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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67256 it is the complementary color #398DA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67256 shade: #CB7251, #DC8464, #ED9677, #FEA88A and #FFBA9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67256 shade: #C67256, #B56043, #A44E30, #933C1D and #822A0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67256 shade: #C67256 and #C65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67256 shade: #C67256, #C69156, #C6AF56, #C0C656 and #A2C656

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67256 shade matches the following richer shades: #C67256, #D96944, #EB6032 and #FD5720

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67256 shade: #C67256, #B47B68, #A2847B, #908D8D and #7E979F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67256 shade: #C65676, #C65658, #C67256, #C69056 and #C6AE56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67256 shade: #984C32, #B75B3D, #C67256, #D18C75 and #DBA694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67256 shade: #C67256, #94C656 and #5667C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67256 shade: #C67256, #56C672 and #7256C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67256 shade: #C67256, #94C656, #56AAC6 and #8956C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67256 shade: #C67256, #72C656, #56AAC6 and #AA56C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

Complementary color

CMYK 66 / 17 / 0 / 34

HEX #398DA9

RGB 57 141 169

HSL 195, 0.5%, 0.44%

LAB 54.85, -16.28, -22.23

 

CMYK 0 / 44 / 60 / 20

HEX #CB7251

RGB 203 114 81

HSL 16.23, 0.54%, 0.56%

LAB 57.39, 31.97, 33.45

 

CMYK 0 / 40 / 55 / 14

HEX #DC8464

RGB 220 132 100

HSL 16, 0.63%, 0.63%

LAB 63.87, 30.65, 31.63

 

CMYK 0 / 37 / 50 / 7

HEX #ED9677

RGB 237 150 119

HSL 15.76, 0.77%, 0.7%

LAB 70.28, 29.46, 29.99

 

CMYK 0 / 34 / 46 / 0

HEX #FEA88A

RGB 254 168 138

HSL 15.52, 0.98%, 0.77%

LAB 76.63, 28.39, 28.5

 

CMYK 0 / 27 / 38 / 0

HEX #FFBA9D

RGB 255 186 157

HSL 17.76, 1%, 0.81%

LAB 81.19, 21.34, 24.53

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 47 / 63 / 29

HEX #B56043

RGB 181 96 67

HSL 15.26, 0.46%, 0.49%

LAB 50.21, 31.75, 31.73

 

CMYK 0 / 52 / 71 / 36

HEX #A44E30

RGB 164 78 48

HSL 15.52, 0.55%, 0.42%

LAB 43.59, 33.28, 33.93

 

CMYK 0 / 59 / 80 / 42

HEX #933C1D

RGB 147 60 29

HSL 15.76, 0.67%, 0.35%

LAB 36.97, 34.91, 36.29

 

CMYK 0 / 68 / 92 / 49

HEX #822A0A

RGB 130 42 10

HSL 16, 0.86%, 0.27%

LAB 30.46, 36.49, 38.28

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 27 / 57 / 22

HEX #C69156

RGB 198 145 86

HSL 31.61, 0.5%, 0.56%

LAB 64.1, 13.43, 38.85

 

CMYK 0 / 12 / 57 / 22

HEX #C6AF56

RGB 198 175 86

HSL 47.68, 0.5%, 0.56%

LAB 71.78, -2.75, 47.95

 

CMYK 3 / 0 / 57 / 22

HEX #C0C656

RGB 192 198 86

HSL 63.21, 0.5%, 0.56%

LAB 77.44, -17.11, 54.27

 

CMYK 18 / 0 / 57 / 22

HEX #A2C656

RGB 162 198 86

HSL 79.29, 0.5%, 0.56%

LAB 75.29, -29.15, 51.26

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 52 / 69 / 15

HEX #D96944

RGB 217 105 68

HSL 14.9, 0.66%, 0.56%

LAB 57.34, 41.27, 40.91

 

CMYK 0 / 59 / 79 / 8

HEX #EB6032

RGB 235 96 50

HSL 14.92, 0.82%, 0.56%

LAB 58.28, 51.43, 51.84

 

