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Color name
HEX #C67B22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67B22 it is the complementary color #3984DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67B22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67B22 shade: #CB7B1D, #DC8D30, #ED9F43, #FEB156 and #FFC369

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67B22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67B22 shade: #C67B22, #B5690F, #A45700, #934500 and #823300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67B22 shade: #C47921, #C44D21, #C42121 and #C42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67B22 shade: #C47921, #C4A521, #B6C421, #8AC421 and #5EC421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67B22 shade matches the following richer shades: #C47921 and #D67B0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67B22 shade: #C47921, #B17833, #9F7646, #8C7458 and #79736B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67B22 shade: #C42121, #C44C21, #C47821, #C4A321 and #B9C421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67B22 shade: #7D4D15, #A0631B, #C47921, #DC8E32 and #E2A255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67B22 shade: #C67B22, #4CC421 and #3721C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67B22 shade: #C67B22, #21C478 and #7821C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67B22 shade: #C67B22, #4CC421, #216DC4 and #9821C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67B22 shade: #C67B22, #21C426, #216DC4 and #C421BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 83 / 22

HEX #C67B22

RGB 198 123 34

HSL 32.56, 0.71%, 0.45%

LAB 58.31, 22.62, 56.64

 

Complementary color

CMYK 74 / 40 / 0 / 13

HEX #3984DD

RGB 57 132 221

HSL 212.56, 0.71%, 0.55%

LAB 54.65, 7, -52.07

 

CMYK 0 / 39 / 86 / 20

HEX #CB7B1D

RGB 203 123 29

HSL 32.41, 0.75%, 0.45%

LAB 58.93, 24.62, 59.12

 

CMYK 0 / 36 / 78 / 14

HEX #DC8D30

RGB 220 141 48

HSL 32.44, 0.71%, 0.53%

LAB 65.34, 22.75, 58.75

 

CMYK 0 / 33 / 72 / 7

HEX #ED9F43

RGB 237 159 67

HSL 32.47, 0.83%, 0.6%

LAB 71.69, 21.11, 57.76

 

CMYK 0 / 30 / 66 / 0

HEX #FEB156

RGB 254 177 86

HSL 32.5, 0.99%, 0.67%

LAB 77.99, 19.66, 56.51

 

CMYK 0 / 24 / 59 / 0

HEX #FFC369

RGB 255 195 105

HSL 36, 1%, 0.71%

LAB 82.55, 11.89, 52.79

 

CMYK 0 / 38 / 83 / 22

HEX #C67B22

RGB 198 123 34

HSL 32.56, 0.71%, 0.45%

LAB 58.31, 22.62, 56.64

 

CMYK 0 / 42 / 92 / 29

HEX #B5690F

RGB 181 105 15

HSL 32.53, 0.85%, 0.38%

LAB 51.79, 24.66, 56.28

 

CMYK 0 / 47 / 100 / 36

HEX #A45700

RGB 164 87 0

HSL 31.83, 1%, 0.32%

LAB 45.23, 26.97, 54.13

 

CMYK 0 / 53 / 100 / 42

HEX #934500

RGB 147 69 0

HSL 28.16, 1%, 0.29%

LAB 38.65, 29.49, 48.85

HEX #934500

CMYK 0 / 61 / 100 / 49

HEX #823300

RGB 130 51 0

HSL 23.54, 1%, 0.25%

LAB 32.06, 31.9, 43.48

HEX #823300

CMYK 0 / 38 / 83 / 23

HEX #C47921

RGB 196 121 33

HSL 32.39, 0.71%, 0.45%

LAB 57.58, 22.82, 56.26

 

CMYK 0 / 61 / 83 / 23

HEX #C44D21

RGB 196 77 33

HSL 16.2, 0.71%, 0.45%

LAB 48.45, 45.48, 48.17

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 38 / 83 / 23

HEX #C47921

RGB 196 121 33

HSL 32.39, 0.71%, 0.45%

LAB 57.58, 22.82, 56.26

 

CMYK 0 / 16 / 83 / 23

HEX #C4A521

RGB 196 165 33

HSL 48.59, 0.71%, 0.45%

LAB 68.57, -1.13, 65.71

 

CMYK 7 / 0 / 83 / 23

HEX #B6C421

RGB 182 196 33

HSL 65.15, 0.71%, 0.45%

LAB 75.78, -23.1, 71.36

 

CMYK 30 / 0 / 83 / 23

HEX #8AC421

RGB 138 196 33

HSL 81.35, 0.71%, 0.45%

LAB 72.89, -40.84, 67.72

 

CMYK 52 / 0 / 83 / 23

HEX #5EC421

RGB 94 196 33

HSL 97.55, 0.71%, 0.45%

LAB 70.85, -55.58, 65.14

 

CMYK 0 / 38 / 83 / 23

HEX #C47921

RGB 196 121 33

HSL 32.39, 0.71%, 0.45%

LAB 57.58, 22.82, 56.26

 

CMYK 0 / 43 / 93 / 16

HEX #D67B0E

RGB 214 123 14

HSL 32.7, 0.88%, 0.45%

LAB 60.33, 29, 64.7

 

CMYK 0 / 38 / 83 / 23

HEX #C47921

RGB 196 121 33

HSL 32.39, 0.71%, 0.45%

LAB 57.58, 22.82, 56.26

 

