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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67189 it is the complementary color #398E76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67189 shade: #CB7184, #DC8397, #ED95AA, #FEA7BD and #FFB9D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67189 shade: #C67189, #B55F76, #A44D63, #933B50 and #82293D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67189 shade: #C67088, #C67071 and #C67070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67189 shade: #C67088, #C6709F, #C670B7, #BE70C6 and #A770C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67189 shade matches the following richer shades: #C67088, #D66081, #E6507A and #F64073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67189 shade: #C67088, #B6808F, #A69096, #96A19D and #85B1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67189 shade: #C670B6, #C6709F, #C67089, #C67072 and #C68670

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67189 shade: #A3415C, #BA5370, #C67088, #D28EA1 and #DDABB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67189 shade: #C67189, #C6BF70 and #70ABC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67189 shade: #C67189, #89C670 and #7089C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67189 shade: #C67189, #C6BF70, #70C6AE and #7077C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67189 shade: #C67189, #B3C670, #70C6AE and #8370C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 31 / 22

HEX #C67189

RGB 198 113 137

HSL 343.06, 0.43%, 0.61%

LAB 57.68, 36.35, 1.63

 

Complementary color

CMYK 60 / 0 / 17 / 44

HEX #398E76

RGB 57 142 118

HSL 163.06, 0.43%, 0.39%

LAB 53.52, -31.68, 5.19

 

CMYK 0 / 44 / 35 / 20

HEX #CB7184

RGB 203 113 132

HSL 347.33, 0.46%, 0.62%

LAB 58.2, 37.52, 5.38

 

CMYK 0 / 40 / 31 / 14

HEX #DC8397

RGB 220 131 151

HSL 346.52, 0.56%, 0.69%

LAB 64.71, 36.6, 4.13

 

CMYK 0 / 37 / 28 / 7

HEX #ED95AA

RGB 237 149 170

HSL 345.68, 0.71%, 0.76%

LAB 71.15, 35.72, 3.04

 

CMYK 0 / 34 / 26 / 0

HEX #FEA7BD

RGB 254 167 189

HSL 344.83, 0.98%, 0.83%

LAB 77.51, 34.91, 2.05

 

CMYK 0 / 27 / 18 / 0

HEX #FFB9D0

RGB 255 185 208

HSL 340.29, 1%, 0.86%

LAB 82.12, 28.57, -1.51

 

CMYK 0 / 43 / 31 / 22

HEX #C67189

RGB 198 113 137

HSL 343.06, 0.43%, 0.61%

LAB 57.68, 36.35, 1.63

 

CMYK 0 / 48 / 35 / 29

HEX #B55F76

RGB 181 95 118

HSL 343.95, 0.37%, 0.54%

LAB 51.06, 37.28, 2.93

 

CMYK 0 / 53 / 40 / 36

HEX #A44D63

RGB 164 77 99

HSL 344.83, 0.36%, 0.47%

LAB 44.38, 38.21, 4.47

 

CMYK 0 / 60 / 46 / 42

HEX #933B50

RGB 147 59 80

HSL 345.68, 0.43%, 0.4%

LAB 37.68, 39.09, 6.38

 

CMYK 0 / 68 / 53 / 49

HEX #82293D

RGB 130 41 61

HSL 346.52, 0.52%, 0.34%

LAB 31.04, 39.72, 8.87

 

CMYK 0 / 43 / 31 / 22

HEX #C67088

RGB 198 112 136

HSL 343.26, 0.43%, 0.61%

LAB 57.44, 36.75, 1.86

 

CMYK 0 / 43 / 43 / 22

HEX #C67071

RGB 198 112 113

HSL 359.3, 0.43%, 0.61%

LAB 56.87, 33.98, 14.43

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 31 / 22

HEX #C67088

RGB 198 112 136

HSL 343.26, 0.43%, 0.61%

LAB 57.44, 36.75, 1.86

 

CMYK 0 / 43 / 20 / 22

HEX #C6709F

RGB 198 112 159

HSL 327.21, 0.43%, 0.61%

LAB 58.13, 40.02, -10.46

 

CMYK 0 / 43 / 8 / 22

HEX #C670B7

RGB 198 112 183

HSL 310.47, 0.43%, 0.61%

LAB 58.99, 43.93, -22.96

 

CMYK 4 / 43 / 0 / 22

HEX #BE70C6

RGB 190 112 198

HSL 294.42, 0.43%, 0.61%

LAB 58.61, 44.2, -32.17

 

CMYK 16 / 43 / 0 / 22

HEX #A770C6

RGB 167 112 198

HSL 278.37, 0.43%, 0.61%

LAB 55.97, 37.35, -36.49

 

CMYK 0 / 43 / 31 / 22

HEX #C67088

RGB 198 112 136

HSL 343.26, 0.43%, 0.61%

LAB 57.44, 36.75, 1.86

 

CMYK 0 / 55 / 40 / 16

HEX #D66081

RGB 214 96 129

HSL 343.22, 0.59%, 0.61%

LAB 56.33, 49.57, 4.65

 

CMYK 0 / 65 / 47 / 10

HEX #E6507A

RGB 230 80 122

HSL 343.2, 0.75%, 0.61%

LAB 56.05, 61.02, 8.71

 

CMYK 0 / 74 / 53 / 4

HEX #F64073

RGB 246 64 115

HSL 343.19, 0.91%, 0.61%

LAB 56.58, 70.78, 14

 

CMYK 0 / 43 / 31 / 22

HEX #C67088

RGB 198 112 136

HSL 343.26, 0.43%, 0.61%

LAB 57.44, 36.75, 1.86

 

