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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68F93 it is the complementary color #39706C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68F93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68F93 shade: #CB8F8E, #DCA1A1, #EDB3B4, #FEC5C7 and #FFD7DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68F93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68F93 shade: #C68F93, #B57D80, #A46B6D, #93595A and #824747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68F93 shade: #C68F93 and #C68F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68F93 shade: #C68F93, #C68FA2, #C68FB1, #C68FC0 and #BE8FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68F93 shade matches the following richer shades: #C68F93, #D48187, #E1737B, #EF6670 and #FD5864

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68F93 shade: #C68F93, #B99C9E, #ABAAAA, #9DB7B6 and #90C5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68F93 shade: #C68FB1, #C68FA2, #C68F93, #C6998F and #C6A88F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68F93 shade: #AA585E, #B87378, #C68F93, #D4AAAD and #E2C5C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68F93 shade: #C68F93, #C0C68F and #8FA9C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68F93 shade: #C68F93, #93C68F and #8F93C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68F93 shade: #C68F93, #C0C68F, #8FC6C1 and #958FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68F93 shade: #C68F93, #AFC68F, #8FC6C1 and #A68FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

Complementary color

CMYK 49 / 0 / 4 / 56

HEX #39706C

RGB 57 112 108

HSL 175.64, 0.33%, 0.33%

LAB 43.57, -19.24, -3.42

 

CMYK 0 / 30 / 30 / 20

HEX #CB8F8E

RGB 203 143 142

HSL 0.98, 0.37%, 0.68%

LAB 65.2, 22.62, 9.65

 

CMYK 0 / 27 / 27 / 14

HEX #DCA1A1

RGB 220 161 161

HSL 0, 0.46%, 0.75%

LAB 71.74, 21.87, 8.64

 

CMYK 0 / 24 / 24 / 7

HEX #EDB3B4

RGB 237 179 180

HSL 358.97, 0.62%, 0.82%

LAB 78.19, 21.2, 7.7

 

CMYK 0 / 22 / 22 / 0

HEX #FEC5C7

RGB 254 197 199

HSL 357.89, 0.97%, 0.88%

LAB 84.55, 20.59, 6.83

 

CMYK 0 / 16 / 15 / 0

HEX #FFD7DA

RGB 255 215 218

HSL 355.5, 1%, 0.92%

LAB 89.36, 14.38, 3.72

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 0 / 31 / 29 / 29

HEX #B57D80

RGB 181 125 128

HSL 356.79, 0.27%, 0.6%

LAB 58.08, 22.18, 7.16

 

CMYK 0 / 35 / 34 / 36

HEX #A46B6D

RGB 164 107 109

HSL 357.89, 0.24%, 0.53%

LAB 51.28, 23.05, 8.3

 

CMYK 0 / 39 / 39 / 42

HEX #93595A

RGB 147 89 90

HSL 358.97, 0.25%, 0.46%

LAB 44.36, 24.02, 9.6

 

CMYK 0 / 45 / 45 / 49

HEX #824747

RGB 130 71 71

HSL 0, 0.29%, 0.39%

LAB 37.31, 25.13, 11.15

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 0 / 28 / 28 / 22

HEX #C68F8F

RGB 198 143 143

HSL 0, 0.33%, 0.67%

LAB 64.67, 20.85, 8.27

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 0 / 28 / 18 / 22

HEX #C68FA2

RGB 198 143 162

HSL 339.27, 0.33%, 0.67%

LAB 65.17, 23.68, -1.73

 

CMYK 0 / 28 / 11 / 22

HEX #C68FB1

RGB 198 143 177

HSL 322.91, 0.33%, 0.67%

LAB 65.61, 26.16, -9.53

 

CMYK 0 / 28 / 3 / 22

HEX #C68FC0

RGB 198 143 192

HSL 306.55, 0.33%, 0.67%

LAB 66.1, 28.83, -17.21

 

CMYK 4 / 28 / 0 / 22

HEX #BE8FC6

RGB 190 143 198

HSL 291.27, 0.33%, 0.67%

LAB 65.49, 27.31, -21.57

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 0 / 39 / 36 / 17

HEX #D48187

RGB 212 129 135

HSL 355.66, 0.49%, 0.67%

LAB 62.88, 32.72, 10.48

 

CMYK 0 / 49 / 45 / 12

HEX #E1737B

RGB 225 115 123

HSL 355.64, 0.65%, 0.67%

LAB 61.39, 43.45, 15.51

 

CMYK 0 / 57 / 53 / 6

HEX #EF6670

RGB 239 102 112

HSL 355.62, 0.81%, 0.67%

LAB 60.8, 53.6, 21.34

 