CMYK 0 / 32 / 71 / 31

HEX #B17833

RGB 177 120 51

HSL 32.86, 0.55%, 0.45%

LAB 55.09, 15.82, 45.49

 

CMYK 0 / 26 / 56 / 38

HEX #9F7646

RGB 159 118 70

HSL 32.36, 0.39%, 0.45%

LAB 52.7, 10.34, 32.47

 

CMYK 0 / 17 / 37 / 45

HEX #8C7458

RGB 140 116 88

HSL 32.31, 0.23%, 0.45%

LAB 50.42, 5.15, 18.99

 

CMYK 0 / 5 / 12 / 53

HEX #79736B

RGB 121 115 107

HSL 34.29, 0.06%, 0.45%

LAB 48.75, 0.8, 5.24

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 61 / 83 / 23

HEX #C44C21

RGB 196 76 33

HSL 15.83, 0.71%, 0.45%

LAB 48.28, 45.94, 48.02

 

CMYK 0 / 39 / 83 / 23

HEX #C47821

RGB 196 120 33

HSL 32.02, 0.71%, 0.45%

LAB 57.35, 23.36, 56.05

 

CMYK 0 / 17 / 83 / 23

HEX #C4A321

RGB 196 163 33

HSL 47.85, 0.71%, 0.45%

LAB 68.05, -0.06, 65.27

 

CMYK 6 / 0 / 83 / 23

HEX #B9C421

RGB 185 196 33

HSL 64.05, 0.71%, 0.45%

LAB 76.01, -21.83, 71.64

 

CMYK 0 / 38 / 83 / 51

HEX #7D4D15

RGB 125 77 21

HSL 32.31, 0.71%, 0.29%

LAB 37.34, 15.56, 39.25

 

CMYK 0 / 38 / 83 / 37

HEX #A0631B

RGB 160 99 27

HSL 32.48, 0.71%, 0.37%

LAB 47.59, 19.05, 47.88

 

CMYK 0 / 38 / 83 / 23

HEX #C47921

RGB 196 121 33

HSL 32.39, 0.71%, 0.45%

LAB 57.58, 22.82, 56.26

 

CMYK 0 / 35 / 77 / 14

HEX #DC8E32

RGB 220 142 50

HSL 32.47, 0.71%, 0.53%

LAB 65.59, 22.29, 58.18

 

CMYK 0 / 28 / 62 / 11

HEX #E2A255

RGB 226 162 85

HSL 32.77, 0.71%, 0.61%

LAB 71.33, 15.94, 48.65

 

CMYK 0 / 38 / 83 / 22

HEX #C67B22

RGB 198 123 34

HSL 32.56, 0.71%, 0.45%

LAB 58.31, 22.62, 56.64

 

CMYK 61 / 0 / 83 / 23

HEX #4CC421

RGB 76 196 33

HSL 104.17, 0.71%, 0.45%

LAB 70.26, -60.27, 64.39

 

CMYK 72 / 83 / 0 / 23

HEX #3721C4

RGB 55 33 196

HSL 248.1, 0.71%, 0.45%

LAB 29.12, 56.92, -79.26

 

CMYK 0 / 38 / 83 / 22

HEX #C67B22

RGB 198 123 34

HSL 32.56, 0.71%, 0.45%

LAB 58.31, 22.62, 56.64

 

CMYK 83 / 0 / 39 / 23

HEX #21C478

RGB 33 196 120

HSL 152.02, 0.71%, 0.45%

LAB 70.29, -56.97, 27.19

 

CMYK 39 / 83 / 0 / 23

HEX #7821C4

RGB 120 33 196

HSL 272.02, 0.71%, 0.45%

LAB 36.11, 63.85, -67.49

 

CMYK 0 / 38 / 83 / 22

HEX #C67B22

RGB 198 123 34

HSL 32.56, 0.71%, 0.45%

LAB 58.31, 22.62, 56.64

 

CMYK 61 / 0 / 83 / 23

HEX #4CC421

RGB 76 196 33

HSL 104.17, 0.71%, 0.45%

LAB 70.26, -60.27, 64.39

 

CMYK 83 / 44 / 0 / 23

HEX #216DC4

RGB 33 109 196

HSL 212.02, 0.71%, 0.45%

LAB 45.97, 9.31, -51.78

 

CMYK 22 / 83 / 0 / 23

HEX #9821C4

RGB 152 33 196

HSL 283.8, 0.71%, 0.45%

LAB 40.81, 68.74, -59.62

 

CMYK 0 / 38 / 83 / 22

HEX #C67B22

RGB 198 123 34

HSL 32.56, 0.71%, 0.45%

LAB 58.31, 22.62, 56.64

 

CMYK 83 / 0 / 81 / 23

HEX #21C426

RGB 33 196 38

HSL 121.84, 0.71%, 0.45%

LAB 69.43, -67.32, 61.98

 

CMYK 83 / 44 / 0 / 23

HEX #216DC4

RGB 33 109 196

HSL 212.02, 0.71%, 0.45%

LAB 45.97, 9.31, -51.78

 

CMYK 0 / 83 / 3 / 23

HEX #C421BE

RGB 196 33 190

HSL 302.21, 0.71%, 0.45%

LAB 47.68, 75.54, -44.71

 

Description

Color code: HEX #C67B22 | qconv.com Color code: HEX #C67B22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 123 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 123 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 83% 22% C M Y K

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Provide designers and agencies with accurate color values.

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