CMYK 0 / 30 / 21 / 29

HEX #B6808F

RGB 182 128 143

HSL 343.33, 0.27%, 0.61%

LAB 59.31, 23.1, 0.31

 

CMYK 0 / 13 / 10 / 35

HEX #A69096

RGB 166 144 150

HSL 343.64, 0.11%, 0.61%

LAB 61.87, 9.26, -0.14

 

CMYK 7 / 0 / 2 / 37

HEX #96A19D

RGB 150 161 157

HSL 158.18, 0.06%, 0.61%

LAB 65.29, -4.69, 0.73

 

CMYK 25 / 0 / 7 / 31

HEX #85B1A4

RGB 133 177 164

HSL 162.27, 0.22%, 0.61%

LAB 68.83, -17.47, 1.86

 

CMYK 0 / 43 / 8 / 22

HEX #C670B6

RGB 198 112 182

HSL 311.16, 0.43%, 0.61%

LAB 58.95, 43.75, -22.45

 

CMYK 0 / 43 / 20 / 22

HEX #C6709F

RGB 198 112 159

HSL 327.21, 0.43%, 0.61%

LAB 58.13, 40.02, -10.46

 

CMYK 0 / 43 / 31 / 22

HEX #C67089

RGB 198 112 137

HSL 342.56, 0.43%, 0.61%

LAB 57.46, 36.88, 1.32

 

CMYK 0 / 43 / 42 / 22

HEX #C67072

RGB 198 112 114

HSL 358.6, 0.43%, 0.61%

LAB 56.89, 34.09, 13.88

 

CMYK 0 / 32 / 43 / 22

HEX #C68670

RGB 198 134 112

HSL 15.35, 0.43%, 0.61%

LAB 61.85, 21.93, 21.81

 

CMYK 0 / 60 / 44 / 36

HEX #A3415C

RGB 163 65 92

HSL 343.47, 0.43%, 0.45%

LAB 41.75, 43.05, 5.01

 

CMYK 0 / 55 / 40 / 27

HEX #BA5370

RGB 186 83 112

HSL 343.11, 0.43%, 0.53%

LAB 49.25, 44.45, 4

 

CMYK 0 / 43 / 31 / 22

HEX #C67088

RGB 198 112 136

HSL 343.26, 0.43%, 0.61%

LAB 57.44, 36.75, 1.86

 

CMYK 0 / 32 / 23 / 18

HEX #D28EA1

RGB 210 142 161

HSL 343.24, 0.43%, 0.69%

LAB 66.23, 28.46, 0.54

 

CMYK 0 / 23 / 16 / 13

HEX #DDABB9

RGB 221 171 185

HSL 343.2, 0.42%, 0.77%

LAB 74.83, 20.41, -0.1

 

CMYK 0 / 43 / 31 / 22

HEX #C67189

RGB 198 113 137

HSL 343.06, 0.43%, 0.61%

LAB 57.68, 36.35, 1.63

 

CMYK 0 / 4 / 43 / 22

HEX #C6BF70

RGB 198 191 112

HSL 55.12, 0.43%, 0.61%

LAB 76.34, -8.76, 40.61

 

CMYK 43 / 14 / 0 / 22

HEX #70ABC6

RGB 112 171 198

HSL 198.84, 0.43%, 0.61%

LAB 67.01, -12.02, -19.78

 

CMYK 0 / 43 / 31 / 22

HEX #C67189

RGB 198 113 137

HSL 343.06, 0.43%, 0.61%

LAB 57.68, 36.35, 1.63

 

CMYK 31 / 0 / 43 / 22

HEX #89C670

RGB 137 198 112

HSL 102.56, 0.43%, 0.61%

LAB 74.11, -35.45, 36.92

 

CMYK 43 / 31 / 0 / 22

HEX #7089C6

RGB 112 137 198

HSL 222.56, 0.43%, 0.61%

LAB 57.48, 7.12, -34.48

 

CMYK 0 / 43 / 31 / 22

HEX #C67189

RGB 198 113 137

HSL 343.06, 0.43%, 0.61%

LAB 57.68, 36.35, 1.63

 

CMYK 0 / 4 / 43 / 22

HEX #C6BF70

RGB 198 191 112

HSL 55.12, 0.43%, 0.61%

LAB 76.34, -8.76, 40.61

 

CMYK 43 / 0 / 12 / 22

HEX #70C6AE

RGB 112 198 174

HSL 163.26, 0.43%, 0.61%

LAB 74.12, -31.72, 3.93

 

CMYK 43 / 40 / 0 / 22

HEX #7077C6

RGB 112 119 198

HSL 235.12, 0.43%, 0.61%

LAB 52.64, 17.85, -42.08

 

CMYK 0 / 43 / 31 / 22

HEX #C67189

RGB 198 113 137

HSL 343.06, 0.43%, 0.61%

LAB 57.68, 36.35, 1.63

 

CMYK 10 / 0 / 43 / 22

HEX #B3C670

RGB 179 198 112

HSL 73.26, 0.43%, 0.61%

LAB 76.76, -19.89, 40.82

 

CMYK 43 / 0 / 12 / 22

HEX #70C6AE

RGB 112 198 174

HSL 163.26, 0.43%, 0.61%

LAB 74.12, -31.72, 3.93

 

CMYK 34 / 43 / 0 / 22

HEX #8370C6

RGB 131 112 198

HSL 253.26, 0.43%, 0.61%

LAB 52.39, 27.06, -42.37

 

Description

Color code: HEX #C67189 | qconv.com Color code: HEX #C67189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 113 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 113 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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