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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C671B0 it is the complementary color #398E4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C671B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C671B0 shade: #CB71AB, #DC83BE, #ED95D1, #FEA7E4 and #FFB9F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C671B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C671B0 shade: #C671B0, #B55F9D, #A44D8A, #933B77 and #822964

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C671B0 shade: #C670B0, #C67099, #C67082 and #C67070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C671B0 shade: #C670B0, #C570C6, #AE70C6, #9770C6 and #8070C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C671B0 shade matches the following richer shades: #C670B0, #D660B7, #E650BF and #F640C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C671B0 shade: #C670B0, #B680A8, #A690A0, #96A198 and #85B191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C671B0 shade: #AE70C6, #C470C6, #C670B0, #C6709A and #C67083

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C671B0 shade: #A34189, #BA539F, #C670B0, #D28EC0 and #DDABD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C671B0 shade: #C671B0, #C69770 and #70C6B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C671B0 shade: #C671B0, #B0C670 and #70B0C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C671B0 shade: #C671B0, #C69770, #70C686 and #709FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C671B0 shade: #C671B0, #C6B070, #70C686 and #7086C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 11 / 22

HEX #C671B0

RGB 198 113 176

HSL 315.53, 0.43%, 0.61%

LAB 58.93, 42.21, -19.04

 

Complementary color

CMYK 60 / 0 / 44 / 44

HEX #398E4F

RGB 57 142 79

HSL 135.53, 0.43%, 0.39%

LAB 52.71, -40.06, 26.07

 

CMYK 0 / 44 / 16 / 20

HEX #CB71AB

RGB 203 113 171

HSL 321.33, 0.46%, 0.62%

LAB 59.39, 43.03, -15.42

 

CMYK 0 / 40 / 14 / 14

HEX #DC83BE

RGB 220 131 190

HSL 320.22, 0.56%, 0.69%

LAB 65.88, 42.26, -16.19

 

CMYK 0 / 37 / 12 / 7

HEX #ED95D1

RGB 237 149 209

HSL 319.09, 0.71%, 0.76%

LAB 72.3, 41.5, -16.87

 

CMYK 0 / 34 / 10 / 0

HEX #FEA7E4

RGB 254 167 228

HSL 317.93, 0.98%, 0.83%

LAB 78.64, 40.77, -17.49

 

CMYK 0 / 27 / 3 / 0

HEX #FFB9F7

RGB 255 185 247

HSL 306.86, 1%, 0.86%

LAB 83.27, 34.92, -20.7

 

CMYK 0 / 43 / 11 / 22

HEX #C671B0

RGB 198 113 176

HSL 315.53, 0.43%, 0.61%

LAB 58.93, 42.21, -19.04

 

CMYK 0 / 48 / 13 / 29

HEX #B55F9D

RGB 181 95 157

HSL 316.74, 0.37%, 0.54%

LAB 52.33, 42.97, -18.27

 

CMYK 0 / 53 / 16 / 36

HEX #A44D8A

RGB 164 77 138

HSL 317.93, 0.36%, 0.47%

LAB 45.68, 43.67, -17.35

 

CMYK 0 / 60 / 19 / 42

HEX #933B77

RGB 147 59 119

HSL 319.09, 0.43%, 0.4%

LAB 39.01, 44.21, -16.17

 

CMYK 0 / 68 / 23 / 49

HEX #822964

RGB 130 41 100

HSL 320.22, 0.52%, 0.34%

LAB 32.37, 44.39, -14.59

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 0 / 43 / 23 / 22

HEX #C67099

RGB 198 112 153

HSL 331.4, 0.43%, 0.61%

LAB 57.94, 39.12, -7.27

 

CMYK 0 / 43 / 34 / 22

HEX #C67082

RGB 198 112 130

HSL 347.44, 0.43%, 0.61%

LAB 57.28, 35.98, 5.12

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 1 / 43 / 0 / 22

HEX #C570C6

RGB 197 112 198

HSL 299.3, 0.43%, 0.61%

LAB 59.47, 46.3, -30.78

 

CMYK 12 / 43 / 0 / 22

HEX #AE70C6

RGB 174 112 198

HSL 283.26, 0.43%, 0.61%

LAB 56.75, 39.42, -35.22

 

CMYK 24 / 43 / 0 / 22

HEX #9770C6

RGB 151 112 198

HSL 267.21, 0.43%, 0.61%

LAB 54.29, 32.68, -39.25

 

CMYK 35 / 43 / 0 / 22

HEX #8070C6

RGB 128 112 198

HSL 251.16, 0.43%, 0.61%

LAB 52.12, 26.25, -42.81

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 0 / 55 / 14 / 16

HEX #D660B7

RGB 214 96 183

HSL 315.76, 0.59%, 0.61%

LAB 58.11, 56.68, -24.12

 

CMYK 0 / 65 / 17 / 10

HEX #E650BF

RGB 230 80 191

HSL 315.6, 0.75%, 0.61%

LAB 58.34, 68.99, -28.16

 

CMYK 0 / 74 / 19 / 4

HEX #F640C7

RGB 246 64 199

HSL 315.49, 0.91%, 0.61%

LAB 59.33, 79.34, -31.01

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 0 / 30 / 8 / 29

HEX #B680A8

RGB 182 128 168

HSL 315.56, 0.27%, 0.61%

LAB 60.08, 27.28, -12.89

 

