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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C67E4C it is the complementary color #3981B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C67E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C67E4C shade: #CB7E47, #DC905A, #EDA26D, #FEB480 and #FFC693

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C67E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C67E4C shade: #C67E4C, #B56C39, #A45A26, #934813 and #823600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C67E4C shade: #C67E4C, #C65D4C and #C64C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C67E4C shade: #C67E4C, #C69F4C, #C6C04C, #ACC64C and #8BC64C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C67E4C shade matches the following richer shades: #C67E4C, #D97B39 and #EC7726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C67E4C shade: #C67E4C, #B3825F, #A08572, #8D8885 and #7A8C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C67E4C shade: #C64C5C, #C65C4C, #C67D4C, #C69E4C and #C6BE4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C67E4C shade: #92572E, #B16A38, #C67E4C, #D0956C and #DAAB8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C67E4C shade: #C67E4C, #7DC64C and #4C4CC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C67E4C shade: #C67E4C, #4CC67D and #7D4CC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C67E4C shade: #C67E4C, #7DC64C, #4C95C6 and #954CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C67E4C shade: #C67E4C, #58C64C, #4C95C6 and #BA4CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

Complementary color

CMYK 68 / 28 / 0 / 30

HEX #3981B3

RGB 57 129 179

HSL 204.59, 0.52%, 0.46%

LAB 51.64, -6.16, -32.95

 

CMYK 0 / 38 / 65 / 20

HEX #CB7E47

RGB 203 126 71

HSL 25, 0.56%, 0.54%

LAB 59.95, 24.83, 41.85

 

CMYK 0 / 35 / 59 / 14

HEX #DC905A

RGB 220 144 90

HSL 24.92, 0.65%, 0.61%

LAB 66.44, 23.45, 40.19

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26D

RGB 237 162 109

HSL 24.84, 0.78%, 0.68%

LAB 72.86, 22.24, 38.62

 

CMYK 0 / 29 / 50 / 0

HEX #FEB480

RGB 254 180 128

HSL 24.76, 0.98%, 0.75%

LAB 79.2, 21.17, 37.15

 

CMYK 0 / 22 / 42 / 0

HEX #FFC693

RGB 255 198 147

HSL 28.33, 1%, 0.79%

LAB 83.84, 13.99, 33.34

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 0 / 40 / 69 / 29

HEX #B56C39

RGB 181 108 57

HSL 24.68, 0.52%, 0.47%

LAB 52.78, 24.57, 40.15

 

CMYK 0 / 45 / 77 / 36

HEX #A45A26

RGB 164 90 38

HSL 24.76, 0.62%, 0.4%

LAB 46.1, 26.28, 41.84

 

CMYK 0 / 51 / 87 / 42

HEX #934813

RGB 147 72 19

HSL 24.84, 0.77%, 0.33%

LAB 39.39, 28.23, 43.13

 

CMYK 0 / 58 / 100 / 49

HEX #823600

RGB 130 54 0

HSL 24.92, 1%, 0.25%

LAB 32.67, 30.34, 43.87

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 0 / 53 / 62 / 22

HEX #C65D4C

RGB 198 93 76

HSL 8.36, 0.52%, 0.54%

LAB 52.24, 40.56, 29.69

 

CMYK 0 / 62 / 62 / 22

HEX #C64C4C

RGB 198 76 76

HSL 0, 0.52%, 0.54%

LAB 49.13, 48.69, 25.75

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 0 / 20 / 62 / 22

HEX #C69F4C

RGB 198 159 76

HSL 40.82, 0.52%, 0.54%

LAB 67.52, 5.06, 47.86

 

CMYK 0 / 3 / 62 / 22

HEX #C6C04C

RGB 198 192 76

HSL 57.05, 0.52%, 0.54%

LAB 76.21, -12.3, 57.45

 

CMYK 13 / 0 / 62 / 22

HEX #ACC64C

RGB 172 198 76

HSL 72.79, 0.52%, 0.54%

LAB 75.87, -26.01, 56.51

 

CMYK 30 / 0 / 62 / 22

HEX #8BC64C

RGB 139 198 76

HSL 89.02, 0.52%, 0.54%

LAB 73.8, -38.72, 53.65

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 0 / 43 / 74 / 15

HEX #D97B39

RGB 217 123 57

HSL 24.75, 0.68%, 0.54%

LAB 60.97, 31.46, 50.4

 

CMYK 0 / 50 / 84 / 7

HEX #EC7726

RGB 236 119 38

HSL 24.55, 0.84%, 0.54%

LAB 62.65, 40.44, 60.96

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 0 / 27 / 47 / 30

HEX #B3825F

RGB 179 130 95

HSL 25, 0.36%, 0.54%

LAB 58.39, 14.55, 26.34

 

