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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67D6D it is the complementary color #398292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67D6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67D6D shade: #CB7D68, #DC8F7B, #EDA18E, #FEB3A1 and #FFC5B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67D6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67D6D shade: #C67D6D, #B56B5A, #A45947, #934734 and #823521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67D6D shade: #C57C6C and #C56C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67D6D shade: #C57C6C, #C5946C, #C5AC6C, #C5C46C and #AEC56C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67D6D shade matches the following richer shades: #C57C6C, #D6715B, #E6674B and #F75C3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67D6D shade: #C57C6C, #B5867C, #A4918D, #949B9D and #83A6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67D6D shade: #C56C8D, #C56C75, #C57B6C, #C5936C and #C5AA6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67D6D shade: #A0503E, #BA614E, #C57C6C, #D19689 and #DCB1A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67D6D shade: #C67D6D, #A4C56C and #6C81C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67D6D shade: #C67D6D, #6CC57B and #7B6CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67D6D shade: #C67D6D, #A4C56C, #6CB6C5 and #8D6CC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67D6D shade: #C67D6D, #8AC56C, #6CB6C5 and #A76CC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 45 / 22

HEX #C67D6D

RGB 198 125 109

HSL 10.79, 0.44%, 0.6%

LAB 59.69, 26.54, 20.59

 

Complementary color

CMYK 61 / 11 / 0 / 43

HEX #398292

RGB 57 130 146

HSL 190.79, 0.44%, 0.4%

LAB 50.58, -17.64, -15.43

 

CMYK 0 / 38 / 49 / 20

HEX #CB7D68

RGB 203 125 104

HSL 12.73, 0.49%, 0.6%

LAB 60.22, 28.02, 24.23

 

CMYK 0 / 35 / 44 / 14

HEX #DC8F7B

RGB 220 143 123

HSL 12.37, 0.58%, 0.67%

LAB 66.74, 26.93, 22.72

 

CMYK 0 / 32 / 40 / 7

HEX #EDA18E

RGB 237 161 142

HSL 12, 0.73%, 0.74%

LAB 73.19, 25.96, 21.36

 

CMYK 0 / 30 / 37 / 0

HEX #FEB3A1

RGB 254 179 161

HSL 11.61, 0.98%, 0.81%

LAB 79.55, 25.09, 20.12

 

CMYK 0 / 23 / 29 / 0

HEX #FFC5B4

RGB 255 197 180

HSL 13.6, 1%, 0.85%

LAB 84.22, 18.36, 16.49

 

CMYK 0 / 37 / 45 / 22

HEX #C67D6D

RGB 198 125 109

HSL 10.79, 0.44%, 0.6%

LAB 59.69, 26.54, 20.59

 

CMYK 0 / 41 / 50 / 29

HEX #B56B5A

RGB 181 107 90

HSL 11.21, 0.38%, 0.53%

LAB 53.03, 27.68, 22.18

 

CMYK 0 / 46 / 57 / 36

HEX #A45947

RGB 164 89 71

HSL 11.61, 0.4%, 0.46%

LAB 46.3, 28.95, 24.01

 

CMYK 0 / 52 / 65 / 42

HEX #934734

RGB 147 71 52

HSL 12, 0.48%, 0.39%

LAB 39.51, 30.37, 26.16

 

CMYK 0 / 59 / 75 / 49

HEX #823521

RGB 130 53 33

HSL 12.37, 0.6%, 0.32%

LAB 32.7, 31.89, 28.68

 

CMYK 0 / 37 / 45 / 23

HEX #C57C6C

RGB 197 124 108

HSL 10.79, 0.43%, 0.6%

LAB 59.31, 26.58, 20.63

 

CMYK 0 / 45 / 45 / 23

HEX #C56C6C

RGB 197 108 108

HSL 0, 0.43%, 0.6%

LAB 55.76, 35.2, 15.79

 

CMYK 0 / 37 / 45 / 23

HEX #C57C6C

RGB 197 124 108

HSL 10.79, 0.43%, 0.6%

LAB 59.31, 26.58, 20.63

 

CMYK 0 / 25 / 45 / 23

HEX #C5946C

RGB 197 148 108

HSL 26.97, 0.43%, 0.6%

LAB 65.07, 13.41, 28.28

 

CMYK 0 / 13 / 45 / 23

HEX #C5AC6C

RGB 197 172 108

HSL 43.15, 0.43%, 0.6%

LAB 71.19, 0.4, 36.16

 

CMYK 0 / 1 / 45 / 23

HEX #C5C46C

RGB 197 196 108

HSL 59.33, 0.43%, 0.6%

LAB 77.54, -12.13, 44.07

 

CMYK 12 / 0 / 45 / 23

HEX #AEC56C

RGB 174 197 108

HSL 75.51, 0.43%, 0.6%

LAB 76.08, -21.79, 41.88

 

CMYK 0 / 37 / 45 / 23

HEX #C57C6C

RGB 197 124 108

HSL 10.79, 0.43%, 0.6%

LAB 59.31, 26.58, 20.63

 

CMYK 0 / 47 / 57 / 16

HEX #D6715B

RGB 214 113 91

HSL 10.73, 0.6%, 0.6%

LAB 58.85, 37.55, 30.04

 

CMYK 0 / 55 / 67 / 10

HEX #E6674B

RGB 230 103 75

HSL 10.84, 0.76%, 0.6%

LAB 59, 47.47, 39.59

 

CMYK 0 / 63 / 77 / 3

HEX #F75C3A

RGB 247 92 58

HSL 10.79, 0.92%, 0.6%

LAB 59.65, 57.62, 49.96

 

CMYK 0 / 37 / 45 / 23

HEX #C57C6C

RGB 197 124 108

HSL 10.79, 0.43%, 0.6%

LAB 59.31, 26.58, 20.63

 