CMYK 0 / 13 / 4 / 35

HEX #A690A0

RGB 166 144 160

HSL 316.36, 0.11%, 0.61%

LAB 62.16, 11.09, -5.4

 

CMYK 7 / 0 / 6 / 37

HEX #96A198

RGB 150 161 152

HSL 130.91, 0.06%, 0.61%

LAB 65.15, -5.66, 3.33

 

CMYK 25 / 0 / 18 / 31

HEX #85B191

RGB 133 177 145

HSL 136.36, 0.22%, 0.61%

LAB 68.37, -21.33, 11.66

 

CMYK 12 / 43 / 0 / 22

HEX #AE70C6

RGB 174 112 198

HSL 283.26, 0.43%, 0.61%

LAB 56.75, 39.42, -35.22

 

CMYK 1 / 43 / 0 / 22

HEX #C470C6

RGB 196 112 198

HSL 298.6, 0.43%, 0.61%

LAB 59.34, 46, -30.98

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 0 / 43 / 22 / 22

HEX #C6709A

RGB 198 112 154

HSL 330.7, 0.43%, 0.61%

LAB 57.97, 39.27, -7.8

 

CMYK 0 / 43 / 34 / 22

HEX #C67083

RGB 198 112 131

HSL 346.74, 0.43%, 0.61%

LAB 57.3, 36.1, 4.58

 

CMYK 0 / 60 / 16 / 36

HEX #A34189

RGB 163 65 137

HSL 315.92, 0.43%, 0.45%

LAB 43.32, 49.01, -20.38

 

CMYK 0 / 55 / 15 / 27

HEX #BA539F

RGB 186 83 159

HSL 315.73, 0.43%, 0.53%

LAB 50.84, 50.82, -21.68

 

CMYK 0 / 43 / 11 / 22

HEX #C670B0

RGB 198 112 176

HSL 315.35, 0.43%, 0.61%

LAB 58.72, 42.74, -19.35

 

CMYK 0 / 32 / 9 / 18

HEX #D28EC0

RGB 210 142 192

HSL 315.88, 0.43%, 0.69%

LAB 67.17, 33.42, -15.47

 

CMYK 0 / 23 / 6 / 13

HEX #DDABD0

RGB 221 171 208

HSL 315.6, 0.42%, 0.77%

LAB 75.48, 24.26, -11.7

 

CMYK 0 / 43 / 11 / 22

HEX #C671B0

RGB 198 113 176

HSL 315.53, 0.43%, 0.61%

LAB 58.93, 42.21, -19.04

 

CMYK 0 / 24 / 43 / 22

HEX #C69770

RGB 198 151 112

HSL 27.21, 0.43%, 0.61%

LAB 65.99, 12.6, 27.33

 

CMYK 43 / 0 / 7 / 22

HEX #70C6B9

RGB 112 198 185

HSL 170.93, 0.43%, 0.61%

LAB 74.4, -29.14, -1.61

 

CMYK 0 / 43 / 11 / 22

HEX #C671B0

RGB 198 113 176

HSL 315.53, 0.43%, 0.61%

LAB 58.93, 42.21, -19.04

 

CMYK 11 / 0 / 43 / 22

HEX #B0C670

RGB 176 198 112

HSL 75.35, 0.43%, 0.61%

LAB 76.55, -21.06, 40.51

 

CMYK 43 / 11 / 0 / 22

HEX #70B0C6

RGB 112 176 198

HSL 195.35, 0.43%, 0.61%

LAB 68.44, -14.69, -17.62

 

CMYK 0 / 43 / 11 / 22

HEX #C671B0

RGB 198 113 176

HSL 315.53, 0.43%, 0.61%

LAB 58.93, 42.21, -19.04

 

CMYK 0 / 24 / 43 / 22

HEX #C69770

RGB 198 151 112

HSL 27.21, 0.43%, 0.61%

LAB 65.99, 12.6, 27.33

 

CMYK 43 / 0 / 32 / 22

HEX #70C686

RGB 112 198 134

HSL 135.35, 0.43%, 0.61%

LAB 73.26, -39.89, 24.18

 

CMYK 43 / 20 / 0 / 22

HEX #709FC6

RGB 112 159 198

HSL 207.21, 0.43%, 0.61%

LAB 63.61, -5.46, -24.99

 

CMYK 0 / 43 / 11 / 22

HEX #C671B0

RGB 198 113 176

HSL 315.53, 0.43%, 0.61%

LAB 58.93, 42.21, -19.04

 

CMYK 0 / 11 / 43 / 22

HEX #C6B070

RGB 198 176 112

HSL 44.65, 0.43%, 0.61%

LAB 72.38, -0.9, 35.62

 

CMYK 43 / 0 / 32 / 22

HEX #70C686

RGB 112 198 134

HSL 135.35, 0.43%, 0.61%

LAB 73.26, -39.89, 24.18

 

CMYK 43 / 32 / 0 / 22

HEX #7086C6

RGB 112 134 198

HSL 224.65, 0.43%, 0.61%

LAB 56.66, 8.89, -35.76

 

Description

Color code: HEX #C671B0 | qconv.com Color code: HEX #C671B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 113 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 113 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 11 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 11% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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