CMYK 0 / 17 / 29 / 37

HEX #A08572

RGB 160 133 114

HSL 24.78, 0.19%, 0.54%

LAB 57.52, 7.33, 14.09

 

CMYK 0 / 4 / 6 / 45

HEX #8D8885

RGB 141 136 133

HSL 22.5, 0.03%, 0.54%

LAB 57.04, 1.3, 2.26

 

CMYK 20 / 8 / 0 / 40

HEX #7A8C98

RGB 122 140 152

HSL 204, 0.13%, 0.54%

LAB 57.23, -3.75, -8.55

 

CMYK 0 / 62 / 54 / 22

HEX #C64C5C

RGB 198 76 92

HSL 352.13, 0.52%, 0.54%

LAB 49.43, 49.88, 16.6

 

CMYK 0 / 54 / 62 / 22

HEX #C65C4C

RGB 198 92 76

HSL 7.87, 0.52%, 0.54%

LAB 52.04, 41.06, 29.44

 

CMYK 0 / 37 / 62 / 22

HEX #C67D4C

RGB 198 125 76

HSL 24.1, 0.52%, 0.54%

LAB 59.15, 23.63, 38.14

 

CMYK 0 / 20 / 62 / 22

HEX #C69E4C

RGB 198 158 76

HSL 40.33, 0.52%, 0.54%

LAB 67.26, 5.6, 47.57

 

CMYK 0 / 4 / 62 / 22

HEX #C6BE4C

RGB 198 190 76

HSL 56.07, 0.52%, 0.54%

LAB 75.67, -11.28, 56.88

 

CMYK 0 / 40 / 68 / 43

HEX #92572E

RGB 146 87 46

HSL 24.6, 0.52%, 0.38%

LAB 42.95, 20.57, 33.6

 

CMYK 0 / 40 / 68 / 31

HEX #B16A38

RGB 177 106 56

HSL 24.79, 0.52%, 0.46%

LAB 51.77, 23.91, 39.39

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 0 / 28 / 48 / 18

HEX #D0956C

RGB 208 149 108

HSL 24.6, 0.52%, 0.62%

LAB 66.51, 17.37, 30.39

 

CMYK 0 / 22 / 36 / 15

HEX #DAAB8B

RGB 218 171 139

HSL 24.3, 0.52%, 0.7%

LAB 73.48, 12.87, 23.06

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 37 / 0 / 62 / 22

HEX #7DC64C

RGB 125 198 76

HSL 95.9, 0.52%, 0.54%

LAB 73.07, -43.65, 52.63

 

CMYK 62 / 62 / 0 / 22

HEX #4C4CC6

RGB 76 76 198

HSL 240, 0.52%, 0.54%

LAB 39.21, 36.7, -63.78

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 62 / 0 / 37 / 22

HEX #4CC67D

RGB 76 198 125

HSL 144.1, 0.52%, 0.54%

LAB 71.83, -50.39, 26.77

 

CMYK 37 / 62 / 0 / 22

HEX #7D4CC6

RGB 125 76 198

HSL 264.1, 0.52%, 0.54%

LAB 43.66, 46.23, -56.35

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 37 / 0 / 62 / 22

HEX #7DC64C

RGB 125 198 76

HSL 95.9, 0.52%, 0.54%

LAB 73.07, -43.65, 52.63

 

CMYK 62 / 25 / 0 / 22

HEX #4C95C6

RGB 76 149 198

HSL 204.1, 0.52%, 0.54%

LAB 59.07, -7.92, -32.12

 

CMYK 25 / 62 / 0 / 22

HEX #954CC6

RGB 149 76 198

HSL 275.9, 0.52%, 0.54%

LAB 46.49, 51.73, -51.65

 

CMYK 0 / 36 / 62 / 22

HEX #C67E4C

RGB 198 126 76

HSL 24.59, 0.52%, 0.54%

LAB 59.39, 23.08, 38.42

 

CMYK 56 / 0 / 62 / 22

HEX #58C64C

RGB 88 198 76

HSL 114.1, 0.52%, 0.54%

LAB 71.54, -54.77, 50.5

 

CMYK 62 / 25 / 0 / 22

HEX #4C95C6

RGB 76 149 198

HSL 204.1, 0.52%, 0.54%

LAB 59.07, -7.92, -32.12

 

CMYK 6 / 62 / 0 / 22

HEX #BA4CC6

RGB 186 76 198

HSL 294.1, 0.52%, 0.54%

LAB 51.48, 60.66, -43.4

 

Description

Color code: HEX #C67E4C | qconv.com Color code: HEX #C67E4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 126 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 126 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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