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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C68F98 it is the complementary color #397067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C68F98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C68F98 shade: #CB8F93, #DCA1A6, #EDB3B9, #FEC5CC and #FFD7DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C68F98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C68F98 shade: #C68F98, #B57D85, #A46B72, #93595F and #82474C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C68F98 shade: #C68F98 and #C68F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C68F98 shade: #C68F98, #C68FA7, #C68FB6, #C68FC5 and #B98FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C68F98 shade matches the following richer shades: #C68F98, #D4818F, #E17385, #EF667C and #FD5873

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C68F98 shade: #C68F98, #B99CA1, #ABAAAA, #9DB7B3 and #90C5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C68F98 shade: #C68FB5, #C68FA7, #C68F98, #C6948F and #C6A38F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C68F98 shade: #AA5865, #B8737E, #C68F98, #D4AAB1 and #E2C5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C68F98 shade: #C68F98, #C4C68F and #8FAEC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C68F98 shade: #C68F98, #98C68F and #8F98C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C68F98 shade: #C68F98, #C4C68F, #8FC6BD and #908FC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C68F98 shade: #C68F98, #B4C68F, #8FC6BD and #A18FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

Complementary color

CMYK 49 / 0 / 8 / 56

HEX #397067

RGB 57 112 103

HSL 170.18, 0.33%, 0.33%

LAB 43.42, -20.61, -0.63

 

CMYK 0 / 30 / 28 / 20

HEX #CB8F93

RGB 203 143 147

HSL 356, 0.37%, 0.68%

LAB 65.32, 23.31, 7.01

 

CMYK 0 / 27 / 25 / 14

HEX #DCA1A6

RGB 220 161 166

HSL 354.92, 0.46%, 0.75%

LAB 71.87, 22.58, 6.05

 

CMYK 0 / 24 / 22 / 7

HEX #EDB3B9

RGB 237 179 185

HSL 353.79, 0.62%, 0.82%

LAB 78.31, 21.92, 5.16

 

CMYK 0 / 22 / 20 / 0

HEX #FEC5CC

RGB 254 197 204

HSL 352.63, 0.97%, 0.88%

LAB 84.67, 21.32, 4.34

 

CMYK 0 / 16 / 13 / 0

HEX #FFD7DF

RGB 255 215 223

HSL 348, 1%, 0.92%

LAB 89.48, 15.17, 1.27

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 31 / 27 / 29

HEX #B57D85

RGB 181 125 133

HSL 351.43, 0.27%, 0.6%

LAB 58.21, 22.9, 4.46

 

CMYK 0 / 35 / 30 / 36

HEX #A46B72

RGB 164 107 114

HSL 352.63, 0.24%, 0.53%

LAB 51.41, 23.73, 5.52

 

CMYK 0 / 39 / 35 / 42

HEX #93595F

RGB 147 89 95

HSL 353.79, 0.25%, 0.46%

LAB 44.48, 24.67, 6.74

 

CMYK 0 / 45 / 42 / 49

HEX #82474C

RGB 130 71 76

HSL 354.92, 0.29%, 0.39%

LAB 37.43, 25.73, 8.18

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 28 / 28 / 22

HEX #C68F8F

RGB 198 143 143

HSL 0, 0.33%, 0.67%

LAB 64.67, 20.85, 8.27

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 28 / 16 / 22

HEX #C68FA7

RGB 198 143 167

HSL 333.82, 0.33%, 0.67%

LAB 65.31, 24.49, -4.34

 

CMYK 0 / 28 / 8 / 22

HEX #C68FB6

RGB 198 143 182

HSL 317.45, 0.33%, 0.67%

LAB 65.77, 27.03, -12.1

 

CMYK 0 / 28 / 1 / 22

HEX #C68FC5

RGB 198 143 197

HSL 301.09, 0.33%, 0.67%

LAB 66.28, 29.76, -19.74

 

CMYK 7 / 28 / 0 / 22

HEX #B98FC6

RGB 185 143 198

HSL 285.82, 0.33%, 0.67%

LAB 64.99, 25.67, -22.38

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 39 / 33 / 17

HEX #D4818F

RGB 212 129 143

HSL 349.88, 0.49%, 0.67%

LAB 63.08, 33.71, 6.21

 

CMYK 0 / 49 / 41 / 12

HEX #E17385

RGB 225 115 133

HSL 350.18, 0.65%, 0.67%

LAB 61.62, 44.49, 10.08

 

CMYK 0 / 57 / 48 / 6

HEX #EF667C

RGB 239 102 124

HSL 350.36, 0.81%, 0.67%

LAB 61.05, 54.62, 14.77

 