CMYK 0 / 26 / 31 / 29

HEX #B5867C

RGB 181 134 124

HSL 10.53, 0.28%, 0.6%

LAB 60.18, 16.6, 12.43

 

CMYK 0 / 12 / 14 / 36

HEX #A4918D

RGB 164 145 141

HSL 10.43, 0.11%, 0.6%

LAB 61.71, 6.39, 4.7

 

CMYK 6 / 1 / 0 / 38

HEX #949B9D

RGB 148 155 157

HSL 193.33, 0.04%, 0.6%

LAB 63.49, -2.1, -1.92

 

CMYK 25 / 5 / 0 / 32

HEX #83A6AE

RGB 131 166 174

HSL 191.16, 0.21%, 0.6%

LAB 65.87, -10.06, -8.06

 

CMYK 0 / 45 / 28 / 23

HEX #C56C8D

RGB 197 108 141

HSL 337.75, 0.43%, 0.6%

LAB 56.6, 39.17, -2.28

 

CMYK 0 / 45 / 41 / 23

HEX #C56C75

RGB 197 108 117

HSL 353.93, 0.43%, 0.6%

LAB 55.97, 36.17, 10.82

 

CMYK 0 / 38 / 45 / 23

HEX #C57B6C

RGB 197 123 108

HSL 10.11, 0.43%, 0.6%

LAB 59.08, 27.13, 20.32

 

CMYK 0 / 25 / 45 / 23

HEX #C5936C

RGB 197 147 108

HSL 26.29, 0.43%, 0.6%

LAB 64.82, 13.96, 27.96

 

CMYK 0 / 14 / 45 / 23

HEX #C5AA6C

RGB 197 170 108

HSL 41.8, 0.43%, 0.6%

LAB 70.67, 1.47, 35.5

 

CMYK 0 / 50 / 61 / 37

HEX #A0503E

RGB 160 80 62

HSL 11.02, 0.44%, 0.44%

LAB 43.59, 31.51, 25.75

 

CMYK 0 / 48 / 58 / 27

HEX #BA614E

RGB 186 97 78

HSL 10.56, 0.44%, 0.52%

LAB 51.31, 34.02, 27

 

CMYK 0 / 37 / 45 / 23

HEX #C57C6C

RGB 197 124 108

HSL 10.79, 0.43%, 0.6%

LAB 59.31, 26.58, 20.63

 

CMYK 0 / 28 / 34 / 18

HEX #D19689

RGB 209 150 137

HSL 10.83, 0.44%, 0.68%

LAB 67.41, 20.46, 15.66

 

CMYK 0 / 20 / 24 / 14

HEX #DCB1A7

RGB 220 177 167

HSL 11.32, 0.43%, 0.76%

LAB 75.73, 14.11, 11.02

 

CMYK 0 / 37 / 45 / 22

HEX #C67D6D

RGB 198 125 109

HSL 10.79, 0.44%, 0.6%

LAB 59.69, 26.54, 20.59

 

CMYK 17 / 0 / 45 / 23

HEX #A4C56C

RGB 164 197 108

HSL 82.25, 0.43%, 0.6%

LAB 75.39, -25.65, 40.89

 

CMYK 45 / 35 / 0 / 23

HEX #6C81C5

RGB 108 129 197

HSL 225.84, 0.43%, 0.6%

LAB 54.99, 10.53, -37.82

 

CMYK 0 / 37 / 45 / 22

HEX #C67D6D

RGB 198 125 109

HSL 10.79, 0.44%, 0.6%

LAB 59.69, 26.54, 20.59

 

CMYK 45 / 0 / 38 / 23

HEX #6CC57B

RGB 108 197 123

HSL 130.11, 0.43%, 0.6%

LAB 72.6, -42.48, 29.04

 

CMYK 38 / 45 / 0 / 23

HEX #7B6CC5

RGB 123 108 197

HSL 250.11, 0.43%, 0.6%

LAB 50.65, 27.02, -44.6

 

CMYK 0 / 37 / 45 / 22

HEX #C67D6D

RGB 198 125 109

HSL 10.79, 0.44%, 0.6%

LAB 59.69, 26.54, 20.59

 

CMYK 17 / 0 / 45 / 23

HEX #A4C56C

RGB 164 197 108

HSL 82.25, 0.43%, 0.6%

LAB 75.39, -25.65, 40.89

 

CMYK 45 / 8 / 0 / 23

HEX #6CB6C5

RGB 108 182 197

HSL 190.11, 0.43%, 0.6%

LAB 69.95, -19.08, -14.81

 

CMYK 28 / 45 / 0 / 23

HEX #8D6CC5

RGB 141 108 197

HSL 262.25, 0.43%, 0.6%

LAB 52.31, 31.9, -41.87

 

CMYK 0 / 37 / 45 / 22

HEX #C67D6D

RGB 198 125 109

HSL 10.79, 0.44%, 0.6%

LAB 59.69, 26.54, 20.59

 

CMYK 30 / 0 / 45 / 23

HEX #8AC56C

RGB 138 197 108

HSL 99.78, 0.43%, 0.6%

LAB 73.82, -35.17, 38.57

 

CMYK 45 / 8 / 0 / 23

HEX #6CB6C5

RGB 108 182 197

HSL 190.11, 0.43%, 0.6%

LAB 69.95, -19.08, -14.81

 

CMYK 15 / 45 / 0 / 23

HEX #A76CC5

RGB 167 108 197

HSL 279.78, 0.43%, 0.6%

LAB 55.04, 39.34, -37.37

 

Description

Color code: HEX #C67D6D | qconv.com Color code: HEX #C67D6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 125 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 125 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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