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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67242 it is the complementary color #398DBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67242 shade: #CB723D, #DC8450, #ED9663, #FEA876 and #FFBA89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67242 shade: #C67242, #B5602F, #A44E1C, #933C09 and #822A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67242 shade: #C67242, #C64E42 and #C64242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67242 shade: #C67242, #C69642, #C6B942, #AFC642 and #8CC642

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67242 shade matches the following richer shades: #C67242, #DA6D2E and #EE671A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67242 shade: #C67242, #B27756, #9F7D6A, #8B827D and #778891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67242 shade: #C6425A, #C64D42, #C67042, #C69442 and #C6B742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67242 shade: #8C4D2A, #AC5F33, #C67242, #D08A62 and #D9A182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67242 shade: #C67242, #7DC642 and #4249C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67242 shade: #C67242, #42C670 and #7042C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67242 shade: #C67242, #7DC642, #4298C6 and #8B42C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67242 shade: #C67242, #56C642, #4298C6 and #B242C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

Complementary color

CMYK 70 / 25 / 0 / 26

HEX #398DBD

RGB 57 141 189

HSL 201.82, 0.54%, 0.48%

LAB 55.68, -9.61, -32.37

 

CMYK 0 / 44 / 70 / 20

HEX #CB723D

RGB 203 114 61

HSL 22.39, 0.58%, 0.52%

LAB 57.14, 30.71, 43.78

 

CMYK 0 / 40 / 64 / 14

HEX #DC8450

RGB 220 132 80

HSL 22.29, 0.67%, 0.59%

LAB 63.59, 29.17, 41.98

 

CMYK 0 / 37 / 58 / 7

HEX #ED9663

RGB 237 150 99

HSL 22.17, 0.79%, 0.66%

LAB 69.98, 27.81, 40.27

 

CMYK 0 / 34 / 54 / 0

HEX #FEA876

RGB 254 168 118

HSL 22.06, 0.99%, 0.73%

LAB 76.3, 26.59, 38.67

 

CMYK 0 / 27 / 46 / 0

HEX #FFBA89

RGB 255 186 137

HSL 24.92, 1%, 0.77%

LAB 80.84, 19.26, 34.61

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 0 / 47 / 74 / 29

HEX #B5602F

RGB 181 96 47

HSL 21.94, 0.59%, 0.45%

LAB 49.97, 30.58, 42.18

 

CMYK 0 / 52 / 83 / 36

HEX #A44E1C

RGB 164 78 28

HSL 22.06, 0.71%, 0.38%

LAB 43.4, 32.4, 43.88

 

CMYK 0 / 59 / 94 / 42

HEX #933C09

RGB 147 60 9

HSL 22.17, 0.88%, 0.31%

LAB 36.85, 34.36, 44.69

 

CMYK 0 / 68 / 100 / 49

HEX #822A00

RGB 130 42 0

HSL 19.38, 1%, 0.25%

LAB 30.4, 36.29, 42.31

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 0 / 61 / 67 / 22

HEX #C64E42

RGB 198 78 66

HSL 5.45, 0.54%, 0.52%

LAB 49.31, 47.16, 31.82

 

CMYK 0 / 67 / 67 / 22

HEX #C64242

RGB 198 66 66

HSL 0, 0.54%, 0.52%

LAB 47.36, 52.39, 29.44

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 0 / 24 / 67 / 22

HEX #C69642

RGB 198 150 66

HSL 38.18, 0.54%, 0.52%

LAB 65.13, 9.29, 49.94

 

CMYK 0 / 7 / 67 / 22

HEX #C6B942

RGB 198 185 66

HSL 54.09, 0.54%, 0.52%

LAB 74.25, -9.33, 59.58

 

CMYK 12 / 0 / 67 / 22

HEX #AFC642

RGB 175 198 66

HSL 70.45, 0.54%, 0.52%

LAB 76.01, -25.48, 60.82

 

CMYK 29 / 0 / 67 / 22

HEX #8CC642

RGB 140 198 66

HSL 86.36, 0.54%, 0.52%

LAB 73.78, -39.16, 57.8

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 0 / 50 / 79 / 15

HEX #DA6D2E

RGB 218 109 46

HSL 21.98, 0.7%, 0.52%

LAB 58.07, 38.67, 52.58

 

CMYK 0 / 57 / 89 / 7

HEX #EE671A

RGB 238 103 26

HSL 21.79, 0.86%, 0.52%

LAB 59.85, 48.7, 62.93

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 0 / 33 / 52 / 30

HEX #B27756

RGB 178 119 86

HSL 21.52, 0.37%, 0.52%

LAB 55.41, 19.4, 27.49

 

