.65%

LAB 53.38, 36.3, -53.84

 

CMYK 51 / 51 / 0 / 13

HEX #6D6DDD

RGB 109 109 221

HSL 240, 0.62%, 0.65%

LAB 51.16, 30.12, -57.51

 

CMYK 11 / 51 / 0 / 13

HEX #C56DDD

RGB 197 109 221

HSL 287.14, 0.62%, 0.65%

LAB 59.91, 52.24, -43.05

 

CMYK 13 / 60 / 0 / 7

HEX #CD5FEC

RGB 205 95 236

HSL 286.81, 0.79%, 0.65%

LAB 59.18, 63.95, -52.55

 

CMYK 15 / 68 / 0 / 2

HEX #D550FA

RGB 213 80 250

HSL 286.94, 0.94%, 0.65%

LAB 58.78, 74.66, -60.91

 

CMYK 11 / 51 / 0 / 13

HEX #C56DDD

RGB 197 109 221

HSL 287.14, 0.62%, 0.65%

LAB 59.91, 52.24, -43.05

 

CMYK 9 / 41 / 0 / 19

HEX #BD7BCF

RGB 189 123 207

HSL 287.14, 0.47%, 0.65%

LAB 61.21, 39.79, -33.23

 

CMYK 6 / 28 / 0 / 24

HEX #B58AC1

RGB 181 138 193

HSL 286.91, 0.31%, 0.65%

LAB 63.22, 26.13, -22.32

 

CMYK 3 / 15 / 0 / 30

HEX #AD98B2

RGB 173 152 178

HSL 288.46, 0.14%, 0.65%

LAB 65.4, 12.56, -10.66

 

CMYK 2 / 0 / 2 / 35

HEX #A4A7A4

RGB 164 167 164

HSL 120, 0.02%, 0.65%

LAB 68.18, -1.63, 1.17

 

CMYK 39 / 51 / 0 / 13

HEX #876DDD

RGB 135 109 221

HSL 253.93, 0.62%, 0.65%

LAB 53.29, 36.06, -53.99

 

CMYK 25 / 51 / 0 / 13

HEX #A56DDD

RGB 165 109 221

HSL 270, 0.62%, 0.65%

LAB 56.24, 43.66, -49.1

 

CMYK 12 / 51 / 0 / 13

HEX #C36DDD

RGB 195 109 221

HSL 286.07, 0.62%, 0.65%

LAB 59.67, 51.7, -43.45

 

CMYK 0 / 51 / 1 / 13

HEX #DD6DDA

RGB 221 109 218

HSL 301.61, 0.62%, 0.65%

LAB 62.82, 58.27, -36.6

 

CMYK 0 / 51 / 15 / 13

HEX #DD6DBC

RGB 221 109 188

HSL 317.68, 0.62%, 0.65%

LAB 61.6, 53.36, -21.54

 

CMYK 17 / 77 / 0 / 21

HEX #A82ECA

RGB 168 46 202

HSL 286.92, 0.63%, 0.49%

LAB 45, 68.9, -56.22

 

CMYK 14 / 65 / 0 / 16

HEX #B84BD6

RGB 184 75 214

HSL 287.05, 0.63%, 0.57%

LAB 51.92, 63.62, -51.88

 

CMYK 11 / 51 / 0 / 13

HEX #C56DDD

RGB 197 109 221

HSL 287.14, 0.62%, 0.65%

LAB 59.91, 52.24, -43.05

 

CMYK 8 / 38 / 0 / 10

HEX #D28FE5

RGB 210 143 229

HSL 286.74, 0.62%, 0.73%

LAB 68.75, 39.77, -33.58

 

CMYK 5 / 26 / 0 / 7

HEX #E0B0ED

RGB 224 176 237

HSL 287.21, 0.63%, 0.81%

LAB 77.88, 27.92, -23.8

 

CMYK 11 / 50 / 0 / 13

HEX #C670DE

RGB 198 112 222

HSL 286.91, 0.63%, 0.65%

LAB 60.66, 51.19, -42.43

 

CMYK 0 / 51 / 49 / 13

HEX #DD6D71

RGB 221 109 113

HSL 357.86, 0.62%, 0.65%

LAB 59.44, 44.05, 18.47

 

CMYK 51 / 0 / 32 / 13

HEX #6DDD96

RGB 109 221 150

HSL 141.96, 0.62%, 0.65%

LAB 80.27, -47.7, 25.3

 

CMYK 11 / 50 / 0 / 13

HEX #C670DE

RGB 198 112 222

HSL 286.91, 0.63%, 0.65%

LAB 60.66, 51.19, -42.43

 

CMYK 0 / 12 / 51 / 13

HEX #DDC36D

RGB 221 195 109

HSL 46.07, 0.62%, 0.65%

LAB 79.33, -1.73, 46.24

 

CMYK 51 / 0 / 12 / 13

HEX #6DDDC3

RGB 109 221 195

HSL 166.07, 0.62%, 0.65%

LAB 81.24, -38.25, 2.97

 

CMYK 11 / 50 / 0 / 13

HEX #C670DE

RGB 198 112 222

HSL 286.91, 0.63%, 0.65%

LAB 60.66, 51.19, -42.43

 

CMYK 0 / 51 / 49 / 13

HEX #DD6D71

RGB 221 109 113

HSL 357.86, 0.62%, 0.65%

LAB 59.44, 44.05, 18.47

 

CMYK 39 / 0 / 51 / 13

HEX #87DD6D

RGB 135 221 109

HSL 106.07, 0.62%, 0.65%

LAB 80.72, -46.6, 46.58

 

CMYK 51 / 0 / 1 / 13

HEX #6DDDDA

RGB 109 221 218

HSL 178.39, 0.62%, 0.65%

LAB 81.85, -32.61, -8.35

 

CMYK 11 / 50 / 0 / 13

HEX #C670DE

RGB 198 112 222

HSL 286.91, 0.63%, 0.65%

LAB 60.66, 51.19, -42.43

 

CMYK 0 / 37 / 51 / 13

HEX #DD8B6D

RGB 221 139 109

HSL 16.07, 0.62%, 0.65%

LAB 65.7, 28.1, 29.09

 

CMYK 39 / 0 / 51 / 13

HEX #87DD6D

RGB 135 221 109

HSL 106.07, 0.62%, 0.65%

LAB 80.72, -46.6, 46.58

 

CMYK 51 / 14 / 0 / 13

HEX #6DBFDD

RGB 109 191 221

HSL 196.07, 0.62%, 0.65%

LAB 73.37, -16.92, -22.72

 

Description

Color code: HEX #C670DE | qconv.com Color code: HEX #C670DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 50 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 50% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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