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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68251 it is the complementary color #397DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68251 shade: #CB824C, #DC945F, #EDA672, #FEB885 and #FFCA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68251 shade: #C68251, #B5703E, #A45E2B, #934C18 and #823A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68251 shade: #C68251, #C66351 and #C65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68251 shade: #C68251, #C6A251, #C6C151, #ACC651 and #8CC651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68251 shade matches the following richer shades: #C68251, #D97F3F, #EB7C2C and #FE791A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68251 shade: #C68251, #B48564, #A18876, #8F8B89 and #7C8E9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68251 shade: #C6515F, #C66351, #C68251, #C6A151 and #C6C051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68251 shade: #955A30, #B46D3A, #C68251, #D09970 and #DAAF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68251 shade: #C68251, #7EC651 and #5351C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68251 shade: #C68251, #51C682 and #8251C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68251 shade: #C68251, #7EC651, #5196C6 and #9951C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68251 shade: #C68251, #5BC651, #5196C6 and #BD51C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

Complementary color

CMYK 67 / 28 / 0 / 32

HEX #397DAE

RGB 57 125 174

HSL 205.13, 0.51%, 0.45%

LAB 50.21, -5.55, -32.3

 

CMYK 0 / 36 / 63 / 20

HEX #CB824C

RGB 203 130 76

HSL 25.51, 0.55%, 0.55%

LAB 60.94, 22.99, 40.42

 

CMYK 0 / 33 / 57 / 14

HEX #DC945F

RGB 220 148 95

HSL 25.44, 0.64%, 0.62%

LAB 67.44, 21.69, 38.79

 

CMYK 0 / 30 / 52 / 7

HEX #EDA672

RGB 237 166 114

HSL 25.37, 0.77%, 0.69%

LAB 73.86, 20.54, 37.27

 

CMYK 0 / 28 / 48 / 0

HEX #FEB885

RGB 254 184 133

HSL 25.29, 0.98%, 0.76%

LAB 80.21, 19.53, 35.84

 

CMYK 0 / 21 / 40 / 0

HEX #FFCA98

RGB 255 202 152

HSL 29.13, 1%, 0.8%

LAB 84.88, 12.43, 32.12

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 38 / 66 / 29

HEX #B5703E

RGB 181 112 62

HSL 25.21, 0.49%, 0.48%

LAB 53.77, 22.67, 38.67

 

CMYK 0 / 43 / 74 / 36

HEX #A45E2B

RGB 164 94 43

HSL 25.29, 0.58%, 0.41%

LAB 47.07, 24.29, 40.39

 

CMYK 0 / 48 / 84 / 42

HEX #934C18

RGB 147 76 24

HSL 25.37, 0.72%, 0.34%

LAB 40.31, 26.18, 41.85

 

CMYK 0 / 55 / 96 / 49

HEX #823A05

RGB 130 58 5

HSL 25.44, 0.93%, 0.26%

LAB 33.53, 28.3, 42.43

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 50 / 59 / 22

HEX #C66351

RGB 198 99 81

HSL 9.23, 0.51%, 0.55%

LAB 53.52, 37.87, 28.44

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 18 / 59 / 22

HEX #C6A251

RGB 198 162 81

HSL 41.54, 0.51%, 0.55%

LAB 68.34, 3.8, 46.39

 

CMYK 0 / 3 / 59 / 22

HEX #C6C151

RGB 198 193 81

HSL 57.44, 0.51%, 0.55%

LAB 76.52, -12.47, 55.62

 

CMYK 13 / 0 / 59 / 22

HEX #ACC651

RGB 172 198 81

HSL 73.33, 0.51%, 0.55%

LAB 75.92, -25.63, 54.39

 

CMYK 29 / 0 / 59 / 22

HEX #8CC651

RGB 140 198 81

HSL 89.74, 0.51%, 0.55%

LAB 73.91, -37.91, 51.58

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 41 / 71 / 15

HEX #D97F3F

RGB 217 127 63

HSL 24.94, 0.67%, 0.55%

LAB 61.9, 29.63, 48.53

 

CMYK 0 / 47 / 81 / 8

HEX #EB7C2C

RGB 235 124 44

HSL 25.13, 0.83%, 0.55%

LAB 63.56, 37.69, 59.4

 