CMYK 0 / 65 / 55 / 1

HEX #FD5873

RGB 253 88 115

HSL 350.18, 0.98%, 0.67%

LAB 60.87, 64.31, 20.08

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 16 / 13 / 27

HEX #B99CA1

RGB 185 156 161

HSL 349.66, 0.17%, 0.67%

LAB 67.02, 11.54, 1.38

 

CMYK 0 / 1 / 1 / 33

HEX #ABAAAA

RGB 171 170 170

HSL 0, 0.01%, 0.67%

LAB 69.69, 0.36, 0.12

 

CMYK 14 / 0 / 2 / 28

HEX #9DB7B3

RGB 157 183 179

HSL 170.77, 0.15%, 0.67%

LAB 72.42, -9.66, -0.96

 

CMYK 27 / 0 / 5 / 23

HEX #90C5BC

RGB 144 197 188

HSL 169.81, 0.31%, 0.67%

LAB 75.76, -19.12, -1.07

 

CMYK 0 / 28 / 9 / 22

HEX #C68FB5

RGB 198 143 181

HSL 318.55, 0.33%, 0.67%

LAB 65.74, 26.85, -11.59

 

CMYK 0 / 28 / 16 / 22

HEX #C68FA7

RGB 198 143 167

HSL 333.82, 0.33%, 0.67%

LAB 65.31, 24.49, -4.34

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 25 / 28 / 22

HEX #C6948F

RGB 198 148 143

HSL 5.45, 0.33%, 0.67%

LAB 65.88, 18.1, 9.99

 

CMYK 0 / 18 / 28 / 22

HEX #C6A38F

RGB 198 163 143

HSL 21.82, 0.33%, 0.67%

LAB 69.6, 9.88, 15.22

 

CMYK 0 / 48 / 41 / 33

HEX #AA5865

RGB 170 88 101

HSL 350.49, 0.33%, 0.51%

LAB 47.58, 34.87, 7.94

 

CMYK 0 / 38 / 32 / 28

HEX #B8737E

RGB 184 115 126

HSL 350.43, 0.33%, 0.59%

LAB 56.05, 28.61, 5.45

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 0 / 20 / 17 / 17

HEX #D4AAB1

RGB 212 170 177

HSL 350, 0.33%, 0.75%

LAB 73.49, 16.42, 2.24

 

CMYK 0 / 13 / 11 / 11

HEX #E2C5CA

RGB 226 197 202

HSL 349.66, 0.33%, 0.83%

LAB 82.04, 11.04, 1.27

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 1 / 0 / 28 / 22

HEX #C4C68F

RGB 196 198 143

HSL 62.18, 0.33%, 0.67%

LAB 78.52, -9.49, 27.41

 

CMYK 28 / 12 / 0 / 22

HEX #8FAEC6

RGB 143 174 198

HSL 206.18, 0.33%, 0.67%

LAB 69.6, -5.03, -15.69

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 23 / 0 / 28 / 22

HEX #98C68F

RGB 152 198 143

HSL 110.18, 0.33%, 0.67%

LAB 75.48, -25.64, 22.78

 

CMYK 28 / 23 / 0 / 22

HEX #8F98C6

RGB 143 152 198

HSL 230.18, 0.33%, 0.67%

LAB 63.65, 7.21, -24.75

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 1 / 0 / 28 / 22

HEX #C4C68F

RGB 196 198 143

HSL 62.18, 0.33%, 0.67%

LAB 78.52, -9.49, 27.41

 

CMYK 28 / 0 / 5 / 22

HEX #8FC6BD

RGB 143 198 189

HSL 170.18, 0.33%, 0.67%

LAB 76.01, -19.7, -1.25

 

CMYK 27 / 28 / 0 / 22

HEX #908FC6

RGB 144 143 198

HSL 241.09, 0.33%, 0.67%

LAB 61.35, 12.66, -28.28

 

CMYK 0 / 28 / 23 / 22

HEX #C68F98

RGB 198 143 152

HSL 350.18, 0.33%, 0.67%

LAB 64.9, 22.15, 3.51

 

CMYK 9 / 0 / 28 / 22

HEX #B4C68F

RGB 180 198 143

HSL 79.64, 0.33%, 0.67%

LAB 77.33, -15.55, 25.59

 

CMYK 28 / 0 / 5 / 22

HEX #8FC6BD

RGB 143 198 189

HSL 170.18, 0.33%, 0.67%

LAB 76.01, -19.7, -1.25

 

CMYK 19 / 28 / 0 / 22

HEX #A18FC6

RGB 161 143 198

HSL 259.64, 0.33%, 0.67%

LAB 62.76, 17.92, -26

 

Description

Color code: HEX #C68F98 | qconv.com Color code: HEX #C68F98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 143 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 143 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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