CMYK 0 / 21 / 33 / 38

HEX #9F7D6A

RGB 159 125 106

HSL 21.51, 0.22%, 0.52%

LAB 55.15, 10.35, 15.38

 

CMYK 0 / 6 / 10 / 45

HEX #8B827D

RGB 139 130 125

HSL 21.43, 0.06%, 0.52%

LAB 55.01, 2.47, 3.92

 

CMYK 18 / 6 / 0 / 43

HEX #778891

RGB 119 136 145

HSL 200.77, 0.11%, 0.52%

LAB 55.66, -4.12, -6.89

 

CMYK 0 / 67 / 55 / 22

HEX #C6425A

RGB 198 66 90

HSL 349.09, 0.54%, 0.52%

LAB 47.8, 54, 15.58

 

CMYK 0 / 61 / 67 / 22

HEX #C64D42

RGB 198 77 66

HSL 5, 0.54%, 0.52%

LAB 49.14, 47.61, 31.61

 

CMYK 0 / 43 / 67 / 22

HEX #C67042

RGB 198 112 66

HSL 20.91, 0.54%, 0.52%

LAB 56.08, 30.01, 39.81

 

CMYK 0 / 25 / 67 / 22

HEX #C69442

RGB 198 148 66

HSL 37.27, 0.54%, 0.52%

LAB 64.63, 10.38, 49.39

 

CMYK 0 / 8 / 67 / 22

HEX #C6B742

RGB 198 183 66

HSL 53.18, 0.54%, 0.52%

LAB 73.72, -8.29, 59.03

 

CMYK 0 / 45 / 70 / 45

HEX #8C4D2A

RGB 140 77 42

HSL 21.43, 0.54%, 0.36%

LAB 39.67, 23.41, 31.83

 

CMYK 0 / 45 / 70 / 33

HEX #AC5F33

RGB 172 95 51

HSL 21.82, 0.54%, 0.44%

LAB 48.5, 27.57, 38.16

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 0 / 34 / 53 / 18

HEX #D08A62

RGB 208 138 98

HSL 21.82, 0.54%, 0.6%

LAB 63.73, 22.43, 32.24

 

CMYK 0 / 26 / 40 / 15

HEX #D9A182

RGB 217 161 130

HSL 21.38, 0.53%, 0.68%

LAB 70.77, 16.81, 24.25

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 37 / 0 / 67 / 22

HEX #7DC642

RGB 125 198 66

HSL 93.18, 0.54%, 0.52%

LAB 72.98, -44.51, 56.73

 

CMYK 67 / 63 / 0 / 22

HEX #4249C6

RGB 66 73 198

HSL 236.82, 0.54%, 0.52%

LAB 37.84, 37.05, -66.04

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 67 / 0 / 43 / 22

HEX #42C670

RGB 66 198 112

HSL 140.91, 0.54%, 0.52%

LAB 71.36, -54.65, 32.84

 

CMYK 43 / 67 / 0 / 22

HEX #7042C6

RGB 112 66 198

HSL 260.91, 0.54%, 0.52%

LAB 40.28, 48.87, -61.9

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 37 / 0 / 67 / 22

HEX #7DC642

RGB 125 198 66

HSL 93.18, 0.54%, 0.52%

LAB 72.98, -44.51, 56.73

 

CMYK 67 / 23 / 0 / 22

HEX #4298C6

RGB 66 152 198

HSL 200.91, 0.54%, 0.52%

LAB 59.61, -11.34, -31.32

 

CMYK 30 / 67 / 0 / 22

HEX #8B42C6

RGB 139 66 198

HSL 273.18, 0.54%, 0.52%

LAB 43.45, 54.36, -56.61

 

CMYK 0 / 42 / 67 / 22

HEX #C67242

RGB 198 114 66

HSL 21.82, 0.54%, 0.52%

LAB 56.52, 28.94, 40.32

 

CMYK 57 / 0 / 67 / 22

HEX #56C642

RGB 86 198 66

HSL 110.91, 0.54%, 0.52%

LAB 71.39, -56.26, 54.55

 

CMYK 67 / 23 / 0 / 22

HEX #4298C6

RGB 66 152 198

HSL 200.91, 0.54%, 0.52%

LAB 59.61, -11.34, -31.32

 

CMYK 10 / 67 / 0 / 22

HEX #B242C6

RGB 178 66 198

HSL 290.91, 0.54%, 0.52%

LAB 48.81, 62.97, -47.72

 

Description

Color code: HEX #C67242 | qconv.com Color code: HEX #C67242 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 114 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 114 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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