CMYK 0 / 65 / 60 / 1

HEX #FD5864

RGB 253 88 100

HSL 355.64, 0.98%, 0.67%

LAB 60.59, 63.28, 28.36

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 0 / 16 / 15 / 27

HEX #B99C9E

RGB 185 156 158

HSL 355.86, 0.17%, 0.67%

LAB 66.95, 11.04, 2.95

 

CMYK 0 / 1 / 1 / 33

HEX #ABAAAA

RGB 171 170 170

HSL 0, 0.01%, 0.67%

LAB 69.69, 0.36, 0.12

 

CMYK 14 / 0 / 1 / 28

HEX #9DB7B6

RGB 157 183 182

HSL 177.69, 0.15%, 0.67%

LAB 72.5, -9.04, -2.48

 

CMYK 27 / 0 / 2 / 23

HEX #90C5C1

RGB 144 197 193

HSL 175.47, 0.31%, 0.67%

LAB 75.89, -18.01, -3.58

 

CMYK 0 / 28 / 11 / 22

HEX #C68FB1

RGB 198 143 177

HSL 322.91, 0.33%, 0.67%

LAB 65.61, 26.16, -9.53

 

CMYK 0 / 28 / 18 / 22

HEX #C68FA2

RGB 198 143 162

HSL 339.27, 0.33%, 0.67%

LAB 65.17, 23.68, -1.73

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 0 / 23 / 28 / 22

HEX #C6998F

RGB 198 153 143

HSL 10.91, 0.33%, 0.67%

LAB 67.11, 15.35, 11.72

 

CMYK 0 / 15 / 28 / 22

HEX #C6A88F

RGB 198 168 143

HSL 27.27, 0.33%, 0.67%

LAB 70.87, 7.16, 16.99

 

CMYK 0 / 48 / 45 / 33

HEX #AA585E

RGB 170 88 94

HSL 355.61, 0.33%, 0.51%

LAB 47.41, 34.09, 11.92

 

CMYK 0 / 38 / 35 / 28

HEX #B87378

RGB 184 115 120

HSL 355.65, 0.33%, 0.59%

LAB 55.89, 27.83, 8.73

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 0 / 20 / 18 / 17

HEX #D4AAAD

RGB 212 170 173

HSL 355.71, 0.33%, 0.75%

LAB 73.39, 15.8, 4.29

 

CMYK 0 / 13 / 12 / 11

HEX #E2C5C8

RGB 226 197 200

HSL 353.79, 0.33%, 0.83%

LAB 81.99, 10.71, 2.26

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 3 / 0 / 28 / 22

HEX #C0C68F

RGB 192 198 143

HSL 66.55, 0.33%, 0.67%

LAB 78.21, -11.02, 26.94

 

CMYK 28 / 15 / 0 / 22

HEX #8FA9C6

RGB 143 169 198

HSL 211.64, 0.33%, 0.67%

LAB 68.24, -2.3, -17.76

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 26 / 0 / 28 / 22

HEX #93C68F

RGB 147 198 143

HSL 115.64, 0.33%, 0.67%

LAB 75.19, -27.35, 22.33

 

CMYK 28 / 26 / 0 / 22

HEX #8F93C6

RGB 143 147 198

HSL 235.64, 0.33%, 0.67%

LAB 62.33, 10.06, -26.79

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 3 / 0 / 28 / 22

HEX #C0C68F

RGB 192 198 143

HSL 66.55, 0.33%, 0.67%

LAB 78.21, -11.02, 26.94

 

CMYK 28 / 0 / 3 / 22

HEX #8FC6C1

RGB 143 198 193

HSL 174.55, 0.33%, 0.67%

LAB 76.12, -18.81, -3.26

 

CMYK 25 / 28 / 0 / 22

HEX #958FC6

RGB 149 143 198

HSL 246.55, 0.33%, 0.67%

LAB 61.75, 14.18, -27.63

 

CMYK 0 / 28 / 26 / 22

HEX #C68F93

RGB 198 143 147

HSL 355.64, 0.33%, 0.67%

LAB 64.77, 21.41, 6.15

 

CMYK 12 / 0 / 28 / 22

HEX #AFC68F

RGB 175 198 143

HSL 85.09, 0.33%, 0.67%

LAB 76.97, -17.41, 25.05

 

CMYK 28 / 0 / 3 / 22

HEX #8FC6C1

RGB 143 198 193

HSL 174.55, 0.33%, 0.67%

LAB 76.12, -18.81, -3.26

 

CMYK 16 / 28 / 0 / 22

HEX #A68FC6

RGB 166 143 198

HSL 265.09, 0.33%, 0.67%

LAB 63.2, 19.51, -25.28

 

Description

Color code: HEX #C68F93 | qconv.com Color code: HEX #C68F93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 143 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 143 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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