CMYK 0 / 66 / 87 / 1

HEX #FD5720

RGB 253 87 32

HSL 14.93, 0.98%, 0.56%

LAB 59.71, 60.97, 61.88

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 32 / 42 / 29

HEX #B47B68

RGB 180 123 104

HSL 15, 0.34%, 0.56%

LAB 56.95, 19.86, 19.36

 

CMYK 0 / 19 / 24 / 36

HEX #A2847B

RGB 162 132 123

HSL 13.85, 0.17%, 0.56%

LAB 57.67, 10.03, 9.17

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 21 / 5 / 0 / 38

HEX #7E979F

RGB 126 151 159

HSL 194.55, 0.15%, 0.56%

LAB 60.85, -6.95, -7.13

 

CMYK 0 / 57 / 40 / 22

HEX #C65676

RGB 198 86 118

HSL 342.86, 0.5%, 0.56%

LAB 51.8, 47.75, 4.32

 

CMYK 0 / 57 / 56 / 22

HEX #C65658

RGB 198 86 88

HSL 358.93, 0.5%, 0.56%

LAB 51.11, 44.9, 21.24

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 27 / 57 / 22

HEX #C69056

RGB 198 144 86

HSL 31.07, 0.5%, 0.56%

LAB 63.86, 13.98, 38.55

 

CMYK 0 / 12 / 57 / 22

HEX #C6AE56

RGB 198 174 86

HSL 47.14, 0.5%, 0.56%

LAB 71.52, -2.22, 47.65

 

CMYK 0 / 50 / 67 / 40

HEX #984C32

RGB 152 76 50

HSL 15.29, 0.5%, 0.4%

LAB 41.33, 29.57, 29.71

 

CMYK 0 / 50 / 67 / 28

HEX #B75B3D

RGB 183 91 61

HSL 14.75, 0.5%, 0.48%

LAB 49.36, 34.8, 34.14

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 33 / 44 / 18

HEX #D18C75

RGB 209 140 117

HSL 15, 0.5%, 0.64%

LAB 64.64, 23.59, 23

 

CMYK 0 / 24 / 32 / 14

HEX #DBA694

RGB 219 166 148

HSL 15.21, 0.5%, 0.72%

LAB 72.54, 17.06, 16.89

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 25 / 0 / 57 / 22

HEX #94C656

RGB 148 198 86

HSL 86.79, 0.5%, 0.56%

LAB 74.42, -34.49, 50.03

 

CMYK 57 / 48 / 0 / 22

HEX #5667C6

RGB 86 103 198

HSL 230.89, 0.5%, 0.56%

LAB 46.65, 21.69, -51.71

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 57 / 0 / 42 / 22

HEX #56C672

RGB 86 198 114

HSL 135, 0.5%, 0.56%

LAB 71.95, -50.12, 32.69

 

CMYK 42 / 57 / 0 / 22

HEX #7256C6

RGB 114 86 198

HSL 255, 0.5%, 0.56%

LAB 44.67, 38.13, -54.78

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 25 / 0 / 57 / 22

HEX #94C656

RGB 148 198 86

HSL 86.79, 0.5%, 0.56%

LAB 74.42, -34.49, 50.03

 

CMYK 57 / 14 / 0 / 22

HEX #56AAC6

RGB 86 170 198

HSL 195, 0.5%, 0.56%

LAB 65.6, -17.42, -22.04

 

CMYK 31 / 57 / 0 / 22

HEX #8956C6

RGB 137 86 198

HSL 267.32, 0.5%, 0.56%

LAB 47.04, 43.58, -50.85

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 42 / 0 / 57 / 22

HEX #72C656

RGB 114 198 86

HSL 105, 0.5%, 0.56%

LAB 72.65, -46.24, 47.53

 

CMYK 57 / 14 / 0 / 22

HEX #56AAC6

RGB 86 170 198

HSL 195, 0.5%, 0.56%

LAB 65.6, -17.42, -22.04

 

CMYK 14 / 57 / 0 / 22

HEX #AA56C6

RGB 170 86 198

HSL 285, 0.5%, 0.56%

LAB 51.01, 51.96, -44.28

 

Description

Color code: HEX #C67256 | qconv.com Color code: HEX #C67256 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 114 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 114 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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