CMYK 0 / 52 / 90 / 0

HEX #FE791A

RGB 254 121 26

HSL 25, 0.99%, 0.55%

LAB 65.61, 46.13, 68.26

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 26 / 44 / 29

HEX #B48564

RGB 180 133 100

HSL 24.75, 0.35%, 0.55%

LAB 59.34, 13.82, 24.82

 

CMYK 0 / 16 / 27 / 37

HEX #A18876

RGB 161 136 118

HSL 25.12, 0.19%, 0.55%

LAB 58.5, 6.63, 13.19

 

CMYK 0 / 3 / 4 / 44

HEX #8F8B89

RGB 143 139 137

HSL 20, 0.03%, 0.55%

LAB 58.14, 1.1, 1.59

 

CMYK 20 / 8 / 0 / 39

HEX #7C8E9B

RGB 124 142 155

HSL 205.16, 0.13%, 0.55%

LAB 58.03, -3.52, -9.06

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 0 / 50 / 59 / 22

HEX #C66351

RGB 198 99 81

HSL 9.23, 0.51%, 0.55%

LAB 53.52, 37.87, 28.44

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 19 / 59 / 22

HEX #C6A151

RGB 198 161 81

HSL 41.03, 0.51%, 0.55%

LAB 68.09, 4.34, 46.09

 

CMYK 0 / 3 / 59 / 22

HEX #C6C051

RGB 198 192 81

HSL 56.92, 0.51%, 0.55%

LAB 76.25, -11.96, 55.32

 

CMYK 0 / 40 / 68 / 42

HEX #955A30

RGB 149 90 48

HSL 24.95, 0.51%, 0.39%

LAB 44.11, 20.3, 33.94

 

CMYK 0 / 39 / 68 / 29

HEX #B46D3A

RGB 180 109 58

HSL 25.08, 0.51%, 0.47%

LAB 52.89, 23.65, 39.72

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 0 / 26 / 46 / 18

HEX #D09970

RGB 208 153 112

HSL 25.63, 0.51%, 0.63%

LAB 67.55, 15.6, 29.58

 

CMYK 0 / 20 / 34 / 15

HEX #DAAF90

RGB 218 175 144

HSL 25.14, 0.5%, 0.71%

LAB 74.56, 11.33, 21.83

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 36 / 0 / 59 / 22

HEX #7EC651

RGB 126 198 81

HSL 96.92, 0.51%, 0.55%

LAB 73.17, -42.84, 50.54

 

CMYK 58 / 59 / 0 / 22

HEX #5351C6

RGB 83 81 198

HSL 241.03, 0.51%, 0.55%

LAB 40.9, 34.81, -61.01

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 59 / 0 / 34 / 22

HEX #51C682

RGB 81 198 130

HSL 145.13, 0.51%, 0.55%

LAB 72.06, -48.4, 24.48

 

CMYK 34 / 59 / 0 / 22

HEX #8251C6

RGB 130 81 198

HSL 265.13, 0.51%, 0.55%

LAB 45.23, 44.65, -53.79

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 36 / 0 / 59 / 22

HEX #7EC651

RGB 126 198 81

HSL 96.92, 0.51%, 0.55%

LAB 73.17, -42.84, 50.54

 

CMYK 59 / 24 / 0 / 22

HEX #5196C6

RGB 81 150 198

HSL 204.62, 0.51%, 0.55%

LAB 59.56, -7.52, -31.35

 

CMYK 23 / 59 / 0 / 22

HEX #9951C6

RGB 153 81 198

HSL 276.92, 0.51%, 0.55%

LAB 47.92, 50.17, -49.33

 

CMYK 0 / 34 / 59 / 22

HEX #C68251

RGB 198 130 81

HSL 25.13, 0.51%, 0.55%

LAB 60.4, 21.26, 36.98

 

CMYK 54 / 0 / 59 / 22

HEX #5BC651

RGB 91 198 81

HSL 114.87, 0.51%, 0.55%

LAB 71.69, -53.45, 48.47

 

CMYK 59 / 24 / 0 / 22

HEX #5196C6

RGB 81 150 198

HSL 204.62, 0.51%, 0.55%

LAB 59.56, -7.52, -31.35

 

CMYK 5 / 59 / 0 / 22

HEX #BD51C6

RGB 189 81 198

HSL 295.38, 0.51%, 0.55%

LAB 52.71, 59.2, -41.43

 

Description

Color code: HEX #C68251 | qconv.com Color code: HEX #C68251 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 130 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 130 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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